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Alex Tanner is a male nurse who divides his time between his job and his television schedule. His idea of the perfect partner, like so many other people’s, is a tall, dark, and handsome man. Preferably alive and breathing. Surely that’s not asking too much? Then an uninvited guest—a ghost, of all things—forces Alex to question what he’s always looked for in a lover and his definition of what makes a person so beautiful.
Alex Tanner is a male nurse who divides his time between his job and his television schedule. His idea of the perfect partner, like so many other people’s, is a tall, dark and handsome man. Preferably alive and breathing. Surely that’s not asking too much? Then an uninvited guest—a ghost, of all things—forces Alex to question what he’s always looked for in a lover and his definition of what makes a person so beautiful.
Award-winning author Melvin Burgess's thrilling new ghost story for younger readers. David screamed and the ghostly boy opened his mouth and screamed back. But his scream wasn't the scream of a child—it was the scream of an old, old man. "Come back, come back," screamed the ghost in his cracked old voice. "Don't leave me. Don't go!" Twelve-year-old David lives with his dad in a big old apartment building called Mahogany Villas. When he discovers he can climb through the vent pipes in the building and get into other apartments and play tricks on people, he simply can't resist. His main victim is Robert Alveston, a forgetful man in his nineties who is afraid that he is losing his mind. But David's nasty pranks soon disturb more than his elderly neighbor. One day he comes face-to-face with a ghost, at first friendly but more and more terrifying as it becomes clear that he has a particular grudge against Mr Alveston. Soon both the old man and David are in great danger. "An ultimately poignant adventure that will captivate British author Burgess' fans." - Booklist
I'm Tyler Lindsey, and until recently, I had an okay apartment, an okay girlfriend, and an okay job as a bellboy at a respectable Boston hotel. Then rock star Chris Raiden died right before I brought his room service -- stiffing me on the tip, by the way -- and my life went to hell. My fifteen minutes of fame was more like five seconds, and my girlfriend left me in disgust. But even worse -- Chris is haunting me. Not the room where he died, like a normal ghost. No, somehow he's stuck to me and is insisting on taking care of a bunch of unfinished business in California. So now I have to traipse across the country with the world's most narcissistic ghost. But . . . I keep having these weird thoughts. Thoughts about how much I like the way he makes me laugh. Thoughts where I kind of want to kiss the emo-narcissist, even though he's a ghost and an asshole and I can't touch him anyway. And even if I could, what will happen when he finishes his business and nothing's keeping him here anymore?
The instant New York Times bestseller about one man's battle to save hundreds of jobs by demonstrating the greatness of American business. The Bassett Furniture Company was once the world's biggest wood furniture manufacturer. Run by the same powerful Virginia family for generations, it was also the center of life in Bassett, Virginia. But beginning in the 1980s, the first waves of Asian competition hit, and ultimately Bassett was forced to send its production overseas. One man fought back: John Bassett III, a shrewd and determined third-generation factory man, now chairman of Vaughan-Bassett Furniture Co, which employs more than 700 Virginians and has sales of more than $90 million. In Factory Man, Beth Macy brings to life Bassett's deeply personal furniture and family story, along with a host of characters from an industry that was as cutthroat as it was colorful. As she shows how he uses legal maneuvers, factory efficiencies, and sheer grit and cunning to save hundreds of jobs, she also reveals the truth about modern industry in America.
Hamlet on the Couch weaves a close reading of Shakespeare’s Hamlet with a large variety of contemporary psychoanalytic and psychological theory, looking at the interplay of ideas between the two. Hamlet can be read almost as a psychoanalytic case study and be used to understand and illustrate a range of core psychoanalytic concepts. Covering such basic psychoanalytic concepts as identity, transference and countertransference, the ‘good-enough’ mother, the compulsion to repeat and the death instinct, James E. Groves shows how Hamlet can shed new light on understanding psychoanalytic theory, and how psychoanalysis can in turn enrich our understanding of Shakespeare’s work. Perhaps the most radical feature of psychoanalysis is its tradition of self-examination. Mirroring it, the book throughout uses an eclectic, subjective critical approach to study how the poetry of Hamlet creates its realistically flawed and believably complex characters. Combining deep, insightful knowledge of Shakespeare and of psychoanalysis, Hamlet on the Couch will be of great interest to psychoanalysts and psychoanalytic psychotherapists, as well as literary scholars.
The ghost library is a room full of empty shelves where the ghosts go to listen to stories borrowed from unsuspecting children - until they try to borrow a book from Bo... Bo unable to let her book go travels with the ghosts to the ghost library and there she teaches them that stories exist everywhere, not just in books. This spooky picture book from bestselling author-illustrator David Melling has sold over 300,000 copies and continues to enchant children. 'A humourous tale with friendly ghosts... and images that will inspire your child to take on the role of story-teller.' Junior
An Post Irish Book Awards Nonfiction Book of the Year • A Guardian Best Book of 2020 • Shortlisted for the 2021 Rathbones Folio Prize • Longlisted for the 2021 Republic of Consciousness Prize • Winner of the James Tait Black Biography Prize • A New York Times New & Noteworthy Title • Longlisted for the 2021 Gordon Burn Prize • A Buzzfeed Recommended Summer Read • A Publishers Weekly Best Book of 2021 • A Book Riot Best Book of 2022 • An NPR Best Book of 2021 • A Chicago Public Library Best Book of 2021 • A Globe and Mail Book of the Year • A Winnipeg Free Press Top Read of 2021 • An Entropy Magazine Best of the Year • A LitHub Best Book of 2021 • A New York Times Critics' Top Book of 2021 • A National Book Critics Circle Award Finalist When we first met, I was a child, and she had been dead for centuries. On discovering her murdered husband’s body, an eighteenth-century Irish noblewoman drinks handfuls of his blood and composes an extraordinary lament. Eibhlín Dubh Ní Chonaill’s poem travels through the centuries, finding its way to a new mother who has narrowly avoided her own fatal tragedy. When she realizes that the literature dedicated to the poem reduces Eibhlín Dubh’s life to flimsy sketches, she wants more: the details of the poet’s girlhood and old age; her unique rages, joys, sorrows, and desires; the shape of her days and site of her final place of rest. What follows is an adventure in which Doireann Ní Ghríofa sets out to discover Eibhlín Dubh’s erased life—and in doing so, discovers her own. Moving fluidly between past and present, quest and elegy, poetry and those who make it, A Ghost in the Throat is a shapeshifting book: a record of literary obsession; a narrative about the erasure of a people, of a language, of women; a meditation on motherhood and on translation; and an unforgettable story about finding your voice by freeing another’s.
"A compelling act of connection, leavened with humour, clear-eyed yet packed with hope." —Ann-Marie MacDonald A rare work of narrative non-fiction that illuminates a world most of us try not to see: the daily lives of the severely mentally ill, who are medicated, marginalized, locked away and shunned. Susan Doherty's groundbreaking book brings us a population of lost souls, ill-served by society, feared, shunted from locked wards to rooming houses to the streets to jail and back again. For the past 10 years, many who have cycled in and out of the locked wards of the Douglas Institute in Montreal found a friend in Susan, who volunteers on the wards and then accompanies her friends out into the world. With their full cooperation, she brings us intimate stories that challenge our views of people with mental illness. Through "Caroline Evans," a woman in her early sixties whom Susan has known since she was a bright, sunny school girl, we experience living with schizophrenia, such as when Caroline was convinced she could save her roommate from the devil by pouring boiling water into her ear... She has been through it all, including having to navigate an indifferent justice system that is incapable of serving the severely ill. Susan interleaves Caroline's story with vignettes about her other friends—stories that reveal their hopes, circumstances, personalities, humanity. Susan found that if she can hang in through the first 10-15 minutes of every coffee date with someone in the grip of psychosis, true communication results. Their "madness" is not otherworldly: instead it tells us something about how they're surviving their lives and what they've been through. The Ghost Garden carries a cargo of compassion and empathy that motivates us to re-examine our understanding of justice, society and humanity.
William Gifford,Sir John Taylor Coleridge,John Gibson Lockhart,Whitwell Elwin,W. Macpherson,Sir William Smith,John Murray,Rowland Edmund Prothero Baron Ernle,George Walter Prothero
Author : William Gifford,Sir John Taylor Coleridge,John Gibson Lockhart,Whitwell Elwin,W. Macpherson,Sir William Smith,John Murray,Rowland Edmund Prothero Baron Ernle,George Walter Prothero Publisher : Unknown Page : 516 pages File Size : 44,5 Mb Release : 1812 Category : English literature ISBN : UGA:32108054034510
The Quarterly Review by William Gifford,Sir John Taylor Coleridge,John Gibson Lockhart,Whitwell Elwin,W. Macpherson,Sir William Smith,John Murray,Rowland Edmund Prothero Baron Ernle,George Walter Prothero Pdf
Montague Rhodes James--M. R. James--was an English academic and provost of King's College and Eton. He started writing ghost stories to entertain his friends. . . one hundred and fifty years after his birth he is now revered as the father of the modern English ghost story. This gorgeous hardback collection contains all thirty-five of M.R. James's highly acclaimed ghost stories, including the classics: "Oh Whistle, and I'll Come to You, My Lad" and "Canon Alberic's Scrapbook."
