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Since its invention in the late nineteenth century, the penetrating gaze of the X-ray has changed our vision of the inside of the human body. After we started to see inside ourselves, the relationship between ourselves and our bodies changed forever. As a progression in medical science, X-ray technology was fashioned to maintain and save life. However, as the contributors to this volume show, it has been a device of ruination as well. They visualise the traces and the pattern of violence, practised by the states, racial capitalism, colonial racism and sexism. By juxtaposing different cases across time and space, this collection demonstrates a set of relations between civilization and ruination.
Author : Roy Peter Clark Publisher : Little, Brown Spark Page : 288 pages File Size : 45,9 Mb Release : 2016-01-26 Category : Language Arts & Disciplines ISBN : 9780316282161
Roy Peter Clark, one of America's most influential writing teachers, offers writing lessons we can draw from 25 great texts. Where do writers learn their best moves? They use a technique that Roy Peter Clark calls X-ray reading, a form of reading that lets you penetrate beyond the surface of a text to see how meaning is actually being made. In The Art of X-Ray Reading, Clark invites you to don your X-ray reading glasses and join him on a guided tour through some of the most exquisite and masterful literary works of all time, from The Great Gatsby to Lolita to The Bluest Eye, and many more. Along the way, he shows you how to mine these masterpieces for invaluable writing strategies that you can add to your arsenal and apply in your own writing. Once you've experienced X-ray reading, your writing will never be the same again.
X-Rays, Spirits, and Witches by Julian M. Murchison Pdf
This book provides a brief, to-the-point book that is grounded in ethnographic research, written expressly for use in medical anthropology courses—that is, structured to highlight concepts and issues typically examined in such classes and to make overt the connections between ethnographic detail and big concepts.
X-ray vision at first was the revival of the phantasmagoria and ground-penetrating sight of earlier centuries attached to the new technology of X-rays in the early twentieth century. The image-idea of the existence of rays that allow prepared eyes to see into clothing, through walls and into the earth, not feasible in fact, generated fictions and surrogates of how living beings would experience such an ability, what they would do with it and what it would do to them. Expressing both a need and a desire, X-ray vision underwent its own development gathering elements of play, inquiry and assault independent of X-ray technology but converging with microscopy, telescopy, television and surveillance.
The discovery of x–rays has revolutionized many areas of 20th century science. This book commemorates the 100th anniversary of the discovery of x–rays by Wilhelm Rontgen in 1895. Eminent scientists review historical aspects and discuss modern techniques and applications.
Documentary Cinema in Israel-Palestine by Shirly Bahar Pdf
Alongside the upsurge in violence that came with the downfall of the Oslo era in the early 2000s, a new wave of documentaries emerged that centered on Palestinians' and Mizrahim's (Jews of Middle Eastern origins) historical and lived experiences of pain and oppression across Israel-Palestine and beyond. The documentaries challenge the systemic removal of self-represented Palestinian and Mizrahi pain from mainstream media and the public realm dominated by Israel. . This book explores how Palestinians and Mizrahim perform their long endured pain on screen. Analysing key documentary films from the first decade of the 2000s, Shirly Bahar offers a nuanced reading of the cinematic documentary corpus emerging from Israel-Palestine, as well Palestinians' and Mizrahim's different and unequal yet interrelated forms of oppression and racialization under Israeli rule. While pain sets them apart, the documentary representations of pain of Palestinians and Mizrahim invite us to consider reconnection by focusing on the very relational nature of pain.
Visual Culture in Freud's Vienna by Mary Bergstein Pdf
Visual Culture in Freud's Vienna shows how photography and film in turn-of-the-century Vienna (the birthplace of psychoanalysis) not only reflected modernist ideas already in force, but helped to bring into being what might be referred to as a “psychoanalytic imagination.” Mary Bergstein demonstrates that visual images not only illustrated, but also engendered ways of seeing social, psychological, and scientific ideas during a formative time in the creation and development of psychoanalysis and the modern age. Indeed, she argues that visual culture initiated significant aspects of psychoanalytic thought. Visual Culture in Freud's Vienna examines a variety of visual materials and texts, ranging from scientific illustrations to popular "low culture" and even forms of erotica, including film. Attention is also given to women's dresses and shoes in a social context and as they are represented in photography and circulated as fetish objects. Bergstein maintains a commitment to women's history and feminist inquiry throughout, particularly in her final chapter, which is devoted to the representations of women in the erotic photography and film. Visual Culture in Freud's Vienna is well illustrated with images drawn from the sources discussed and makes a significant contribution to our understanding of modernism and psychoanalysis.
By the late 1960s, the computer and television were linked to produce medical images that were as startling as Roentgen's original X-rays. Computerized tomography (CT) and magnetic reasonance imaging (MRI) made it possible to picture soft tissues invisible to ordinary X-rays. Ultrasound allowed expectant parents to see their unborn children. Positron emission tomography (PET) enabled neuroscientists to map the brain. In this lively history of medical imaging, the first to cover the full scope of the field from X-rays to MRI-assisted surgery, Bettyann Kevles explores the consequences of these developments for medicine and society. Through lucid prose, vivid anecdotes, and more than seventy striking illustrations, she shows how medical imaging has transformed the practice of medicine - from pediatrics to dentistry, neurosurgery to geriatrics, gynecology to oncology. Beyond medicine, Kevles describes how X-rays and the newer technologies have become part of the texture of modern life and culture. They helped undermine Victorian sexual sensibilities, gave courts new forensic tools, provided plots for novels and movies, and offered artists from Picasso to Warhol new ways to depict the human form.
X-ray Vision weaves together some of the most fascinating images and accounts in science and medicine. It is the first book to combine stories from the history of medical imaging, the remarkable ways in which it illuminates our lives and the world in which we live, and the lives of real patients whose medical care it has enriched.
Post-communist Nostalgia by Marii︠a︡ Nikolaeva Todorova,Zsuzsa Gille Pdf
Although the end of the Cold War was greeted with great enthusiasm by people in the East and the West, the ensuing social and especially economic changes did not always result in the hoped-for improvements in people's lives. This led to widespread disillusionment that can be observed today all across Eastern Europe. Not simply a longing for security, stability, and prosperity, this nostalgia is also a sense of loss regarding a specific form of sociability. Even some of those who opposed communism express a desire to invest their new lives with renewed meaning and dignity. Among the younger generation, it surfaces as a tentative yet growing curiosity about the recent past. In this volume scholars from multiple disciplines explore the various fascinating aspects of this nostalgic turn by analyzing the impact of generational clusters, the rural-urban divide, gender differences, and political orientation. They argue persuasively that this nostalgia should not be seen as a wish to restore the past, as it has otherwise been understood, but instead it should be recognized as part of a more complex healing process and an attempt to come to terms both with the communist era as well as the new inequalities of the post-communist era.
A Companion to Contemporary Documentary Film by Alexandra Juhasz,Alisa Lebow Pdf
A Companion to Contemporary Documentary Film presents a collection of original essays that explore major issues surrounding the state of current documentary films and their capacity to inspire and effect change. Presents a comprehensive collection of essays relating to all aspects of contemporary documentary films Includes nearly 30 original essays by top documentary film scholars and makers, with each thematic grouping of essays sub-edited by major figures in the field Explores a variety of themes central to contemporary documentary filmmakers and the study of documentary film – the planet, migration, work, sex, virus, religion, war, torture, and surveillance Considers a wide diversity of documentary films that fall outside typical canons, including international and avant-garde documentaries presented in a variety of media
Twisted bodies, deformed faces, aberrant behavior, and abnormal desires characterized the hideous creatures of classic Hollywood horror, which thrilled audiences with their sheer grotesqueness. Most critics have interpreted these traits as symptoms of sexual repression or as metaphors for other kinds of marginalized identities, yet Angela M. Smith conducts a richer investigation into the period's social and cultural preoccupations. She finds instead a fascination with eugenics and physical and cognitive debility in the narrative and spectacle of classic 1930s horror, heightened by the viewer's desire for visions of vulnerability and transformation. Reading such films as Dracula (1931), Frankenstein (1931), Dr. Jekyll and Mr. Hyde (1931), Freaks (1932), and Mad Love (1935) against early-twentieth-century disability discourse and propaganda on racial and biological purity, Smith showcases classic horror's dependence on the narratives of eugenics and physiognomics. She also notes the genre's conflicted and often contradictory visualizations. Smith ultimately locates an indictment of biological determinism in filmmakers' visceral treatments, which take the impossibility of racial improvement and bodily perfection to sensationalistic heights. Playing up the artifice and conventions of disabled monsters, filmmakers exploited the fears and yearnings of their audience, accentuating both the perversity of the medical and scientific gaze and the debilitating experience of watching horror. Classic horror films therefore encourage empathy with the disabled monster, offering captive viewers an unsettling encounter with their own impairment. Smith's work profoundly advances cinema and disability studies, in addition to general histories concerning the construction of social and political attitudes toward the Other.
The body is increasingly understood as being at the centre of colonial and post-colonial relationships and textual productions. Creating and circulating images of the undisciplined body of the 'other' was and is a critical aspect of colonialism. Likewise, resistance to colonial practices was also frequently corporeal, with indigenous peoples appropriating, parodying, and subverting those European practices which were used to signify the 'civilized' status of the colonizing body. The Body in the Library reads representations of the corporeal in texts of empire; case studies include: • gendered representations of corporeality • medical régimes • ethnography and photography in the Pacific • cultural transvestism in theatre • disease and colonial knowledge generation • 'freak shows' and colonial exhibits • cinematic representations of bodies • geography and the metaphorization of land as a penetrable body • marketing the body • organ transplants and the limits of the post-colonial paradigm In viewing colonialism and resistance as a bodily phenomenon, The Body in the Library enables new perspectives on the process of colonization and resistance. It is an important resource for teachers and students of colonial and post-colonial literatures.
Fundamentals of Musculoskeletal Imaging by Lynn N. McKinnis Pdf
The book that set the standard for the role of correlating imaging findings to clinical findings as part of a comprehensive patient evaluation, more specific treatment plans and better outcomes is back in a New Edition. Here’s everything Physical Therapists need to know about medical imaging. This comprehensive guide helps you develop the skills and knowledge you need to accurately interpret imaging studies and understand written reports. Begin with a basic introduction to radiology; then progress to evaluating radiographs and advanced imaging from head to toe. Imaging for commonly seen traumas and pathologies, as well as case studies prepare you to meet the most common to most complex challenges in clinical and practice.