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The 132 poems, most of which here make their English-language debut, represent the three major languages of medieval Islam--Arabic, Persian, and Turkish--with the remainder from Hebrew. They span more than a thousand years, from the seventh to the early eighteenth century, when poetry, like so much else, was shattered and reshaped by the impact of the West. They range from panegyric and satire to religious poetry and lyrics about wine, women, and love. Lewis begins with an introduction on the place of poets and poetry in Middle Eastern history and concludes with biographical notes on all the poets.
The Rumble of a Distant Drum opens in 1673 when Marquette and Jolliet sailed down the Mississippi River and found the Quapaw already in residence in the Arkansas Post, where the Arkansas River flowed into the Mississippi. Here, they established the first European settlement in this part of the country, thirty years before New Orleans and eighty years before St. Louis. Morris S. Arnold draws on his many years of archival research and writing on colonial Arkansas to produce this elegant account of the cultural intersections of the French and Spanish with the native American peoples. He demonstrates that the Quapaws and Frenchmen created a highly symbiotic society in which the two disparate peoples became connected in complex and subtle ways - through intermarriage, trade, religious practice, and political/military alliances.
Sounds of Distant Drums by Alfred Sandison Hutchison Pdf
This book of selected poems by the Rhodesian/South African poet ,Alf Hutchison, powerfully illustrated by his youngest daughter Fiona, reflects upon love passion hatred remorse jubilation xenophobiafriendship and mans inhumanity to man. It is a collection of mainly reflective poetry which will at times reduce the reader to tears bring joy to the heart and soul of lovers and friendsbring a sense of patriotism to the lost tribes of Rhodesia and South Africa in the Diasporabut most of all I hope and pray that it makes you think
Louis L’Amour has been best known for his ability to capture the spirit and drama of the authentic American West. Now he guides his readers to an even more distant frontier—the enthralling lands of the twelfth century. Warrior, lover, and scholar, Kerbouchard is a daring seeker of knowledge and fortune bound on a journey of enormous challenge, danger, and revenge. Across Europe, over the Russian steppes, and through the Byzantine wonders of Constantinople, Kerbouchard is thrust into the treacheries, passions, violence, and dazzling wonders of a magnificent time. From castle to slave galley, from sword-racked battlefields to a princess’s secret chamber, and ultimately, to the impregnable fortress of the Valley of Assassins, The Walking Drum is a powerful adventure in an ancient world that you will find every bit as riveting as Louis L’Amour’s stories of the American West.
Ama, a Story of the Atlantic Slave Trade by Manu Herbstein Pdf
"I am a human being; I am a woman; I am a black woman; I am an African. Once I was free; then I was captured and became a slave; but inside me, here and here, I am still a free woman." During a period of four hundred years, European slave traders ferried some 12 million enslaved Africans across the Atlantic. In the Americas, teaching a slave to read and write was a criminal offense. When the last slaves gained their freedom in Brazil, barely a thousand of them were literate. Hardly any stories of the enslaved and transported Africans have survived. This novel is an attempt to recreate just one of those stories, one story of a possible 12 million or more.Lawrence Hill created another in The Book of Negroes (Someone Knows my Name in the U.S.) and, more recently, Yaa Gyasi has done the same in Homegoing. Ama occupies center stage throughout this novel. As the story opens, she is sixteen. Distant drums announce the death of her grandfather. Her family departs to attend the funeral, leaving her alone to tend her ailing baby brother. It is 1775. Asante has conquered its northern neighbor and exacted an annual tribute of 500 slaves. The ruler of Dagbon dispatches a raiding party into the lands of the neighboring Bekpokpam. They capture Ama. That night, her lover, Itsho, leads an attack on the raiders’ camp. The rescue bid fails. Sent to collect water from a stream, Ama comes across Itsho’s mangled corpse. For the rest of her life she will call upon his spirit in time of need. In Kumase, the Asante capital, Ama is given as a gift to the Queen-mother. When the adolescent monarch, Osei Kwame, conceives a passion for her, the regents dispatch her to the coast for sale to the Dutch at Elmina Castle. There the governor, Pieter de Bruyn, selects her as his concubine, dressing her in the elegant clothes of his late Dutch wife and instructing the obese chaplain to teach her to read and write English. De Bruyn plans to marry Ama and take her with him to Europe. He makes a last trip to the Dutch coastal outstations and returns infected with yellow fever. On his death, his successor rapes Ama and sends her back to the female dungeon. Traumatized, her mind goes blank. She comes to her senses in the canoe which takes her and other women out to the slave ship, The Love of Liberty. Before the ship leaves the coast of Africa, Ama instigates a slave rebellion. It fails and a brutal whipping leaves her blind in one eye. The ship is becalmed in mid-Atlantic. Then a fierce storm cripples it and drives it into the port of Salvador, capital of Brazil. Ama finds herself working in the fields and the mill on a sugar estate. She is absorbed into slave society and begins to adapt, learning Portuguese. Years pass. Ama is now totally blind. Clutching the cloth which is her only material link with Africa, she reminisces, dozes, falls asleep. A short epilogue brings the story up to date. The consequences of the slave trade and slavery are still with us. Brazilians of African descent remain entrenched in the lower reaches of society, enmeshed in poverty. “This is story telling on a grand scale,” writes Tony Simões da Silva. “In Ama, Herbstein creates a work of literature that celebrates the resilience of human beings while denouncing the inscrutable nature of their cruelty. By focusing on the brutalization of Ama's body, and on the psychological scars of her experiences, Herbstein dramatizes the collective trauma of slavery through the story of a single African woman. Ama echoes the views of writers, historians and philosophers of the African diaspora who have argued that the phenomenon of slavery is inextricable from the deepest foundations of contemporary western civilization.” Ama, a Story of the Atlantic Slave Trade, won the 2002 Commonwealth Writers Prize for the Best First Book.
This pictorial history of the war as seen by Homer includes almost all of his works done in oils, watercolors, drawings, lithographs, and wood engravings.
“We waited in silence, each man occupied with his own secret thoughts and no doubt wrestling with his own secret fears. I think that half-hour was probably the worst I have ever spent. Slowly and inexorably the minutes passed, second by second, and the time approached which might be the end of everything for me. All my efforts to screw up my courage, all my fatalistic self-assurances that what is to be, will be, became more and more useless, and hope seemed to ooze away with every second...” Frederick Noakes, 1917. Guardsman Frederick Noakes fought on the Western Front for the last 18 months of the Great War. In 1934, he wanted to write up his ‘adventures’ while his memory was still ‘undimmed’, using the letters he wrote home during 1917–1919 as the basis for the memoir. His eloquent text, with his views on politics, morale and the trenches, moved friends to persuade Noakes to publish the work privately in 1952. Fen Noakes did not consider himself a hero, but the dignity with which he conducted himself under the most dreadful conditions suggest otherwise. His articulate and effective prose gives a voice to the average soldier in the trenches. Professor Peter Simkins provides an introduction to this new edition, which also includes a foreword by Carole Noakes, niece of the author.
Distant Bugles, Distant Drums by Flint Whitlock Pdf
The epic story of the 1,000 Colorado Union troops who fought against 3,000 Confederate troops in New Mexico during the Civil War. Drawing on previously overlooked diaries, letters, and contemporary newspaper accounts, military historian Flint Whitlock brings the Civil War in the West to life. Distant Bugles, Distant Drums details the battles of 1,000 Coloradans against 3,000 Confederate soldiers in New Mexico and offers vivid portraits of the leaders and soldiers involved, men whose strengths and flaws would shape the fate of the nation. On their way to Colorado in search of gold and silver for the Confederacy’s dwindling coffers, Texan Confederates won a series of engagements along the Rio Grande. Hastily assembled troops that had marched to meet them from Colorado finally turned them back in an epic conflict at Gloriéta Pass. Miners, farmers, and peacetime officers turned themselves overnight into soldiers to keep the Confederacy from capturing the West’s mines, shaping the outcome of the Civil War. Distant Bugles, Distant Drums tells their story. Southwest Book Award Winner from the Border Regional Library Association “An important new book by Denver military historian Flint Whitlock . . . This well-written, solidly researched history of Colorado’s Union troops is eye-opening.” —Rocky Mountain News "This volume is Civil War military history at its very best. The research, especially in primary sources, is fresh, the interpretation is informed and concise, and the writing is skillful. Follow Whitlock’s engagingly crafted narrative. He introduces you to the officers, soldiers, politicians, and merchants. He tells of their competence, loyalty, opportunities, and accomplishments.” —James H. Nottage, Blue & Gray Magazine
When The Drummers Were Women: A Spiritual History of Rhythm by Layne Redmond Pdf
For millennia, the sacred drummers of pre-Christian Mediterranean and western Asia were women. In this inspiring book, Layne Redmond, herself a renowned drummer, tells their history. Artistic representations reveal that female frame drummers carried the spiritual traditions of many of the earliest recorded civilizations. During those ancient times, the drummer-priestesses held the keys to experience of the divine through rhythm. They were at the center of the goddess worship of matriarchal societies until the ascendance of patriarchal cultures and the loss of drumming as a spiritual technology. With wisdom and passion, Redmond chronicles our species’ deep connection to the drum, our rich heritage of inseparable spirituality and music, and the modern-day women reclaiming it. This book encourages readers—both women and men—to reestablish rhythmic links with themselves, nature, and other people through the power of drumming. Redmond illustrates her message with an extensive collection of images gathered during ten years of research and travel. Woven throughout the book are strands of ancient ritual and mythology, personal stories, and scientific evidence of the benefits of drumming. It is at once a history, a memoir, and a resounding call for spiritual and social renewal.
'Mulhall watches the extreme right revival from the inside - as an anti-fascist infiltrator criss-crossing the global networks of modern fascism - but he brings a deep analytical focus. By the end of it we understand one thing: the threat of a second fascist era is real.' Paul Mason, author of Postcapitalism 'An urgent missive from the global frontlines of the fight against fascism.' Nima Elbagir, CNN Senior International Correspondent A terrifying and timely look at the spread of far-right movements across the globe. Joe Mulhall knows what it's like to stare fascism in the face. For a decade, often undercover at significant personal risk, he has investigated hate groups. He infiltrated a US white supremacist militia, set up a fake Ku Klux Klan branch, has been on countless street marches with violent far-right groups across Europe, and got inside some of the most important 'alt-right' meetings ever held. Brazil, India and the US are still in thrall to authoritarian populism, and far-right views have become steadily normalised in mainstream politics. Mulhall's dramatic experiences on the front line of anti-fascist activism, coupled with his academic research, clearly explain the roots of both elected and non-elected far-right movements across the globe. Above all, he concludes, the far right should not be dehumanised - they are normal people, but with dangerous beliefs that can be defeated. 'Joe has had a unique view of the far right over the past decade as it transformed from a marginal subculture into one of the defining political currents of our time. He understands how these groups think and operate, and is perfectly placed to guide readers through this disturbing but vital story.' Daniel Trilling, journalist and author of Lights In The Distance: Exile and Refuge at the Borders of Europe 'Few, if any, are better placed to write a book of this breadth and scale than Joe Mulhall.' Mark Townsend, Home Affairs editor of the Observer
