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The Essential Films of Ingrid Bergman by Constantine Santas,James M. Wilson Pdf
This book examines each of Ingrid Bergman's most significant films, from her early career in Sweden and her triumphs in Hollywood in the 1940s and 50s to her acclaimed performances in the 1970s and 80s. Each entry provides production history, plot summaries, film highlights, and major award details. DVD and Blu-Ray availability are also provided.
Ingrid Bergman: A Life in Pictures by Isabella Rossellini,Lothar Schirmer Pdf
Published to celebrate the centenary of her birth, this beautifully produced visual biography pays tribute to one of film's greatest actresses, the iconic Ingrid Bergman (1915–1982). Authorized by the Bergman family and co-edited by her daughter Isabella Rossellini, it collects more than 350 images of Bergman throughout her life and career, including many previously unpublished images from the family archive as well as unforgettable shots by the likes of Eve Arnold, Robert Capa, Cecil Beaton, and others. Complementing the photographs are an introduction by actress Liv Ullmann, a substantial interview with Bergman, and texts by John Updike, Martha Gellhorn, and more, making this an essential volume for Bergman fans and lovers of the cinema.
Ingrid Bergman by Charles River Charles River Editors Pdf
*Includes pictures of Bergman and important people, places, and scenes. *Includes Bergman's own quotes about her upbringing, films and relationships. *Includes a Bibliography for further reading. "Be yourself. The world worships the original." - Ingrid Bergman Since the early 20th century, film has been embraced as arguably the preeminent international art form. Not only is Hollywood cinema immensely popular around the world, but other nationalities (Bollywood being the greatest current example) have their own thriving industries. Major actors and actresses are not only icons in their parent countries but reach tremendous international fame. However, most actors who become internationally famous do so via the success of the films they make in their native land, without actually leaving their country. One of the most famous early examples is Charlie Chaplin, who reached incredible fame in Asia and Western Europe during the silent cinema era despite having never left the confines of Hollywood. Chaplin's example illustrates how the vast majority of film stars who reach international fame do so through the global success of the films they make within a given industry. This dynamic highlights the uniqueness of Ingrid Bergman's career and her significance as an international film star. Not only were films like Casablanca (1942) famous around the world, but she made films in five different languages and film industries. In this regard, she was the rare star who was willing to literally act in films produced in different countries. Bergman's fame cannot be doubted, but the international quality of her career has prevented most people from gaining a complete understanding of her filmography. Moreover, the immense success of her most famous films obscured her other achievements; one of Bergman's persistent lamentations late in her career was that even though she appeared in other films she deemed more significant, the only film of hers that people wanted to discuss was Casablanca. As a result, her early films in Sweden, the Italian Neorealist films she made with famous director and future husband Roberto Rossellini, and her French film with Jean Renoir have all been relegated to the margins. Bergman is thus recognized as a Hollywood star rather than an actress who should be identified with an array of different film industries, reducing the enormous scope of her career to a relatively small proportion of her filmography. At the same time, Bergman's personal life reflects the dynamics of the film industry and the relationship between celebrities and American culture more generally. At times during her career, Bergman was the darling of Hollywood, but at other times she was literally a pariah. It is all too common to remember Bergman for her performance in Casablanca, forgetting the fact that she was effectively exiled from Hollywood for several years during her romance with Roberto Rossellini. Her life and career amply demonstrated the expectations American culture held for their film stars during the mid-20th century. Ingrid Bergman: The First International Movie Star profiles the life and career of one of the world's most famous actresses and entertainment icons. Along with pictures of important people, places, and events, you will learn about Ingrid Bergman like you never have before, in no time at all.
Ingrid Bergman: the First International Movie Star by Charles River Editors Pdf
*Includes pictures of Bergman and important people, places, and scenes. *Includes Bergman's own quotes about her upbringing, films and relationships. *Includes a Bibliography for further reading. "Be yourself. The world worships the original." - Ingrid Bergman Since the early 20th century, film has been embraced as arguably the preeminent international art form. Not only is Hollywood cinema immensely popular around the world, but other nationalities (Bollywood being the greatest current example) have their own thriving industries. Major actors and actresses are not only icons in their parent countries but reach tremendous international fame. However, most actors who become internationally famous do so via the success of the films they make in their native land, without actually leaving their country. One of the most famous early examples is Charlie Chaplin, who reached incredible fame in Asia and Western Europe during the silent cinema era despite having never left the confines of Hollywood. Chaplin's example illustrates how the vast majority of film stars who reach international fame do so through the global success of the films they make within a given industry. This dynamic highlights the uniqueness of Ingrid Bergman's career and her significance as an international film star. Not only were films like Casablanca (1942) famous around the world, but she made films in five different languages and film industries. In this regard, she was the rare star who was willing to literally act in films produced in different countries. Bergman's fame cannot be doubted, but the international quality of her career has prevented most people from gaining a complete understanding of her filmography. Moreover, the immense success of her most famous films obscured her other achievements; one of Bergman's persistent lamentations late in her career was that even though she appeared in other films she deemed more significant, the only film of hers that people wanted to discuss was Casablanca. As a result, her early films in Sweden, the Italian Neorealist films she made with famous director and future husband Roberto Rossellini, and her French film with Jean Renoir have all been relegated to the margins. Bergman is thus recognized as a Hollywood star rather than an actress who should be identified with an array of different film industries, reducing the enormous scope of her career to a relatively small proportion of her filmography. At the same time, Bergman's personal life reflects the dynamics of the film industry and the relationship between celebrities and American culture more generally. At times during her career, Bergman was the darling of Hollywood, but at other times she was literally a pariah. It is all too common to remember Bergman for her performance in Casablanca, forgetting the fact that she was effectively exiled from Hollywood for several years during her romance with Roberto Rossellini. Her life and career amply demonstrated the expectations American culture held for their film stars during the mid-20th century. Ingrid Bergman: The First International Movie Star profiles the life and career of one of the world's most famous actresses and entertainment icons. Along with pictures of important people, places, and events, you will learn about Ingrid Bergman like you never have before, in no time at all.
In The Epic in Film, Constantine Santas argues that "blockbuster" and "artistic" are not mutually exclusive terms and, perhaps more importantly, that epic film is an inherently profound genre in its ability to tap into the dreams and fears of a nation, and sometimes those of the human race. Why do we see dozens and dozens of films based on the King Arthur legend? Why would a presidential hopeful borrow the phrase "Read my lips" from Clint Eastwood's Dirty Harry? Why do war epics proliferate in times of war or national crisis? Why are epics as a whole the most popular movie genre? Whether you love Gone with the Wind and hate Troy, find Akira Kurosawa's films brilliant or marvel over the depth of the Matrix trilogy, if you're a film buff, you will want to read this first book-length treatment of the epic-a wildly popular, infinitely fascinating, and critically underappreciated genre.
Ingrid Bergman was one of the most glamorous stars in Hollywood--until an international scandal threatened to end her career. She had starred in several now-classic films, and her co-stars included such Hollywood icons as Humphrey Bogart, Cary Grant, and Gregory Peck. Already a movie star in her native Sweden, Bergman became an instant sensation in Hollywood and the number-one box-office star in the world. But the most dramatic event in her life took place off the screen, when she made a film in Italy and began a passionate romance with her director, Roberto Rossellini. The scandal that followed left her exiled from America, ostracized by Hollywood, vilified in the press, denounced by clergy, censured in the U.S. Senate--and separated from her young daughter. This new biography draws on extensive conversations with Bergman and many others to describe what happened from Bergman's point of view.--From publisher description.
The Encyclopedia of Epic Films by Constantine Santas,James M. Wilson,Maria Colavito,Djoymi Baker Pdf
Soon after film came into existence, the term epic was used to describe productions that were lengthy, spectacular, live with action, and often filmed in exotic locales with large casts and staggering budgets. The effort and extravagance needed to mount an epic film paid off handsomely at the box office, for the genre became an immediate favorite with audiences. Epic films survived the tribulations of two world wars and the Depression and have retained the basic characteristics of size and glamour for more than a hundred years. Length was, and still is, one of the traits of the epic, though monolithic three- to four-hour spectacles like Gone with the Wind (1939) and Lawrence of Arabia (1962) have been replaced today by such franchises as the Harry Potter films and the Lord of the Rings trilogy. Although the form has evolved during many decades of existence, its central elements have been retained, refined, and modernized to suit the tastes of every new generation. The Encyclopedia of Epic Films identifies, describes, and analyzes those films that meet the criteria of the epic—sweeping drama, panoramic landscapes, lengthy adventure sequences, and, in many cases, casts of thousands. This volume looks at the wide variety of epics produced over the last century—from the silent spectacles of D. W. Griffith and biblical melodramas of Cecil B. DeMille to the historical dramas of David Lean and rollercoaster thrillers of Steven Spielberg. Each entry contains: Major personnel behind the camera, including directors and screenwriters Cast and character listings Plot summary Analysis Academy Award wins and nominations DVD and Blu-ray availability Resources for further study This volume also includes appendixes of foreign epics, superhero spectaculars, and epics produced for television, along with a list of all the directors in the book. Despite a lack of overall critical recognition and respect as a genre, the epic remains a favorite of audiences, and this book pays homage to a form of mass entertainment that continues to fill movie theaters. The Encyclopedia of Epic Films will be of interest to academics and scholars, as well as any fan of films made on a grand scale.
“He always is very, very close to the camera, and he is terribly inspiring. I don’t know what his magic is, but it is something that makes you want to give everything you have. He has respect for actors and for everybody. A bad director very often doesn’t have that respect.” Liv Ullman’s words about Ingmar Bergman hint at the consummate director he was, one who knew the business, the strengths and weaknesses of actors and crews, the arrangement of the set, the framing of the camera, and all other particulars of the fine art of directing. This work presents Bergman’s life and work, beginning with his youth in Uppsala, Sweden, and covering his formative years, his development as an artist, and his career as a world-renowned director. A brief synopsis for each of Bergman’s films is provided, with such information as producer, screenwriter, cinematographer, editor, art director, music sound credits, running time, casts, Bergman’s own comments, and the reactions of critics.
Ingrid Bergman - winner of three Academy Awards - tells her own story both onstage and off. The book describes her relationships with the characters she knew and worked with, including Selznick, Garbo, Bogart, Gary Cooper and Ingmar Bergman. Above all, she reveals the story of her personal life - her childhood in Sweden, her marriages (including her dramatic and controversial elopement with Roberto Rossellini), and, in more recent years, her battle against cancer. She died in 1982.
Bergman On Bergman by Stig Bjorkman,Torsten Manns,Jonas Sima Pdf
Ingmar Bergman, an undisputed giant of modern cinematic art, here talks frankly and extensively about himself and his films. This discussion with the great Swedish director ranges from Bergman's childhood memories to his admiration for Strindberg to his relationship with the stars whom he made famous - Liv Ullmann, Harriet Andersson, Max von Sydow and Bibi Andersson, among others. Originally published in 1973, this work covers Bergman's career from his early films through the works: The Seventh Seal, Wild Strawberries, Persona, The Passion of Anna.
The Best Films of Our Years is an affectionate and witty traversal of the history of the movies year-by-year by an author whose style has been called "finely crafted" (America), "highly readable" (Choice), and "often irreverently amusing" (Opera News). In the 1970s, when he was lecturing on film, Father Owen Lee was able to speak with and learn from such movie people as Pauline Kael, Robert Altman, Francis Ford Coppola, and Roberto Rossellini. In this book he provides thumbnail reviews of ten -- arguably the best ten -- movies of each year from 1935 (when he began his movie going) to the present. There is a preliminary section commenting on fifty important films that preceded 1935. And there is a closing section with longer chapters on "the ten best films of all our years", among them Grand Illusion, Rashomon, and Lawrence of Arabia. The book's title rings a change on William Wyler's The Best Years of Our Lives (1946).
Discover the remarkable life of Ingrid Bergman...The Swedish actress Ingrid Bergman was one of America's most beloved and successful performers. She was drawn to acting at a young age and was delighted to be invited to Hollywood in 1938 for the American remake of Intermezzo. With her flawless natural beauty and talent for acting, she was an instant success. After making several memorable movies, such as Casablanca and Gaslight, Bergman caused an international scandal by leaving her husband and daughter for an affair with Italian director Roberto Rossellini. She was effectively ousted from American soil and choose to live in Europe for several years. When she divorced Rossellini in 1957, she slowly made her way back to Hollywood. Again, she had to leave her children behind. Ingrid Bergman was passionate enough about life to attempt to have it all-family, career, and independence-at a time when women were expected to stay at home and raise children. When she died of breast cancer at age 67, Bergman indicated she had no regrets, even if she did make mistakes. Discover a plethora of topics such as Ingrid, the Orphan Leaving Sweden Behind First Oscar Award Saint Bergman Affair with Roberto Rossellini Return to Hollywood And much more! So if you want a concise and informative book on Ingrid Bergman, simply scroll up and click the "Buy now" button for instant access!
The first book on Hitchcock that focuses exclusively on his work with actors Alfred Hitchcock is said to have once remarked, "Actors are cattle," a line that has stuck in the public consciousness ever since. For Hitchcock, acting was a matter of contrast and counterpoint, valuing subtlety and understatement over flashiness. He felt that the camera was duplicitous, and directed actors to look and act conversely. In The Camera Lies, author Dan Callahan spotlights the many nuances of Hitchcock's direction throughout his career, from Cary Grant in Notorious (1946) to Janet Leigh in Psycho (1960). Delving further, he examines the ways that sex and sexuality are presented through Hitchcock's characters, reflecting the director's own complex relationship with sexuality. Detailing the fluidity of acting -- both what it means to act on film and how the process varies in each actor's career -- Callahan examines the spectrum of treatment and direction Hitchcock provided well- and lesser-known actors alike, including Ingrid Bergman, Henry Kendall, Joan Barry, Robert Walker, Jessica Tandy, Kim Novak, and Tippi Hedren. As Hitchcock believed, the best actor was one who could "do nothing well" - but behind an outward indifference to his players was a sophisticated acting theorist who often drew out great performances. The Camera Lies unpacks Hitchcock's legacy both as a director who continuously taught audiences to distrust appearance, and as a man with an uncanny insight into the human capacity for deceit and misinterpretation.
New York Times Essential Library: Children's Movies by Peter M. Nichols Pdf
An indispensable guide for parents from a leading expert on children's film For years Peter M. Nichols has been offering vital advice and information for parents about current movies in his regular "Taking the Children" column. But parents need the same kind of guidance when renting or buying videos and DVDs for their family. They may know that movies such as Toy Story and Chicken Run are good choices for their children, but Nichols helps parents go beyond the obvious choices to more unconventional movies like The African Queen and Some Like It Hot. From the classics of animation to a host of great comedies and dramas, Nichols provides a knowing and illuminating guide to one hundred great cinematic works. Each brief original essay not only explains why the children will enjoy the film but also allows Nichols to offer timely bits of film history and to discuss certain films in a larger cultural context. Nichols's knowledge and understanding of films is broad and deep, and many of his choices-especially of films that we might not have thought of as "children's films"-will surprise and delight readers.
