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The Salvation of All Men Strictly Examined; and the Endless Punishment of Those who Die Impenitent Argued and Defended Against the Objections ... of ... Doctor Chauncy, Etc by Jonathan EDWARDS (the Younger, D.D., President of Union College, Schenectady.) Pdf
Author : Edward Dudley Publisher : State University of New York Press Page : 340 pages File Size : 50,8 Mb Release : 1997-10-02 Category : Biography & Autobiography ISBN : 9781438401584
CHOICE 1998 Outstanding Academic Books The Endless Text is the first study to trace the history of chivalric fiction in Western Europe, from the earliest Celtic tales to the conflict between romance and realism in Don Quixote. A set of specific rhetorical devices are traced through the development of medieval romance in the works of Chretien de Troyes, and a surprising number of these devices survive in Don Quixote: the troubled relationship between narrator and hero, the consistent image of the hero in contrast to the fluctuating portrayals of women, and the ways in which problems of retelling the story become part of the story itself. An integral part of this rhetorical migration was the unstable referential value of the lexicon: for example, fish platters became holy chalices, and gods became heroes while goddesses and Otherworld women became evil enchantresses. It was this linguistic revolution that created the "hermeneutics of romance" and forced readers to interpret the unstable signs embedded in the text. Fear of how this played out in the reader's consciousness was the basis for the condemnation of romance by church and state. Ultimately, this critical approach provides a new formula for rereading Don Quixote, one that reinterprets the questions of what makes or unmakes a hero, what is free will in relation to destiny, and how the language of women differs from that of men.
The philosophical significance of Maurice Blanchot's writings has rarely been in doubt. Specifying the nature and implications of his thinking has proved much less easy, particularly in reference to the key figure of G. W. F. Hegel. Examination reveals that Blanchot's thinking is persistently oriented towards a questioning of the terms of Hegel's thought, while nevertheless remaining within its themes, whichshows how rigorously he studied Hegel's works but also how radical his critique of them became. Equally, it allows for a crucial discussion of the differences between Blanchot's responses to Hegel and those of Jacques Derrida, with the implicit suggestion that in some ways Blanchot's critique of Hegel is more far-reaching than that developed by Derrida. William S. Allen demonstrates those aspects of Hegelian thought that permeate Blanchot's writings and, in turn, develops a detailed three-way analysis of Derrida, Hegel, and Blanchot. The key question around which this analysis develops is that of the relation between thought and language concerning the issue of the infinite and its legibility. Illegibility introduces a new and substantially philosophical account of Blanchot's importance, and also showshow his writings laid the ground for Derrida's workswhile developing their own uniquely challenging response to the problems of post-Hegelian thought.
A Discussion of the conjoint question, Is the doctrine of endless punishment for any part or portion of the human family taught in the Scriptures; or, is the doctrine of the final holiness and happiness of all mankind? Between F. Y. ... and E. Francis, etc by Freeman YATES Pdf
Opening Acts by Judith A. Hamera,Judith Hamera Pdf
Opening Acts: Performance in/as Communication and Cultural Criticism offers new, rigorous ways to analyze communication and culture through performance. Editor Judith Hamera, along with a distinguished list of contributors, provides students with cutting-edge readings of everyday life, space, history, and intersections of all three, using a critical performance-based approach. This text makes three significant contributions to the field - it familiarizes readers with the core elements and commitments of performance-based analysis, links performance-based analysis to theoretical and analytical perspectives in communication and cultural studies, and provides engaging examples of how to use performance as a critical tool to open up communication and culture. offers new, rigorous ways to analyze communication and culture through performance. Editor Judith Hamera, along with a distinguished list of contributors, provides students with cutting-edge readings of everyday life, space, history, and intersections of all three, using a critical performance-based approach. This text makes three significant contributions to the field - it familiarizes readers with the core elements and commitments of performance-based analysis, links performance-based analysis to theoretical and analytical perspectives in communication and cultural studies, and provides engaging examples of how to use performance as a critical tool to open up communication and culture.