The Early Modern Grotesque

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The Early Modern Grotesque

Author : Liam E Semler
Publisher : Routledge
Page : 322 pages
File Size : 52,9 Mb
Release : 2018-10-31
Category : Literary Criticism
ISBN : 9780429684784

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The Early Modern Grotesque by Liam E Semler Pdf

The Early Modern Grotesque: English Sources and Documents 1500-1700 offers readers a large and fully annotated collection of primary source texts addressing the grotesque in the English Renaissance. The sources are arranged chronologically in 120 numbered items with accompanying explanatory Notes. Each Note provides clarification of difficult terms in the source text, locating it in the context of early modern English and Continental discourses on the grotesque. The Notes also direct readers to further English sources and relevant modern scholarship. This volume includes a detailed introduction surveying the vocabulary, form and meaning of the grotesque from its arrival as a word, concept and aesthetic in 16th century England to its early maturity in the 18th century. The Introduction, Items and Notes, complemented by illustrations and a comprehensive bibliography, provide an unprecedented view of the evolving complexity and diversity of the early modern English grotesque. While giving due credit to Wolfgang Kayser and Mikhail Bakhtin as masters of grotesque theory, this ground-breaking book aims to provoke new, evidence-based approaches to understanding the specifically English grotesque. The textual archive from 1500-1700 is a rich and intriguing record that offers much to interested readers and researchers in the fields of literary studies, theatre studies and art history.

The Feeling Heart in Medieval and Early Modern Europe

Author : Katie Barclay,Bronwyn Reddan
Publisher : Walter de Gruyter GmbH & Co KG
Page : 289 pages
File Size : 53,5 Mb
Release : 2019-12-02
Category : Art
ISBN : 9781501513220

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The Feeling Heart in Medieval and Early Modern Europe by Katie Barclay,Bronwyn Reddan Pdf

The heart is an iconic symbol in the medieval and early modern European world. In addition to being a physical organ, it is a key conceptual device related to emotions, cognition, the self and identity, and the body. The heart is read as a metaphor for human desire and will, and situated in opposition to or alongside reason and cognition. In medieval and early modern Europe, the “feeling heart” – the heart as the site of emotion and emotional practices – informed a broad range of art, literature, music, heraldry, medical texts, and devotional and ritual practices. This multidisciplinary collection brings together art historians, literary scholars, historians, theologians, and musicologists to highlight the range of meanings attached to the symbol of the heart, the relationship between physical and metaphorical representations of the heart, and the uses of the heart in the production of identities and communities in medieval and early modern Europe.

Lacan, Foucault, and the Malleable Subject in Early Modern English Utopian Literature

Author : Dan Mills
Publisher : Routledge
Page : 258 pages
File Size : 51,8 Mb
Release : 2020-02-13
Category : Literary Criticism
ISBN : 9781000732009

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Lacan, Foucault, and the Malleable Subject in Early Modern English Utopian Literature by Dan Mills Pdf

Theoretically informed scholarship on early modern English utopian literature has largely focused on Marxist interpretation of these texts in an attempt to characterize them as proto- Marxist. The present volume instead focuses on subjectivity in early modern English utopian writing by using these texts as case studies to explore intersections of the thought of Jacques Lacan and Michel Foucault. Both Lacan and Foucault moved back and forth between structuralist and post-structuralist intellectual trends and ultimately both defy strict categorization into either camp. Although numerous studies have appeared that compare Lacan’s and Foucault’s thought, there have been relatively few applications of their thought together onto literature. By applying the thought of both theorists, who were not literary critics, to readings of early modern English utopian literature, this study will, on the one hand, describe the formation of utopian subjectivity that is both psychoanalytically (Oedipal and pre-Oedipal) and socially constructed, and, on the other hand, demonstrate new ways in which the thought of Lacan and Foucault inform and complement each other when applied to literary texts. The utopian subject is a malleable subject, a subject whose linguistic, psychoanalytical subjectivity determines the extent to which environmental and social factors manifest in an identity that moves among Lacan’s Symbolic, Imaginary, and Real.

Grotesque and Caricature

Author : Lucia Tantardini,Rebecca Norris
Publisher : BRILL
Page : 279 pages
File Size : 47,7 Mb
Release : 2023-12-18
Category : Art
ISBN : 9789004679757

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Grotesque and Caricature by Lucia Tantardini,Rebecca Norris Pdf

Grotesque and Caricature: Leonardo to Bernini examines these two genres across Renaissance and Early Modern Italy. Although their origins stem from Antiquity, it were Leonardo da Vinci’s early teste caricate that injected fresh life into the tradition, greatly inspiring generations of artists. Critical among them were his Milanese followers, such as Giovanni Paolo Lomazzo, and also Michelangelo and Sebastiano del Piombo as well as, notably, Annibale Carracci, Guercino, and Bernini among others. Their artistic production—drawings, prints, paintings, and sculpture—reveals deep interest in physical, physiognomic, and psychological observations with a penchant for humour and wit. Written by an international group of established and emerging scholars, this volume explores new insights to these complementary artistic genres. Contributors include: Carlo Avilio, Ilaria Bernocchi, Christophe Brouard, Sandra Cheng, Susan Klaiber, Michael W. Kwakkelstein, Tod A. Marder, Rebecca Norris, Lucia Tantardini, Nicholas J. L. Turner, Mary Vaccaro, and Matthias Wivel.

Bartók and the Grotesque

Author : Julie A. Brown
Publisher : Ashgate Publishing, Ltd.
Page : 204 pages
File Size : 43,7 Mb
Release : 2007-01-01
Category : Music
ISBN : 0754657779

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Bartók and the Grotesque by Julie A. Brown Pdf

In Bluebeard's Castle (1911), The Wooden Prince (1916/17), The Miraculous Mandarin (1919/24, rev. 1931) and Cantata Profana (1930), Bartók engaged scenarios featuring either overtly grotesque bodies or closely related transformations and violations of the body. In this book, Julie Brown argues that Bartók's concerns with stylistic hybridity (high-low, East-West, tonal-atonal-modal), the body, and the grotesque are inter-connected. All three were thoroughly implicated in cultural constructions of the Modern during the period in which Bartók was composing.

Paradigms of Renaissance Grotesques

Author : Damiano Acciarino
Publisher : Unknown
Page : 597 pages
File Size : 55,8 Mb
Release : 2019
Category : Aesthetics, Renaissance
ISBN : 0772721955

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Paradigms of Renaissance Grotesques by Damiano Acciarino Pdf

"This collection offers a set of new readings on the history, meanings, and cultural innovations of the grotesque as defined by various current critical theories and practices. Since the grotesque frequently manifests itself as striking incongruities, ingenious hybrids, and creative deformities of nature and culture, it is profoundly implicated in early modern debates on the theological, philosophical, and ethical role of images. This consideration serves as the central focus from which the articles in the collection then move outward along different lines of conceptualization, chronology, cultural relevance, place, and site. They cover a wide spectrum of artistic media, from prints to drawings, from sculptures to gardens, from paintings to stuccos. As they do this, they engage with, and bring together, theoretical perspectives from writers as diverse as Plato and Paleotti, Vitruvius and Vasari, Molanus to Montaigne. Whether travelling a short distance from Nero's Domus Aurea to Raphael's Vatican logge, or across the ocean from Italy to New Spain, this volume goes further than any previous study in defining the historic understanding of grotesque and, in so doing, providing us with a more nuanced resource for our understanding of an art form once viewed as peripheral."--

Performing Maternity in Early Modern England

Author : Kathryn R. McPherson
Publisher : Routledge
Page : 262 pages
File Size : 49,7 Mb
Release : 2016-12-05
Category : History
ISBN : 9781351912075

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Performing Maternity in Early Modern England by Kathryn R. McPherson Pdf

Performing Maternity in Early Modern England features essays that share a common concern with exploring maternity's cultural representation, performative aspects and practical consequences in the period from 1540-1690. The essays interrogate how early modern texts depict fertility, conception, delivery and gendered constructions of maternity by analyzing a wealth of historical documents and images in conjunction with dramatic and non-dramatic literary texts. They emphasize that the embodied, repeated and public nature of maternity defines it as inherently performative and ultimately central to the production of gender identity during the early modern period.

Bartók and the Grotesque

Author : Julie Brown
Publisher : Routledge
Page : 192 pages
File Size : 42,8 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351574570

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Bartók and the Grotesque by Julie Brown Pdf

The grotesque is one of art's most puzzling figures - transgressive, comprising an unresolveable hybrid, generally focussing on the human body, full of hyperbole, and ultimately semantically deeply puzzling. In Bluebeard's Castle (1911), The Wooden Prince (1916/17), The Miraculous Mandarin (1919/24, rev. 1931) and Cantata Profana (1930), Bartngaged scenarios featuring either overtly grotesque bodies or closely related transformations and violations of the body. In a number of instrumental works he also overtly engaged grotesque satirical strategies, sometimes - as in Two Portraits: 'Ideal' and 'Grotesque' - indicating this in the title. In this book, Julie Brown argues that Bart concerns with stylistic hybridity (high-low, East-West, tonal-atonal-modal), the body, and the grotesque are inter-connected. While Barteveloped each interest in highly individual ways, and did so separately to a considerable extent, the three concerns remained conceptually interlinked. All three were thoroughly implicated in cultural constructions of the Modern during the period in which Bartas composing.

Early Modern Poetics in Melville and Poe

Author : William E. Engel
Publisher : Ashgate Publishing, Ltd.
Page : 204 pages
File Size : 49,6 Mb
Release : 2012
Category : Literary Criticism
ISBN : 9781409435877

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Early Modern Poetics in Melville and Poe by William E. Engel Pdf

Bringing to bear his expertise in the early modern emblem tradition, William E. Engel traces a series of self-reflective organizational schemes associated with baroque artifice in the work of Herman Melville and Edgar Allan Poe. While other scholars have remarked on the influence of seventeenth-century literature on Melville and Poe, this is the first book to explore how their close readings of early modern texts influenced their decisions about compositional practice, especially as it relates to public performance and the exigencies of publication. Engel's discussion of the narrative structure and emblematic aspects of Melville's Piazza Tales and Poe's "The Raven" serve as case studies that demonstrate the authors' debt to the past. Focusing principally on the overlapping rhetorical and iconic assumptions of the Art of Memory and its relation to chiasmus, Engel avoids engaging in a simple account of what these authors read and incorporated into their own writings. Instead, through an examination of their predisposition toward an earlier model of pattern recognition, he offers fresh insight into the writers' understandings of mourning and loss, their use of allegory, and what they gained from their use of pseudonyms.

Rethinking the Concept of the Grotesque

Author : Shun-Liang Chao
Publisher : Routledge
Page : 196 pages
File Size : 54,6 Mb
Release : 2017-07-05
Category : Foreign Language Study
ISBN : 9781351551144

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Rethinking the Concept of the Grotesque by Shun-Liang Chao Pdf

How are we to define what is grotesque, in art or literature? Since the Renaissance the term has been used for anything from the fantastic to the monstrous, and been associated with many artistic genres, from the Gothic to the danse macabre. Shun-Liang Chao's new study adopts a rigorous approach by establishing contradictory physicality and the notion of metaphor as two keys to the construction of a clear identity of the grotesque. With this approach, Chao explores the imagery of Richard Crashaw, Charles Baudelaire, and Rene Magritte as individual exemplars of the grotesque in the Baroque, Romantic, and Surrealist ages, in order to suggest a lineage of this curious aesthetic and to cast light on the functions of the visual and of the verbal in evoking it.

Shakespeare and Disgust

Author : Bradley J. Irish
Publisher : Bloomsbury Publishing
Page : 281 pages
File Size : 53,6 Mb
Release : 2023-02-09
Category : Literary Criticism
ISBN : 9781350214002

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Shakespeare and Disgust by Bradley J. Irish Pdf

Drawing on both historical analysis and theories from the modern affective sciences, Shakespeare and Disgust argues that the experience of revulsion is one of Shakespeare's central dramatic concerns. Known as the 'gatekeeper emotion', disgust is the affective process through which humans protect the boundaries of their physical bodies from material contaminants and their social bodies from moral contaminants. Accordingly, the emotion provided Shakespeare with a master category of compositional tools – poetic images, thematic considerations and narrative possibilities – to interrogate the violation and preservation of such boundaries, whether in the form of compromised bodies, compromised moral actors or compromised social orders. Designed to offer both focused readings and birds-eye coverage, this volume alternates between chapters devoted to the sustained analysis of revulsion in specific plays (Titus Andronicus, Timon of Athens, Coriolanus, Othello and Hamlet) and chapters presenting a general overview of Shakespeare's engagement with certain kinds of prototypical disgust elicitors, including food, disease, bodily violation, race and sex disgust. Disgust, the book argues, is one of the central engines of human behaviour – and, somewhat surprisingly, it must be seen as a centrepiece of Shakespeare's affective universe.

Semantic Change in the Early Modern English Period: Latin Influences on the English Language

Author : David Stehling
Publisher : Anchor Academic Publishing (aap_verlag)
Page : 73 pages
File Size : 49,9 Mb
Release : 2013-08
Category : Language Arts & Disciplines
ISBN : 9783954891047

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Semantic Change in the Early Modern English Period: Latin Influences on the English Language by David Stehling Pdf

Throughout the history, English was changing steadily. Not only was the English grammar, pronunciation or vocabulary being altered over the centuries but also the semantics of lexemes. A major factor that has a considerable impact on the semantics of words is the influence of foreign languages. This study deals with semantic changes due to the Latin influence on the English language in the Early Modern English period. The aim of the analysis is – with the help of the Oxford English Dictionary Online – to determine potential patterns of meaning alterations of English lexemes that were caused by the influx of Latin-derived equivalents, especially on the field of human anatomy, and between the 15th and the 18th century. Moreover, the Early Modern English period is portrayed as well as the roles of Latin and English during that time, also considering the integration of Latin loanwords into English. In order to discuss meaning changes due to Latin influences, a closer look will be taken at language modifications in general, at lexical change and at the various types of semantic change by which English words might have been affected.

Elizabethan Grotesque (Routledge Revivals)

Author : Neil Rhodes
Publisher : Routledge
Page : 208 pages
File Size : 54,5 Mb
Release : 2014-08-01
Category : Literary Criticism
ISBN : 9781317620419

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Elizabethan Grotesque (Routledge Revivals) by Neil Rhodes Pdf

The comic grotesque is a powerful element in a great deal of Elizabethan literature, but one which has attracted scant critical attention. In this study, first published in 1980, Neil Rhodes examines the nature of the grotesque in late sixteenth-century culture, and shows the part it played in the development of new styles of comic prose and drama in Elizabethan England. In defining ‘grotesque’, the author considers the stylistic techniques of Rabelais and Aretino, as well as the graphic arts. He discusses the use of the grotesque in Elizabethan pamphlet literature and the early satirical journalists such as Nashe, and argues that their work in turn stimulated the growth of satirical drama at the end of the century. The second part of the book explains the importance of Nashe’s achievement for Shakespeare and Jonson, concluding that the linguistic resources of English Renaissance comedy are peculiarly – and perhaps uniquely – physical.

Sexuality and Gender in Early Modern Europe

Author : James Turner
Publisher : Cambridge University Press
Page : 368 pages
File Size : 41,5 Mb
Release : 1993-08-05
Category : Art
ISBN : 0521446058

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Sexuality and Gender in Early Modern Europe by James Turner Pdf

An exploration of sexuality and gender in Renaissance art, literature, and society.

Ornament and Monstrosity in Early Modern Art

Author : Chris Askholt Hammeken,Maria Fabricius Hansen
Publisher : Unknown
Page : 0 pages
File Size : 52,9 Mb
Release : 2019
Category : Art
ISBN : 9462984964

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Ornament and Monstrosity in Early Modern Art by Chris Askholt Hammeken,Maria Fabricius Hansen Pdf

The paradox of ornament and monstrosity launches an array of thought-provoking perspectives on sixteenth-century visual art by targeting its ambiguous artificiality and moments of anxiety.