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Florence in the fifteenth century was the undisputed centre of the Italian Renaissance. Its legacy is apparent today in every aspect of human endeavour. Our art and science, our learning and literature, our Christianity and our civic liberties, even our conception of what constitutes a gentleman, have all been shaped by Florentine thought and deed. In this brilliant and absorbing book Vincent Cronin brings vividly to life the people and myriad achievements of this astonishingly fruitful epoch in human history.
Fra Angelico and the Rise of the Florentine Renaissance by Carl Brandon Strehlke,Ana González Mozo Pdf
With illustrations that demonstrate the rich colors and intense light that imbue Fra Angelico’s work, this book takes a deeper look at one of the master painters of the Florentine Renaissance. One of the great fifteenth-century masters, Fra Angelico was one of several painters who shaped the beginnings of the Florentine Renaissance. Although, because of his occupation as a friar, he is sometimes considered separately from his contemporaries, including Masaccio, Masolino, Paolo Uccello, Filippo Lippi, Lorenzo Ghiberti, Donatello, Nanni di Banco, and Filippo Brunelleschi, Fra Angelico and the Rise of the Florentine Renaissance examines his early works and shows that not only was he a participant in the artistic culture of the time, but also a key innovator. Angelico’s breakthrough work from the mid-1420s, the Prado’s great Annunciation altarpiece, is regarded as the first Renaissance-style altarpiece in Florence. Published to accompany the exhibition “Fra Angelico and the Rise of the Florentine Renaissance” at the Museo Nacional del Prado, Madrid, this book reveals the results of the Prado’s extensive conservation and technological research efforts on The Annunciation, as well as two other recently acquired Angelico paintings: the Alba Madonna and the Funeral of Saint Anthony Abbot. Vividly illustrated and deeply illuminating, this book investigates the origins of the Florentine Renaissance and positions Angelico at the heart of the story.
The World of the Florentine Renaissance Artist by Martin Wackernagel Pdf
Wackernagel stresses the changing roles of commissions and patrons in the late fourteenth to the early fifteenth centuries, from small-scale enterprise under Lorenzo de Medici to the large-scale development of major Florentine monuments.
Author : Susan B. Puett,J. David Puett Publisher : Penn State Press Page : 274 pages File Size : 53,5 Mb Release : 2016-08-25 Category : Art ISBN : 9780271091327
Renaissance Art & Science @ Florence by Susan B. Puett,J. David Puett Pdf
The creativity of the human mind was brilliantly displayed during the Florentine Renaissance when artists, mathematicians, astronomers, apothecaries, architects, and others embraced the interconnectedness of their disciplines. Artists used mathematical perspective in painting and scientific techniques to create new materials; hospitals used art to invigorate the soul; apothecaries prepared and dispensed, often from the same plants, both medicinals for patients and pigments for painters; utilitarian glassware and maps became objects to be admired for their beauty; art enhanced depictions of scientific observations; and innovations in construction made buildings canvases for artistic grandeur. An exploration of these and other intersections of art and science deepens our appreciation of the magnificent contributions of the extraordinary Florentines.
Art, Marriage, and Family in the Florentine Renaissance Palace by Jacqueline Marie Musacchio Pdf
This illustrated book explores the social and economical background to marriage in Renaissance Florence and discusses the objects such as paintings, sculptures, furniture, jewellery, clothing, and household items associated with marriage and ongoing family life.
In the middle decades of the sixteenth century, the republican city-state of Florence--birthplace of the Renaissance--failed. In its place the Medici family created a principality, becoming first dukes of Florence and then grand dukes of Tuscany. The Fruit of Liberty examines how this transition occurred from the perspective of the Florentine patricians who had dominated and controlled the republic. The book analyzes the long, slow social and cultural transformations that predated, accompanied, and facilitated the institutional shift from republic to principality, from citizen to subject. More than a chronological narrative, this analysis covers a wide range of contributing factors to this transition, from attitudes toward officeholding, clothing, the patronage of artists and architects to notions of self, family, and gender. Using a wide variety of sources including private letters, diaries, and art works, Nicholas Baker explores how the language, images, and values of the republic were reconceptualized to aid the shift from citizen to subject. He argues that the creation of Medici principality did not occur by a radical break with the past but with the adoption and adaptation of the political culture of Renaissance republicanism.
The Economy of Renaissance Florence by Richard A. Goldthwaite Pdf
Winner, 2010 Phyllis Goodhart Gordan Book Prize, the Renaissance Society of America2009 Outstanding Academic Title, ChoiceHonorable Mention, Economics, 2009 PROSE Awards, Professional and Scholarly Publishing division of the Association of American Publishers Richard A. Goldthwaite, a leading economic historian of the Italian Renaissance, has spent his career studying the Florentine economy. In this magisterial work, Goldthwaite brings together a lifetime of research and insight on the subject, clarifying and explaining the complex workings of Florence’s commercial, banking, and artisan sectors. Florence was one of the most industrialized cities in medieval Europe, thanks to its thriving textile industries. The importation of raw materials and the exportation of finished cloth necessitated the creation of commercial and banking practices that extended far beyond Florence’s boundaries. Part I situates Florence within this wider international context and describes the commercial and banking networks through which the city's merchant-bankers operated. Part II focuses on the urban economy of Florence itself, including various industries, merchants, artisans, and investors. It also evaluates the role of government in the economy, the relationship of the urban economy to the region, and the distribution of wealth throughout the society. While political, social, and cultural histories of Florence abound, none focuses solely on the economic history of the city. The Economy of Renaissance Florence offers both a systematic description of the city's major economic activities and a comprehensive overview of its economic development from the late Middle Ages through the Renaissance to 1600.
Author : William J. Connell Publisher : Univ of California Press Page : 480 pages File Size : 44,7 Mb Release : 2002-09-10 Category : History ISBN : 0520232542
Building the Italian Renaissance by Paula Kay Lazrus Pdf
Building the Italian Renaissance focuses on the competition to select a team to execute the final architectural challenge of the cathedral of Santa Maria del Fiore--the erection of its dome. Although the model for the dome was widely known, the question of how this was to be accomplished was the great challenge of the age. This dome would be the largest ever built. This is foremost a technical challenge but it is also a philosophical one. The project takes place at an important time for Florence. The city is transitioning from a High Medieval world view into the new dynamics and ideas and will lead to the full flowering of what we know as the Renaissance. Thus the competition at the heart of this game plays out against the background of new ideas about citizenship, aesthetics, history (and its application to the present), and new technology. The central challenge is to expose players to complex and multifaceted situations and to individuals that animated life in Florence in the early 1400s. Humanism as a guiding philosophy is taking root and scholars are looking for ways to link the mercantile city to the glories of Rome and to the wisdom of the ancients across many fields. The aesthetics of the classical world (buildings, plastic arts and intellectual pursuits) inspired wonder, perhaps even envy, but the new approaches to the past by scholars such as Petrarch suggested that perhaps the creative classes are not simply crafts people, but men of ideas. Three teams compete for the honor to construct the dome, a project overseen by the Arte Della Lana (wool workers guild) and judged by them and a group of Florentine citizens who are merchants, aristocrats, learned men, and laborers. Their goal is to make the case for the building to live up to the ideals of Florence. The game gives students a chance to enter into the world of Florence in the early 1400s to develop an understanding of the challenges and complexity of such a major artistic and technical undertaking while providing an opportunity to grasp the interdisciplinary nature of major public works.
Cosimo De' Medici and the Florentine Renaissance by Dale V. Kent Pdf
"Cosimo de'Medici (1389-1464), the fabulously wealthy banker who became the leading citizen of Florence in the fifteenth century, spent lavishly as the city's most important patron of art and literature. This book is the first comprehensive examination of the whole body of works of art and architecture commissioned by Cosimo and his sons. By looking closely at this spectacular group of commissions, we gain an entirely new picture of their patron, and of the patron's point of view. Recurrent themes in the commissions - from Fra Angelico's San Marco altarpiece to the Medici palace - indicate the main interests to which Cosimo's patronage gave visual expression. Dale Kent offers new insights and perspectives on the individual objects comprising the Medici oeuvre by setting them within the context of civic and popular culture in early Renaissance Florence, and of Cosimo's life as the leader of the Medici lineage and the dominant force in the governing elite." "From the wealth of available documentation illuminating Cosimo de'Medici's life, the author considers how his own experience influenced his patronage; how the culture of Renaissance Florence provided a common idiom for the patron, his artists, and his audience; what he preferred and intended as a patron; and how focussing on his patronage of art alters the image of him that is based on his roles as banker and politician. Cosimo was as much a product as a shaper of Florentine society, Kent concludes. She identifies civic patriotism and devotion as the main themes of his oeuvre and argues that religious imperatives may well have been more important than political ones in shaping the art for which he was responsible and its reception."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Florentine Renaissance Sculpture by Charles Avery Pdf
"Some of the greatest names in the history of art are those of Florentine sculptors: Ghiberti, Donatello and Luca della Robbia; Verrocchio and Michelangelo; Cellini and Giovanni Bologna. These were the creators of a school of sculpture that remained supreme for over two centuries."--BOOK COVER.
Changing Patrons: Social Identity and the Visual Arts in Renaissance Florence by Anonim Pdf
To whom should we ascribe the great flowering of the arts in Renaissance Italy? Artists like Botticelli and Michelangelo? Or wealthy, discerning patrons like Cosimo de' Medici? In recent years, scholars have attributed great importance to the role played by patrons, arguing that some should even be regarded as artists in their own right. This approach receives sharp challenge in Jill Burke's Changing Patrons, a book that draws heavily upon the author's discoveries in Florentine archives, tracing the many profound transformations in patrons' relations to the visual world of fifteenth-century Florence. Looking closely at two of the city's upwardly mobile families, Burke demonstrates that they approached the visual arts from within a grid of social, political, and religious concerns. Art for them often served as a mediator of social difference and a potent means of signifying status and identity. Changing Patrons combines visual analysis with history and anthropology to propose new interpretations of the art created by, among others, Botticelli, Filippino Lippi, and Raphael. Genuinely interdisciplinary, the book also casts light on broad issues of identity, power relations, and the visual arts in Florence, the cradle of the Renaissance.
Art of Renaissance Florence, 1400-1600 by Loren W. Partridge Pdf
"Rich and engaging. This account of Florentine art tells the story of who commissioned these works, who made them, where they were seen, and how they were experienced and understood by their viewers. Includes a useful timeline, glossary, and series of artists' biographies."--Patricia L. Reilly, Swarthmore College "An extraordinarily useful book, not only for teachers, but also for historically minded travelers interested in an illustrated guide to the art of Renaissance Florence."--Evelyn Lincoln, Brown University "Clear and compelling. The well-chosen illustrations include ground plans and diagrams of key architectural monuments and sculpture. The updated, judicious bibliography is a resource for anyone tackling the vast scholarship on the art of Renaissance Florence."--Cristelle Baskins, editor of The Triumph of Marriage: Painted Cassoni of the Renaissance
Author : William J. Connell,Giles Constable Publisher : Centre for Reformation and Renaissance Studies Page : 136 pages File Size : 50,9 Mb Release : 2005 Category : History ISBN : 0772720304
Sacrilege and Redemption in Renaissance Florence by William J. Connell,Giles Constable Pdf
In Florence, in the summer of 1501, a man named Antonio Rinaldeschi was arrested and hanged after throwing horse dung at an outdoor painting of the Virgin Mary. His punishment was severe, even for the times, and the crimes with which he was formally charged, gambling, blasphemy and attempted suicide, did not normally warrant the death penalty. Sacrilege and Redemption in Renaissance Florence unveils a series of newly discovered sources concerning this striking episode. The authors show how the political and religious context of Renaissance Florence resulted both in Rinaldeschi's death sentence and in the creation by the followers of Savonarola of a new religious devotion, in the heart of the city, commemorating the event. -- Amazon.com.
Painting in Renaissance Florence, 1500-1550 by David Franklin Pdf
Franklin's unprecedented examination of Vasari's work as a painter in relation to his vastly better-known writings fully illuminates these dual strands in Florentine art and offers us a clearer understanding of sixteenth-century painting in Florence than ever before." "The volume focuses on twelve painters: Perugino, Leonardo de Vinci, Piero di Cosimo, Michelangelo, Fra Bartolomeo, Ridolfo Ghirlandaio, Andrea del Sarto, Franciabigio, Rosso Fiorentino, Jacopo da Pontormo, Francesco Salviati and Giorgio Vasari."--BOOK JACKET.
