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The Finnegans Wake Notebooks at Buffalo - VI.B.28 by James Joyce Pdf
The Finnegans Wake Notebook Edition is a fully integrated and cross-referenced edition of all the extant work-books compiled by Joyce after the completion of Ulysses. It will be published as a series of fascicles, one per authorial notebook, three per scribal notebook, fifty-five in all. This makes individual notebooks available to scholars as they appear and allows critical feedback, laying the foundations for an electronic edition that will be prepared simultaneously. The editorial aim is to bring together all of the information relevant to each note in as concise and simple a way as possible. The Finnegans Wake Notebook Edition will provide a reference library of comprehensively quoted source material-in effect an annotated digest of Joyce's working library-which will serve as a new starting point not just for exegesis of Finnegans Wake, but also for biographical, textual, and literary criticism of Joyce. Furthermore, the Edition will allow for a reconstruction of Joyce's intellectual concerns and compositional habits during the drafting of Work in Progress / Finnegans Wake.
New Quotatoes: Joycean Exogenesis in the Digital Age by Anonim Pdf
New Quotatoes offers fourteen original essays on the genetic dossiers of Joyce’s fiction and the ties that bind the literary archive to the transatlantic print sphere of the late nineteenth and early twentieth century.
Peter Spielberg,James Joyce,State University of New York at Buffalo. University Libraries,Lockwood Memorial Library
Author : Peter Spielberg,James Joyce,State University of New York at Buffalo. University Libraries,Lockwood Memorial Library Publisher : SUNY Press Page : 292 pages File Size : 40,6 Mb Release : 1962-01-01 Category : Biography & Autobiography ISBN : 0873950097
James Joyce's Manuscripts and Letters at the University of Buffalo by Peter Spielberg,James Joyce,State University of New York at Buffalo. University Libraries,Lockwood Memorial Library Pdf
The approximately 20,000 pages of Joyce manuscripts and letters in the Lockwood Memorial Library of the University of Buffalo here catalogued by Dr. Spielberg offer scholars and critics much unpublished and unsifted material for the explication and examination of Joyce's individual works, as well as the raw material necessary for a detailed exploration of James Joyce's creative process. The scope of the Buffalo Joyce Collection is vast, spanning the full range of Joyce's writing career from 1900 to 1940, from his Epiphanies to possible revisions for Finnegans Wake. Dr. Spielberg's work in compiling the present catalogue of Joyce's own writings and letters in the collection now provides for Joyceans a guide to what up until now has been mainly uncharted territory. The manuscripts--workbooks, notebooks, sketches, schemas, notes, early and late drafts, fair copies, typescripts, galley and page proofs, errata, translations, and letters--have been divided into ten major categories: "Epiphanies," "A Portrait of the Artist as a Young Man," "Exiles," "Verses," "Ulysses," "Finnegans Wake," "Criticism," "Notebooks," "Miscellaneous Manuscripts," and "Letters from Joyce." Each item has been described and identified, following a uniform format for the pertaining facts: title, collation, pagination, contents, other markings, dating, publication, and notes. In his introduction to the catalogue, the author describes the Buffalo Joyce Collection itself, giving the history of its growth, its extent, and holdings. In discussing the manuscripts, he calls particular attention to the "Finnegans Wake Workbooks" (MSS. VI. A., B., C., and D.), which, he comments, "are probably the strangest manuscripts in existence--even for so strange a book as Finnegans Wake ... The apparent disorder and lock of organization of these workbooks is a false impression. Where the reader of the workbooks stumbles and bombinates through what seems to be utter blackness, Joyce danced and skipped with ease. What to us seems chaos was neatness and method to Joyce." It is Dr. Spielberg's hope that the manuscripts he has catalogued will, when examined in detail, "offer a key to the better understanding of the 'hides and hints and misses in prints' in the writings of the most controversial figure of twentieth-century literature."
James Joyce and Paul L. Léon by Luca Crispi,Alexis Léon,Anna Maria Léon Pdf
James Joyce spent the last decade of his life in Paris, struggling to finish his great final work Finnegans Wake amidst personal and financial hardship and just as Europe was being engulfed by the rising tide of fascism. Bringing together new archival discoveries and personal accounts, this book explores one of the central relationships of his final years: that with his friend, confidant and adviser Paul L. Léon. Providing first-hand accounts of Joyce's Paris circle – which included Samuel Beckett and Vladimir Nabokov – the book makes available again the text of Lucie (Léon) Noel's personal memoir of the relationship between her husband and the Irish writer (published as James Joyce and Paul L. Léon: The Story of Friendship in 1950), including his valiant rescue of Joyce's Paris archives from occupying Nazi forces. The book also collects for the first time Leon's clandestine letters to his wife from August to December 1941, chronicling his desperate state of body and mind while interned in Drancy, France's main Nazi transit camp, and then in Compiègne, just before he was deported to Auschwitz- Birkenau. Joyce died suddenly on 13 January 1941 in Zurich and Léon was murdered by the Nazis on 4 April 1942 in Silesia. Annotated throughout with contextual commentary by Luca Crispi and Mary Gallagher, this is an essential resource for scholars of James Joyce and of the literary culture of Paris in the 1930s and first years of World War II in France.
Annotations to Finnegans Wake by Roland McHugh Pdf
Long considered the essential guide to Joyce's famously difficult work, Roland McHugh's Annotations to "Finnegans Wake" provides both novice readers and seasoned Joyceans with a wealth of information in an easy-to-use format uniquely suited to this densely layered text. Each page of the Annotations corresponds directly with a page of the standard Viking/Penguin edition of Finnegans Wake and contains line-by-line notes following the placement of the passages to which they refer. The reader can thus look directly from text to notes and back again, with no need to consult separate glossaries or other listings. McHugh's richly detailed notes distill decades of scholarship, explicating foreign words, unusual English connotations and colloquial expressions, place names, historical events, song titles and quotations, parodies of other texts, and Joyce's diverse literary and popular sources. The third edition has added material reflecting fifteen years of research, including significant new insights from Joyce's compositional notebooks (the "Buffalo Notebooks"), now being edited for the first time.
The Encryption of Finnegans Wake Resolved by Grace Eckley Pdf
At risk of life and reputation, the reform journalist W. T. Stead (1849-1912) exposed child vice and white slavery in London and established age 16 for statutory rape. Concluding the 1914 Portrait, Joyce saluted the “Old father, old artificer, stand me now and ever in good stead” and set the path of future works. The exemplary life and devotions of Stead provided James Joyce with a model, a theme, and a purpose. Joyce integrated Steadfacts with his own personal emerging autobiography and interpretation of the ongoing Irish national, international, and even cosmic events. In this book Eckley uses new sources to unravel forgotten languages, motifs, and metaphors and recognizes “obscurity” as a “chrysalis factor” in Joyce’s Finnegans Wake to illuminate Stead’s influence on Joyce. This book of Finnegans Wake criticism will open paths for exciting new efforts in studying Joyce.
The first book-length treatment of James Joyce's work through the lens of Friedrich Nietzsche's thought, Slote argues that the range of styles Joyce deploys has an ethical dimension. This intersection raises questions of epistemology, aesthetics, and the construction of the 'Modern' and will appeal to literary and philosophy scholars.
Maiden Tribute: A Life of W. T. Stead This journalist who communicated with his Senior Partner instantaneously, whose ecumenical advance beyond his epoch still startles his readers, throughout his life retained his Whitmanesque individualism and rugged speech. W. T. Stead frequently scoffed at the Anglican Sunday prayers that instructed God how to direct the affairs of the world. If God did not comply, it was not for want of pious instruction. Anglicans were wanting, and most of his late Victorian-Edwardian world was Anglican. W. T. Stead (1849-1912) was a Nonconforrmist with and without the capital n. Had he been born with a wooden spoon in his mouth, it meant only that God needed his help to make the world silver. He never ceased to believe the world could be made silver, for mankind in general was anonymously, even though sluggishly, contributing to the infinite ascending spiral traced by the finger of God between the universe and the ideal. Clearly, the position of women in the 1870s was far from the ideal, remote from the privileges selfishly guarded by men. Taking a cue from his mother who campaigned against the Contagious Diseases Actswhich punished women but not men for transmitting syphilishe determined to bring women nearer the honors of Mary the Mother and Mary the Magdalen, for these two women stand out against the gloom of the past radiant as the angels of God, and yet the true ideals of the womanhood of the world. Such appeared implausible. Everywhere he saw in the streets wretched ruins of humanity, women stamped and crushed into devils by society . . . . And the children nursed in debauchery, suckled in crime, predestined to a life of misery and shame! Mrs. Josephine Butler already knew that Britains leadership would not assist: in the grandest house of the kind in Paris, are to be seen portraits of all the great men who had frequented themdiplomatists, generals, and English Lords . . . . The brothel-keeper put a cross underneath the portrait at each visit, to mark the number of visits made to the house by these great men! Before he visited London, the export of English girls for State-regulated prostitution in Brussels imposed upon Stead a sense that he was destined to write an Uncle Toms Cabin on The Slavery of Europe. The burden is greater than I can bear. But if it is ultimately to be laid on my back, God will strengthen me for it. If I have to write it I shall have to plunge into the depths of the social hell, and that is impossible outside a great city. Even high-minded seekers of justice found the social hell a place they could not venture into. Initiating research for The Maiden Tribute of Modern Babylon, Stead took counsel with civic powers Lord Carnarvon, John Morley, Arthur Balfour, Henry Labouchere among others, and Sir Charles Russell, who declined an invitation to see for himself because as leader of the English Bar he could not play the rle of a detective in a house of ill-fame. As the shocking series of four daily exposes neared its close, why others had not done Steads work was explained by Benjamin Scott, the City Chamberlain who had prompted Stead to take up the cause: We had not the ability or the opportunity that Stead possessed, and lacked the courage. Stead had begun the Maiden Tribute with a complaint against British society, that chivalry was dead and Christianity effete. Benjamin Waugh praised him after the fact: The spirit of both survives in you to-day. Stead accomplished his goal: passage of the Criminal Law Amendment Act, still in force today. Why the British sent him to jail for passing the first child protection law is graced with the word technicality. Branded both a saint and a filthy ex-convict, Stead continued to use his journalistic strength to achieve justice for citizens; in the 1890s he turned to internationalism. Lobbying for arbitration for settling international disputes, he crafted a memorial calling for li
An introduction to the fascinating world of Joyce’s manuscripts This book shows how the creative process of modernist writer James Joyce can be reconstructed from his manuscripts. Daniel Ferrer offers a practical demonstration of the theory of genetic criticism, the study of the manuscript and textual development of a literary text. Using a concrete approach focused on the materiality of Joyce’s writing process, Ferrer demonstrates how to recover the process of invention and its internal dynamics. Using specific, detailed examples, Ferrer analyzes the part played by chance in Joyce’s creative process, the spatial dimension of writing, the genesis of the “Sirens” episode, and the transition from Ulysses to Finnegans Wake. The book includes a study of Joyce’s mysterious Finnegans Wake notebooks, examining their strange form of intertextuality in light of Joyce’s earlier forms of note-taking. Moving beyond the single author perspective, Ferrer contrasts Joyce’s notes alluding to Virginia Woolf’s criticism of Ulysses with Woolf’s own notes on the novel’s first episodes. Throughout this book, Ferrer describes the logic of the creative process as seen in the record left by Joyce in notebooks, drafts, typescripts, proofs, correspondence, early printed versions, and other available documents. Each change detected reveals a movement from one state to another, a new direction, challenging readers to understand the reasons for each movement and to appreciate the wealth of information to be found in Joyce’s manuscripts. A volume in the Florida James Joyce Series, edited by Sam Slote
