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Meir Wieseltier's verbal power, historical awareness, and passionate engagement have placed him in the first rank of contemporary Hebrew poetry. The Flower of Anarchy, a selection of Wieseltier's poems spanning almost forty years, collects in one volume, for the first time, English translations of some of his finest work. Superbly translated by the award-winning American-Israeli poet-translator Shirley Kaufman—who has worked with the poet on these translations for close to thirty years—this book brings together some of the most praised and admired early poems published in several small books during the 1960s, along with poems from six subsequent collections, including Wieseltier's most recent, Slow Poems, published in 2000. Born in Moscow in 1941, Wieseltier spent the first years of his life, during the war, as a refugee in Siberia, then again in Europe. He settled in Tel-Aviv a few years after coming to Israel in 1949 and has lived there ever since. A master of both comedy and irony, Wieseltier has written powerful poems of social and political protest in Israel, poems that are painfully timeless. His voice is alternately anarchic and involved, angry and caring, trenchant and lyric.
"The Flower of Anarchy contains some of Meir Wieseltier’s most fierce, angry, and beautiful poems. Wieseltier is the savage yet compassionate poet of Tel Aviv: a bold, tormented and playful poet of a bold, tortured and sexy city."—Amos Oz "The distinguished and gifted poet-translator Shirley Kaufman gives us Meir Wieseltier's poems as poetry. The vibrancy and momentum of these versions are extraordinary."—Adrienne Rich "We almost don’t have this kind of poetry in America—erotic, political, audacious, wise, brutal. I die that I can’t share the Hebrew, but what the music is comes through, as well as the voice, the immense resonant voice. This book is a great gift."—Gerald Stern "A master-draftsman of Tel Aviv’s bleaker landscapes, Meir Wieseltier is also a brutal observer of his society and its dominant myths. This gathering of the poet’s work by Shirley Kaufman takes us into the dark heart of Wieseltier’s verse—from the peeling plaster and seamy sweatshops of Tel Aviv to the ‘dull khaki light’ of the country’s larger cultural prospect. All is here, in translations that faithfully convey both the harshness and clarity that have made Wieseltier one of the most influential Israeli poets of his time."—Peter Cole, translator of Selected Poems of Solomon Ibn Gabirol and author of Hymns & Qualms "Layered and nuanced in his poetic expression, and exceptionally gifted in his vivid, self-reflexive metaphors, Wieseltier is a poet of great poetic vision and verbal power. Working closely with the poet, Shirley Kaufman has turned this book into an authoritative volume of the work of Israel's leading living poet."—Chana Kronfeld, author of On the Margins of Modernism: Decentering Literary Dynamics, and co-translator (with Naomi Seidman) of "The First Day" and Other Stories by Dvora Baron
Author : Anonim Publisher : State University of New York Press Page : 379 pages File Size : 46,8 Mb Release : 2012-02-01 Category : Poetry ISBN : 9780791477144
Poets on the Edge introduces four decades of Israel's most vigorous poetic voices. Selected and translated by author Tsipi Keller, the collection showcases a generous sampling of work from twenty-seven established and emerging poets, bringing many to readers of English for the first time. Thematically and stylistically innovative, the poems chart the evolution of new currents in Hebrew poetry that emerged in the late 1950s and early 1960s and, in breaking from traditional structures of line, rhyme, and meter, have become as liberated as any contemporary American verse. Writing on politics, sexual identity, skepticism, intellectualism, community, country, love, fear, and death, these poets are daring, original, and direct, and their poems are matched by the freshness and precision of Keller's translations.
Albert Einstein has stated – “When the Solution is Simple, God is Answering.” There is in fact a simple answer staring at us from all facets and corners of life, regardless of the question, regardless of the problem. This answer is summarized by a flower and captured in the journey that a seed makes in becoming a flower. In this journey there are 3 stages – the seed or physical state, the stalk or vital state, and the flower or mental state. Any sustainable organization or system will be found to have traversed these stages. Any organization or system that is floundering or facing challenges, will be found to be stuck in one of these stages. Hence, the state of an organization or system can be understood by chronicling the stages of the flower journey it may have gone through. Its road to fulfillment can be envisaged by foreseeing the stages of the flower journey it has yet to go through. This simple truth is true regardless of the scale or complexity of the organization or system. Hence it is true of the person, of a team, of a corporation, of a market, of a country, or of a global system. The Flower Chronicles will elaborate this simple approach through reflecting on many classes of practical organizational and system problems we are confronted with daily. These reflections will be from the realms of personal development, organizational development, industry development, market and financial development, political development, and global development. The book consists of 8 parts. In Part 1 – The Flower Philosophy, the radical approach to organization and system development will be simply laid out. In Part 2 – Individual Development, the key role that an individual has in bringing about ground-breaking change will be explored. In Part 3, Organizational Design & Development, some organizational basics will be laid out, an interesting case-study on the 500-yr old architectural masterpiece, Machu Picchu, will be explored, and some experiments over the course of three years in the application of the Flower Chronicles conducted by the author at Stanford University Medical Center will be discussed. Part 4, Industry Development, will explore the future of key industries such as Food & Agriculture, Energy, Retail, Internet, Software, Healthcare, and Consulting, from a Flower Chronicles perspective. Part 5, Financial Rebirth, will look at how to shift our global financial environment by changing the way markets function, again by the application of the Flower Chronicles paradigm. Part 6, Global Political Development, will in look at some global lessons from the 2012 Presidential Election in the USA, and study some of the issues discussed from a Flower Chronicles perspective. Suggestions for creating a safer, more peaceful world will naturally emerge from also looking at macro- and micro-level developments that need to take place in various regions of the world. Part 7, The Nth + 1 Wave of Sustainability, will examine the deepest drivers of sustainability and provide some insight into how to promote these. The role that Human Resources can play in making this real will be examined. Finally, Part 8, Paradigms for the Future, will examine a flower-based framework of future development, some paradigms to move us along the phases of this framework, and a possible future were the journey to the heart of the flower to be successfully completed. The answers are simple, and are always staring at us in the face. The real issue is whether we have the courage and will to execute what is being suggested. This too is a certainty, but like every other journey, has to go through stages before it culminates in the reality of a flower.
A powerful and provocative exploration of how war has changed our society—for the better. "War! . . . . / What is it good for? / Absolutely nothing," says the famous song—but archaeology, history, and biology show that war in fact has been good for something. Surprising as it sounds, war has made humanity safer and richer. In War! What Is It Good For?, the renowned historian and archaeologist Ian Morris tells the gruesome, gripping story of fifteen thousand years of war, going beyond the battles and brutality to reveal what war has really done to and for the world. Stone Age people lived in small, feuding societies and stood a one-in-ten or even one-in-five chance of dying violently. In the twentieth century, by contrast—despite two world wars, Hiroshima, and the Holocaust—fewer than one person in a hundred died violently. The explanation: War, and war alone, has created bigger, more complex societies, ruled by governments that have stamped out internal violence. Strangely enough, killing has made the world safer, and the safety it has produced has allowed people to make the world richer too. War has been history's greatest paradox, but this searching study of fifteen thousand years of violence suggests that the next half century is going to be the most dangerous of all time. If we can survive it, the age-old dream of ending war may yet come to pass. But, Morris argues, only if we understand what war has been good for can we know where it will take us next.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1980.
In Pitch Dark Anarchy, Randall Horton returns with renewed intensity to the themes that animated his acclaimed collections The Definition of Place and The Lingua Franca of Ninth Street. An extended meditation on the legacy of slavery and the Amistad rebellion serves as a kind of prefatory note, while the body of the text confronts contemporary issues of racial identity and urban decay.
Mapplethorpe and the Flower by Derek Conrad Murray Pdf
Mapplethorpe and the Flower: Radical Sexuality and the Limits of Control is the first dedicated book-length critical study of the late artist Robert Mapplethorpe's flower photographs. The book is an interdisciplinary investigation into the symbolism of the flower as envisioned by a photographer whose production was mired in controversy – triggered in large part by his thematic exploration of radical sexuality and queer subcultural life. Mapplethorpe came into international prominence due to the public response to his polarizing retrospective exhibition, The Perfect Moment (1989-1990), a ground breaking collection of images exploring three largely traditional genres of photography: the still life, the portrait, and the human figure. If there is one characteristic that unifies the artist's approach to these genres, however, it is his meticulous attention to the materiality of the photograph as object. Mapplethorpe was a dedicated formalist, committed to locating what is most beautiful about his chosen subject-producing work under carefully controlled studio conditions that enabled the development of a unique and singular aesthetic vision. Bearing this in mind, Mapplethorpe and the Flower is dedicated to unpacking how the artist's unique brand of formal sophistication and discipline, combined with his conceptual bravado, interpenetrates all of his photographs – and reaches its formal and conceptual maturation in his flower images. There has been significant critical attention paid to the artist's more notorious photographs, namely the S&M imagery, and his now infamous persona as provocateur and sexual renegade. Fixation on this dimension of the artist's mythology overshadows the formal details and interlocking representational and political commitments crosscutting the artist's oeuvre. Mapplethorpe and the Flower is a recuperative effort: one that seeks to locate persistent threads running through the artist's seemingly disparate aesthetic and conceptual investigations.
The year is 1969. After an interminable four years under the boot of the US military, twenty-four-year-old Nathaniel Hawthorne Flowers is ready for his real life to begin. His plans are straightforward: spend as much time as he can with his girlfriend, Jane, finish college, and become a writer. But when Nate is denied admission to UC Santa Cruz, he decides that a bachelor's degree isn't necessarily the path he's laid out for himself. He can learn about literature on his own, and he'll have more time to write if he isn't in school. His choice doesn't sit well with everybody. Jane's father asks Nate how he'll support Jane without a degree. Jane's mentor offers to pull some strings at SC if Nate agrees to become his student. And when a once-in-a-lifetime opportunity presents itself, even Nate is tempted by the allure of conventionally defined success. Picking up where Wild Blue Yonder left off, Madrone inspires us to consider how far we'll go to remain true to ourselves.
Starry Agonistes is a cycle of songs or extended conceit in eight books. The songs are dithyrambic chants to lightning that tell a story of America emerging from world history.
The Anarchy of Empire in the Making of U.S. Culture by Amy Kaplan Pdf
The United States has always imagined that its identity as a nation is insulated from violent interventions abroad, as if a line between domestic and foreign affairs could be neatly drawn. Yet this book argues that such a distinction, so obviously impracticable in our own global era, has been illusory at least since the war with Mexico in the mid-nineteenth century and the later wars against Spain, Cuba, and the Philippines. In this book, Amy Kaplan shows how U.S. imperialism--from "Manifest Destiny" to the "American Century"--has profoundly shaped key elements of American culture at home, and how the struggle for power over foreign peoples and places has disrupted the quest for domestic order. The neatly ordered kitchen in Catherine Beecher's household manual may seem remote from the battlefields of Mexico in 1846, just as Mark Twain's Mississippi may seem distant from Honolulu in 1866, or W. E. B. Du Bois's reports of the East St. Louis Race Riot from the colonization of Africa in 1917. But, as this book reveals, such apparently disparate locations are cast into jarring proximity by imperial expansion. In literature, journalism, film, political speeches, and legal documents, Kaplan traces the undeniable connections between American efforts to quell anarchy abroad and the eruption of such anarchy at the heart of the empire.