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Author : Bonnie Devine,Robert Houle,Duke Redbird
Publisher : Unknown
Page : 148 pages
File Size : 55,8 Mb
Release : 2007
Category : Art
ISBN : UCSD:31822034447615
Author : Daphne Odjig,Bonnie Devine,Joseph M. Sanchez,Museum of Contemporary Native Arts,Art Gallery of Sudbury,National Gallery of Canada
Publisher : Unknown
Page : 8 pages
File Size : 50,6 Mb
Release : 2009
Category : Indian women artists
ISBN : OCLC:434439063
Author : Daphne Odjig,Rosamond M. Vanderburgh,Beth Southcott
Publisher : Natural Heritage
Page : 182 pages
File Size : 55,6 Mb
Release : 1992-06-30
Category : Art
ISBN : UOM:39015068818015
Flourishing during her childhood in the vilage of Wikwemikong on Manitoulin Island in Georgian Bay, Dapahne became a superb story-teller, in the tradition of her elders. It is this inheritance that she has built on as she told her stories to her two collaborators.
Author : Daphne Odjig,Morgan Wood,Kamloops Art Gallery
Publisher : Kamloops, B.C. : Kamloops Art Gallery
Page : 72 pages
File Size : 48,8 Mb
Release : 2005
Category : Indian prints
ISBN : UOM:39015069320730
The exhibition and this book celebrate one significant aspect of Odjig's - printmaking - and provide viewers with an exceptional opportunity to celebrate Aboriginal cultural heritage through the eyes of one of Canada's most remarkable artists.
Author : Daphne Odjig,Bob Boyer,Carol Podedworny
Publisher : Unknown
Page : 0 pages
File Size : 53,5 Mb
Release : 2001
Category : Indians of North America
ISBN : 1552632865
Daphne Odjig reflects on her life and art in this blend of biography, essay and critique. Odjig writes on the themes of aboriginal experience, family, spiritual beliefs in her very personal paintings.
Author : David Penney
Publisher : Smithsonian Institution
Page : 129 pages
File Size : 51,5 Mb
Release : 2013-09-10
Category : Art
ISBN : 9781588344526
This companion volume to an exhibition at the National Museum of the American Indian in New York reveals how Anishinaabe (also known in the United States as Ojibwe or Chippewa) artists have expressed the deeply rooted spiritual and social dimensions of their relations with the Great Lakes region. Featuring 70 color images of visually powerful historical and contemporary works, Before and After the Horizon is the only book to consider the work of Anishinaabe artists overall and to discuss 500 years of Anishinaabe art history.
Author : Anonim
Publisher : Unknown
Page : 128 pages
File Size : 42,5 Mb
Release : 2014
Category : Electronic
ISBN : OCLC:1091211149
One of Canada's most important art alliances made history by demanding recognition for its members as professional, contemporary artists at a time when they were routinely excluded from the mainstream art world.
Author : Herbert T. Schwarz
Publisher : Hurtig
Page : 120 pages
File Size : 54,5 Mb
Release : 1976
Category : Biography & Autobiography
ISBN : WISC:89058387184
Author : David Wistow,Kelly McKinley,Art Gallery of Ontario
Publisher : Kids Can Press Ltd
Page : 52 pages
File Size : 45,9 Mb
Release : 2019-10-01
Category : Juvenile Nonfiction
ISBN : 9781525301346
A beautiful introduction to Canada’s famous artists. In 1920, a group of Toronto artists exhibited their work together for the first time. They called themselves the Group of Seven. Their paintings were very different from the art of the time. Some people were excited by their unique styles, and some were horrified. It took years for their work to be fully appreciated. But today, the Group of Seven are some of Canada’s best-loved artists. Here’s a must-have reference to the artists who changed the landscape of Canadian art forever.
Author : Mindy N. Besaw,Candice Hopkins,Manuela Well-Off-Man
Publisher : University of Arkansas Press
Page : 225 pages
File Size : 42,6 Mb
Release : 2018-10-24
Category : Art
ISBN : 9781682260807
Art for a New Understanding, an exhibition from Crystal Bridges Museum of American Art that opened in October 2018, seeks to radically expand and reposition the narrative of American art since 1950 by charting a history of the development of contemporary Indigenous art from the United States and Canada, beginning when artists moved from more regionally-based conversations and practices to national and international contemporary art contexts. This fully illustrated volume includes essays by art historians and historians and reflections by the artists included in the collection. Also included are key contemporary writings—from the 1950s onward—by artists, scholars, and critics, investigating the themes of transculturalism and pan-Indian identity, traditional practices conducted in radically new ways, displacement, forced migration, shadow histories, the role of personal mythologies as a means to reimagine the future, and much more. As both a survey of the development of Indigenous art from the 1950s to the present and a consideration of Native artists within contemporary art more broadly, Art for a New Understanding expands the definition of American art and sets the tone for future considerations of the subject. It is an essential publication for any institution or individual with an interest in contemporary Native American art, and an invaluable resource in ongoing scholarly considerations of the American contemporary art landscape at large.
Author : Hazel Hutchins,Gail Herbert
Publisher : Annick Press
Page : 250 pages
File Size : 51,6 Mb
Release : 2018-09-11
Category : Juvenile Fiction
ISBN : 9781773210452
Art is for everyone—even a bored little girl. Going to the Art Museum with her mom is no fun at all for Anna. Everything is old and boring and there are so many rules: Don’t Touch! Do Not Enter! Quiet! A vigilant guard keeps a close eye on the energetic little girl, but even so, Anna manages to set off an alarm and almost tip over a vase. A half-open door draws Anna’s attention, but the No Entry sign means yet again that it’s off-limits. This time, however, the guard surprises her by inviting her to go in. Here she finds a “secret workshop” where paintings are being cleaned and repaired. Staring out from one of the canvases is a girl who looks grumpy and bored—just like Anna herself. With the realization that art often imitates life, Anna discovers the sheer joy to be had from the paintings on the wall, especially those that reflect what is happening all around her. Filled with representations of paintings from many world-class galleries, this charming book is the perfect prelude to a child’s first visit to an art museum.
Author : Anna Hudson,Jocelyn Piirainen,Timootee (Tim) Pitsiulak,Georgiana Uhlyarik
Publisher : Goose Lane Editions
Page : 160 pages
File Size : 46,5 Mb
Release : 2018-06-19
Category : Art
ISBN : 1773100912
Two generations of Inuit artists challenging the parameters of tradition. Kenojuak Ashevak shot to fame in 1970 when Canada Post printed The Enchanted Owl, a print of a black-and-red plumed nocturnal bird, on a postage stamp. She later became known as the magic-marker-wielding "grandmother of Inuit art," famous for her fluid graphic storytelling and her stunning depictions of wildlife. She was a defining figure in Inuit art and one of the first Indigenous artists to be embraced as a contemporary Canadian artist. Ashevak's legacy inspired her nephew, Timootee (Tim) Pitsiulak, to take up drawing at the Kinngait Studios. In his relatively short career, he became a popular figure, known for drawing animal figures with a hunter's precision and capturing the technological presence of the South in Nunavut. Tunirrusiangit, "their gifts" or "what they gave" in Inuktitut, celebrates the achievements of two remarkable artists who challenged the parameters of tradition while consistently articulating a compelling vision of the Inuit world view. Published to coincide with a major exhibition at the Art Gallery of Ontario, opening on 16 June and continuing until late August, Tunirrusiangitfeatures more than 60 reproductions of paintings, drawings, and documentary photographs. Completing the book are essays by contemporary artists and curators Jocelyn Piirainen, Anna Hudson, Georgiana Uhlyarik, Koomuatuk Curley, Laakkuluk Williamson Bathory, and Taqralik Partridge that address both the past and future of Inuit identity.
Author : Elizabeth McLuhan,Daphne Odjig,Rosamond M. Vanderburgh,Thunder Bay National Exhibition Centre
Publisher : Thunder Bay, Ont. : The Centre
Page : 80 pages
File Size : 45,9 Mb
Release : 1985
Category : Indian art
ISBN : 0920539025
Author : Shirley Madill
Publisher : Canadian Art Library
Page : 128 pages
File Size : 51,6 Mb
Release : 2021-10-18
Category : Electronic
ISBN : 148710264X
Saulteaux artist Robert Houle (b.1947) has claimed space and authority for Indigenous representation in contemporary art for more than fifty years. This new publication celebrates his generational influence and coincides with his exhibition Red Is Beautiful, organized by the Art Gallery of Ontario and touring to the Winnipeg Art Gallery and the National Museum of the American Indian at the Smithsonian Institution. A curator, writer, and educator as well as an artist, Houle has made a profound impact. Growing up on the Sandy Bay First Nation/Kaa-wii-kwe-tawang-kak in Manitoba, he was placed in residential school and denied access to his family and traditions. Always fiercely principled, he has dedicated his career to challenging colonialist perspectives. In 1980, he resigned from his position as the first curator of contemporary Indigenous art at the National Museum of Man (now the Canadian Museum of History) and set off on a path toward creating a remarkable body of work that spans painting, drawing, and large-scale installation. Robert Houle: Life & Work reveals how Houle's artistic output has opened critical discussion on political and cultural issues surrounding First Nations peoples, including Indigenous identity, the impact of colonialism, and land claims and residential schools. Houle has played a pivotal role in bringing contemporary Indigenous artists into the Canadian art mainstream through his writing and curating of important exhibitions, such as Land, Spirit, Power: First Nations at the National Gallery of Canada in 1992. This book also explores the artist's public art projects, critical elements of his legacy for art in Canada.
Author : Aruna D'Souza
Publisher : Unknown
Page : 160 pages
File Size : 55,5 Mb
Release : 2018
Category : Art
ISBN : 1943263140
In 2017, the Whitney Biennial included a painting by a white artist, Dana Schutz, of the lynched body of a young black child, Emmett Till. In 1979, anger brewed over a show at New York's Artists Space entitled The Nigger Drawings. In 1969, the Metropolitan Museum of Art's exhibition Harlem on My Mind did not include a single work by a black artist. In all three cases, black artists and writers and their allies organized vigorous responses using the only forum available to them: public protest. Whitewalling: Art, Race & Protest in 3 Acts reflects on these three incidents in the long and troubled history of art and race in America. It lays bare how the art world--no less than the country at large--has persistently struggled with the politics of race, and the ways this struggle has influenced how museums, curators and artists wrestle with notions of free speech and the specter of censorship. Whitewalling takes a critical and intimate look at these three "acts" in the history of the American art scene and asks: when we speak of artistic freedom and the freedom of speech, who, exactly, is free to speak? Aruna D'Souza writes about modern and contemporary art, food and culture; intersectional feminisms and other forms of politics; how museums shape our views of each other and the world; and books. Her work appears regularly in 4Columns.org, where she is a member of the editorial advisory board, as well as in publications including the Wall Street Journal, ARTnews, Garage, Bookforum, Momus and Art Practical. D'Souza is the editor of the forthcoming Making it Modern: A Linda Nochlin Reader.
