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Author : Norman Paxton
Publisher : Librairie Droz
Page : 180 pages
File Size : 51,7 Mb
Release : 1968
Category : Electronic
ISBN : 2600034900
Author : Norman Paxton
Publisher : Unknown
Page : 174 pages
File Size : 45,7 Mb
Release : 1968
Category : Electronic
ISBN : OCLC:1069816176
Author : Judy Kravis
Publisher : Cambridge University Press
Page : 0 pages
File Size : 49,7 Mb
Release : 2009-04-09
Category : Literary Criticism
ISBN : 0521108535
This book was originally published in 1976. Mallarme's writings about the nature and purposes of art lie behind much modern critical theory. There is no sharp distinction between his poetry and his prose; in both he was exercising his art; and in both he was preoccupied by the same things. Yet the prose is little studied. Dr Kravis treats it under the headings of literary, music and dramatic criticism, translation, writing on fashion and on language. She shows the intellectual links between the various interests. More important, she shows how the prose is an art which does what it talks about. Quotation is in French, so this is primarily a book for the reader of French. But it is important for any serious reader of modern literature.
Author : Norman Paxton
Publisher : Unknown
Page : 188 pages
File Size : 55,8 Mb
Release : 1968
Category : Electronic
ISBN : UCAL:B4934035
Author : James Kearns
Publisher : MHRA
Page : 248 pages
File Size : 51,7 Mb
Release : 1989
Category : Art and literature
ISBN : 094762323X
Author : Joseph Acquisto
Publisher : Routledge
Page : 322 pages
File Size : 45,9 Mb
Release : 2017-03-02
Category : Literary Criticism
ISBN : 9781351935654
What role did music play in the creation of a new aesthetics of poetry in French from the 1860s to the 1930s? How did music serve as an unassimilable 'other' against which the French symbolist poets crafted a new poetics? And why did music gradually disappear from early twentieth-century poetic discourse? These are among the questions Joseph Acquisto poses in his lively study of the ways in which Baudelaire, Mallarmé, Ghil, and Royère question the nature and function of the lyric through an ever-shifting set of intertextual and cultural contexts. Rather than focusing on 'musicality' in verse, the author addresses the consequences of choosing music as a site of dialogue with poetry. Acquisto argues that memory plays an under acknowledged yet vital role in these poets' rewriting of symbolist poetics. His reading of their interactions, and his focus on both major and neglected poets, exposes the myth of a small handful of 'great authors' shaping symbolism while a host of disciples propagated the tradition. Rather, Acquisto proposes, the multiplicity of authors writing and rewriting symbolism invites a dialogic approach to the poetics of the period. Moreover, music, as theorized rather than performed or heard, serves as a privileged mobile space of poetic creation and dialogue for these poet-critics; it is through engagement with music, supposedly the purest or most abstract of the arts, that one can retrace the textual and cultural transformations accomplished by the symbolist tradition. By extension, these poets' rethinking of poetics is an occasion for present-day critics to re-examine assumptions, not only about the intersections of music and poetry and our understanding of symbolist poetics but also about the role that the aesthetic implicitly plays in the creation, preservation, or reshaping of cultural memory.
Author : Heath Lees
Publisher : Routledge
Page : 272 pages
File Size : 53,7 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351559485
This book challenges and replaces the existing view of Mallarm mission to 're-possess' music on behalf of poetic language. Traditionally, this view focused on only the last fifteen years of the poet's life, and sprang from a belief in Mallarm 'sudden awakening' to music during an all-Wagner concert in Paris, in 1885. Professor Heath Lees shows that Mallarm early knowledge and experience of music was much greater than commentators have realized, and that the French poet actually began his writing career with the explicit aim of making music's performance-language of 'effect' the ground of his poetic expression. Integral to the argument is Mallarm reaction to the work and ideas of Richard Wagner, whose impact on France came in two waves: the first broke during the tempestuous 1860s days of the Paris Tannher, while the second arrived in the mid-1880s, and gave birth to the Revue Wagnenne. In refuting the critical literature that focuses on only the second of these waves, Lees shows that Mallarmxhibited a highly informed Wagnerian background during the first wave, and that his grasp of the composer's gestural motives and flexible musical prose led him towards a new kind of self-expressive, gestural rhythm that aimed musically to reinvent poetic language. In support of this, the book examines closely what Wagner 'really' said in the prose works that were becoming known in Paris by the 1860s, in particular, Wagner's important French text, the Lettre sur la musique. It also re-examines Baudelaire's classic Wagner-brochure, and reveals its author's surprisingly firm grasp of Wagner's musico-poetic fusion. In musically informed commentary, Professor Lees surveys the four decades of success and failure that resulted from Mallarm repeated attempts to draw out the musical gestures and resonances of words alone. In the process, he throws new light on many of Mallarm best-known texts, hitherto judged 'difficult' by those who have failed to
Author : Pamela A. Genova
Publisher : Northwestern University Press
Page : 376 pages
File Size : 41,6 Mb
Release : 2016-04-30
Category : Literary Criticism
ISBN : 9780810132207
Winner of the SCMLA 2017 Book Award Beginning in the late nineteenth century, French visual artists began incorporating Japanese forms into their work. The style, known as Japonisme, spanned the arts. Identifying a general critical move from a literal to a more metaphoric understanding and presentation of Japonisme, Pamela A. Genova applies a theory of "aesthetic translation" to a broad response to Japanese aesthetics within French culture. She crosses the borders of genre, field, and form to explore the relationship of Japanese visual art to French prose writing of the mid- to late 1800s. Writing Japonisme focuses on the work of Edmond de Goncourt, Joris-Karl Huysmans, Émile Zola, and Stéphane Mallarmé as they witnessed, incorporated, and participated in an unprecedented cultural exchange between France and Japan, as both creators and critics. Genova’s original research opens new perspectives on a fertile and influential period of intercultural dynamics.
Author : Stéphane Mallarmé,Jill Anderson
Publisher : New Directions Publishing
Page : 164 pages
File Size : 50,9 Mb
Release : 2001
Category : Literary Collections
ISBN : 0811214516
A number of sections are devoted to Mallarme's great magazine of wit and opinion, La Derniere Mode, or The Latest Fashion, every page of which he wrote himself under various pseudonyms of both genders.
Author : Laurence Porter
Publisher : Cornell University Press
Page : 287 pages
File Size : 54,8 Mb
Release : 2019-05-15
Category : History
ISBN : 9781501746178
Challenging traditional histories of the nineteenth-century French lyric, Laurence Porter maintains that from 1851 to 1875 Symbolism constituted neither a movement nor a system, but rather represented a crisis of confidence in the powers of poetry as a communicative act. The Crisis of French Symbolism offers a provocative reinterpretation of the four acknowledged masters of Symbolist poetry: Baudelaire, Verlaine, Rimbaud, and Mallarmé.
Author : Heath Lees
Publisher : Routledge
Page : 262 pages
File Size : 47,5 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351559478
This book challenges and replaces the existing view of Mallarm? mission to 're-possess' music on behalf of poetic language. Traditionally, this view focused on only the last fifteen years of the poet's life, and sprang from a belief in Mallarm? 'sudden awakening' to music during an all-Wagner concert in Paris, in 1885. Professor Heath Lees shows that Mallarm? early knowledge and experience of music was much greater than commentators have realized, and that the French poet actually began his writing career with the explicit aim of making music's performance-language of 'effect' the ground of his poetic expression. Integral to the argument is Mallarm? reaction to the work and ideas of Richard Wagner, whose impact on France came in two waves: the first broke during the tempestuous 1860s days of the Paris Tannh?er, while the second arrived in the mid-1880s, and gave birth to the Revue Wagn?enne. In refuting the critical literature that focuses on only the second of these waves, Lees shows that Mallarm?xhibited a highly informed Wagnerian background during the first wave, and that his grasp of the composer's gestural motives and flexible musical prose led him towards a new kind of self-expressive, gestural rhythm that aimed musically to reinvent poetic language. In support of this, the book examines closely what Wagner 'really' said in the prose works that were becoming known in Paris by the 1860s, in particular, Wagner's important French text, the Lettre sur la musique. It also re-examines Baudelaire's classic Wagner-brochure, and reveals its author's surprisingly firm grasp of Wagner's musico-poetic fusion. In musically informed commentary, Professor Lees surveys the four decades of success and failure that resulted from Mallarm? repeated attempts to draw out the musical gestures and resonances of words alone. In the process, he throws new light on many of Mallarm? best-known texts, hitherto judged 'difficult' by those who have failed to
Author : Anonim
Publisher : BRILL
Page : 143 pages
File Size : 43,9 Mb
Release : 2021-09-06
Category : Literary Criticism
ISBN : 9789004484344
Architectures of Poetry is the first comprehensive accounting of the currently intense dialogue between the sister arts of poetry and architecture. Refusing to take either term in a metaphoric sense, the eleven essays collected in this volume exemplify an exciting methodological direction for work in the humanities: a literal wager that is willing to take the unintended suggestions of language as reality. At the same time, they also provide close readings of the work of a number of important writers. In addition to a suite of essays devoted to the team of Arakawa and Madeline Gins, chapters focus on figures as diverse as Francesco Borromini, Rainer Maria Rilke, Stéphane Mallarmé, Friedrich Achleitner, John Cage and Lyn Hejinian.
Author : Lloyd Austin
Publisher : Cambridge University Press
Page : 374 pages
File Size : 45,7 Mb
Release : 1987
Category : Literary Criticism
ISBN : 9780521327374
The central theme here is the constant confrontation of theory and practice in the work of Baudelaire, Mallarmé and Valéry.
Author : Drewry Hampton Morris
Publisher : University, Miss. : Romance Monographs, Incorporated
Page : 216 pages
File Size : 47,7 Mb
Release : 1977
Category : Literary Criticism
ISBN : UOM:39015004831031
Romance monographs ; no. 25 (er)
Author : Valentini Papadopoulou Brady
Publisher : Librairie Droz
Page : 368 pages
File Size : 55,5 Mb
Release : 1970
Category : Love in literature
ISBN : 2600035052