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"Containing many illustrations from Michelangelo Antonioni's own archives, this text explores his life and career from his earliest documentaries to his latest collaborations"--Publisher's description.
Antonioni, or, The Surface of the World by Seymour Chatman Pdf
Michelangelo Antonioni is one of the great visual artists of the cinema. The central and distinguishing strength of Antonioni's mature films, Seymour Chatman argues, is narration by a kind of visual minimalism, by an intense concentration on the sheer appearance of things and a rejection of explanatory dialogue. Though traditional audiences have balked at the "opacity" of Antonioni's films, it is precisely their rendered surface that is so eloquent once one learns to read it. Not despite, but through, their silences the films show a deep concern with the motives, perceptions and vicissitudes of the emotional life. This study covers films not dealt with in any other book on the great director, including Il mistero di Obertwald (1980) and Identificazione di una donna (1982), which have not yet been seen in the U.S. Its coverage of the early documentaries and features, when Antonioni was forging his new and original stylistic "language," is especially full. In a free-ranging analysis of the evolution of Antonioni's style that quotes liberally from Antonioni's own highly articulate writings and interviews, Chatman shows how difficult it was for the filmmaker to liberate his art from the conventional means of rendering narrative, especially dialogue, conventional sound effects, and commentative music. From his first efforts to his triumphant achievements in the tetralogy of L'avventura, L'eclisse, and Il deserto rosso, Antonioni's acute sensibility struggled to achieve the mastery that has won him a secure place in film history. Chatman's study is the only complete account of Antonioni's work available in English. Its novel visual approach to the films while attract not only film scholars but also readers interested in painting and architecture—both important elements of Antonioni's work.
Michelangelo Red Antonioni Blue by Murray Pomerance Pdf
Michelangelo Antonioni, who died in 2007, was one of cinema’s greatest modernist filmmakers. The films in his black and white trilogy of the early 1960s—L’avventura, La Notte, L‘eclisse—are justly celebrated for their influential, gorgeously austere style. But in this book, Murray Pomerance demonstrates why the color films that followed are, in fact, Antonioni’s greatest works. Writing in an accessible style that evokes Antonioni’s expansive use of space, Pomerance discusses The Red Desert, Blow-Up, Professione: Reporter (The Passenger), Zabriskie Point, Identification of a Woman, The Mystery of Oberwald, Beyond the Clouds, and The Dangerous Thread of Things to analyze the director’s subtle and complex use of color. Infusing his open-ended inquiry with both scholarly and personal reflection, Pomerance evokes the full range of sensation, nuance, and equivocation that became Antonioni’s signature.
In his analysis of a scene in La notte, for instance, Arrowsmith proposes how the composition of shots expresses the meaning. Noting how the actress portraying a nymphomaniac is framed next to expanses of wall, Arrowsmith writes, "What the nymphomaniac wants to shut out is any knowledge of the blank immensity ... that we see exteriorized as she stands against the absolutely clinical white blankness of the wall, her own emptiness projected as the emptiness around her, threatening her."
The sequel to "The Architecture of Vision", this collection of ideas for films that never left the drawing board provides readers with the inspiration and motivation behind the films of internationally renowned director Michelangelo Antonioni.
An exploration of the relationship between cinema and existentialism, in terms of their mutual ability to describe the human condition, this book combines analyses of topics in the philosophy of film with an exploration of specific existentialist themes expressed in the films of Fellini, Bergman and Woody Allen, among others.
The Passenger by Michelangelo Antonioni,Mark Peploe,Peter Wollen Pdf
(Applause Books). The complete script of the film by Mark Peploe, Peter Wollen, and Michelangelo Antonioni and starring Jack Nicholson and Maria Schneider. It also includes over 70 photographs from the 1975 film.