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This book is a new approach for creating a categorized understanding of Indus seal symbols. Two hundredand sixty-two symbols have been analyzed in this book along with their geometric constructions whereapplicable. Each symbol has a unique definition, the interpretation of which is such that they hold themeaning regardless of the seals they appear in. In addition, the research considers the sequence of symbolsand its implications on the meaning of seals. This attempt at creating a dictionary for Indus seals based onVedic rituals can be used to interpret many more seals.Several themes such as the purpose of making the seals, the class of people using them, and the geometricalperfections that were adopted while structuring some of the symbols have been analyzed. The book alsostudies the numerous variations in symbols and addresses why it is hard to find identical seals.The seals portrayed on a two-inch stone piece could have been for ease of handling, transportation andstorage as reference documents for practitioners involved in Vedic rituals. It could also have served thepurpose of avoiding mistakes during recitation and ritual procedures at a time when script was non-existent.
Indus Writing in Ancient Near East by S. Kalyanaraman Pdf
Based on corpora of Indus writing and a dictionary, the book validates Aristotle's insight on writing systems. Indus writing is composed using symbols of spoken words. The symbols are hieroglyphs of meluhha (mleccha) words spoken by artisans recording the repertoire of stone, mineral and metal workers. The writing results in a set of catalogs of metalworking of bronze age. Evidence of this competence in metallurgy which evolved from 4th millennium BCE of bronze age, is provided in corpora of metalware catalogs and a dictionary of melluhha (mleccha). Indus writing was a principal tool of economic administration for account-keeping by artisan and trader guilds and did not record literature or, history. Some sacred ideas and historical links across interaction areas between India and ancient Near East, may be inferred from the writing.
The decipherment of the unique Indus script has remained controversial as there is no uniformity or logic established in its interpretation. The prominence of a mythical one horned bull that never existed does indicate it is beyond what has been understood till date. This research is focused on, (1) Understanding the significance of the bull, the other animal representations, and the symbols of the script that are inscribed, (2) The interpretation of seals depicting human figures in activity, and (3) Demystifying the curiosity in answering prominent questions that arise when one examines the seals with an open mind such as: Why many seals have single horned bull and some have double horned humped bull picture? Why the bulls are not depicted as eating anything from the manger in front? Why the bull in each seal is associated with different symbols and what do these unique symbols indicate? Why the manger has different design patterns and, supported on a slender pedestal? Are these seals a part of a continuum or is it explicit?In an endeavor to find answers to these questions, the research work had to cross several domains until such time the connectivity got established between the three aspects like the bull, the structure of manger, and the different symbols inscribed. The work started with locating which part of Vedas had the maximum reference to a bull. Many hymns of Rigveda have reference to bull addressing it as a priest. The symbols on seals appeared to be totally based on these Vedic contents. While trying to develop a rationale on the Indus seals, and the symbols inscribed, the symbol similar to the bird-altar caught my attention and wondered why a symbol that was almost similar to a bird altar was used in the symbols of the Indus seal? This prompted me into a study about Yajnas. Through a comparative study of seals it got revealed that the significance of the bull in the seal, is well related to the significance of the bull in Vedic Hymns. The inscriptions on Indus seals are symbolic and symbolography is its presentation. Symbolography is the representation of ideas through signs, a movement which guides for a full understanding or discussion about the underlying aspect. As the study progressed, the coded information of the seals and their significance got interpreted, establishing the fact that the interpretation is holistic and well correlated to the Vedas. Based on all the above, the book has been structured into three parts: Section A is the: Ingredients of a Seal. It has information about the various aspects that are involved in a Yajna ritual as without a background of these, the understandings of seals become confusing. It familiarizes the reader with the significance of single horned bull, double horned bull, rhinoceros, the elephant representations in the seals, and the significance of tigers. The symbolic representation of deities and the significance of the designs on the manger like structure are discussed.The Section B is the: The glossary of symbols. This gives the key information about 260 individual symbols. Their vocabulary is explained with definitions along with the picture of the seal from which it has been drawn.Section C is: Analysis of Seals. In this part, over one-hundred and sixty seals are analysed in detail. The symbols as well as the pictorial parts are dealt with an analysis of each seal.The appendix part of this book provides interesting information about topics like (1) The geometry involved in the symbols, (2) The various fire altars depicted in seals, (3) The significance of the designs of the ladles depicted in bottom part of the tail of the animal representations, and (4) The pictures of the Harappan site are proved to the Yajna shala of Soma rituals, which are hitherto believed to be the 'great public bath of Harappa'. The book proves most interesting to unveil all the mystery behind the Indus seals.
Indus Script Cipher by Srinivasan Kalyanaraman Pdf
This is a path-breaking work as significant as the decipherment of Egyptian hieroglyphs by Champollion. For nearly130 years, the Indus script has remained a challenging enigma to scholars of languages, writing systems and civilization studies. The script was invented and used over an extensive area of what is called the Indus or Sindhu-Sarasvati civilization. Over 2000 or 80% of archaeological sites are found on the Sarasvati River basin, a river adored in a very old human document called the Rigveda and which dried up due to tectonic and resulting river migration causes. In 1822, history was made when Egyptian hieroglyphs were deciphered by Jean-Francois Champollion from parts of the Rosetta Stone. Champollion showed that the Egyptian writing system, c.3000 BCE was a combination of phonetic and ideographic glyphs. The Rosetta Stone is dated196 BCE and had a decree in three versions: one in ancient Egyptian hieroglyphs, one in the Egyptian demotic script, and one in ancient Greek. Since alphabets of ancient Greek were known, Champollion used the trilingual inscription to validate his historic decipherment. Indus Script Cipher makes history recording hundreds of hieroglyphs of India. Absence of a Rosetta Stone which has been the principal impediment in validating any decryption of Indus script cipher is thus overcome. Further validation comes from evidences of the historical periods in India from c. 600 BCE showing continued use of Indus script hieroglyphs which evolved from c. 3300 BCE. This book details a decipherment.of the Indus script using the same rebus method used by Champollion to read ancient phonetic hieroglyphs of Indiat. By demonstrating an Indian linguistic area of cultural and language contacts and history of language changes, this is a landmark contribution to civilization studies of the world and will promote efforts to rewrite the ancient socio-cultural and economic history of a billion people in India and neighboring regions.
Of the writing systems of the ancient world which still await deciphering, the Indus script is the most important. It developed in the Indus or Harappan Civilization, which flourished c. 2500-1900 BC in and around modern Pakistan, collapsing before the earliest historical records of South Asia were composed. Nearly 4,000 samples of the writing survive, mainly on stamp seals and amulets, but no translations. Professor Parpola is the chief editor of the Corpus of Indus Seals and Inscriptions. His ideas about the script, the linguistic affinity of the Harappan language, and the nature of the Indus religion are informed by a remarkable command of Aryan, Dravidian, and Mesopotamian sources, archaeological materials, and linguistic methodology. His fascinating study confirms that the Indus script was logo-syllabic, and that the Indus language belonged to the Dravidian family.
Author : Claus Peter Zoller Publisher : Walter de Gruyter Page : 520 pages File Size : 47,9 Mb Release : 2005 Category : Foreign Language Study ISBN : 9783110179477
A Grammar and Dictionary of Indus Kohistani: Dictionary by Claus Peter Zoller Pdf
Indus Kohistani is a major language of the Dardic group of Indo-Aryan languages. It is spoken in North Pakistan along the west bank of the Indus. The Dardic languages are - in the words of the eminent linguist R.L. Turner - linguistically of great interest. They are of crucial importance for our understanding of the early stages of Indo-Aryan (Sanskrit) and of its prehistory. The dictionary contains around 8.000 entries, many of which are supplemented with parallels from other languages (Indo-Aryan, Iranian, Dravidian, etc.), and with information about their origin. The book is presently the most comprehensive dictionary of a Dardic language and a rich source for linguists and South Asian philologists.
"When you are studying any matter, or considering any philosophy, ask yourself only what are the facts and what is the truth that the facts bear out. Never let yourself be diverted either by what you wish to believe, or by what you think would have beneficent social effects if it were believed. But look only, and solely, at what are the facts. That is the intellectual thing that I should wish to say." - Bertrand Russell Is Hinduism a religion? Are Aryan and Dravidian a different race altogether? ----- “This book was produced with ePustaka - Ink and Weave initiative by Techfiz Inc. (https://techfiz.com) Reach us via [email protected].” How and when did caste by birth came into existence? Are Veerashaivism and Lingayathism the same? What was the real purpose of the Kalyana Revolt? How did ancient India lose its technological edge? Where did all that glory and glitter of India's wealth go? This book makes an honest, analytical attempt into answering the burning questions of every ordinary Indian. An attempt to analyze put forth the truth in a manner Mr. Russel set forth.
Dictionary of Chinese Symbols by Wolfram Eberhard Pdf
This unique and authoritative guide describes more than 400 important Chinese symbols, explaining their esoteric meanings and connections. Their use and development in Chinese literature and in Chinese customs and attitudes to life are traced lucidly and precisely. `An ideal reference book to help one learn and explore further, while simultaneously giving greater insight into many other aspects of Chinese life ... the most authoritative guide to Chinese symbolism available to the general reader today ... a well-researched, informative and entertaining guide to the treasure trove of Chinese symbols.' - South China Morning Post
Illustrated Dictionary Of Symbols In Eastern And Western Art by James Hall Pdf
"A Companion volume to James Hall’s perennial seller Dictionary of Subjects & Symbols in Art. which deals with the subject matter of Christian and Western art, the present volume includes the art of Egypt, the ancient Near East, Christian and classical Europe, India and the Far East. Flail explores the language of symbols in art showing how paintings, drawings and sculpture express man shades of meaning from simple, everyday hopes and fears to the profoundest philosophical and religious aspirations. The book explains and interprets symbols from many cultures, and over 600 illustrations clarify and complement the text. There are numbered references throughout the text to the sacred Iitcra-1 ture, myths and legends in which the symbols had their origins. Details of English translations of the works are in the bibliography. The book includes an appendix of the transcription of Chinese, notes and references, bibliography, chronological tables and index."
Hinduism Is Not Merely A Religion But A Way Of Life. Hinduism, In Its Traverse Of Four Thousand Years, Has Accumulated Many A Belief And Practice, Which Encompass The Whole Socio-Religio-Cultural Life Of A Devout. Since The Mythological Past, Hinduism Is Studded With Varied Signs And Symptoms, Which Are Mystic In Character And Symbolic In Nature, And Are Also Sacred Symbols Of Spiritualism As Well. These Symbols Are The Sacred Rivers; Mystic Mantras Like Om And Gayatri; The Auspicious Symbol Of Swastika; The Shivalinga, Salagram Shila Or Sacred Stone Objects; Tripundra Tilaks Or Urdhapundra Tilaks- The Process Of Besmearing The Body With Different Marks Of Sandal Pastes; The Sacred Conch Or Sankha And Venerated Trees Which Have Medicinal Value And Spiritual Ethos Like Tulsi, Vata, Rudraksha, Etc. All These Are Part Of Modern Hinduism But To Many Devouts And Observers These Symbols Stand Enigmatic! Thus This Book Attempts To Explore And Unearth The Hidden Philosophy Of These Signs And Gauge The Socio-Scientific Base And Tries To Find Out The Real Meaning Of Ritualistic Methodologies Of These Symbols, Which Are The Great Objects Of Veneration Of The Hindus Down The Ages.
The Indus Script: A Positional-Statistical Approach by Michael Korvink Pdf
Since the discovery of the Indus Civilization, the meaning of the enigmatic Indus script remains hidden in its four hundred characters. While many would-be-decipherers have attempted to unravel its meaning with the aid of a presumed underlying language, none of these attempts has proven successful. In response, the approach taken in this work does not preclude an underlying language, but offers an alternate approach where the positional patterns of the Indus signs are investigated in an attempt to segment the character strings. Michael Korvink is a former instructor of International Studies at The University of North Carolina at Charlotte, and now works in the private sector.
Indus seal decipher, People had only one god - Sun by Praveen Misra Pdf
This is an attempt to decipher Indus seals.I have deciphered around 250+ seals .Indus script surprisingly follows Linear Elamite cuneiform (Old one) and linear B Symbols vocal values. Indus people knew sanskrit language. all seals symbol make sanskrit words.
