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The Emancipation of a Badboy by Vendite Johnson Pdf
Having moved on from the devastating heartbreak, Valentine swore to stay single until he finds the right one worthy of his love. But when Valentine accidentally meets Dominic for the first time after five long years, pain and hatred takes over him.Determined to take revenge, Valentine began stalking Dominic only to find out that Dominic had became a fuckboy himself.
Best known for his sharp wit and his portrayals of life along the banks of the Mississippi River, Mark Twain is indeed an American icon, and many scholars have examined how he and his work are perceived in the United States. In Mark Twain in Japan, however, Tsuyoshi Ishihara explores how Twain's uniquely American work is viewed in a completely different culture. Mark Twain in Japan addresses three principal areas. First, the author considers Japanese translations of Twain's books, which have been overlooked by scholars but which have had a significant impact on the formation of the public image of Twain and his works in Japan. Second, he discusses the ways in which traditional and contemporary Japanese culture have transformed Twain's originals and shaped Japanese adaptations. Finally, he uses the example of Twain in Japan as a vehicle to delve into the complexity of American cultural influences on other countries, challenging the simplistic one-way model of "cultural imperialism." Ishihara builds on the recent work of other researchers who have examined such models of American cultural imperialism and found them wanting. The reality is that other countries sometimes show their autonomy by transforming, distorting, and rejecting aspects of American culture, and Ishihara explains how this is no less true in the case of Twain. Featuring a wealth of information on how the Japanese have regarded Twain over time, this book offers both a history lesson on Japanese-American relations and a thorough analysis of the "Japanization" of Mark Twain, as Ishihara adds his voice to the growing international chorus of scholars who emphasize the global localization of American culture. While the book will naturally be of interest to Twain scholars, it also will appeal to other groups, particularly those interested in popular culture, Japanese culture, juvenile literature, film, animation, and globalization of American culture.
Bad Boy from Jamaica by Basil Waine Kong, Ph.D., JD Pdf
Garnett Myrie came into this world on 27 September 1953 and grew up in the hills of St. Elizabeth, Jamaica. When his uncle went to the United States as a farm worker in 1960 and brought back Black liberation literature, he became enamored with "Black Power". He got himself in trouble when he became bold enough to put his fist in the air and shouted for everyone to hear: "I am black and I am proud." Why should people hate me for loving myself? But he lived in a very conservative rural community where all the women adored the Queen of England and all the men aspired to become English Gentlemen. Eventually, he got used to being treated harshly, became fearless and refused to cry out in pain. He would rub cow-itch (Mucuna pruriens) and scallion on his palm to deaden the skin whenever he thought he was to get a beating, but he was no longer afraid of pain. Unfortunately, he occasionally forgot that he was handling cow itch and inadvertently rubbed his eyes with his fingers or take out his penis to pea which lead to several hours of enormous suffering as washing with soap and water did not help. He was an erasable child, however, each time the people tried to subdue him, like a cork, he would surface again. As he was not getting along in the country, his mother arranged for him to live with her sister in Kingston. While he worked as a security guard, he was introduced to and came under the influence of Dr. Walter Rodney, a radical university professor. When both he and Dr. Rodney became "Persona non-grata" for their radical activities, they escaped to Cuba. Dr. Rodney subsequently went back to his homeland (Guyana) 1980 to run for political office and was assassinated. Garnett joined the Cuba Army and was sent by Fidel Castro to fight in the successful war for independence in Angola. As he was fighting against the South African Army, he had orders to kill all white men he encountered. He became a killing machine. He was personally thanked and honored by both Fidel Castro and the First President of a liberated Angola, Agostino Neto. Having returned to Jamaica, he became a successful husband, businessman and father to a dozen children by ten women while he was happily married. As he grew rich and older, however, he was diagnosed with diabetes and became blind. He became more mellow in his old age and repented his "bad boy" ways to become an influential and beloved leader, husband and father.
Easy Rawlins is out of the investigation business and as far away from crime as a black man can be in 1960s Los Angeles. But living around desperate men means life gets complicated sometimes. When an old friend gets in enough trouble to ask for Easy's help, he finds he can't refuse. Young Brawly Brown has traded in his family for The Clan of the First Men, a group rejecting white leadership and laws. Brown's mom asks Easy to make sure her baby's okay, and Easy promises to find him. His first day on the case, Easy comes face-to-face with a corpse, and before he knows it he is a murder suspect and in the middle of a police raid. Brawly Brown is clearly the kind of trouble most folks try to avoid. It takes everything Easy has just to stay alive as he explores a world filled with betrayals and predators like he never imagined.
The Story of a Bad Boy by Aldrich Thomas Bailey Pdf
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The Peck's Bad Boy MEGAPACK ® by George W. Peck Pdf
After the American Civil War ended, George W. Peck (1840–1916) became a newspaper publisher. His weekly newspaper, "Peck’s Sun," contained Peck’s humorous writings, including his famous semi-autobiographical “Peck’s Bad Boy” stories. Peck died in 1916 at age 75, but his writing continued to win fans for years. The "Peck’s Bad Boy" stories became the basis for several films and a short-lived television show. Included in this volume are: PECK’S BAD BOY AND HIS PA THE GROCERY MAN AND PECK’S BAD BOY PECK’S BAD BOY ABROAD PECK’S BAD BOY WITH THE COWBOYS PECK’S BAD BOY WITH THE CIRCUS PECK’S UNCLE IKE AND THE RED HEADED BOY PECK’S SUNSHINE PECK’S COMPENDIUM OF FUN HOW PRIVATE GEORGE W. PECK PUT DOWN THE REBELLION If you enjoy this volume, please search this ebook store for "Wildside Press Megapack" to see more entries in the series, collecting great tales of adventure, mystery, science fiction, westerns, ghost stories, and much more. (Sort by publication date to see the most recent additions.)
STORY OF A BAD BOY by Thomas Bailey 1836-1907 Aldrich,A. B. (Arthur Burdett) 1851-1928 Frost Pdf
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Hip hop is remarkably self-critical as a genre. In lyrics, rappers continue to debate the definition of hip hop and question where the line between underground artist and mainstream crossover is drawn, who owns the culture and who runs the industry, and most importantly, how to remain true to the culture's roots while also seeking fame and fortune. The tension between the desires to preserve hip hop's original culture and to create commercially successful music promotes a lyrical war of words between mainstream and underground artists that keeps hip hop very much alive today. In response to criticisms that hip hop has suffered or died in its transition to the mainstream, this book seeks to highlight and examine the ongoing dialogue among rap artists whose work describes their own careers. Proclamations of hip hop's death have flooded the airwaves. The issue may have reached its boiling point in Nas's 2006 album Hip Hop is Dead. Nas's album is driven by nostalgia for a mythically pure moment in hip hop's history, when the music was motivated by artistic passion, instead of base commercialism. In the course of this same album, however, Nas himself brags about making money for his particular record label. These and similar contradictions are emblematic of the complex forces underlying the dialogue that keeps hip hop a vital element of our culture. Is Hip Hop Dead? seeks to illuminate the origins of hip hop nostalgia and examine how artists maintain control of their music and culture in the face of corporate record companies, government censorship, and the standardization of the rap image. Many hip hop artists, both mainstream and underground, use their lyrics to engage in a complex dialogue about rhyme skills versus record sales, and commercialism versus culture. This ongoing dialogue invigorates hip hop and provides a common ground upon which we can reconsider many of the developments in the industry over the past 20 years. Building from black traditions that value knowledge gained from personal experience, rappers emphasize the importance of street knowledge and its role in forging a career in the music business. Lyrics adopt models of the self-made man narrative, yet reject the trajectories of white Americans like Benjamin Franklin who espoused values of prudence, diligence, and delayed gratification. Hip hop's narratives instead promote a more immediately viable gratification through crime and extend this criminal mentality to their work in the music business. Through the lens of hip hop, and the threats to hip hop culture, author Mickey Hess is able to confront a range of important issues, including race, class, criminality, authenticity, the media, and personal identity.
To Walk About in Freedom: The Long Emancipation of Priscilla Joyner by Carole Emberton Pdf
The extraordinary life of Priscilla Joyner and her quest—along with other formerly enslaved people—to define freedom after the Civil War. Priscilla Joyner was born into the world of slavery in 1858 North Carolina and came of age at the dawn of emancipation. Raised by a white slaveholding woman, Joyner never knew the truth about her parentage. She grew up isolated and unsure of who she was and where she belonged—feelings that no emancipation proclamation could assuage. Her life story—candidly recounted in an oral history for the Federal Writers’ Project—captures the intimate nature of freedom. Using Joyner’s interview and the interviews of other formerly enslaved people, historian Carole Emberton uncovers the deeply personal, emotional journeys of freedom’s charter generation—the people born into slavery who walked into a new world of freedom during the Civil War. From the seemingly mundane to the most vital, emancipation opened up a myriad of new possibilities: what to wear and where to live, what jobs to take and who to love. Although Joyner was educated at a Freedmen’s Bureau school and married a man she loved, slavery cast a long shadow. Uncertainty about her parentage haunted her life, and as Jim Crow took hold throughout the South, segregation, disfranchisement, and racial violence threatened the loving home she made for her family. But through it all, she found beauty in the world and added to it where she could. Weaving together illuminating voices from the charter generation, To Walk About in Freedom gives us a kaleidoscopic look at the lived experiences of emancipation and challenges us to think anew about the consequences of failing to reckon with the afterlife of slavery.
