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When two modern-day kids discover a grotesque secret in an abandoned mailbox, they have no idea they are about to be drawn into a mystery that began on the other side of the world. Through the help of an English genie and a phantom postman, the two children begin to communicate with another boy, a young calligrapher's apprentice who lived 125 years ago in an Indian village. Writing back and forth, across continents and centuries, the three children eventually realize the possibility of changing history by delivering three letters that were never received. If they can make sure these lost letters reach those for whom they were intended, love may be restored, the life of a kidnapped child could be saved, and a secret agent might be able to prevent a pointless war.
In Ghost Letters, one emigrates to America again, and again, and again, though one also never leaves Senegal, the country of one’s birth; one grows up in America, and attends university in America, though one also never leaves Senegal, the country of one’s birth; one wrestles with one’s American blackness in ways not possible in Senegal, though one never leaves Senegal, the country of one’s birth; and one sees more deeply into Americanness than any native-born American could. Ghost Letters is a 21st century Notebook of a Return to the Native Land, though it is a notebook of arrival and being in America. It is a major achievement. —Shane McCrae
Fiercely passionate and deeply elegiac, Richard McCann's Ghost Letters chronicles the intersection of grief and desire. These are poems of memory, but they are made of the body--the consoling body; the wounded body; the sexual body, both loved and unloved.
Josefina Navarro childhood was one of previledge and pampering in the pre-Castro days of Cuba. When she reached adulthood, however, she impulsively marries a poor and reckless young man who will only bring her heartache and grief. During the start of all the political troubles in Cuba, Josefina starts to get a series of letters from her father, whom she thought was dead. These "ghost letters" help her to better understand her distant father and bring some meaning to her otherwise disappointing life.
A complete guide to botanical illustration—from dissection to framing work—this traditional teaching workbook is penned by Michael Lakin, a keen gardener and an experienced and enthusiastic tutor whose teaching methods follow simple, step-by-step, six-stage techniques. Stressing the importance of the sketching process, artists are shown how to develop accomplished pictures from initial beginnings and observations right through to the drawing and final painting stages. With an entire alphabet of flower examples accompanying sketches, this work provides clear descriptions of the colors and techniques used, allowing beginners and more advanced artists alike to find inspiration and a deeper understanding of how floral scenes are composed.
NATIONAL BESTSELLER • Soon to be a Hulu Original series • The internationally acclaimed author of Wild collects the best of The Rumpus's Dear Sugar advice columns plus never-before-published pieces. Rich with humor and insight—and absolute honesty—this "wise and compassionate" (New York Times Book Review) book is a balm for everything life throws our way. Life can be hard: your lover cheats on you; you lose a family member; you can’t pay the bills—and it can be great: you’ve had the hottest sex of your life; you get that plum job; you muster the courage to write your novel. Sugar—the once-anonymous online columnist at The Rumpus, now revealed as Cheryl Strayed, author of the bestselling memoir Wild—is the person thousands turn to for advice.
Part two from the original seller, Unsettled and Unsaid. Take a look into a continuation of the story that is more focused and driven. This book follows from the beginning of U&U, allowing readers to take a look into real life thoughts. It is a story about growing and becoming somebody that understands her rights from wrongs, and every day life lessons. Between the ups and downs of a natural relationship, words create patterns to tell of appreciation for love and life.
This correspondence, which encompasses Truman's courtship of his wife, his service in the senate, his presidency, and after, reveals not only the character of Truman's mind but also a shrewd observer's view of American politics.
A virtual memoir in letters by the beloved creator of the Moomins Tove Jansson’s works, even her famed Moomin books, fairly teem with letters of one kind or another, from messages bobbing in bottles to whole epistolary novels. Fortunately for her countless readers, her life was no different, unfolding as it did in the letters to family, friends, and lovers that make up this volume, a veritable autobiography over the course of six decades—and the only one Jansson ever wrote. And just as letters carry a weight of significance in Jansson’s writing, those she wrote throughout her life reflect the gravity of her circumstances, the depth of her thoughts and feelings, and the critical moments of humor, sadness, and grace that mark an artist’s days. These letters, penned with characteristic insight and wit, provide an almost seamless commentary on Jansson’s life within Helsinki’s bohemian circles and on her island home. Shifting between hope and despair, yearning and happiness, they describe her immersion in art studies and her ascension to fame with the Moomins. They speak frankly of friendship and love, loneliness and solidarity, and also of politics, art, literature, and society. They summon a particular place and time reflected through a mind finely attuned to her culture, her world, and her own nature—all clearly put into biographical and historical context by the volume’s editors, both longtime friends of Tove Jansson—and, in the end, draw a complex, intimate self-portrait of one of the world’s most beloved authors.
On the outside, Josefina Navarro's life seems fortunate enough—she lives with her father and her nursemaid, Regla, who raises her after the death of her mother in a luxurious home in Vedado, one of Cuba's wealthiest districts. She attends society dances and is courted by all of Havana's elite young bachelors. Enchanted by the rituals of her nursemaid, Josefina learns about the profound mysticism inherent in even the most mundane affairs. Though she is pampered, Josefina feels that her life is without passion or excitement. Her father, Sergeant Antonio Navarro, a Spaniard by birth, is a stern and demanding man whose past is a tightly kept secret. When she meets and marries Lorenzo Concepción, a poor, reckless young man, the sergeant tells her, "So, you have chosen him...and you will be hungry and miserable all your life." The couple moves to El Cotorro, a poverty-stricken town that is far removed from the Vedado plazas and carefully tended gardens Josefina knew. Lorenzo begins to leave her for months at a time, "looking for work," but in reality, womanizing and carousing all over the island. Even after the birth of two healthy children, Josefina is not happy. This is not the life she had envisioned. During a political maelstrom, history brings the sergeant to El Cotorro to quell a riot, where he is attacked and presumed dead. But perception is reality on an island in which darkness and light commingle, and magic and truth are one in the same. When Josefina begins receiving letters from her father, she believes that what she holds are heaven's missives, ghost letters. Through the letters, Josefina comes to know her father intimately, as a ghost and guardian, as he reveals the truth about his life. In the act of writing and reading, she has found a love to fill the empty places in her heart. Set in Cuba and Miami, covering nearly fifty years of the island's history, LOVE AND GHOST LETTERS unfolds the lives of the Navarro-Concepción families in the patterns and permutations of memory, and conjures a Cuban setting that evokes mysticism and magic.
NATIONAL BESTSELLER ONE OF THE BEST BOOKS OF THE YEAR: VOGUE • FORBES • BOOKPAGE • NEW YORK POST • WIRED “I have not been as profoundly moved by a book in years.” —Jodi Picoult Even after she left home for Hollywood, Emmy-nominated TV writer Bess Kalb saved every voicemail her grandmother Bobby Bell ever left her. Bobby was a force—irrepressible, glamorous, unapologetically opinionated. Bobby doted on Bess; Bess adored Bobby. Then, at ninety, Bobby died. But in this debut memoir, Bobby is speaking to Bess once more, in a voice as passionate as it ever was in life. Recounting both family lore and family secrets, Bobby brings us four generations of indomitable women and the men who loved them. There’s Bobby’s mother, who traveled solo from Belarus to America in the 1880s to escape the pogroms, and Bess’s mother, a 1970s rebel who always fought against convention. But it was Bobby and Bess who always had the most powerful bond: Bobby her granddaughter’s fiercest supporter, giving Bess unequivocal love, even if sometimes of the toughest kind. Nobody Will Tell You This But Me marks the creation of a totally new, virtuosic form of memoir: a reconstruction of a beloved grandmother’s words and wisdom to tell her family’s story with equal parts poignancy and hilarity.
From debut author Alyssa Hollingsworth comes a story about living with fear, being a friend, and finding a new place to call home. They say you can't get something for nothing, but nothing is all Sami has. When his grandfather’s most-prized possession—a traditional Afghan instrument called a rebab—is stolen, Sami resolves to get it back. He finds it at a music store, but it costs $700, and Sami doesn’t have even one penny. What he does have is a keychain that has caught the eye of his classmate. If he trades the keychain for something more valuable, could he keep trading until he has $700? Sami is about to find out. The Eleventh Trade is both a classic middle school story and a story about being a refugee. Alyssa Hollingsworth tackles a big issue with a light touch. 2020 UKLA Award Winner
What Noise Against the Cane by Desiree C. Bailey Pdf
The 115th volume of the Yale Series of Younger Poets is a lyrical and polyvocal exploration of what it means to fight for yourself “Bailey invites us to see what twenty-first-century life is like for a young woman of the Black diaspora in the long wake of a history of slavery, brutality, and struggling for freedoms bodily and psychological.” —Carl Phillips, from the Foreword The 115th volume of the Yale Series of Younger Poets, What Noise Against the Cane is a lyric quest for belonging and freedom, weaving political resistance, Caribbean folklore, immigration, and the realities of Black life in America. Desiree C. Bailey begins by reworking the epic in an oceanic narrative of bondage and liberation in the midst of the Haitian Revolution. The poems move into the contemporary Black diaspora, probing the mythologies of home, belief, nation, and womanhood. Series judge Carl Phillips observes that Bailey’s “poems argue for hope and faith equally. . . . These are powerful poems, indeed, and they make a persuasive argument for the transformative powers of steady defiance.”
