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The complete Edinburgh Vampire Series together in one volume. Follow the Regency Edinburgh characters through tall medieval buildings and narrow, twisty streets. Ominous preternatural beings. And oh, those Edinburgh vampires. Now complete in one volume: Ravensclaw, Vampire, Bespelled, and A Judgement of Vampires
Ron Halliday's new book covers the entire range of supernatural phenomena that has occurred in Edinburgh. Going beyond a narrow focus on 'ghosts' and 'hauntings', Halliday examines the variety of paranormal happenings that have featured in Edinburgh's past and present. Covering a wide array of topics - from vampires and UFOs, to magical sites and poltergeists - Halliday draws on personal investigation to create a lively and modern exploration of Scotland's capital. Join Halliday on a journey to discover Edinburgh's most fantastic, strange, and out-of-this-world inhabitants, all sharing a common thread that will reveal why Edinburgh really is the perfect capital for the most haunted country in the world.
Explores the intersection of the vampire and zombie with 21st Century dystopian and post-apocalyptic cinemaTwenty-first century film and television is overwhelmed with images of the undead. Vampires and zombies have often been seen as oppositional: one alluring, the other repellant; one seductive, the other infectious. With case studies of films like I Am Legend and 28 Days Later, as well as TV programmes like Angel and The Walking Dead, this book challenges these popular assumptions and reveals the increasing interconnection of undead genres. Exploring how the figure of the vampire has been infused with the language of science, disease and apocalypse, while the zombie text has increasingly been influenced by the trope of the areluctant vampire, Stacey Abbott shows how both archetypes are actually two sides of the same undead coin. When considered together they present a dystopian, sometimes apocalyptic, vision of twenty-first century existence.Key featuresRather than seeing them as separate or oppositional, this book explores the intersection and dialogue between the vampire and zombie across film and televisionMuch contemporary scholarship on the vampire focuses on Dark Romance, while this book explores the more horror-based end of the genreOffers a detailed discussion of the development of zombie televisionProvides a detailed examination of Richard Mathesons I Am Legend, including the novel, the script, the adaptations and the BBFCs response to Mathesons script
Emily Dinwiddie knows full well that fantastical beings exist. Will Count Revay-Czobar be a fiend so foul she cannot bear to look at him, let alone ask his help? Valentin Lupescu, Count Revay-Czobar, is bored. When Emily arrives on his doorstep, he sees in this freckled, bespectacled spinster the source of more amusement than he’s enjoyed in decades. Mystery, mayhem and madness in the dark streets of Regency Edinburgh’s Old Town. Regency Paranormal Romance by Maggie MacKeever; originally published by Zebra as Waltz with a Vampire
Cezar Korzha has been wandering this earth for a very long time. He has also survived, thus far, his succession to Master of Edinburgh. But inconvenient corpses are popping up in public places. His creator is trying to destroy him. His allies are falling victim to Cupid's dart. Cezar has an otherworldly being in his drawing room and a judicator on his doorstep. A Regency Romance with Vampires; The Edinburgh Vampires, Book III by Maggie MacKeever; originally published by Vintage Ink Press
Vampires, Race, and Transnational Hollywoods by Dale Hudson Pdf
The figure of the vampire serves as both object and mode of analysis for more than a century of Hollywood filmmaking. Never dying, shifting shape and moving at unnatural speed, as the vampire renews itself by drinking victims' blood, so too does Hollywood renew itself by consuming foreign styles and talent, moving to overseas locations, and proliferating in new guises. In Vampires, Race, and Transnational Hollywoods, Dale Hudson explores the movement of transnational Hollywood's vampires, between low-budget quickies and high-budget franchises, as it appropriates visual styles from German, Mexican and Hong Kong cinemas and off-shores to Canada, Philippines, and South Africa. As the vampire's popularity has swelled, vampire film and television has engaged with changing discourses around race and identity not always addressed in realist modes. Here, teen vampires comfort misunderstood youth, chador-wearing skateboarder vampires promote transnational feminism, African American and Mexican American vampires recover their repressed histories. Looking at contemporary hits like True Blood, Twilight, Underworld and The Strain, classics such as Universal's Dracula and Dracula, and miscegenation melodramas like The Cheat and The Sheik, the book reconfigures Hollywood historiography and tradition as fundamentally transnational, offering fresh interpretations of vampire media as trans-genre sites for political contestation.
Sarah Kincaid is a widow with a knack for charms and herbs. Her marriage left her disillusioned. The last thing she needs is for an annoying green-eyed man to interfere with her peace of mind. Andrei Torok is a warrior with a demon mistress and an unrelenting headache. He doesn’t need a quick-tempered, sharp-tongued lass in his life. Moreover, Andrei is vampir. And Sarah is not. Book II of The Edinburgh Vampires. Regency Paranormal Romance by Maggie MacKeever; originally published by Vintage Ink Press
An exhaustive work covering the full range of topics relating to vampires, including literature, film and television, and folklore. Encyclopedia of the Vampire: The Living Dead in Myth, Legend, and Popular Culture is a comprehensive encyclopedia relating to all phases of vampirism—in literature, film, and television; in folklore; and in world culture. Although previous encyclopedias have attempted to chart this terrain, no prior work contains the depth of information, the breadth of scope, and the up-to-date coverage of this volume. With contributions from many leading critics of horror and supernatural literature and media, the encyclopedia offers entries on leading authors of vampire literature (Bram Stoker, Anne Rice, Stephenie Meyer), on important individual literary works (Dracula and Interview with the Vampire), on celebrated vampire films (the many different adaptations of Dracula, the Twilight series, Love at First Bite), and on television shows (Buffy the Vampire Slayer and Angel). It also covers other significant topics pertaining to vampires, such as vampires in world folklore, humorous vampire films, and vampire lifestyle.
An indispensable resource for students and researchers of paranormal myth and media, this book explores the undead and unholy in literature, film, television, and popular culture. Following an introduction to frightful manifestations in media, sections address ghosts, vampires, and monsters individually, and each section includes a broad consideration of the ghost, vampire or monster in American culture. The section dedicated to ghosts examines the "spectral turn" of popular culture and the ghost's relation to justice and mourning, with particular attention to Toni Morrison and Herman Melville. In the vampires section, the author considers the undead bloodsucker's relationship to anti-Semitism, suicide, and cinema. The third section discusses monsters in relation to topics such as global pandemics, terrorism, mass shootings, "stranger danger," and social otherness, with attention to a range of popular culture texts including the films IT and It Follows.
The "New York Times" bestselling first and second volumes in Anne Rice's Vampire Chronicles now join Ballantine's monthly "Special Low Price" mass market reissue program.
