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The Enemy of My Enemy by W.E.B. Griffin,William E. Butterworth IV Pdf
Special agent James Cronley Jr. finds that fighting both ex-Nazis and the Soviet NKGB can lead to strange bedfellows, in the dramatic new Clandestine Operations novel about the birth of the CIA and the Cold War. A month ago, Cronley managed to capture two notorious Nazi war criminals, but not without leaving some dead bodies and outraged Austrian police in his wake. He's been lying low ever since, but that little vacation is about to end. Somebody--Odessa, the NKGB, the Hungarian Secret Police?--has broken the criminals out of jail, and he must track them down again. But there's more to it than that. Evidence has surfaced that in the war's last gasps, Heinrich Himmler had stashed away a fortune to build a secret religion, dedicated both to Himmler and to creating the Fourth Reich. That money is still out there in the hands of Odessa, and that infamous organization seems to have acquired a surprising--and troubling--ally. Cronley is fast finding out that the phrase "the enemy of my enemy is my friend" can mean a lot of different things, and that it is not always clear which people he can trust and which are out to kill him.
In the violent world of radical extremists, "the enemy of my enemy is my friend." This study reveals how that precept plays out in the unexpected bonding between militant Islam and the extreme right in America and Europe. It provides an insightful and sane look at the possibilities for collaboration between these groups.
The archetype of 'my enemy's enemy is my friend', India's political and economic presence in Afghanistan is often viewed as a Machiavellian ploy aimed against Pakistan. The first of its kind, this book interrogates that simplistic yet powerful geopolitical narrative and asks what truly drives India's Afghanistan policy.
An affair that stunned the world. Two men, committed to their impossible love. One general, determined to destroy them both. President Jack Spiers and former Secret Service Agent Ethan Reichenbach throw caution to the wind, committing themselves publicly as the first out male lovers and partners to occupy the White House. Jack moves Ethan into the Residence, but as Ethan settles into his new role as first gentleman of the United States, not everyone is thrilled with their choices. When it seems like the world turns against them, Jack and Ethan must turn to each other, finding the strength together to press on. In the chaos, Jack's relationship with the Russian president, Sergey Puchkov, grows closer, and the two nations find themselves working almost as allies. But President Puchkov has secrets of his own, secrets that could rip everything apart. And Ethan steps back into the action with Lieutenant Adam Cooper, taking charge of a covert kill team tasked with hunting down General Madigan once and for all. But Madigan is elusive, and his dangerous reach is long. He strikes at Jack and Ethan from the shadowy corners of the globe, unraveling their entire world. As the mad general draws new allies together, he is single-minded in his quest to destroy the only two men who ever beat him. He will stop at nothing until Jack and Ethan are shattered men, worlds apart, and struggling to get back to one another. And after that, Madigan's true revenge begins...
Clive James has emerged as one of the most prominent poets of his generation, going on to publish works in such mainstream outlets as the TLS, the London Review of Books, the Spectator, the New Yorker and the Australian Book Review. This title is his collection of poems.
Gender and Power in Eastern Europe by Katharina Bluhm,Gertrud Pickhan,Justyna Stypinska,Agnieszka Wierzcholska Pdf
This book explores the contradictory development of gender roles in Central and Eastern Europe including Russia. In light of the social changes that followed the collapse of communism and the rise of new conservatism in Eastern Europe, it studies new forms of gender relationships and reassesses the status quo of female empowerment. Moreover, leading scholars in gender studies discuss how right-wing populism and conservative movements have affected sociopolitical discourses and concepts related to gender roles, rights, and attitudes, and how Western feminism in the 1990s may have contributed to this conservative turn. Mainly focusing on power constellations and gender, the book is divided into four parts: the first explores the history of and recent trends in feminist movements in Eastern Europe, while the second highlights the dynamics and conflicts that gained momentum after neoconservative parties gained political power in post-socialist countries. In turn, the third part discusses new empowerment strategies and changes in gender relationships. The final part illustrates the identities, roles, and concepts of masculinity created in the sociocultural and political context of Eastern Europe.
I survived. Protected by the Nazis that killed my family. Could I ever forgive myself? Award-winning novelist Carol Matas brings readers into the heart of Nazi Germany with the harrowing story of Marisa, a Polish Jew whose blond hair and blue eyes make it easy for her to pass as a Christian. With the Nazis ready to herd the remaining Jews of her town into a ghetto, and with her family either scattered or dead, Marisa takes the papers of a Polish girl and goes to Germany in a desperate attempt to survive as a Polish worker. Marisa finds work as a servant for the Reymanns, a German family that treats her with respect. But she must never forget that Herr Reymann is a high-ranking Nazi. Marisa is hiding in plain sight in her enemy's house. This unflinching account of Marisa's dilemma as a Jew living a lie in order to survive will give readers a new perspective on the nature of good and evil, even as it touches their hearts.
Peter feels compelled to help a wounded German pilot, but he doesn't want to be a traitor--especially not to his father, who is off fighting the Nazis. A moving story about the moral dilemmas of war. Summer 1941: For Peter, the war is a long way away, being fought by his father and thousands of other British soldiers against the faceless threat of Nazism. But war comes frighteningly close to home one night when a German jet is shot down over the neighboring woods. With his feisty new friend Kim, Peter rushes to the crash site to see if there's anything he can salvage. What he finds instead is a German airman. The enemy. Seriously wounded and in need of aid...Continuing in the tradition of thought-provoking literature about the Second World War, Dan Smith's MY FRIEND THE ENEMY is a thrilling adventure that also personalizes the moral dilemmas faced by the children left behind on the home front.
In his debut collection of poems, Conor Bracken traces the nerves of toxic masculinity—white as maggots but taut as lyre strings—that twitch and fizz inside events as homegrown as school shootings and as distant as the execution of medieval French heretics. Everywhere, though, there are bodies: the stout slouch of Henry Kissinger in a towel, a headless snake writhing in a footwell, a cantor with a beautiful voice and an inexorable need to be touched. And then there’s the body of our speaker: “white and alive and in love” and damaged by the same ravenous appetites he isn’t always able to curb. There is no hero here, only a song that turns towards and away from reckoning with the costs the neo-imperial world order extracts from bodies both supine and thrashing. These poems flicker like fire and billow like night’s velvet curtain, which you can “roughen with one hand / and smooth with the other.”
From THE ENEMY AT HOME: “In this book I make a claim that will seem startling at the outset. The cultural left in this country is responsible for causing 9/11. … In faulting the cultural left, I am not making the absurd accusation that this group blew up the World Trade Center and the Pentagon. I am saying that the cultural left and its allies in Congress, the media, Hollywood, the nonprofit sector, and the universities are the primary cause of the volcano of anger toward America that is erupting from the Islamic world. The Muslims who carried out the 9/11 attacks were the product of this visceral rage—some of it based on legitimate concerns, some of it based on wrongful prejudice, but all of it fueled and encouraged by the cultural left. Thus without the cultural left, 9/11 would not have happened. “I realize that this is a strong charge, one that no one has made before. But it is a neglected aspect of the 9/11 debate, and it is critical to understanding the current controversy over the ‘war against terrorism.’ … I intend to show that the left has actively fostered the intense hatred of America that has led to numerous attacks such as 9/11. If I am right, then no war against terrorism can be effectively fought using the left-wing premises that are now accepted doctrine among mainstream liberals and Democrats.” Whenever Muslims charge that the war on terror is really a war against Islam, Americans hasten to assure them they are wrong. Yet as Dinesh D’Souza argues in this powerful and timely polemic, there really is a war against Islam. Only this war is not being waged by Christian conservatives bent on a moral crusade to impose democracy abroad but by the American cultural left, which for years has been vigorously exporting its domestic war against religion and traditional morality to the rest of the world. D’Souza contends that the cultural left is responsible for 9/11 in two ways: by fostering a decadent and depraved American culture that angers and repulses other societies—especially traditional and religious ones— and by promoting, at home and abroad, an anti-American attitude that blames America for all the problems of the world. Islamic anti-Americanism is not merely a reaction to U.S. foreign policy but is also rooted in a revulsion against what Muslims perceive to be the atheism and moral depravity of American popular culture. Muslims and other traditional people around the world allege that secular American values are being imposed on their societies and that these values undermine religious belief, weaken the traditional family, and corrupt the innocence of children. But it is not “America” that is doing this to them, it is the American cultural left. What traditional societies consider repulsive and immoral, the cultural left considers progressive and liberating. Taking issue with those on the right who speak of a “clash of civilizations,” D’Souza argues that the war on terror is really a war for the hearts and minds of traditional Muslims—and traditional peoples everywhere. The only way to win the struggle with radical Islam is to convince traditional Muslims that America is on their side. We are accustomed to thinking of the war on terror and the culture war as two distinct and separate struggles. D’Souza shows that they are really one and the same. Conservatives must recognize that the left is now allied with the Islamic radicals in a combined effort to defeat Bush’s war on terror. A whole new strategy is therefore needed to fight both wars. “In order to defeat the Islamic radicals abroad,” D’Souza writes, “we must defeat the enemy at home.”
Yoram Binur, a respected Israeli journalist, had been working the Arab beat for several years. He decided to experience first-hand the harsh realities of Arabic life in Israel by posing as an Arab. His dramatic journey, during which he endured scorn, degradation, searches by abusive authorities, and constant fear, is portrayed in this captivating book.
The incredible story of Hanna Shahin, a Palestinian boy raised in the old city of Jerusalem who was saved and transformed by the grace of God, then empowered to become a leading Christian broadcaster and an instrument of healing and redemption in the war-torn Middle East.
Ael t' Rlailiiu is a noble and dangerous Romulan Commander. But when the Romulans kidnap Vulcans to genetically harness their mind power, Ael decides on treason. Captain Kirk, her old enemy, joins her in a secret pact to destroy the research laboratory and free the captive Vulcans. When the Romulans discover their plan, the Neutral Zone seethes with schemes and counter-schemes, sabotage and war.