The Essays Of Michel De Montaigne Translated By George B Ives With An Introduction By Andre Gide And An Accompanying Handbook To The Essays Which Includes The Notes Upon The Text By The Translator And A Series Of Comments On The Essays By Grace Norton
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Catalog of Copyright Entries. Third Series by Library of Congress. Copyright Office Pdf
Includes Part 1A: Books, Part 1B: Pamphlets, Serials and Contributions to Periodicals and Part 2: Periodicals. (Part 2: Periodicals incorporates Part 2, Volume 41, 1946, New Series)
Catalogue of Title Entries of Books and Other Articles Entered in the Office of the Register of Copyrights, Library of Congress, at Washington, D.C. by Library of Congress. Copyright Office Pdf
The Geography of the Imagination by Guy Davenport Pdf
In the 40 essays that constitute this collection, Guy Davenport, one of America's major literary critics, elucidates a range of literary history, encompassing literature, art, philosophy and music, from the ancients to the grand old men of modernism.
This book presents a history of spiritual exercises from Socrates to early Christianity, an account of their decline in modern philosophy, and a discussion of the different conceptions of philosophy that have accompanied the trajectory and fate of the theory and practice of spiritual exercises. Hadot's book demonstrates the extent to which philosophy has been, and still is, above all else a way of seeing and of being in the world.
Michel de Montaigne by Michel de Montaigne,Charles Cotton,William Carew Hazlitt Pdf
One of France's great Renaissance thinkers, Montaigne was remarkably modern in his views. These highly readable essays reflect his thoughts on poetry, philosophy, theology, law, literature, education, and world exploration. Filled with aphorisms and anecdotes, enlivened by wordplay and a delightful folksiness, they constitute a celebration of literacy, friendship, and joie de vivre.
Mexico at the World's Fairs by Mauricio Tenorio-Trillo Pdf
This intriguing study of Mexico's participation in world's fairs from 1889 to 1929 explores Mexico's self-presentation at these fairs as a reflection of the country's drive toward nationalization and a modernized image. Mauricio Tenorio-Trillo contrasts Mexico's presence at the 1889 Paris fair—where its display was the largest and most expensive Mexico has ever mounted—with Mexico's presence after the 1910 Mexican Revolution at fairs in Rio de Janeiro in 1922 and Seville in 1929. Rather than seeing the revolution as a sharp break, Tenorio-Trillo points to important continuities between the pre- and post-revolution periods. He also discusses how, internationally, the character of world's fairs was radically transformed during this time, from the Eiffel Tower prototype, encapsulating a wondrous symbolic universe, to the Disneyland model of commodified entertainment. Drawing on cultural, intellectual, urban, literary, social, and art histories, Tenorio-Trillo's thorough and imaginative study presents a broad cultural history of Mexico from 1880 to 1930, set within the context of the origins of Western nationalism, cosmopolitanism, and modernism. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1997.