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Author : Michelle M. Dowd
Publisher : Cambridge University Press
Page : 305 pages
File Size : 49,9 Mb
Release : 2015-05-19
Category : Literary Criticism
ISBN : 9781107099777
The first full-length study of the ways in which Shakespearean drama influenced and expanded notions of inheritance in early modern England.
Author : Alex Davis
Publisher : Oxford University Press, USA
Page : 312 pages
File Size : 50,5 Mb
Release : 2020-02-13
Category : Drama
ISBN : 9780198851424
Impossible bequests of the soul; an outlawed younger son who rises to become justice of the king's forests; the artificially-preserved corpse of the heir to an empire; a medieval clerk kept awake at night by fears of falling; a seventeenth-century noblewoman who commissions copies upon copies of her genealogy; Elizabethan efforts to eradicate Irish customs of succession; thoughts of the legacy of sin bequeathed to mankind by our first parents, Adam and Eve. This book explores how inheritance was imagined between the lifetimes of Chaucer and Shakespeare. The writing composed during this period was the product of what the historian Georges Duby has called a 'society of heirs', in which inheritance functioned as a key instrument of social reproduction, acting to ensure that existing structures of status, wealth, familial power, political influence, and gender relations were projected from the present into the future. In poetry, prose, and drama--in Chaucer's Troilus and Criseyde and his Canterbury Tales; in Spenser's Faerie Queene; in plays by Shakespeare such as Macbeth, As You Like It, and The Merchant of Venice; and in a host of other works--we encounter a range of texts that attests to the extraordinary imaginative reach of questions of inheritance between the fourteenth and the seventeenth centuries. Moving between the late medieval and early modern periods, Imagining Inheritance examines this body of writing in order to argue that an exploration of the ways in which premodern inheritance was imagined can make legible the deep structures of power that modernity wants to forget.
Author : Sarah Lewis
Publisher : Cambridge University Press
Page : 289 pages
File Size : 51,6 Mb
Release : 2020-09-24
Category : Drama
ISBN : 9781108842198
An original study of the ways in which temporal concepts and gendered identities intersect in early modern theatre and culture.
Author : Rory Loughnane,Edel Semple
Publisher : Springer
Page : 299 pages
File Size : 47,7 Mb
Release : 2018-12-11
Category : Literary Criticism
ISBN : 9783030008925
This book looks at the staging and performance of normality in early modern drama. Analysing conventions and rules, habitual practices, common things and objects, and mundane sights and experiences, this volume foregrounds a staged normality that has been heretofore unseen, ignored, or taken for granted. It draws together leading and emerging scholars of early modern theatre and culture to debate the meaning of normality in an early modern context and to discuss how it might transfer to the stage. In doing so, these original critical essays unsettle and challenge scholarly assumptions about how normality is represented in the performance space. The volume, which responds to studies of the everyday and the material turn in cultural history, as well as to broader philosophical engagements with the idea of normality and its opposites, brings to light the essential role that normality plays in the composition and performance of early modern drama.
Author : Heather Hirschfeld
Publisher : Oxford University Press
Page : 592 pages
File Size : 50,6 Mb
Release : 2018-09-06
Category : Literary Criticism
ISBN : 9780191043451
The Oxford Handbook of Shakespearean Comedy offers critical and contemporary resources for studying Shakespeare's comic enterprises. It engages with perennial, yet still urgent questions raised by the comedies and looks at them from a range of new perspectives that represent the most recent methodological approaches to Shakespeare, genre, and early modern drama. Several chapters take up firmly established topics of inquiry such Shakespeare's source materials, gender and sexuality, hetero- and homoerotic desire, race, and religion, and they reformulate these topics in the materialist, formalist, phenomenological, or revisionist terms of current scholarship and critical debate. Others explore subjects that have only relatively recently become pressing concerns for sustained scholarly interrogation, such as ecology, cross-species interaction, and humoral theory. Some contributions, informed by increasingly sophisticated approaches to the material conditions and embodied experience of theatrical practice, speak to a resurgence of interest in performance, from Shakespeare's period through the first decades of the twenty-first century. Others still investigate distinct sets of plays from unexpected and often polemical angles, noting connections between the comedies under inventive, unpredicted banners such as the theology of adultery, early modern pedagogy, global exploration, or monarchical rule. The Handbook situates these approaches against the long history of criticism and provides a valuable overview of the most up-to-date work in the field.
Author : Laura Kolb
Publisher : Oxford University Press
Page : 256 pages
File Size : 47,6 Mb
Release : 2021-02-04
Category : Literary Criticism
ISBN : 9780192603500
In Shakespeare's England, credit was synonymous with reputation, and reputation developed in the interplay of language, conduct, and social interpretation. As a consequence, artful language and social hermeneutics became practical, profitable skills. Since most people both used credit and extended it, the dual strategies of implication and inference—of producing and reading evidence—were everywhere. Like poetry or drama, credit was constructed: fashioned out of the interplay of artifice and interpretation. The rhetorical dimension of economic relations produced social fictions on a range of scales: from transitory performances facilitating local transactions to the long-term project of maintaining creditworthiness to the generalized social indeterminacy that arose from the interplay of performance and interpretation. Fictions of Credit in the Age of Shakespeare examines how Shakespeare and his contemporaries represented credit-driven artifice and interpretation on the early modern stage. It also analyses a range of practical texts—including commercial arithmetics, letter-writing manuals, legal formularies, and tables of interest—which offered strategies for generating credit and managing debt. Looking at plays and practical texts together, Fictions of Credit argues that both types of writing constitute “equipment for living”: practical texts by offering concrete strategies for navigating England's culture of credit, and plays by exploring the limits of credit's dangers and possibilities. In their representations of a world re-written by debt relations, dramatic texts in particular articulate a phenomenology of economic life, telling us what it feels like to live in credit culture: to live, that is, inside a fiction.
Author : Joseph Rosenblum
Publisher : Bloomsbury Publishing USA
Page : 3141 pages
File Size : 55,5 Mb
Release : 2017-06-22
Category : Drama
ISBN : 9798216072836
This expansive four-volume work gives students detailed explanations of Shakespeare's plays and poems and also covers his age, life, theater, texts, and language. Numerous excerpts from primary source historical documents contextualize his works, while reviews of productions chronicle his performance history and reception. Shakespeare's works often served to convey simple truths, but they are also complex, multilayered masterpieces. Shakespeare drew on varied sources to create his plays, and while the plays are sometimes set in worlds before the Elizabethan age, they nonetheless parallel and comment on situations in his own era. Written with the needs of students in mind, this four-volume set demystifies Shakespeare for today's readers and provides the necessary perspective and analysis students need to better appreciate the genius of his work. This indispensable ready reference examines Shakespeare's plots, language, and themes; his use of sources and exploration of issues important to his age; the interpretation of his works through productions from the Renaissance to the present; and the critical reaction to key questions concerning his writings. The book provides coverage of each key play and poems in discrete sections, with each section presenting summaries; discussions of themes, characters, language, and imagery; and clear explications of key passages. Readers will be able to inspect historical documents related to the topics explored in the work being discussed and view excerpts from Shakespeare's sources as well as reviews of major productions. The work also provides a comprehensive list of print and electronic resources suitable for student research.
Author : Michelle M. Dowd,Tom Rutter
Publisher : Bloomsbury Publishing
Page : 409 pages
File Size : 51,8 Mb
Release : 2022-12-15
Category : Literary Criticism
ISBN : 9781350161870
How does our understanding of early modern performance, culture and identity change when we decentre Shakespeare? And how might a more inclusive approach to early modern drama help enable students to discuss a range of issues, including race and gender, in more productive ways? Underpinned by these questions, this collection offers a wide-ranging, authoritative guide to research on drama in Shakespeare's England, mapping the variety of approaches to the context and work of Shakespeare and his contemporaries. By paying attention to repertory, performance in and beyond playhouses, modes of performance, and lost and less-studied plays, the handbook reshapes our critical narratives about early modern drama. Chapters explore early modern drama through a range of cultural contexts and approaches, from material culture and emotion studies to early modern race work and new directions in disability and trans studies, as well as contemporary performance. Running through the collection is a shared focus on contemporary concerns, with contributors exploring how race, religion, environment, gender and sexuality animate 16th- and 17th-century drama and, crucially, the questions we bring to our study, teaching and research of it. The volume includes a ground-breaking assessment of the chronology of early modern drama, a survey of resources and an annotated bibliography to assist researchers as they pursue their own avenues of inquiry. Combining original research with an account of the current state of play, The Arden Handbook of Shakespeare and Early Modern Drama will be an invaluable resource both for experienced scholars and for those beginning work in the field.
Author : Evelyn Gajowski
Publisher : Bloomsbury Publishing
Page : 385 pages
File Size : 40,6 Mb
Release : 2020-10-15
Category : Literary Criticism
ISBN : 9781350093232
The Arden Research Handbook of Contemporary Shakespeare Criticism is a wide-ranging, authoritative guide to research on critical approaches to Shakespeare by an international team of leading scholars. It contains chapters on 20 specific critical practices, each grounded in analysis of a Shakespeare play. These practices range from foundational approaches including character studies, close reading and genre studies, through those that emerged in the 1970s and 1980s that challenged the preconceptions on which traditional liberal humanism is based, including feminism, cultural materialism and new historicism. Perspectives drawn from postcolonial, queer studies and critical race studies, besides more recent critical practices including presentism, ecofeminism and cognitive ethology all receive detailed treatment. In addition to its coverage of distinct critical approaches, the handbook contains various sections that provide non-specialists with practical help: an A–Z glossary of key terms and concepts, a chronology of major publications and events, an introduction to resources for study of the field and a substantial annotated bibliography.
Author : Adam N. McKeown
Publisher : Routledge
Page : 170 pages
File Size : 52,6 Mb
Release : 2019-01-08
Category : Literary Criticism
ISBN : 9781351108492
Fortification and Its Discontents from Shakespeare to Milton gives new coherence to the literature of the early modern Atlantic world by placing it in the context of radical changes to urban space following the Italian War of 1494-1498. The new walled city that emerged in the sixteenth and seventeenth centuries on both sides of the Atlantic provided an outlet for a wide range of humanistic fascinations with urban design, composition, and community organization, but it also promoted centrality of control and subordinated the human environment to military functionality. Examining William Shakespeare, Edmund Spenser, John Winthrop, and John Milton, this volume shows how the literature of England and New England explores and challenges the new walled city as England struggled to define the sprawling metropolis of London, translate English urban spaces into Ireland and North America, and, later, survive a long civil war.
Author : Emma Whipday
Publisher : Cambridge University Press
Page : 275 pages
File Size : 40,7 Mb
Release : 2019-01-03
Category : Drama
ISBN : 9781108474030
Reassess the relationship between Shakespeare's Hamlet, Othello, Macbeth, and the emerging genre of domestic tragedy by other early modern playwrights.
Author : John Webster
Publisher : Bloomsbury Publishing
Page : 179 pages
File Size : 48,9 Mb
Release : 2020-10-01
Category : Young Adult Fiction
ISBN : 9781474295666
This new edition of Webster's macabre masterpiece is accompanied by insightful commentary notes and a detailed introductory analysis of the play written by Karen Britland, making this the perfect edition for students. As well as the complete text of the play, this revised New Mermaid edition includes: · A detailed plot summary and annotations throughout the text · An annotated bibliography and suggestions for further reading · A comprehensive introduction exploring the historical and literary contexts · An analysis of the play in performance including recent productions inspired by the #MeToo movement as well as contemporary adaptations such as Allan Palileo's Ang Dukesa ng Malfi (set in the Philippines) and Debo Oluwatuminu's Iyalode of Eti (set in pre-colonial Yorubaland). Webster's heroine stands out as one of the most compelling female characters on the early modern stage and, along with its exploration of familial bonds, ensures the play is as relevant today as when it was written.
Author : Marie H. Loughlin
Publisher : Routledge
Page : 308 pages
File Size : 44,9 Mb
Release : 2022-01-30
Category : Literary Criticism
ISBN : 9781000539707
Focusing on Mary Sidney Herbert and Mary Sidney Wroth’s use of the figures of origin, descent, and inheritance in their poetry and prose, this book examines how these central women writers situated themselves in terms of early modern England’s rich ancestral cultures, employing these and other genealogical concepts to talk about authorship, family, selfhood, and memory. In turn, both Sidney Herbert and Sidney Wroth also shaped their works in relation to the ways in which writers within their familial communities and literary coteries constructed them as Sidneys, heirs, descendants, and future ancestors, in genres ranging from the patronage dedication and pastoral eclogue to mythographic genealogia and georgic poetry. In the intersection of ancestry, death, sexuality, and reproduction, the book contends that Sidney Herbert and Sidney Wroth develop their authorship within the simultaneous rigidity and flexibility of their world’s genealogical discourses.
Author : Gary Watt
Publisher : Bloomsbury Publishing
Page : 304 pages
File Size : 49,7 Mb
Release : 2016-07-28
Category : Literary Criticism
ISBN : 9781474217873
Shakespeare was born into a new age of will, in which individual intent had the potential to overcome dynastic expectation. The 1540 Statute of Wills had liberated testamentary disposition of land and thus marked a turning point from hierarchical feudal tradition to horizontal free trade. Focusing on Shakespeare's late Elizabethan plays, Gary Watt demonstrates Shakespeare's appreciation of testamentary tensions and his ability to exploit the inherent drama of performing will. Drawing on years of experience delivering rhetoric workshops for the Royal Shakespeare Company and as a prize-winning teacher of law, Gary Watt shows that Shakespeare is playful with legal technicality rather than obedient to it. The author demonstrates how Shakespeare transformed lawyers' manual book rhetoric into powerful drama through a stirring combination of word, metre, movement and physical stage material, producing a mode of performance that was truly testamentary in its power to engage the witnessing public. Published on the 400th anniversary of Shakespeare's last will and testament, this is a major contribution to the growing interdisciplinary field of law and humanities.
Author : Penelope Geng
Publisher : University of Toronto Press
Page : 276 pages
File Size : 44,6 Mb
Release : 2021
Category : Drama
ISBN : 9781487508043
Providing a fresh examination of the relationship between literary and legal communities, Communal Justice in Shakespeare's England examines the literature of the communal justice in early modern England.