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Author : Francis J. Carmody
Publisher : Univ of California Press
Page : 362 pages
File Size : 52,5 Mb
Release : 1963
Category : Electronic
ISBN : 8210379456XXX
Author : Francis James Carmody
Publisher : Unknown
Page : 130 pages
File Size : 52,8 Mb
Release : 1963
Category : Electronic
ISBN : OCLC:490536280
Author : Guillaume Apollinaire
Publisher : Wesleyan University Press
Page : 188 pages
File Size : 42,8 Mb
Release : 2012-01-01
Category : Literary Criticism
ISBN : 9780819571793
A new translation of this complex and beautiful poetry. Alcools, first published in 1913 and one of the few indispensable books of twentieth-century poetry, provides a key to the century's history and consciousness. Champion of “cubism”, Guillaume Apollinaire (1880-1918) fashions in verse the sonic equivalent of what Picasso accomplishes in his cubist works: simultaneity. Apollinaire has been so influential that without him there would have been no New York School of poetry and no Beat Movement. This new translation reveals his complex, beautiful, and wholly contemporary poetry. Printed with the original French on facing pages, this is the only version of this seminal work of French Modernism currently available in the United States.
Author : Guillaume Apollinaire
Publisher : Univ of California Press
Page : 530 pages
File Size : 54,8 Mb
Release : 1991
Category : Literary Criticism
ISBN : 0520242122
A bilingual edition of one of Guillaume Apollinaire's most important volumes of poetry, with extensive commentary by the translators.
Author : Willard Bohn
Publisher : SUNY Press
Page : 388 pages
File Size : 55,9 Mb
Release : 1997-01-01
Category : Literary Criticism
ISBN : 0791431967
This literary history examines Guillaume Apollinaire's reception and influence in the Western hemisphere during the early twentieth century. Ir identifies and reconstructs major literary and art historical paths of development, about which surprisingly little is known. In particular, it discusses Apollinaire's reception and formative influence in North America, England, Germany, Spain, Argentina, and Mexico, and includes important documents by Apollinaire himself that have not appeared in print until now. "Bohn brings together a worldwide network of writers, artists, and critics to reveal the role and centrality of Apollinaire as the icon of Parisian modernism, cult figure of the avant-garde, poet with a new series of techniques, esthetician of the New, innovator of modern culture, and literary and cultural arbiter of his generation. "This is Rezeptionsesthetik in its most intense form. It is the definitive reference book for checking on who had any dealings with Apollinaire, the man or his work, and French modernism in English, German, Spanish or Catalan linguistic and cultural domains in both the Old and New Worlds. Bohn's translations from the various languages he commands are superb and prove that he is always working from source material. His text is simply a tour de force, a virtuoso performance". -- Seth L. Wolitz, University of Texas, Austin "Given the centrality of French poetry for European and New World poetry since Baudelaire, one simply cannot overstate Apollinaire's role in the evolution of the most advanced poetry written throughout Europe and North and South America since circa 1900. However, no one before has tracked his impact on avant-garde circles outsideFrance with so much attention to the specifics involved. Bohn has emerged as the dean of Apollinaire studies in North America; thus everything he has to say about the poet has the ring of absolute authority". -- Robert W. Greene, State University of New York, Albany
Author : Guillaume Apollinaire
Publisher : Wesleyan University Press
Page : 152 pages
File Size : 52,9 Mb
Release : 2012-01-01
Category : Poetry
ISBN : 9780819569950
Guillaume Apollinaire's final years exactly coincided with the clamorous advent of European Modernism and with the cataclysms of WWI. In The Self-Dismembered Man, poet Donald Revell offers new English translations of the most powerful poems Apollinaire wrote during those years: poems of nascent surrealism, of combat and of war-weariness. Here, too, is Apollinaire's last testament, "The Pretty Redhead," a farewell to the epoch that he—as poet, convict, art-critic, artilleryman and boulevardier—did so much to conjure and sustain until his death on Armistice Day in 1918. Readers of Apollinaire's more familiar early work, Alcools (Wesleyan, 1995), will find here a darker and yet more tender poet, a poet of the broken world who shares entirely the world's catastrophe even as he praises to the end its glamour and its strange innocence. This English translation, facing the original French, illuminates Apollinaire's crucial and continuing influence on the European and American avant-garde. The volume includes a short translator's preface.
Author : Guillaume Apollinaire
Publisher : New Directions Publishing
Page : 292 pages
File Size : 50,6 Mb
Release : 1971
Category : Education
ISBN : 0811200035
A bilingual, illustrated edition of The Selected Writings of Apollinaire, the only representative collection in English translation, with a comprehensive critical Introduction by the translator, Roger Shattuck.
Author : Adrian Hicken
Publisher : Routledge
Page : 305 pages
File Size : 41,9 Mb
Release : 2017-07-05
Category : Art
ISBN : 9781351576369
During the years before his death in 1918 Apollinaire?s reputation as poet and artistic animateur approached legendary proportions. This book is the first to present an extensive reassessment of Apollinaire?s role in the promotion of themes and iconography amongst his painter friends. Detailed analysis of the poetic subject matter of selected works of Dufy, Delaunay, de Chirico, Laurencin, Marcoussis, Metzinger, Picabia and Picasso is used to reconstruct the responses of these artists to Apollinaire?s artistic and aesthetic proclivities. Drawing attention to the poet?s immersion in the art and iconography of the French late-Renaissance and the seventeenth century, Adrian Hicken shows that the study of the permeation of Apollinairean and Orphic imagery in the work of artists with very different personalities presents a fascinating and pivotal episode in the history of Parisian modernism.
Author : Theo Hermans
Publisher : Routledge
Page : 216 pages
File Size : 46,9 Mb
Release : 2014-08-01
Category : Literary Criticism
ISBN : 9781317637868
First published in 1982, this book provides a descriptive and comparative study of some of the fundamental structural aspects of modernist poetic writing in English, French and German in the first decades of the twentieth century. The work concerns itself primarily with basic structural elements and techniques and the assumptions that underlie and determine the modernist mode of poetic writing. Particular attention is paid to the theories developed by authors and to the essential ‘principles of construction’ that shape the structure of their poetry. Considering the work of a number of modernist poets, Theo Hermans argues that the various widely divergent forms and manifestations of modernistic poetry writing can only be properly understood as part of one general trend.
Author : Guillaume Apollinaire
Publisher : Oxford University Press, USA
Page : 321 pages
File Size : 40,7 Mb
Release : 2015
Category : Electronic
ISBN : 9780199687596
Apollinaire's two great collections of poetry, Alcools and Calligrammes, made his reputation, and they include love poems as well as the war poetry for which he is best known. Apollinaire coined the word 'surrealism'. This book covers the full range of Apollinaire's career, and includes some of the poet's inventive pictorial calligrams. The introduction and notes explore his seminal role in the culture of the twentieth century.
Author : Willard Bohn
Publisher : Bucknell University Press
Page : 286 pages
File Size : 53,5 Mb
Release : 1993
Category : Literary Criticism
ISBN : 0838752268
More than anything, perhaps, this volume strives to elucidate the concept of poesie critique, which has received very little attention. This omission is surprising since the genre influenced the Surrealist invention of poesie synthetique as well as many writers who followed Apollinaire, trying to reconcile poetry and criticism.
Author : Willard Bohn
Publisher : University of Chicago Press
Page : 239 pages
File Size : 41,7 Mb
Release : 1993-12-15
Category : Literary Criticism
ISBN : 9780226063256
In this, the only full-length study of the visual poetry of the early twentieth century, Willard Bohn expertly illuminates the works of Apollinaire, Josep-Maria Junow, Guillermo de Torre, and others. His fascinating aesthetic insights bring to life this elusive and often misunderstood genre. "An important contribution. Highly sophisticated, the study tends to raise its reader's impression of visual poetry in the twentieth century from trivial pastime to serious preoccupation."—Eric Sellin, Journal of Modern Literature "With his definitive analyses full of quotable observations and sharp critical insights, Bohn has provided a model, pioneering study, one from which current and future studies of visual poetry will most certainly benefit."—Gerald J. Janacek, Romance Quarterly "Bohn substantiates his thesis with thoughtful and often ingenious explications of texts both well known and hard to find. . . . Aesthetics of Visual Poetry is a thoroughly researched, beautifully written and fascinating introduction to an infinitely intriguing genre."—Mechthild Cranston, French Review
Author : Timothy Mathews
Publisher : Manchester University Press
Page : 276 pages
File Size : 45,8 Mb
Release : 1987
Category : Poets, French
ISBN : 0719025583
Author : Guillaume Apollinaire
Publisher : BoD - Books on Demand
Page : 136 pages
File Size : 45,5 Mb
Release : 2023-10-08
Category : Fiction
ISBN : 9791041820405
"Alcools" is a collection of poetry written by the French poet Guillaume Apollinaire. It was first published in 1913 and is considered one of the most influential works of French poetry in the early 20th century. Here's an overview of "Alcools" and its significance: Context: Guillaume Apollinaire was a leading figure in the avant-garde and literary movements of his time, including Surrealism and Cubism. "Alcools" was published during a period of artistic innovation and experimentation in France. Characteristics: Modernist Poetry: "Alcools" is often classified as a modernist work due to its innovative use of language, imagery, and form. Apollinaire experimented with various poetic styles and techniques. Themes: The collection explores a wide range of themes, including love, nostalgia, urban life, and the impact of technology on society. Free Verse: Apollinaire's poetry in "Alcools" often employs free verse, which breaks away from traditional rhyme and meter, allowing for greater flexibility and creativity in poetic expression. Imagery: The poems are known for their vivid and evocative imagery, often drawing on Apollinaire's experiences and observations of the changing world around him. Significance: "Alcools" is considered a groundbreaking work that marked a departure from traditional poetic forms and themes. It is celebrated for its use of language and imagery that reflect the dynamism and fragmentation of the modern world. Apollinaire's influence on 20th-century poetry, particularly Surrealism, is notable. Legacy: Guillaume Apollinaire's "Alcools" remains a classic of French literature and continues to be studied and appreciated for its contribution to modernist poetry. Apollinaire's exploration of new poetic techniques and themes paved the way for future generations of poets and artists to experiment with language and form. "Alcools" is a significant work in the evolution of modernist poetry, and Guillaume Apollinaire's innovative approach to language and imagery continues to resonate with readers and scholars interested in the changing landscape of 20th-century literature.
Author : Conrad Steel
Publisher : University of Iowa Press
Page : 261 pages
File Size : 44,8 Mb
Release : 2024-02-19
Category : Literary Criticism
ISBN : 9781609389321
Since the start of the twentieth century, poets have been irresistibly drawn to the image of the poem as a kind of data-handling, a way of mediating between the divergent scales of aesthetics and infrastructure, language and technology. Conrad Steel shows how the history of poetry—with its particular formal affordances, and the particular hopes and fears we invest it with—has always been bound up with our changing logistics of macroscale representation. The Poetics of Scale takes us back to the years before the First World War in Paris, where the poet Guillaume Apollinaire claimed to have invented a new mode of poetry large enough to take on the challenges of the coming twentieth century. This history follows Apollinaire’s ideas across the Atlantic and examines how and why his work became such a vital source of inspiration for American poets through the era of intensive American economic expansion and up to the present day. Threading together Apollinaire’s work in the 1910s with three of his American successors—Louis Zukofsky in the 1930s, Allen Ginsberg in the 1950s, and Alice Notley from the 1970s onward—it shows how poetry as a cultural technique became the crucial test case for the scale of our collective imagination.