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Beatrice Burton Morgan (1894-1983) was a romance author whose books about life in the 1920s were known for their use of current slang and references to popular culture.
F. Scott Fitzgerald in Context by Bryant Mangum Pdf
The fiction of F. Scott Fitzgerald serves as a compelling and incisive chronicle of the Jazz Age and Depression Era. This collection explores the degree to which Fitzgerald was in tune with, and keenly observant of, the social, historical and cultural contexts of the 1920s and 1930s. Original essays from forty international scholars survey a wide range of critical and biographical scholarship published on Fitzgerald, examining how it has evolved in relation to critical and cultural trends. The essays also reveal the micro-contexts that have particular relevance for Fitzgerald's work - from the literary traditions of naturalism, realism and high modernism to the emergence of youth culture and prohibition, early twentieth-century fashion, architecture and design, and Hollywood - underscoring the full extent to which Fitzgerald internalized the world around him.
Fantagraphics celebrates The Flapper Queens, a gorgeous collection of full-color comic strips. In addition to featuring the more well-known cartoonists of the era, such as Ethel Hays, Nell Brinkley, and Virginia Huget, Eisner award-winning Trina Robbins introduces you to Eleanor Schorer, who started her career in the teens as a flowery art nouveau Nell Brinkley imitator but, by the '20s, was drawing bold and outrageous art deco illustrations; Edith Stevens, who chronicled the fashion trends, hairstyles, and social manners of the '20s and '30s in the pages of The Boston Globe; and Virginia Huget, possibly the flappiest of the Flapper Queens, whose girls, with their angular elbows and knees, seemed to always exist in a euphoric state of Charleston.
Author : John C. Spurlock,Cynthia Magistro Publisher : NYU Press Page : 228 pages File Size : 52,6 Mb Release : 1998-08 Category : History ISBN : 9780814780459
New and Improved by John C. Spurlock,Cynthia Magistro Pdf
As the Victorian era drew to a close, women began moving out of the home and into a public realm long claimed by men. Drawing on diaries, letters, and memoirs of women from a wide range of backgrounds and geographic regions, this volume offers insights into middle-class women's experiences of American culture in the transition between the Victorian era and 20th-century modern life. Photos.
Liz Conor explores the role of media technology in the emergence of the 'modern woman' in the 1920s. At once liberating & confining, the media images of women set standards of appearance that were closely tied to ideas about the roles a woman could fulfill, from city girl to mannekin to flapper.
In the first half of the twentieth century, modernist works appeared not only in obscure little magazines and books published by tiny exclusive presses but also in literary reprint magazines of the 1920s, tawdry pulp magazines of the 1930s, and lurid paperbacks of the 1940s. In his nuanced exploration of the publishing and marketing of modernist works, David M. Earle questions how and why modernist literature came to be viewed as the exclusive purview of a cultural elite given its availability in such popular forums. As he examines sensational and popular manifestations of modernism, as well as their reception by critics and readers, Earle provides a methodology for reconciling formerly separate or contradictory materialist, cultural, visual, and modernist approaches to avant-garde literature. Central to Earle's innovative approach is his consideration of the physical aspects of the books and magazines - covers, dust wrappers, illustrations, cost - which become texts in their own right. Richly illustrated and accessibly written, Earle's study shows that modernism emerged in a publishing ecosystem that was both richer and more complex than has been previously documented.
This intriguing study examines the truth behind the myths and misconceptions that defined the Roaring Twenties, as portrayed through the popular literary works of the time. This one-stop reference to the "Jazz Age"—the period that began after the First World War and ended with the stock market crash of 1929—digs into the cultural, historical, and literary contexts of the era. Author Linda De Roche examines the writing of the time to look beyond the common conceptions of the Roaring Twenties and instead reflect on the era's complexities and contradictions, including how gender and race influenced social mores. The book profiles key American literature of the time, including F. Scott Fitzgerald's The Great Gatsby, Ernest Hemingway's The Sun Also Rises, Sinclair Lewis's Babbit, Anita Loos's Gentlemen Prefer Blondes, and Nella Larsen's Passing. Filled with essays that offer historical explorations of each work as well as suggested learning activities, chapters also feature study questions, primary source documents, and chronologies. Support materials include activities, lesson plans, discussion questions, topics for further research, and suggested readings.
In this bracing study of American sexual culture and the politics of acquaintance rape, esteemed anthropologist Peggy Reeves Sanday identifies the sexual stereotypes that continue to obstruct justice and diminish women. Beginning with a harrowing account of the St. John's rape case, Sanday reaches back through British and American landmark rape cases to explain how, with the exception of earliest Colonial times, rape has been a crime notable for placing the woman on trial. A ground-breaking work of scholarship, A Woman Scorned brings a broader perspective to our understanding of acquaintance rape and envisions, finally, a new paradigm for female sexual equality.
This Literary Life draws extensively from the playwright's correspondences, notebooks, and archival papers to offer an original angle to the discussion of Williams's life and work, and the times and circumstances that helped produce it.
Entertaining, highly readable book pulses with the vernacular of young Americans from the end of the 19th century to the present. Alphabetical listings for each decade, plus fascinating sidebars about language and culture.
Her undercover life… Her secret childDancing in speakeasies at night is dutiful heiress Betty Dryer’s only escape from her father’s tyrannical control and marriage plans. There she meets mysterious FBI agent Henry Randall. Drawn into his investigation—and to emotionally scarred, lone-wolf Henry himself—Betty gives in to her desire, believing this could be her only chance at love before she’s forced to wed. Until she discovers she’s pregnant with Henry’s baby! Sisters of the Roaring Twenties Flappers finding love in Hollywood Book 1 — The Flapper’s Fake Fiancé Book 2 — The Flapper’s Baby Scandal Coming Soon Book 3 - The Flapper’s Scandalous Elopement “I loved this book, everything about it; the setting, the era, the clothes, the dialogue...everything.” —Chicks, Rogues and Scandals on Stolen Kiss with the Hollywood Starlet “Sweet, romantic and oh so passionate, I will also defy anyone that doesn’t cry because I certainly did … 5/5 stars” —Goodreads on Diary of a War Bride
New Woman Hybridities by MARGARET BEETHAM,Ann Heilmann Pdf
This book explores the diversity of meanings ascribed to the turn-of-the-century New Woman in the context of cultural debates conducted within and across a wide range of national frameworks. Individual chapters by international scholars scrutinize the flow of ideas, images, and textual parameters of New Woman discourses in the UK, North America, Europe, and Japan, elucidating the national and ethnic hybridity of the 'modern woman' by locating this figure within both international consumer culture and feminist writing. The volume will be essential reading for advanced students and researchers of American Studies, Women's Studies, and Women's History.
The flashback is a crucial moment in a film narrative, one that captures the cinematic expression of memory, and history. This author’s wide-ranging account of this single device reveals it to be an important way of creating cinematic meaning. Taking as her subject all of film history, the author traces out the history of the flashback, illuminating that history through structuralist narrative theory, psychoanalytic theories of subjectivity, and theories of ideology. From the American silent film era and the European and Japanese avant-garde of the twenties, from film noir and the psychological melodrama of the forties and fifties to 1980s art and Third World cinema, the flashback has interrogated time and memory, making it a nexus for ideology, representations of the psyche, and shifting cultural attitudes.