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Author : William L. Pressly Publisher : Univ of California Press Page : 240 pages File Size : 43,7 Mb Release : 1999-04 Category : Art ISBN : 0520211960
The French Revolution as Blasphemy by William L. Pressly Pdf
This is a book about two paintings that were meant to turn the English against the French Revolution by showing its worst excesses--a world in which religious piety and racial, class, and gender hierarchies are turned upside down.
Author : Eveline G. Bouwers,David Nash Publisher : Walter de Gruyter GmbH & Co KG Page : 314 pages File Size : 42,5 Mb Release : 2022-09-20 Category : History ISBN : 9783110713091
Demystifying the Sacred by Eveline G. Bouwers,David Nash Pdf
Demystifying the Sacred: Blasphemy and Violence from the French Revolution to Today offers a much-needed analysis of a subject that historians have largely ignored, yet that has considerable relevance for today’s world: the powerful connection that exists between offences against the sacred and different forms of violence. Drawing on cases from revolutionary France to the Russia of Vladimir Putin, the international authors probe the nature and agency of local blasphemy accusations, the historical and legal framework in which they were expressed and the violence, both physical and symbolic, accompanying them. In doing so, the volume reveals how cultures of blasphemy, and related acts of heresy, apostasy and sacrilege, were a companion to or acted as a trigger for physical action but also a form of how violence was experienced. More generally, it shows the importance of religious sensibilities in modern society and the violent potential contained in criticism or ridicule of the sacred and secular alike.
Blasphemy in Modern Britain by David S Nash,Taylor & Francis Group Pdf
Originally published in 1999, this book deals with the cultural and legal debates which have counterposed the right to free speech and the need to protect Christian sensibilities in Britain from the time of the French Revolution to the present day. Central to the book is a close study of the content and public reception of the anti-Christian literature of the 19th century associated with the names G.W.Foote and J.W. Gott, the Freethinker and The Truthseeker. David Nash here also examines a variety of critical-theoretical approaches to blasphemy and blasphemous writing, including postmodernism and the work of Foucault and Said. The book concludes with a detailed examination of 20th-century blasphemy cases, up to and including the Gay News case, The Last Temptation of Christ and Visions of Ecstasy.
Author : William L. Pressly Publisher : Univ of California Press Page : 240 pages File Size : 45,9 Mb Release : 2023-04-28 Category : Art ISBN : 9780520920309
The French Revolution as Blasphemy by William L. Pressly Pdf
William Pressly presents for the first time a close analysis of two important, neglected paintings, arguing that they are among the most extraordinary works of art devoted to the French Revolution. Johan Zoffany's Plundering the King's Cellar at Paris, August 10, 1792, and Celebrating over the Bodies of the Swiss Soldiers, both painted in about 1794, represent events that helped turn the English against the Revolution. Pressly places both paintings in their historical context—a time of heightened anti-French hysteria—and relates them to pictorial conventions: contemporary history painting, the depiction of urban mobs in satiric and festival imagery, and Hogarth's humorous presentation of modern moral subjects, all of which Zoffany adopted and reinvented for his own purposes. Pressly relates the paintings to Zoffany's status as a German-born Catholic living in Protestant England and to Zoffany's vision of revolutionary justice and the role played by the sansculottes, women, and blacks. He also examines the religious dimension in Zoffany's paintings, showing how they broke new ground by conveying Christian themes in a radically new format. Art historians will find Pressly's book of immense value, as will cultural historians interested in religion, gender, and race.
The object of this book is not to recount once more the history of the Revolution: that can be followed in any one of a hundred text-books. Its object is rather to lay, if that be possible, an explanation of it before the non-French readers; so that they may understand both what it was and how it proceeded, and also why certain problems hitherto unfamiliar to people outside of France have risen out of it._x000D_ Contents:_x000D_ The Political Theory of the Revolution_x000D_ Rousseau_x000D_ The Characters of the Revolution_x000D_ The Phases of the Revolution_x000D_ The Military Aspect of the Revolution_x000D_ The Revolution and the Catholic Church
The French Revolution and the Church by John McManners Pdf
A history of the Church during the French Revolution and its impact on the course of world history. The understanding of what happened to the Church during this period is seen as a distinct aid to one's understanding of the Revolution itself.
The Coming of the Terror in the French Revolution by Timothy Tackett Pdf
How did the French Revolution’s ideals of liberty, equality, and fraternity descend into violence and terror? Timothy Tackett offers a new interpretation of this turning point in world history. Penetrating the mentality of Revolutionary elites on the eve of the Terror, he reveals how suspicion and mistrust escalated and helped propel their actions.
"From its beginning in 1789 to the Reign of Terror in 1793-94, and through the ups and downs of the Directory era that followed, the [French] Revolution showed humanity at its optimistic best and its violent worst; it transformed the lives of all who experienced it. The French Revolution: Faith, Desire, and Politics offers a fresh treatment of this perennially popular and hugely significant topic, introducing a bold interpretation of the Revolution that highlights the key role that religion and sexuality played in determining the shape of the Revolution. These were issues that occupied the minds and helped shape the actions of women and men; from the pornographic pamphlets about queen Marie-Antoinette to the puritanical morality of revolutionary leader Maximilien Robespierre, from the revolutionary catechisms that children learned and to the anathemas hurled on the Revolution from clandestine priests in the countryside. The people who lived through the French Revolution were surrounded by messages about gender, sex, religion and faith, concerns which did not exist outside of the events of the Revolution." -- Publisher's description.
The Visual Culture of Violence After the French Revolution by Lela Graybill Pdf
The Visual Culture of Violence after the French Revolution traces four sites of spectatorship that exemplified the visual culture of violence in the late eighteenth and early nineteenth centuries, offering a new account of the significance of violent spectacle to the birth of modernity. Considerations of the execution scaffold, salon painting, print culture and the fait divers, and waxworks displays establish the centrality of spectatorial violence to experiences of selfhood in the wake of the French Revolution. Shedding critical light on previously neglected aspects of art and visual culture of the post-Revolutionary period, The Visual Culture of Violence after the French Revolution demonstrates how violent spectacle at this moment was profoundly shaped by shifting social attitudes, contemporary political practices, and rapidly accelerated technological developments. By attending to the formal and historical specificity of violent spectacle after the Revolution, Graybill affirms the historical contingency through which the visual culture of violence in the modern era has emerged. The Visual Culture of Violence after the French Revolution will be broadly relevant to scholars of art, media and visual studies, and particularly to historians of the French Revolution and eighteenth- and early nineteenth-century Europe. The book's concern with the representation of violence makes it of interest to scholars working in a variety of fields beyond its historical period, especially in art, literature, history, media and culture studies.
John McManners,Church Historical Society (Great Britain)
Author : John McManners,Church Historical Society (Great Britain) Publisher : New York : Harper & Row Page : 161 pages File Size : 45,9 Mb Release : 1970 Category : Church and state ISBN : 0281023352
Our world is steeped in attitudes and concepts derived from a sacred worldview, and this book helps us understand why. Alain Cabantous shows that blasphemy is a battlefield where religious dogma and secular rule clash, with their respective agents (the priest and the judge) competing for the proper reaction to a variety of curses. The book takes us on a journey through the Christian West with braggarts, craftsmen, soldiers, sailors, and their coarse, forbidden exchanges. More than simply an exhaustive inventory of the uses of and bans on blasphemy, the book is a lively analysis of the relationship between the blasphemer, the machinery of language, and that of repression. Beginning with a review of acts and crimes of blasphemy in biblical times, including the second commandment's injunction against taking God's name in vain, Cabantous reviews the close relationship between religious authority and royal authority in the sixteenth century, when the king ruled by divine right and attacks against God were implicit attacks on the nature of kingship. Punishing blasphemy was a way for the king to rule as God's representative and an occasion for the church to take control of language. The narrative continues with an exploration of acts of blasphemy, as well as related acts of desecration and profanation, which were regarded as civil and religious offenses up to the French Revolution of 1789 and afterward. The book then explores blasphemy through the mid-nineteenth century, when Catholic opponents of the French Revolution claimed that revolution itself was a blasphemy and a profanation.
