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Author : Marcel Fratzscher
Publisher : Unknown
Page : 128 pages
File Size : 54,6 Mb
Release : 2024-06-29
Category : BUSINESS & ECONOMICS
ISBN : 0190676604
An insightful and in-depth analysis of the state of Germany's economic and social policies and Germany's role as reluctant hegemon in Europe.
Author : Marcel Fratzscher
Publisher : Oxford University Press
Page : 233 pages
File Size : 46,9 Mb
Release : 2018
Category : Political Science
ISBN : 9780190676575
An insightful and in-depth analysis of the state of Germany's economic and social policies and Germany's role as reluctant hegemon in Europe.
Author : Stuart Sweeney
Publisher : Reaktion Books
Page : 385 pages
File Size : 44,5 Mb
Release : 2019-02-28
Category : Art
ISBN : 9781789140934
Leonardo da Vinci (1452–1519) was one of the pre-eminent figures of the Italian Renaissance – he was also one of the most paradoxical. He spent an incredible amount of time writing notebooks, perhaps even more time than he ever held a brush, yet at the same time Leonardo was Renaissance culture’s most fanatical critic of the word. When Leonardo criticized writing he criticized it as an expert on words; when he was painting, writing remained in the back of his mind. In this book, Joost Keizer argues that the comparison between word and image fuelled Leonardo’s thought. The paradoxes at the heart of Leonardo’s ideas and practice also defined some of Renaissance culture’s central assumptions about culture and nature: that there is a look to script, that painting offered a path out of culture and back to nature, that the meaning of images emerged in comparison with words, and that the difference between image-making and writing also amounted to a difference in the experience of time.
Author : James H. Wolfe
Publisher : Springer Science & Business Media
Page : 142 pages
File Size : 50,5 Mb
Release : 2012-12-06
Category : Political Science
ISBN : 9789401191999
During World War II the quadriga, the impressive figure of the charioteer Victory driving four horses, on top of the Brandenburg Gate was destroyed. Later, both the East and West German au thorities agreed to replace it with a copy of the original. The former possessed the molds; the latter supplied the metal for casting. The process of negotiation and production required nearly two years. After the new quadriga was mounted, it was found that the Commu nists had made an important change: the chariot driven by Victory was placed so that it faces east and not west as in former times. The wit of the Berliners is sharp. It soon became known along the Kur fiirsten Damm (and not quite so loudly along what was then Stalin Allee) that Victory was advancing to defeat the East. The Pankow regime had unwittingly created an apparently prophetic symbol of its impending collapse.
Author : Karen Fiss
Publisher : University of Chicago Press
Page : 297 pages
File Size : 41,8 Mb
Release : 2009
Category : Architecture
ISBN : 9780226252018
Franco-German cultural exchange reached its height at the 1937 Paris World’s Fair, where the Third Reich worked to promote an illusion of friendship between the two countries. Through the prism of this decisive event, Grand Illusion examines the overlooked relationships among Nazi elites and French intellectuals. Their interaction, Karen Fiss argues, profoundly influenced cultural production and normalized aspects of fascist ideology in 1930s France, laying the groundwork for the country’s eventual collaboration with its German occupiers. Tracing related developments across fine arts, film, architecture, and mass pageantry, Fiss illuminates the role of National Socialist propaganda in the French decision to ignore Hitler’s war preparations and pursue an untenable policy of appeasement. France’s receptiveness toward Nazi culture, Fiss contends, was rooted in its troubled identity and deep-seated insecurities. With their government in crisis, French intellectuals from both the left and the right demanded a new national culture that could rival those of the totalitarian states. By examining how this cultural exchange shifted toward political collaboration, Grand Illusion casts new light on the power of art to influence history.
Author : Olivier Morel
Publisher : Bloomsbury Publishing USA
Page : 289 pages
File Size : 52,8 Mb
Release : 2023-12-14
Category : Literary Criticism
ISBN : 9798765107416
Examines Jewish-German “tropes” in Hélène Cixous's oeuvre and life and their impact on her work as a feminist, poet, and playwright. Hélène Cixous is a poet, philosopher, and activist known worldwide for her manifesto on Écriture feminine (feminine writing) and for her influential literary texts, plays, and essays. While the themes were rarely present in her earlier writings, Germany and Jewish-German family figures and topics have significantly informed most of Cixous's late works. Born in Algeria in June 1937, she grew up with a mother who had escaped Germany after the rise of Nazism and a grandmother who fled the racial laws of the Third Reich in 1938. In her writing, Cixous refines the primitive scene of a “German” upbringing in French-occupied colonial, antisemitic Algeria. Scholar and filmmaker Olivier Morel delves into the signs and influences that “Germany,” “German,” and “Osnabrück” have exerted over Cixous's work. Featuring an exclusive interview with Hélène Cixous and stills from their travel together to Osnabrück in Morel's 2018 documentary, Ever, Rêve, Hélène Cixous, Morel's The “German Illusion” examines the unique literary meditation on the Holocaust sustained throughout her later texts. Morel helps us to understand an uncannily original oeuvre that embodies the complexities of modernity's genocidal history in a new way.
Author : Fritz Fischer
Publisher : R.S. Means Company
Page : 578 pages
File Size : 52,7 Mb
Release : 1975-05-01
Category : Electronic
ISBN : 0393091619
Author : Eric Rentschler
Publisher : Harvard University Press
Page : 480 pages
File Size : 51,8 Mb
Release : 1996-10
Category : History
ISBN : 0674576403
Overview of Nazi cinema
Author : Olivier Morel
Publisher : Bloomsbury Publishing USA
Page : 373 pages
File Size : 46,5 Mb
Release : 2023-12-14
Category : Literary Criticism
ISBN : 9798765107393
Examines Jewish-German “tropes” in Hélène Cixous's oeuvre and life and their impact on her work as a feminist, poet, and playwright. Hélène Cixous is a poet, philosopher, and activist known worldwide for her manifesto on Écriture feminine (feminine writing) and for her influential literary texts, plays, and essays. While the themes were rarely present in her earlier writings, Germany and Jewish-German family figures and topics have significantly informed most of Cixous's late works. Born in Algeria in June 1937, she grew up with a mother who had escaped Germany after the rise of Nazism and a grandmother who fled the racial laws of the Third Reich in 1938. In her writing, Cixous refines the primitive scene of a “German” upbringing in French-occupied colonial, antisemitic Algeria. Scholar and filmmaker Olivier Morel delves into the signs and influences that “Germany,” “German,” and “Osnabrück” have exerted over Cixous's work. Featuring an exclusive interview with Hélène Cixous and stills from their travel together to Osnabrück in Morel's 2018 documentary, Ever, Rêve, Hélène Cixous, Morel's The “German Illusion” examines the unique literary meditation on the Holocaust sustained throughout her later texts. Morel helps us to understand an uncannily original oeuvre that embodies the complexities of modernity's genocidal history in a new way.
Author : Olivier Morel
Publisher : Unknown
Page : 0 pages
File Size : 45,6 Mb
Release : 2023
Category : Germany
ISBN : 9798765107386
"Examines Jewish-German "tropes" in Hélène Cixous's oeuvre and life and their impact on her work as a feminist, poet, and playwright"--
Author : Katharina Rein
Publisher : Routledge
Page : 239 pages
File Size : 54,8 Mb
Release : 2021-11-25
Category : Performing Arts
ISBN : 9781000481143
This volume explores illusionism as a much larger phenomenon than optical illusion, magic shows, or special effects, as a vital part of how we perceive, process, and shape the world in which we live. Considering different cultural practices characterized by illusionism, this book suggests a new approach to illusion via media theory. Each of the chapters analyses a specific kind of illusionistic practice and the concept of illusionism it entails in a given context, including philosophy, perception and cognitive theory, performance magic, occultism, optics, physiology, early cinema, cartomancy, spiritualism, architecture, shamanic rituals, and theoretical physics, to show the diversity of shapes that illusionism and illusions can take. The book provides detailed analyses of illusions within performance and ritual magic, philosophy, art history and psychology as well as a first approach to the study of illusions outside of these established fields. It aims to find ways of identifying and analysing a wider range of illusions in the humanities. This multidisciplinary and comprehensive volume will appeal to scholars and students with an interest in media and culture, theatre and performance, philosophy, sociology, politics and religion. This publication was supported by the Internationales Kolleg für Kulturtechnikforschung und Medienphilosophie of the Bauhaus-Universität Weimar with funds from the German Federal Ministry of Education and Research. IKKM Books Volume 47 An overview of the whole series can be found at www.ikkm-weimar.de/schriften Chapter 5 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-Share Alike 4.0 license https://www.taylorfrancis.com/chapters/oa-edit/10.4324/9781003188278-8/vanishing-lady-railway-illusions-movement-1-katharina-rein?context=ubx&refId=fe124e6e-8290-43e9-9d48-753bad162c50 Chapter 9 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license https://www.taylorfrancis.com/chapters/oa-edit/10.4324/9781003188278-13/talking-rocks-illusory-sounds-projections-otherworld-julia-shpinitskaya-riitta-rainio?context=ubx&refId=3aa829a8-8c0b-4103-870a-6fe5a4393e71
Author : Sally Marks
Publisher : Bloomsbury Publishing
Page : 214 pages
File Size : 55,5 Mb
Release : 2017-03-14
Category : History
ISBN : 9780230629493
Sally Marks provides a compelling analysis of European diplomacy between the First World War and Hitler's advent. She explores in clear and lively prose the reasons why successive efforts failed to create a lasting peace in the interwar era. Building on the theories of the first edition - many of which have become widely accepted since its publication in 1976 - Marks reassesses Europe's leaders of the period, and the policies of the powers between 1918 and 1933, and beyond. Strongly interpretative and archivally based, The Illusion of Peace examines the emotional, ethnic, and economic factors responsible for international instability, as well as the distortion of the balance of power, the abnormal position of the Soviet Union, the weakness of France and the uncertainty of her relationship with Britain, and the inadequacy of the League of Nations. In so doing, the study clarifies the complex topics of reparations and war debts and challenges traditional assumptions, concluding that widespread western devotion to disarmament and dedication to peace were two of several reasons why democratic statesmen could not respond decisively to Hitler's threat. In this new edition Marks also argues that the Allied failure to bring defeat home to the German people in 1918-19 generated a resentment which contributed to interwar instability and Hitler's rise. This highly successful study has been thoroughly revised and updated to reflect the latest scholarship. Now in its second edition, it remains the essential introduction to the tense political and diplomatic situation in Europe during the interwar years.
Author : Christopher Layne
Publisher : Cornell University Press
Page : 308 pages
File Size : 55,9 Mb
Release : 2006
Category : History
ISBN : 0801474116
In a provocative book about American hegemony, Christopher Layne outlines his belief that U.S. foreign policy has been consistent in its aims for more than sixty years and that the current Bush administration clings to mid-twentieth-century tactics--to no good effect. What should the nation's grand strategy look like for the next several decades? The end of the cold war profoundly and permanently altered the international landscape, yet we have seen no parallel change in the aims and shape of U.S. foreign policy. The Peace of Illusions intervenes in the ongoing debate about American grand strategy and the costs and benefits of "American empire." Layne urges the desirability of a strategy he calls "offshore balancing": rather than wield power to dominate other states, the U.S. government should engage in diplomacy to balance large states against one another. The United States should intervene, Layne asserts, only when another state threatens, regionally or locally, to destroy the established balance. Drawing on extensive archival research, Layne traces the form and aims of U.S. foreign policy since 1940, examining alternatives foregone and identifying the strategic aims of different administrations. His offshore-balancing notion, if put into practice with the goal of extending the "American Century," would be a sea change in current strategy. Layne has much to say about present-day governmental decision making, which he examines from the perspectives of both international relations theory and American diplomatic history.
Author : Dan Karlholm
Publisher : Peter Lang
Page : 280 pages
File Size : 54,7 Mb
Release : 2006
Category : Art
ISBN : 3039109588
To survey art history as a whole was a pressing task for a generation of German scholars around the mid-nineteenth century. Their projections of a historicist chain of artworks ranged from textual narratives without illustrations, to separate picture compendia as well as images of a more allegorical kind. Other means with which to picture art history as part of a virtually all-encompassing cultural history were the museums of art erected in Germany at the time, in Berlin and Munich especially. This book deals with practices of representing art history in various media. This includes post-Hegelian texts and engravings of art history from the 1840s onwards, by Franz Kugler, Julius Schnorr and others. In addition, works of art of the late twentieth century, by Andy Warhol, Anselm Kiefer and others, provide opportunities to speculate on the after-effects and discursive traces of the old regime. Extending the concept of historiography to include not just textual or institutional endeavours, but a host of different images as well, from reproductive prints to pop paintings and visual archives of the digital era, this study is intended to contribute in new ways to a critical historiography of the field of art history and visual culture today.
Author : Oliver Grau
Publisher : MIT Press
Page : 438 pages
File Size : 48,8 Mb
Release : 2004-09-17
Category : Art
ISBN : 0262572230
An overview of the art historical antecedents to virtual reality and the impact of virtual reality on contemporary conceptions of art. Although many people view virtual reality as a totally new phenomenon, it has its foundations in an unrecognized history of immersive images. Indeed, the search for illusionary visual space can be traced back to antiquity. In this book, Oliver Grau shows how virtual art fits into the art history of illusion and immersion. He describes the metamorphosis of the concepts of art and the image and relates those concepts to interactive art, interface design, agents, telepresence, and image evolution. Grau retells art history as media history, helping us to understand the phenomenon of virtual reality beyond the hype. Grau shows how each epoch used the technical means available to produce maximum illusion. He discusses frescoes such as those in the Villa dei Misteri in Pompeii and the gardens of the Villa Livia near Primaporta, Renaissance and Baroque illusion spaces, and panoramas, which were the most developed form of illusion achieved through traditional methods of painting and the mass image medium before film. Through a detailed analysis of perhaps the most important German panorama, Anton von Werner's 1883 The Battle of Sedan, Grau shows how immersion produced emotional responses. He traces immersive cinema through Cinerama, Sensorama, Expanded Cinema, 3-D, Omnimax and IMAX, and the head mounted display with its military origins. He also examines those characteristics of virtual reality that distinguish it from earlier forms of illusionary art. His analysis draws on the work of contemporary artists and groups ART+COM, Maurice Benayoun, Charlotte Davies, Monika Fleischmann, Ken Goldberg, Agnes Hegedues, Eduardo Kac, Knowbotic Research, Laurent Mignonneau, Michael Naimark, Simon Penny, Daniela Plewe, Paul Sermon, Jeffrey Shaw, Karl Sims, Christa Sommerer, and Wolfgang Strauss. Grau offers not just a history of illusionary space but also a theoretical framework for analyzing its phenomenologies, functions, and strategies throughout history and into the future.
