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The Frankenstein Journals: Guts or Bust by Scott Sonneborn Pdf
Another day, another family member to find! J.D. is the fourteen-year-old son of Frankenstein's monster and is on a quest to find his family . . . the donors of his dad's mismatched parts. But with every cousin he meets, the danger mounts. New monsters lurk at every turn, and Fran will stop at nothing to get her hands on J.D.'s cousins and enlists the help of the Werewolf and the Invisible Man! Readers will be pulled into the delightfully creepy story with tons of diary entries, mixed media images, artifacts, maps and more as J.D. solves the secrets of his own rag-tag family!
In this compilation of two separately published works, J.D. locates two more of his "cousins", the descendents and relations of the people whose body parts Doctor Frankenstein used--and he also encounters vampires, werewolves, the Invisible Man, and the relentless Fran, who wants to recreate her father's experiments.
Frankenstein Journals: Feet First by Scott Sonneborn Pdf
Fourteen-year-old J.D. discovers Dr Frankenstein's Journals - and that he is the son of Frankenstein's monster! J.D. always wanted a big family. Well, he's got it! - all the people who made up his dad and their living descendants. Readers will rush headlong through J.D.'s quest in a flurry of mixed media images, maps, charts and diary entries as he unlocks clues in the mad scientist's journals. When he discovers his dad's feet came from a famous explorer whose grandson is trekking through the wastelands of Antarctica, J.D. sets out to track him down. But he's not alone. Soon, he's in a race against time with a mysterious villain who schemes to collect J.D.'s cousins and use them to build a new monster!
In this digital book, Fourteen-year-old J.D. discovers why he never fit in at the creepy orphanage -- he's the son of Frankenstein's monster! The boy always wanted a big family. Now he's got a doozy: the donors of his jigsaw puzzle-papa! Fans of adventure and classic monster movies will gasp with delight as they follow J.D. through this diary-style thriller. Old photos, maps, artifacts, and entries from the mad scientist's own journals will plunge the reader into J.D.'s quest to track down his Frankenstein family. But will he be in time? A shadowy stalker seeks the journals -- and J.D. -- to build a new, more powerful monster!
The Frankenstein Journals: Feet First by Scott Sonneborn Pdf
Fourteen-year-old J.D. discovers Dr. Frankenstein's Journals -- and that he is the son of Frankenstein's monster! J.D. always wanted a big family. Well, he's got it! -- all the people who made up his dad and their living descendants. Readers will rush headlong through J.D.'s quest in a flurry of mixed media images, maps, charts, and diary entries as he unlocks clues in the mad scientist's journals. When he discovers his dad's feet came from a famous explorer whose grandson is trekking through the wastelands of Antarctica, J.D. sets out to track him down. But he's not alone. Soon, he's in a race against time with a mysterious villain who schemes to collect J.D.'s cousins and use them to build a new monster!
Fourteen-year old J.D. is on the hunt _ this time for guts! Readers will become immersed in J.D.'s quest through a blend of mixed media images, diary entries, and diagrams as the son of Frankenstein's monster searches for the contributor of his dad's large intestines. The clues lead him to his cousin, Gloria. Members of Gloria's family have always had one job _ to be a bodyguard to an ancient vampire! But after a run-in with the villainous Fran, Gloria is wounded after protecting J.D. Now the Invisible Man has come to town to seek revenge on the Vampire, and Gloria is at risk. If J.D. is going to save the day and his cousin, he'll need to be brave. The only question is . . . does he have enough guts?
Fourteen-year old J.D. is on the hunt - this time for guts! Readers will become immersed in J.D.'s quest through a blend of mixed media images, diary entries, and diagrams as the son of Frankenstein's monster searches for the contributor of his dad's large intestines. The clues lead him to his cousin, Gloria. Members of Gloria's family have always had one job - to be a bodyguard to an ancient vampire! But after a run-in with the villainous Fran, Gloria is wounded after protecting J.D. Now the Invisible Man has come to town to seek revenge on the Vampire, and Gloria is at risk. If J.D. is going to save the day and his cousin, he'll need to be brave. The only question is . . . does he have enough guts?
J.D. is the fourteen-year-old son of the notorious monster of Frankenstein, on a quest to find his family _ the donors of his dad's parts. In New York City J.D. discovers a cousin, Bertie, who is extremely rich and likes sitting on his butt and doing nothing all day. Speaking of butts, that's how J.D. is related to Bertie _ through Frankenstein's monster's butt! Now Bertie is in danger. Fran is desperate to get her hands on a cousin and has enlisted the help of the Werewolf and the Invisible Man! But can J.D. convince the slacker Bertie that he really is related to an adventurer like J.D. and that the threat is genuine? Readers will be swept up in the story's use of maps, diary entries, and mixed media images as J.D. and Bertie go on the run through the streets of the Big Apple.
The Comics Journal Library by Gary Groth,Michael Dean Pdf
No comics publisher has had a greater impact ― or generated more controversy ― than the immensely influential EC Comics. The second and concluding volume of conversations with the creators behind the EC war/horror/science fiction/suspense line brings The Comics Journal’s definitive interviews together with several never-before-published sessions, including a new interview with the legendary Jack Davis conducted by Gary Groth. It also includes: Publisher Bill Gaines on the origins of the company and his terrifying grilling before the Senate Subcommittee on Juvenile Delinquency, editor/writer/artist Al Feldstein on introducing serious science fiction to comics and his interactions with Ray Bradbury. Harvey Kurtzman on bringing realism to war comics with Frontline Combat and subversive satire to humor comics with Mad, the master of chirascuro, Alex Toth, on the aesthetic values that guided him through a career that included drawing for EC and animating Jonny Quest, colorist Marie Severin on the atmosphere of pranks and anarchy that dominated the EC bullpen. Plus, career-spanning interviews with George Evans and Jack Kamen, rare Q&A sessions with formal experimenter Bernard Krigstein and EC writer Colin Dawkins, and a conversation between Jack Davis and award-winning alternative cartoonist Jim Woodring.
Could Dr. Frankenstein's machine ever animate a body? Why should vampires drink from veins and not arteries? What body parts are best for zombies to eat? (It's not brains.) This fascinating encyclopedia of monsters delves into the history and science behind eight legendary creatures, from Bigfoot and the kraken to zombies and more. Find out each monster's origin story and the real-world history that informed it, and then explore the science of each creature in fun and surprising ways. Tips and infographics--including monster anatomy, how to survive a vampire attack, and real-life giant creatures of the deep sea--make this a highly visual and fun-to-browse book.
“The Secret History meets Jennifer’s Body. This brilliant, sharp, weird book skewers the heightened rhetoric of obsessive female friendship in a way I don’t think I've ever seen before. I loved it and I couldn’t put it down.” - Kristen Roupenian, author of You Know You Want This: "Cat Person" and Other Stories The Vegetarian meets Heathers in this darkly funny, seductively strange novel about a lonely graduate student drawn into a clique of rich girls who seem to move and speak as one. "We were just these innocent girls in the night trying to make something beautiful. We nearly died. We very nearly did, didn't we?" Samantha Heather Mackey couldn't be more different from the other members of her master's program at New England's elite Warren University. A self-conscious scholarship student who prefers the company of her imagination to that of most people, she is utterly repelled by the rest of her fiction writing cohort--a clique of unbearably twee rich girls who call each other "Bunny," and are often found entangled in a group hug so tight it seems their bodies might become permanently fused. But everything changes when Samantha receives an invitation to the Bunnies' exclusive monthly "Smut Salon," and finds herself drawn as if by magic to their front door--ditching her only friend, Ava, an audacious art school dropout, in the process. As Samantha plunges deeper and deeper into Bunny world, and starts to take part in the off-campus "Workshop" where they devise their monstrous creations, the edges of reality begin to blur, and her friendships with Ava and the Bunnies are brought into deadly collision. A spellbinding, down-the-rabbit-hole tale about loneliness and belonging, creativity and agency, and female friendship and desire, Bunny is the dazzlingly original second book from an author with tremendous "insight into the often-baffling complexities of being a woman" (The Atlantic).
The Horrid Looking Glass: Reflections on Monstrosity by Anonim Pdf
From the fictional world of vampires, zombies, and invaders from other worlds, to the very real world of revolutionary France and in between, the nature of the monster encompasses the very quality that makes them so believable - that which we perceive as 'other'. While there is a commonality in this otherness, the monster lurking in the shadows, concealed in darkness or conjured with a few lines from a horror novel suggests the monster as one onto which we are free to project the most distorted and un-human features. In each chapter of this volume, you will discover that the way in which we project what is monstrous is not a singular other but is in fact a part of our own self-identity. The greatest horror of the monster is not that it stands apart, but that once we pull it from the shadow of our own projected imagination we discover that that the monster we fear is also bound to our own mirror image. To look at the monster, to name that which must never be named, is to look upon a reflection and embrace a part of our nature we do not wish to see.
