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Author : Asloob Ahmad Ansari
Publisher : Unknown
Page : 0 pages
File Size : 53,6 Mb
Release : 2010
Category : Characters and characteristics in literature
ISBN : 0773436030
An interpretation of Shakespeare through the spiritual crisis of his chief characters.
Author : Charles R. Forker
Publisher : Bloomsbury Publishing
Page : 649 pages
File Size : 50,6 Mb
Release : 2022-02-10
Category : Literary Criticism
ISBN : 9781350287228
This revised edition of King Richard II: Critical Tradition increases our the play was received and understood by critics, editors and general readers. Updated with a new introduction providing a survey of critical responses to Richard II since the 1990s to the present day, this volume offers, in separate sections, both critical opinions about the play across the centuries and an evaluation of their positions within and their impact on the reception of the play. The updated introduction offers an overview of recent criticism on the play in relation to feminist theory, queer theory, performance theory and ecocriticism. The chronological arrangement of the text-excerpts engages the readers in a direct and unbiased dialogue, whereas the introduction offers a critical evaluation from a current stance, including modern theories and methods. Featuring criticism by A.C. Swinburne, Walter Pater, Oscar Wilde and W.B. Yeats, this volume makes a major contribution to our understanding of the play and of the traditions of Shakespearean criticism surrounding it as they have developed from century to century.
Author : Peter J. Smith
Publisher : Springer
Page : 256 pages
File Size : 45,7 Mb
Release : 1995-12-13
Category : Literary Criticism
ISBN : 9781349242252
'Social Shakespeare is a thoughtful and frequently incisive book wabout an important and complex topic.' - Terence Hawkes, Cahiers Elisabethains Shakespeare studies have become increasingly politicised and clashes of opinion amongst scholars are not uncommon. Social Shakespeare, in its enthusiasm for the plays themselves, attempts to bridge the gap between rival approaches, aiming as a distinct refocusing of political criticism upon the Shakespearean text as realised in performance. Modern Shakespeare productions have the potential to make far more political impact than academic studies and yet, until now, critics have been reluctant to recognise this potential. With reference to particular productions, backed up by illustrations, Peter J. Smith integrates critical understanding of the plays with evidence of their political impact on stage.
Author : William Storm
Publisher : Cambridge University Press
Page : 243 pages
File Size : 42,5 Mb
Release : 2016-03-17
Category : Drama
ISBN : 9781107145757
William Storm delivers a wide-ranging investigation of character in drama from ancient beginnings to the present day.
Author : John D. Cox
Publisher : Unknown
Page : 300 pages
File Size : 41,5 Mb
Release : 2024-07-03
Category : Electronic
ISBN : 060806436X
Author : Wieland Schwanebeck
Publisher : Routledge
Page : 248 pages
File Size : 47,7 Mb
Release : 2020-01-06
Category : Literary Criticism
ISBN : 9781000032734
Unlike previous efforts that have only addressed literary twinship as a footnote to the doppelganger motif, this book makes a case for the complexity of literary twinship across the literary spectrum. Shortlisted for the ESSE Book Award 2022 (Literatures in the English Language), it shows how twins have been instrumental to the formation of comedies of mistaken identity, the detective genre, and dystopian science fiction. The individual chapters trace the development of the category of twinship over time, demonstrating how the twin was repeatedly (re-)invented as a cultural and pathological type when other discursive fields constituted themselves, and how its literary treatment served as the battleground for ideological disputes: by setting the stage for debates regarding kinship and reproduction, or by partaking in discussions of criminality, eugenic greatness, and ‘monstrous births’. The book addresses nearly 100 primary texts, including works of Mary Elizabeth Braddon, Wilkie Collins, Charles Dickens, Arthur Conan Doyle, Aldous Huxley, Christopher Priest, William Shakespeare, and Zadie Smith.
Author : Kelly I. Aliano
Publisher : McFarland
Page : 231 pages
File Size : 48,6 Mb
Release : 2022-10-27
Category : Games & Activities
ISBN : 9781476647906
When viewed through the context of an interactive play, a video game player fulfills the roles of both actor and spectator, watching and influencing a game's story in real time. This book presents video gaming as a virtual medium for performance, scrutinizing the ways in which a player's interaction with the narrative informs personal, historical, social and cultural understanding. Centering the author's own experiences as both video game player and performance scholar, the book thoroughly applies concepts from theatre and performance studies. Chapters argue that the posthuman player position now challenges what can be contextualized as a lived experience, and how video games can change players' relationships with historical events and contemporary concerns, ultimately impacting how they develop a sense of self. Using the author's own gaming experiences as a framework, the book focuses on the intersection between player and narrative, exploring what engagement with a storyline reveals about identity and society.
Author : Craig Bourne,Emily Caddick Bourne
Publisher : Routledge
Page : 612 pages
File Size : 44,7 Mb
Release : 2018-10-25
Category : Philosophy
ISBN : 9781317386896
Iago’s ‘I am not what I am’ epitomises how Shakespeare’s work is rich in philosophy, from issues of deception and moral deviance to those concerning the complex nature of the self, the notions of being and identity, and the possibility or impossibility of self-knowledge and knowledge of others. Shakespeare’s plays and poems address subjects including ethics, epistemology, metaphysics, philosophy of mind, and social and political philosophy. They also raise major philosophical questions about the nature of theatre, literature, tragedy, representation and fiction. The Routledge Companion to Shakespeare and Philosophy is the first major guide and reference source to Shakespeare and philosophy. It examines the following important topics: What roles can be played in an approach to Shakespeare by drawing on philosophical frameworks and the work of philosophers? What can philosophical theories of meaning and communication show about the dynamics of Shakespearean interactions and vice versa? How are notions such as political and social obligation, justice, equality, love, agency and the ethics of interpersonal relationships demonstrated in Shakespeare’s works? What do the plays and poems invite us to say about the nature of knowledge, belief, doubt, deception and epistemic responsibility? How can the ways in which Shakespeare’s characters behave illuminate existential issues concerning meaning, absurdity, death and nothingness? What might Shakespeare’s characters and their actions show about the nature of the self, the mind and the identity of individuals? How can Shakespeare’s works inform philosophical approaches to notions such as beauty, humour, horror and tragedy? How do Shakespeare’s works illuminate philosophical questions about the nature of fiction, the attitudes and expectations involved in engagement with theatre, and the role of acting and actors in creating representations? The Routledge Companion to Shakespeare and Philosophy is essential reading for students and researchers in aesthetics, philosophy of literature and philosophy of theatre, as well as those exploring Shakespeare in disciplines such as literature and theatre and drama studies. It is also relevant reading for those in areas of philosophy such as ethics, epistemology and philosophy of language.
Author : Derek Gottlieb
Publisher : Routledge
Page : 213 pages
File Size : 55,5 Mb
Release : 2015-08-11
Category : Literary Criticism
ISBN : 9781317509073
This book recovers a sense of the high stakes of Shakespearean comedy, arguing that the comedies, no less than the tragedies, serve to dramatize responses to the condition of being human, responses that invite scholarly investigation and explanation. Taking its cue from Stanley Cavell’s influential readings of Othello and Lear, the book argues that exposure or vulnerability to others is the source of both human happiness and human misery; while the tragedies showcase attempts at the evasion of such vulnerability through the self-defeating pursuit of epistemological certainty, the comedies present the drama and the difficulty of turning away from an epistemological register in order to productively respond to the fact of our humanity. Where Shakespeare’s tragedies might be viewed in Cavellian terms as the drama of skepticism, Shakespeare’s comedies then exemplify the drama of acknowledgement. As a parallel and a preamble, Gottlieb suggests that the field of literary studies is itself a site of such revealing responses: where competing research methods strive to foreclose upon (or, alternatively, rejoice in) epistemological uncertainty, such commitments bespeak an urge to avoid or circumvent the human in the practice of scholarship. Reading Shakespeare’s comedies in tandem with a "defactoist" view of teaching and learning points in the direction of a new humanism, one that eschews both the relativism of old deconstruction and contemporary Presentism and the determinism of various kinds of structural accounts. This book offers something new in scholarly and popular understanding of Shakespeare’s work, doing so with both philosophical rigor and literary attention to the difficult work of reading.
Author : Valentin Gerlier
Publisher : Routledge
Page : 230 pages
File Size : 53,7 Mb
Release : 2022-05-29
Category : Drama
ISBN : 9781000582550
Crossing the boundaries between literature, philosophy and theology, Shakespeare and the Grace of Words pioneers a reading strategy that approaches language as grounded in praise; that is, as affirmation and articulation of the goodness of Being. Offering a metaphysically astute theology of language grounded in the thought of Renaissance theologian Nicholas of Cusa, as well as readings of Shakespeare that instantiate and complement its approach, this book shows that language in which the divine gift of Being is received, apprehended and expressed, even amidst darkness and despair, is language that can renew our relationship with one another and with the things and beings of the world. Shakespeare and the Grace of Words aims to engage the reader in detailed, performative close readings while exploring the metaphysical and theological contours of Shakespeare’s art—as a venture into a poetic illumination of the deep grammar of the real.
Author : William Shakespeare
Publisher : Legare Street Press
Page : 0 pages
File Size : 40,8 Mb
Release : 2023-07-18
Category : Electronic
ISBN : 1020951729
This book is a cornerstone of English literature and the play that many consider to be Shakespeare's masterpiece. The tragedy of Hamlet, Prince of Denmark is a tale of revenge, moral decay, and existential angst that has captivated audiences for centuries. This edition features annotations and contextual information to enhance the reader's understanding of the play. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author : Robert Blacker
Publisher : Routledge
Page : 138 pages
File Size : 44,7 Mb
Release : 2017-10-02
Category : Performing Arts
ISBN : 9781351978996
In Shakespeare in Three Dimensions, Robert Blacker asks us to set aside what we think we know about Shakespeare and rediscover his plays on the page, and as Shakespeare intended, in the rehearsal room and in performance. That process includes stripping away false traditions that have obscured his observations about people and social institutions that are still vital to our lives today. This book explores the verities of power and love in Romeo and Juliet and Macbeth, as an example of how to mine the extraordinary detail in all of Shakespeare’s plays, using the knowledge of both theatre practitioners and scholars to excavate and restore them.
Author : Ramunė Marcinkevičiūtė,Maris Peters,Guna Zeltiņa
Publisher : Cambridge Scholars Publishing
Page : 308 pages
File Size : 48,6 Mb
Release : 2023-11-13
Category : Performing Arts
ISBN : 9781527529076
This book is the first collection of research in English devoted to interpretations of Shakespeare’s works in all three Baltic countries, using historical, structural and comparative analysis. The purpose of this edited collection, written by leading Shakespeare researchers in the Baltics, is to introduce international readers to the unique experience of Baltic theatre, to analyse the importance of Shakespeare’s appropriation during the process of development of Baltic national culture, and to highlight the key tendencies and personalities involved in this process. This book will provide rich informative and analytical material for students, teachers, lecturers and researchers of Shakespeare, as well as theatre theoreticians and practitioners.
Author : William C. Boles
Publisher : Springer Nature
Page : 255 pages
File Size : 42,9 Mb
Release : 2020-04-29
Category : Performing Arts
ISBN : 9783030394271
This book revisits In-Yer-Face theatre, an explosive, energetic theatrical movement from the 1990s that introduced the world to playwrights Sarah Kane, Martin McDonagh, Mark Ravenhill, Jez Butterworth, and many others. Split into three sections the book re-examines the era, considers the movement’s influence on international theatre, and considers its lasting effects on contemporary British theatre. The first section offers new readings on works from that time period (Antony Neilson and Mark Ravenhill) as well as challenges myths created by the Royal Court Theatre about the its involvement with In-Yer-Face theatre. The second section discusses the influence of In-Yer-Face on Portuguese, Russian and Australian theater, while the final section discusses the legacy of In-Yer-Face writers as well as their influences on more recent playwrights, including chapters on Philip Ridley, Sarah Kane, Joe Penhall, Martin Crimp, Dennis Kelly, and Verbatim Drama.
Author : Michael Neill,David Schalkwyk
Publisher : Oxford University Press
Page : 650 pages
File Size : 40,9 Mb
Release : 2016-08-18
Category : Literary Criticism
ISBN : 9780191036149
The Oxford Handbook of Shakespearean Tragedy is a collection of fifty-four essays by a range of scholars from all parts of the world, bringing together some of the best-known writers in the field with a strong selection of younger Shakespeareans. Together these essays offer readers a fresh and comprehensive understanding of Shakespeare tragedies as both works of literature and as performance texts written by a playwright who was himself an experienced actor. The collection is organised in five sections. The substantial opening section introduces the plays by placing them in a variety of illuminating contexts: as well looking at ways in which later generations of critics have shaped our idea of 'Shakespearean' tragedy, it addresses questions of genre by examining the playwright's inheritance from the classical and medieval past, by considering tragedy's relationship to other genres (including history plays, tragicomedy, and satiric drama), and by showing how Shakespeare's tragedies respond to the pressures of early modern politics, religion, and ideas about humanity and the natural world. The second section is devoted to current textual issues; while the third offers new critical readings of each of the tragedies, from Titus Andronicus to Coriolanus. This is set beside a group of essays that deal with performance history, with screen productions, and with versions devised for the operatic stage, as well as with the extraordinary diversity of twentieth and twenty-first century re-workings of Shakespearean tragedy. The thirteen essays of the book's final section seek to expand readers' awareness of Shakespeare's global reach, tracing histories of criticism and performance across Europe, the Americas, Australasia, the Middle East, Africa, India, and East Asia. Offering the richest and most diverse collection of approaches to Shakespearean tragedy currently available, the Handbook will be an indispensable resource for students both undergraduate and graduate levels, while the lively and provocative character of its essays make will it required reading for teachers of Shakespeare everywhere.