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The Geste Novels Part B by Percival Christopher Wren Pdf
Percival Christopher Wren is best known as a novelist, publishing twenty-eight novels from 1912 to 1941, the most famous of which being Beau Geste (1924). The Geste Novels Part A and The Geste Novels Part B are the first of a multi-volume series, The Collected Novels of P. C. Wren. The Geste Novels Part A and The Geste Novels Part B contain the four novels that feature the Geste brothers and their friends. These novels are the well-known Beau Geste, and the lesser known direct sequels: Beau Sabreur (1926) and Beau Ideal (1927). The fourth novel, Spanish Maine (published in the United States as The Desert Heritage) was published in 1935, eight years and twelve books after Beau Ideal. All four novels feature what Wren is famous for: stories of the French Foreign Legion.
The Geste Novels Part a by Percival Christopher Wren Pdf
Percival Christopher Wren is best known as a novelist, publishing twenty-eight novels from 1912 to 1941, the most famous of which being Beau Geste (1924). The Geste Novels Part A and The Geste Novels Part B are the first of a multi-volume series, The Collected Novels of P. C. Wren. The Geste Novels Part A and The Geste Novels Part B contain the four novels that feature the Geste brothers and their friends. These novels are the well-known Beau Geste, and the lesser known direct sequels: Beau Sabreur (1926) and Beau Ideal (1927). The fourth novel, Spanish Maine (published in the United States as The Desert Heritage) was published in 1935, eight years and twelve books after Beau Ideal. All four novels feature what Wren is famous for: stories of the French Foreign Legion.
Captain Cox, his Ballads and Books; or Robert Laneham's Letter: Whearin part of the entertainment untoo the Queens Majesty at Killingworth Castl ... 1575 is signified; from a freend officer attendant in the Court, unto his freend, a Citizen and Merchaunt of London by Robert Laneham,Frederick James Furnivall Pdf
The collected Gestes-the first volume of a four volume set There are some works of fiction and their characters, that are familiar to practically everyone-whether they have read the books or not; King Solomon's Mines and Alan Quatermain, The Prisoner of Zenda and Rudolf Rassendyll, The Hound of the Baskervilles with Sherlock Holmes and his faithful Doctor John Watson and The Thirty Nine Steps and Richard Hannay, to name but a few. Cinema, television, radio and even comics have all played a part in ensuring that books such as these and their central characters have become cultural icons that are forever part of the collective consciousness. There can be no doubt that the same applies to P. C. Wren's novel Beau Geste, which features the memorable John Geste and his brothers. Wren, more than any other author, was responsible for bringing an awareness of the French Foreign Legion to the public. Having served in the Legion he knew it well, and through his popular and romantic novels, his tales of regiments of mercenaries comprised of the dregs of society, thieves, murderers and professional soldiers of fortune, it quickly captured the public imagination. So too did one of the Legion's most infamous battlegrounds-the burning sands of colonial North Africa. Wren created a legend of the most potent kind-an image of a straggling line of tired, sweating men upon the endless dunes of the desert, all wearing the famous kepi-blanc with its familiar neck flap. These 'heroes' would battle their despotic officers as readily as the marauding Bedouin tribesmen and knew what it was to 'march or die ' It is often the case that modern readers know of the best known character or most famous work of an author but remain unaware that, at the time they first published, the public demanded more such adventures. There are, in fact, four full length novels and a number of short stories featuring the Gestes and the Foreign Legion and all have been gathered in this special four volume Leonaur collection for readers to own and enjoy. Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket.
A new history of early global literature that treats translators as active agents mediating cultures. In this book, Zrinka Stahuljak challenges scholars in both medieval and translation studies to rethink how ideas and texts circulated in the medieval world. Whereas many view translators as mere conduits of authorial intention, Stahuljak proposes a new perspective rooted in a term from journalism: the fixer. With this language, Stahuljak captures the diverse, active roles medieval translators and interpreters played as mediators of entire cultures—insider informants, local guides, knowledge brokers, art distributors, and political players. Fixers offers nothing less than a new history of literature, art, translation, and social exchange from the perspective not of the author or state but of the fixer.
Author : Rala I. Diakité,Matthew T. Sneider Publisher : Walter de Gruyter GmbH & Co KG Page : 487 pages File Size : 53,5 Mb Release : 2022-02-07 Category : Literary Criticism ISBN : 9781501514265
The Eleventh and Twelfth Books of Giovanni Villani’s “New Chronicle” by Rala I. Diakité,Matthew T. Sneider Pdf
Giovanni Villani’s New Chronicle traces the history of Europe, Italy, and Florence over a vast sweep of time – from the Tower of Babel to the great earthquake of 1348. In the eleventh and twelfth books, Villani depicts a particularly eventful period in the history of Florence, whose grandeur is illustrated in several famous chapters describing the city’s income, expenses, and magnificence. The dramatic account follows Florence’s internal affairs as well as its conflicts with powerful lords like Castruccio Castracani and Mastino della Scala. The chronicler’s perspective, however, ranges beyond his city, as he documents such events as the imperial coronation of Louis of Bavaria, the penitential pilgrimage of Venturino da Bergamo, and the first campaigns of the Hundred Year’s War.
In the first place, there was the old standing trouble about the Shuwa Patrol; in the second, the truculent Chiboks were waxing insolent again, and their young men were regarding not the words of their elders concerning Sir Garnet Wolseley, and what happened, long, long ago, after the battle of Chibok Hill. Thirdly, the price of grain had risen to six shillings a saa, and famine threatened; fourthly, the Shehu and Shuwa sheiks were quarrelling again; and, fifthly, there was a very bad smallpox ju-ju abroad in the land (a secret society whose "secret" was to offer His Majesty's liege subjects the choice between being infected with smallpox, or paying heavy blackmail to the society). Lastly, there was acrimonious correspondence with the All-Wise Ones (of the Secretariat in "Aiki Square" at Zungeru), who, as usual, knew better than the man on the spot, and bade him do either the impossible or the disastrous. And across all the Harmattan was blowing hard, that terrible wind that carries the Saharan dust a hundred miles to sea, not so much as a sand-storm, but as a mist or fog of dust as fine as flour, filling the eyes, the lungs, the pores of the skin, the nose and throat; getting into the locks of rifles, the works of watches and cameras, defiling water, food and everything else; rendering life a burden and a curse. The fact, moreover, that thirty days' weary travel over burning desert, across oceans of loose wind-blown sand and prairies of burnt grass, through breast-high swamps, and across unbridged boatless rivers, lay between him and Kano, added nothing to his satisfaction. For, in spite of all, satisfaction there was, inasmuch as Kano was rail-head, and the beginning of the first stage of the journey Home. That but another month lay between him and "leave out of Africa," kept George Lawrence on his feet. From that wonderful and romantic Red City, Kano, sister of Timbuktu, the train would take him, after a three days' dusty journey, to the rubbish-heap called Lagos, on the Bight of Benin of the wicked West African Coast. There he would embark on the good ship Appam, greet her commander, Captain Harrison, and sink into a deck chair with that glorious sigh of relief, known in its perfection only to those weary ones who turn their backs upon the Outposts and set their faces towards Home. Meantime, for George Lawrence--disappointment, worry, frustration, anxiety, heat, sand-flies, mosquitoes, dust, fatigue, fever, dysentery, malarial ulcers, and that great depression which comes of monotony indescribable, weariness unutterable, and loneliness unspeakable.
Artists and Their Books / Books and Their Artists by Marcia Reed,Glenn Phillips Pdf
This stunning volume illuminates the current moment of artists’ engagement with books, revealing them as an essential medium in contemporary art. Ever innovative and predictably diverse in their physical formats, artists’ books occupy a creative space between the familiar four-cornered object and challenging works of art that effectively question every preconception of what a book can be. Many artists specialize in producing self-contained art projects in the form of books, like Ken Campbell and Susan King, or they establish small presses, like Simon Cutts and Erica Van Horn’s Coracle Press or Harry and Sandra Reese’s Turkey Press. Countless others who are primarily known as sculptors, painters, or performance artists carry on a parallel practice in artists’ books, including Anselm Kiefer, Annette Messager, Ed Ruscha, and Richard Tuttle. Artists and Their Books / Books and Their Artists includes over one hundred important examples selected from the Getty Research Institute’s Special Collections of more than six thousand editions and unique artists’ books. This volume also presents precursors to the artist’s book, such as Joris Hoefnagel’s sixteenth-century calligraphy masterpiece; single-sheet episodes from Albrecht Dürer’s Life of Mary, designed to be either broadsides or a book; early illustrated scientific works; and avant-garde publications. Twentieth-century works reveal the impact of artists’ books on Pop Art, Fluxus, Conceptualism, feminist art, and postmodernism. The selection of books by an international range of artists who have chosen to work with texts and images on paper provokes new inquiry into the nature of art and books in contemporary culture.
Catalogue of Title-entries of Books and Other Articles Entered in the Office of the Librarian of Congress, at Washington, Under the Copyright Law ... Wherein the Copyright Has Been Completed by the Deposit of Two Copies in the Office by Library of Congress. Copyright Office Pdf