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The Decembrist Myth in Russian Culture by L. Trigos Pdf
This book is the first interdisciplinary treatment of the cultural significance of the Decembrists' mythic image in Russian literature, history, film and opera in a survey of its deployment as cultural trope since the original 1825 rebellion and through the present day.
Between Heaven and Hell by G. Diment,Y. Slezkine Pdf
Siberia has no history of independent political existence, no claim to a separate ethnic identity, and no clear borders. Yet, it could be said that the elusive country 'behind the Urals' is the most real and the most durable part of the Russian landscape. For centuries, Siberia has been represented as Russia's alter ego,as the heavenly or infernal antithesis to the perceived complexity or shallowness of Russian life. It has been both the frightening heart of darkness and a fabulous land of plenty; the 'House of the Dead' and the realm of utter freedom; a frozen wasteland and a colourful frontier; a dumping ground for Russia's rejects and the last refuge of its lost innocence. The contributors to Between Heaven and Hell examine the origin, nature, and implications of these images from historical, literary, geographical, anthropological, and linguistic perspectives. They create a striking, fascinating picture of this enormous and mysterious land.
Siberian Exile and the Invention of Revolutionary Russia, 1825–1917 by Ben Phillips Pdf
Over the course of the nineteenth century Siberia developed a fearsome reputation as a place of exile, often imagined as a vast penal colony and seen as a symbol of the iniquities of autocratic and totalitarian Tsarist rule. This book examines how Siberia’s reputation came about and discusses the effects of this reputation in turning opinion, especially in Western countries, against the Tsarist regime and in giving rise to considerable sympathy for Russian radicals and revolutionaries. It considers the writings and propaganda of a large number of different émigré groups, explores American and British journalists’ investigations and exposé press articles and charts the rise of the idea of Russian political prisoners as revolutionary and reformist heroes. Overall, the book demonstrates how important representations of Siberian exile were in shaping Western responses to the Russian Revolution.
Duelling, the Russian Cultural Imagination, and Masculinity in Crisis by Amanda DiGioia Pdf
This book, written from a feminist perspective, uses the focus of duelling to discuss the nature of masculinity in Russia. It traces the development of duelling and masculinity historically from the time of Peter the Great onwards, considers how duelling and masculinity have been represented in both literature and film and assesses the high emphasis given in Soviet times to gender equality, arguing that this was a failed experiment that ran counter to Russian tradition. It examines how duelling continues to be a feature of life in contemporary Russia and relates the situation in Russia to wider scholarship on the nature of masculinity more generally. Overall, the book contends that Russia’s valuing of a strong, militaristic form of masculinity is a major problem.
While it is generally acknowledged that Russia’s culture has been influenced by France, the present study goes beyond the Francophile preferences of the noble elite and examines Russian society more broadly, exploring those elements of French cultural influence that are still relevant today. This is done through an historical analysis of French loanwords in the Russian language from the time of Peter the Great to the present. The result of this lexical analysis and subsequent study of eighteenth- and nineteenth-century archival, periodical, and memoir material is to empirically link Russia’s present culture to two major Franco-Russian events: the wave of immigration to Russia following the French Revolution and Russia’s war with Napoleon. This is primarily a book for those interested in European history, particularly imperial Russia, the French Revolution, and the Napoleonic Wars. The study of Russian officer memoirs includes original campaign maps, which may be of interest to military historians. The analysis of periodical literature will likewise be a resource for those studying the history of printing, publishing, and journalism in Russia. The book’s interdisciplinary nature, however, broadens its relevance to linguists, cultural historians, and those in the emerging field of Immigration Studies.
Language and Metaphors of the Russian Revolution by Lonny Harrison Pdf
Language and Metaphors of the Russian Revolution: Sow the Wind, Reap the Storm is a panoramic history of the Russian intelligentsia and an analysis of the language and ideals of the Russian Revolution, from its inception over the long nineteenth century through fruition in early Soviet society. This volume examines metaphors for revolution in the storm, flood, and harvest imagery ubiquitous in Russian literary works. At the same time, it considers the struggle to own the narrative of modernity, including Bolshevik weaponization of language and cultural policy that supported the use of terror and social purging. This uniquely cross-disciplinary study conducts a close reading of texts that use storm, flood, and agricultural metaphors in diverse ways to represent revolution, whether in anticipation and celebration of its ideals or in resistance to the same. A spotlight is given to the lives and works of authors who responded to Soviet authoritarianism by reclaiming the narrative of revolution in the name of personal freedom and restoration of humanist values. Hinging on the clashes of culture wars and class wars and residing at the intersection of ideas at the very core of the fight for modernity, this book provides a critical reading of authoritarian discourse and investigates rare examples of the counter narratives that thrived in spite of their suppression.
Just Assassins examines terrorism as it's manifested in Russian culture past and present, with essays devoted to Russian literature, film, and theater; historical narrative; and even amateur memoir, songs, and poetry posted on the Internet. Along with editor Anthony Anemone's introduction, these essays chart the evolution of modern political terrorism in Russia, from the Decembrist uprising to the horrific school siege in Beslan in 2004, showing how Russia's cultural engagement with its legacy of terrorism speaks to the wider world.
Pushkin, the Decembrists, and Civic Sentimentalism by Emily Wang Pdf
In December 1825, a group of liberal aristocrats, officers, and intelligentsia mounted a coup against the tsarist government of Russia. Inspired partially by the democratic revolutions in the United States and France, the Decembrist movement was unsuccessful; however, it led Russia's civil society to new avenues of aspiration and had a lasting impact on Russian culture and politics. Many writers and thinkers belonged to the conspiracy while others, including the poet Alexander Pushkin, were loosely or ambiguously affiliated. While the Decembrist movement and Pushkin's involvement has been well covered by historians, Emily Wang takes a novel approach, examining the emotional and literary motivations behind the movement and the dramatic, failed coup. Through careful readings of the literature of Pushkin and others active in the northern branch of the Decembrist movement, such as Kondraty Ryleev, Wilhelm Küchelbecker, and Fyodor Glinka, Wang traces the development of "emotional communities" among the members and adjacent writers. This book illuminates what Wang terms "civic sentimentalism": the belief that cultivating noble sentiments on an individual level was the key to liberal progress for Russian society, a core part of Decembrist ideology that constituted a key difference from their thought and Pushkin's. The emotional program for Decembrist community members was, in other ways, a civic program for Russia as a whole, one that they strove to enact by any means necessary.
Waiting at the Prison Gate by Judith Pallott,Elena Katz Pdf
The Russian Federation has one of the largest prison populations in the world. Women in particular are profoundly affected by the imprisonment of a family member. Families and Punishment in Russia details the experiences of these women-be they wives, mothers, girlfriends, daughters-who, as relatives of Russia's three-quarters of a million prisoners, are the "invisible victims" of the country's harsh penal policy. A pioneering work that offers a unique lens through which various aspects of life in twenty-first century Russia can be observed: the workings of criminal sub-cultures; societal attitudes to parenthood, marriage and marital fidelity; young women's quests for a husband; nostalgia for the Soviet period; state strategies towards dealing with political opponents; and the social construction of gender roles.
Maximilian Voloshin’s Poetic Legacy and the Post-Soviet Russian Identity by M. Landa Pdf
Famed and outspoken Russian poet, Maximilian Voloshin's notoriety has grown steadily since his slow release from Soviet censorship. For the first time, Landa showcases his vast poetic contributions, proving his words to be an overlooked solution both to the political and cultural turmoil engulfing the Soviet Union in the early twentieth century.
Winner of the Heldt Prize for Best Book in Slavic, East European, and Eurasian Women's and Gender Studies 2021 There was a discontent among Russian men in the nineteenth century that sometimes did not stem from poverty, loss, or the threat of war, but instead arose from trying to negotiate the paradoxical prescriptions for masculinity which characterized the era. Picturing Russia's Men takes a vital new approach to this topic within masculinity and art historical studies by investigating the dissatisfaction that developed from the breakdown in prevailing conceptions of manhood outside of the usual Western European and American contexts. By exploring how Russian painters depicted gender norms as they were evolving over the course of the century, each chapter shows how artworks provide unique insight into not only those qualities that were supposed to predominate, but actually did in lived practice. Drawing on a wide variety of source material, including previously untranslated letters, journals, and contemporary criticism, the book explores the deep structures of masculinity to reveal the conflicting desires and aspirations of men in the period. In so doing, readers are introduced to Russian artists such as Karl Briullov, Pavel Fedotov, Alexander Ivanov, Ivan Kramskoi, and Ilia Repin, all of whom produced masterpieces of realist art in dialogue with paintings made in Western European artistic centers. The result is a more culturally discursive account of art-making in the nineteenth century, one that challenges some of the enduring myths of masculinity and provides a fresh interpretive history of what constitutes modernism in the history of art.
"The House of the Dead is a history of Siberia with a focus on the last four tsars (1801-1917). Daniel Beer explores the massive penal colony that became an incubator for the radicalism of revolutionaries who would one day rule Russia"--Provided by publisher.
A Prison Without Walls? presents a snapshot of daily life for exiles and their dependents in eastern Siberia during the very last years of the Tsarist regime, from the 1905 revolution to the collapse of the Tsarist regime in 1917. This was an extraordinary period in Siberia's history as a place of punishment. There was an unprecedented rise of Siberia's penal use in this fifteen-year window, and a dramatic increase in the number of exiles punished for political offences. This work focuses on the region of Eastern Siberia, taking the regions of Irkutsk and Yakutsk in north-eastern Siberia as its focal points. Siberian exile was the antithesis of Foucault's modern prison. The State did not observe, monitor, and control its exiles closely; often not even knowing where the exiles were. Exiles were free to govern their daily lives; free of fences and free from close observation and supervision, but despite these freedoms, Siberian exile represented one of Russia's most feared punishments. In this volume, Sarah Badcock seeks to humanise the individuals who made up the mass of exiles, and the men, women, and children who followed them voluntarily into exile. A Prison Without Walls? is structured in a broad narrative arc that moves from travel to exile, life and communities in exile, work and escape, and finally illness in exile. The book gives a personal, human, empathetic insight into what exilic experience entailed, and allows us to comprehend why eastern Siberia was regarded as a terrible punishment, despite its apparent freedoms.
