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The Devil's Redemption : 2 volumes by Michael J. McClymond Pdf
Will all evil finally turn to good, or does some evil remain stubbornly opposed to God and God's goodness? Will even the devil be redeemed? Addressing a theological issue of perennial interest, this comprehensive book (in two volumes) surveys the history of Christian universalism from the second to the twenty-first century and offers an interpretation of how and why universalist belief arose. The author explores what the church has taught about universal salvation and hell and critiques universalism from a biblical, philosophical, and theological standpoint. He shows that the effort to extend grace to everyone undermines the principle of grace for anyone.
Strong. Fierce. Unshakeable. Three things I've always strived to be. But life is unexpected. It's confusing. It's cruel. All it takes is one blink, one blip in time, and your life is changed irrevocably. I knew he would come for me. What I didn't anticipate was how much I would need him. He locked me up and told me I was his forever. Until I wasn't. In the darkest moments since then, he was the light that kept me going. The life I thought I didn't want, I now prayed that I'd return to. Taking me was the easy part. Breaking me tested my strength. Surviving both could be my ruin.
Father Michael Henry had sacrificed his youth and worldly desires to God. He feels he is worthy of Heaven. When doctors resuscitate him after suffering a heart attack he is shocked to what he remembers after death... nothing. He turns against Christianity, seizing the attention of a vampire, Lamia. She sends her half-vampire servant, Morrow, to offer something to him that God had not, the gift of eternal life. He eagerly accepts the gift with open arms, but soon finds out to his dismay that the gift is actually a curse that afflicts the damned. Now he fights for what is left of his humanity to escape from the powerful vampire that hungers for him.
Eons ago, a third of The Host fell. Now it is time for them to be redeemed. Through fire and ice, through war and treachery, through blood and grit, through sacrifice and love, will a small band of heroes mold the future of creation. Howe and his entourage will be tasked to fend off the Draconian invasion, fight battles in the 12th dimension, and help Lucifer obtain his tools of power to finally reform and redeem Hell. Metaphysical in nature, and riveting sci-fi fantasy in one, this epic entails the Devil's efforts to win God's Grace with good works which now can be presented in full. If Heaven is the prize, then there is Hell to pay. What falls must be restored again. Will you be there to witness the ultimate miracle?
Isabelle Just when I was beginning to trust my husband, he betrayed me. Just when I thought I was falling in love he showed me the beast he truly is. I understand his thirst for revenge. But I don't want to play this game of pawn and puppet master. No matter how his hands make my heart race and my body crave his devil's touch, I won't give in. I love his daughter. But I can't let myself fall in love with her father. Jericho I have exactly what I want. Revenge. Soon everything the Bishops have will be mine. But it will cost me more than I bargained. Isabelle Bishop hates me. As she should. I know what I am. And now she does too. But falling in love with my wife was never part of my plan.
The Devil's Rights and the Redemption in the Literature of Medieval England by C. William Marx Pdf
A study of the theory of the devil's rights in relation to medieval theology of the redemption, as this is treated in the popular literature of medieval England.
Ruthless. Wicked. Predator. I've been called many things, most of which are true. But when you're an outlaw, you wear those words like badges of honor on your cut. I grew up in the Devil's Skull MC. It's all I know. It's all I've ever wanted to be. Until I met her. She's feisty, smart, and way too good for the likes of a dirtbag like me. But I can't stay away from her. For two years I've watched her from a distance, wishing our circumstances allowed for me to be the kind of man she deserves. When the chance to get close to her finally arrives, it's only to drag her home so she can answer for her crimes. Finding her was the easy part. Bringing her in sealed her fate. Claiming her was the final nail in her coffin.
After successfully stopping the flood of demons from Hell onto Earth, the Chosen must now permanently re-form the Gates, a dangerous task that requires battling against Lucifer's chosen warlock, Garrick, and his demonic master, Javal. In order to do this, they need a powerful witch of their own. Aradia has always known she would be called through time to help foil Lucifer's plan. After a harrowing escape from ancient Greece to present day Las Vegas, she is forced to contend with a new time, place, new people, and a powerful adversary in Garrick. With the addition of Aradia, the circle of six is complete and all must focus on the task at hand: stopping Lucifer. As Aradia struggles to adjust to the new world, she also struggles with her overwhelming feelings for Gage Windsor, an ancient vampire with a tragic past. While Aradia and Gage feel their way through the emotions surrounding them, Alaria finds herself torn between Gabriel-who she has loved for millennia, but who betrays her trust-and her surprising new feelings for Braxton, who is still deeply grieving the death of Griffin. When their quest to stop Garrick leads them back through time to the wonders of Atlantis, the six are forced to fight for their lives in a battle lost long ago. While struggling with their own demons, can the group come together to defeat their common enemy before Atlantis sinks, or will they join the city at the bottom of the ocean?
Author : Linda Munk Publisher : New York : Oxford University Press Page : 159 pages File Size : 42,5 Mb Release : 1997 Category : American literature ISBN : 9780195114942
The Devil's Mousetrap approaches the thought of three colonial New England divines--Increase Mather, Jonathan Edwards, and Edward Taylor--from the perspective of literary theory. Author Linda Munk focuses on the background of these men's ideas and on the sources from which they drew, both directly and indirectly, in framing their theology. She notes that the language used in the pulpit by Mather, Edwards, and Taylor is full of allusions to the Bible and Apocrypha, to Puritan treatises, and to post-biblical exegesis, Jewish and Christian. Munk proceeds to unpack many allusions that have, for the most part, proven to be unclear to contemporary readers, in order to provide essential insights into the construction of Puritan theology.
Themelios is an international, evangelical, peer-reviewed theological journal that expounds and defends the historic Christian faith. Themelios is published three times a year online at The Gospel Coalition (http://thegospelcoalition.org/themelios/) and in print by Wipf and Stock. Its primary audience is theological students and pastors, though scholars read it as well. Themelios began in 1975 and was operated by RTSF/UCCF in the UK, and it became a digital journal operated by The Gospel Coalition in 2008. The editorial team draws participants from across the globe as editors, essayists, and reviewers. General Editor: D. A. Carson, Trinity Evangelical Divinity School Managing Editor: Brian Tabb, Bethlehem College and Seminary Consulting Editor: Michael J. Ovey, Oak Hill Theological College Administrator: Andrew David Naselli, Bethlehem College and Seminary Book Review Editors: Jerry Hwang, Singapore Bible College; Alan Thompson, Sydney Missionary & Bible College; Nathan A. Finn, Southeastern Baptist Theological Seminary; Hans Madueme, Covenant College; Dane Ortlund, Crossway; Jason Sexton, Golden Gate Baptist Seminary Editorial Board: Gerald Bray, Beeson Divinity School Lee Gatiss, Wales Evangelical School of Theology Paul Helseth, University of Northwestern, St. Paul Paul House, Beeson Divinity School Ken Magnuson, The Southern Baptist Theological Seminary Jonathan Pennington, The Southern Baptist Theological Seminary James Robson, Wycliffe Hall Mark D. Thompson, Moore Theological College Paul Williamson, Moore Theological College Stephen Witmer, Pepperell Christian Fellowship Robert Yarbrough, Covenant Seminary
The Reformation of the Heart by SARAH. APETREI,Sarah Apetrei Pdf
This groundbreaking study offers fresh insight into the relationship between radical theology and gender radicalism in the seventeenth-century English Revolution. Examining published works and previously unexplored archival material, Sarah Apetrei shows the transformative role that women played in religious reform during the period.
The author reads Goethe's Faust as the first epic written under Spinoza's influence. He shows how its thematic development is governed by Spinoza's pantheistic naturalism. He further contends that Wagner and Nietzsche have tried to surpass their mentor Goethe's work by writing their own Spinozan epics of love and power in The Ring of the Nibelung and Thus Spoke Zarathustra. These Spinozan epics are designed to succeed the Christian epics in the Western literary tradition. Whereas the Christian epics dared to groom human beings for their destiny in the supernatural world, the Spinozan epics try to reinstate humanity as the children of Mother Nature and overcome their alienation from the natural world, which had been dictated by the long reign of Christianity. However, it has been well noted that none of these new epics seems to hang together thematically as a coherent work. By his Spinozan reading, the author not only demonstrates the thematic unity of each of them singly, but further illustrates their thematic relation with each other.
Nonfictional Romantic Prose by Steven P. Sondrup,Virgil Nemoianu,Gerald Gillespie Pdf
Nonfictional Romantic Prose: Expanding Borders surveys a broad range of expository, polemical, and analytical literary forms that came into prominence during the last two decades of the eighteenth century and the first half of the nineteenth. They stand in contrast to better-known romantic fiction in that they endeavor to address the world of daily, empirical experience rather than that of more explicitly self-referential, fanciful creation. Among them are genres that have since the nineteenth century come to characterize many aspects of modern life like the periodical or the psychological case study; others flourished and enjoyed wide-spread popularity during the nineteenth century but are much less well-known today like the almanac and the diary. Travel narratives, pamphlets, religious and theological texts, familiar essays, autobiographies, literary-critical and philosophical studies, and discussions of the visual arts and music all had deep historical roots when appropriated by romantic writers but prospered in their hands and assumed distinctive contours indicative of the breadth of romantic thought. SPECIAL OFFER: 30% discount for a complete set order (5 vols.).The Romanticism series in the Comparative History of Literatures in European Languages is the result of a remarkable international collaboration. The editorial team coordinated the efforts of over 100 experts from more than two dozen countries to produce five independently conceived, yet interrelated volumes that show not only how Romanticism developed and spread in its principal European homelands and throughout the New World, but also the ways in which the affected literatures in reaction to Romanticism have redefined themselves on into Modernism. A glance at the index of each volume quickly reveals the extraordinary richness of the series' total contents. Romantic Irony sets the broader experimental parameters of comparison by concentrating on the myriad expressions of irony as one of the major impulses in the Romantic philosophical and artistic revolution, and by combining cross-cultural and interdisciplinary studies with special attention also to literatures in less widely diffused language streams. Romantic Drama traces creative innovations that deeply altered the understanding of genre at large, fed popular imagination through vehicles like the opera, and laid the foundations for a modernist theater of the absurd. Romantic Poetry demonstrates deep patterns and a sharing of crucial themes of the revolutionary age which underlie the lyrical expression that flourished in so many languages and environments. Nonfictional Romantic Prose assists us in coping with the vast array of writings from the personal and intimate sphere to modes of public discourse, including Romanticism's own self-commentary in theoretical statements on the arts, society, life, the sciences, and more. Nor are the discursive dimensions of imaginative literature neglected in the closing volume, Romantic Prose Fiction, where the basic Romantic themes and story types (the romance, novel, novella, short story, and other narrative forms) are considered throughout Europe and the New World. This enormous realm is seen not just in terms of Romantic theorizing, but in the light of the impact of Romantic ideas and narration on later generations. As an aid to readers, the introduction to Romantic Prose Fiction explains the relationships among the volumes in the series and carries a listing of their tables of contents in an appendix. No other series exists comparable to these volumes which treat the entirety of Romanticism as a cultural happening across the whole breadth of the Old and New Worlds and thus render a complex picture of European spiritual strivings in the late eighteenth and the nineteenth centuries, a heritage still very close to our age.
