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My Home in the Field of Honor by Frances Wilson Huard Pdf
DigiCat Publishing presents to you this special edition of "My Home in the Field of Honor" by Frances Wilson Huard. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Few historians have ever captured the drama, excitement, and tragedy of the Civil War with the headlong elan of Edwin Bearss, who has won a huge, devoted following with his extraordinary battlefield tours and eloquent soliloquies about the heroes, scoundrels, and little-known moments of a conflict that still fascinates America. Antietam, Shiloh, Gettysburg: these hallowed battles and more than a dozen more come alive as never before, rich with human interest and colorful detail culled from a lifetime of study. Illustrated with detailed maps and archival images, this 448-page volume presents a unique narrative of the Civil War's most critical battles, translating Bearss' inimitable delivery into print. As he guides readers from the first shots at Fort Sumter to Gettysburg's bloody fields to the dignified surrender at Appomattox, his engagingly plainspoken but expert account demonstrates why he stands beside Shelby Foote, James McPherson, and Ken Burns in the front rank of modern chroniclers of the Civil War, as the Pulitzer Prize-winning McPherson himself points out in his admiring Introduction. A must for every one of America's countless Civil War buffs, this major work will stand as an important reference and enduring legacy of a great historian for generations to come.
Fields of Honor by Edwin C. Bearss,James M. McPherson Pdf
Few historians have ever captured the drama, excitement, and tragedy of the Civil War with the headlong elan of Edwin Bearss, who has won a huge, devoted following with his extraordinary battlefield tours and eloquent soliloquies about the heroes, scoundrels, and little-known moments of a conflict that still fascinates America. Antietam, Shiloh, Gettysburg: these hallowed battles and more than a dozen more come alive as never before, rich with human interest and colorful detail culled from a lifetime of study. Illustrated with detailed maps and archival images, this 448-page volume presents a unique narrative of the Civil War's most critical battles, translating Bearss' inimitable delivery into print. As he guides readers from the first shots at Fort Sumter to Gettysburg's bloody fields to the dignified surrender at Appomattox, his engagingly plainspoken but expert account demonstrates why he stands beside Shelby Foote, James McPherson, and Ken Burns in the front rank of modern chroniclers of the Civil War, as the Pulitzer Prize-winning McPherson himself points out in his admiring Introduction. A must for every one of America's countless Civil War buffs, this major work will stand as an important reference and enduring legacy of a great historian for generations to come.
Premise: "A secret underground civilization of Choctaws, deep beneath the Ouachita Mountains of southeastern Oklahoma, has evolved into a high-tech culture, supported by the labor of slaves kidnapped from the surface."
Author : Gregory S. Brown Publisher : Columbia University Press Page : 536 pages File Size : 50,9 Mb Release : 2005-01-22 Category : History ISBN : 0231503652
Gregory S. Brown's A Field of Honor: The Identities of Writers, Court Culture and Public Theater in the French Intellectual Field from Racine to the Revolution offers a multilevel study of the intellectual, social, and institutional contexts of dramatic authorship and the world of playwrights in 18th-century Paris. Brown deftly interweaves research in archival and printed materials, case studies of individual authorial strategies, the rich, often contentious historiography on the French Enlightenment and contemporary cultural theory and criticism. Drawing on a sophisticated array of recent studies, Brown positions his work against and between the grain of alternative approaches and interpretations. He combines scholarship on the history of the book with analyses of political culture and cultural identity, leaving the reader with a strong and revealing appreciation for the tensions and crosscurrents staged at the center of the 18th-century "republic of letters."
The Miracle in Miami began when a small group of men returned to Ohio after World War II. Some were old enough to coach football; others were young enough to play, going to school on the GI Bill. There, in a tiny community at Miami University of Ohio, the men, the character, and the modern game of football were created. Sid Gillman coached Woody Hayes, who coached Ara Parseghian, coached John Pont, coached Bo Schembechler, coached Bill Mallory. This is the story of the big, brawling familyof men who formed college football. Written by John Pont's niece, their interconnections, affections and rivalries, their innovations, and their weaknesses are all beautifully portrayed, combining football history and strategy with family stories. Watching the Superbowl and focusing on the million-dollar ads, we yearn for the bravery and the loneliness of the original players. Come back to a time when the helmets had no face guards, when the men played without padding, and when strategy and sportsmanship ruled the gridiron.
The previously untold story of the violence in Congress that helped spark the Civil War In The Field of Blood, Joanne B. Freeman recovers the long-lost story of physical violence on the floor of the U.S. Congress. Drawing on an extraordinary range of sources, she shows that the Capitol was rife with conflict in the decades before the Civil War. Legislative sessions were often punctuated by mortal threats, canings, flipped desks, and all-out slugfests. When debate broke down, congressmen drew pistols and waved Bowie knives. One representative even killed another in a duel. Many were beaten and bullied in an attempt to intimidate them into compliance, particularly on the issue of slavery. These fights didn’t happen in a vacuum. Freeman’s dramatic accounts of brawls and thrashings tell a larger story of how fisticuffs and journalism, and the powerful emotions they elicited, raised tensions between North and South and led toward war. In the process, she brings the antebellum Congress to life, revealing its rough realities—the feel, sense, and sound of it—as well as its nation-shaping import. Funny, tragic, and rivetingly told, The Field of Blood offers a front-row view of congressional mayhem and sheds new light on the careers of John Quincy Adams, Henry Clay, and other luminaries, as well as introducing a host of lesser-known but no less fascinating men. The result is a fresh understanding of the workings of American democracy and the bonds of Union on the eve of their greatest peril.
A contemporary of Lorca and Buñuel in Spain’s Second Republic, Max Aub escaped into a life of exile after General Franco seized Barcelona. His masterpiece, acknowledged in Spain as one of the best accounts of the Spanish Civil War, is the five-novel cycle known as The Magic Labyrinth—never before translated into English. A playwright as well as a novelist, he brings the period alive through vibrant dialogue and a story that navigates the factional intrigues that eventually erupted onto the streets in violence. The protagonist of the first novel is Rafael López Serrador, whose coming of age in Barcelona introduces a cast from all walks of city life—Catalan nationalists, anarchists, Falangists, government ministers and showgirls. Just as central a character is Barcelona itself, lovingly depicted. Rafael’s adventures bring him into contact with the forces that were to destroy the Republic and determine the bloody course of the Spanish Civil War. Masterfully translated by Gerald Martin, author of Gabriel García Márquez: A Life, Max Aub’s novel is set to introduce to an English-speaking audience a classic of Spanish and Latin American literature—an account of the Spanish Civil War to compare with Ernest Hemingway’s For Whom the Bell Tolls.
The Vermont Brigade in the Seven Days by Paul G. Zeller Pdf
The Vermont Brigade, sometimes referred to as the "First Vermont Brigade" or the "Old Brigade," fought its first full-brigade engagement in the Seven Days' battles. The leaders, as well as the rank and file, were inexperienced in warfare, but through sheer grit and determination they made a name for themselves as one of the hardest-fighting units in the Army of the Potomac. Using soldiers' letters, diaries, and service and pension records, this book gives a soldier's-eye-view of the Virginia summer heat, days of marching with very little rest or nourishment, and the fear and exhilaration of combat. Also included are the stories of 29 men that were wounded or killed and how the tragedies affected their families.
Recounts the life and accomplishments of Pat Tillman, who left professional football to join the Army in response to the September 11, 2001, attacks and was killed in a combat situation in Afghanistan on April 22, 2004.
This work is a result of the fourth symposium in the University of Ottawa Symposia series following those on Canadian writers Grove (1973), Klein (1974), and Lampman (1975). Scholars, friends, and readers gathered on May 1-2, 1976, to discuss "Ned Pratt", otherwise known as E.J. Pratt (1883-1964), the man and the poet. The two day event featured a biographical panel led by Fred Cogswell and various papers intended to establish the literary identity of the distinguished Canadian author. Other contributors include Glenn Clever, Elizabeth Brewster, Ralph Gustafson, Carl F. Klinck, Germaine Warkentin, Peter Stevens, Peter Buitenhuis, Sandra Djwa, Peter Hunt, Agnes Nyland, Robert Gibbs, Louis K. MacKendrick, and Lila Laakso.
Essays in Honor of Steven Paul Scher and on Cultural Identity and the Musical Stage by Suzanne M. Lodato,Suzanne Aspden,Walter Bernhart Pdf
The eighteen interdisciplinary essays in this volume were presented in 2001 in Sydney, Australia, at the Third International Conference on Word and Music Studies, which was sponsored by The International Association for Word and Music Studies (WMA). The conference celebrated the sixty-fifth birthday of Steven Paul Scher, arguably the central figure in word and music studies during the last thirty-five years. The first section of this volume comprises ten articles that discuss, or are methodologically based upon, Scher's many analyses of and critical commentaries on the field, particularly on interrelationships between words and music. The authors cover such topics as semiotics, intermediality, hermeneutics, the de-essentialization of the arts, and the works of a wide range of literary figures and composers that include Baudelaire, Mallarmé, Proust, T. S. Eliot, Goethe, Hölderlin, Mann, Britten, Schubert, Schumann, and Wagner. The second section consists of a second set of papers presented at the conference that are devoted to a different area of word and music studies: cultural identity and the musical stage. Eight scholars investigate - and often problematize - widespread assumptions regarding 'national' and 'cultural' music, language, plots, and production values in musical stage works. Topics include the National Socialists' construction of German national identity; reception-based examinations of cultural identity and various "national" opera styles; and the means by which composers, librettists, and lyricists have attempted to establish national or cultural identity through their stage works.
