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‘Kerfol’ is one of Wharton’s more unusual ghost stories, in that the ghosts of the piece aren’t human. Chilling and tragic, this tale tells of Anne de Cornault, who is considering buying an estate in France. We discover that the estate, ‘Kerfol,’ (which translates from the Breton as ‘house of madness’) was once the scene of a murder. An atmospheric read, ‘Kerfol’ is an exploration of an unhappy marriage and revenge from beyond the grave. A perfect spine-tingler from the pen of a master storyteller. Edith Wharton (1862 – 1937) was an American designer and novelist. Born in an era when the highest ambition a woman could aspire to was a good marriage, Wharton went on to become one of America’s most celebrated authors. During her career, she wrote over 40 books, using her wealthy upbringing to bring authenticity and detail to stories about the upper classes. She moved to France in 1923, where she continued to write until her death.
In an enthralling work of Gothic suspense, an Edith Wharton story inspires five connected tales set in the same haunted manor over the centuries. (Age 14 and up) In her classic ghost story "Kerfol," Edith Wharton tells the tale of Anne de Barrigan, a young Frenchwoman convicted of murdering her husband, the jealous Yves de Cornault. The elderly lord was found dead on the stairs, apparently savaged by a pack of dogs, though there were no dogs -- no live dogs -- at Kerfol that day. In this remarkable collection of intertwining short stories, Deborah Noyes takes us back to the haunted manor and tells us Anne de Barrigan's story through the sympathetic eyes of her servant girl. Four more tales slip forward in time, peering in on a young artist, a hard-drinking party girl, a young American couple, and a deaf gardener who now tends the Kerfol estate. All these souls are haunted by the ghosts of Kerfol -- the dead dogs, the sensual yet uneasy relationships, and the bitter taste of revenge.
The Ghost Stories of Edith Wharton by Edith Wharton Pdf
This haunting anthology is an enthralling collection of chilling tales infused with Edith Wharton's masterful exploration of human psychology and the hidden recesses of the human heart. As a keen observer of human nature, Wharton weaves her ghostly tales with remarkable subtlety and psychological depth. Her ghosts are not mere apparitions but poignant manifestations of guilt, regret, and unrequited desires. Through her elegant prose and sharp wit, Wharton delves into the darkest corners of the human psyche, exploring themes of forbidden passions, societal constraints, and the persistent power of the past. Each setting serves as the backdrop for chilling encounters with the spectral realm. The Ghost Stories of Edith Wharton is a testament to Wharton's versatility as a writer. The first woman to win the Pulitzer Prize for Fiction, she imbues her tales with atmospheric tension, challenging the reader to question what lies beyond our mortal existence.
An elegantly hair-raising collection of Edith Wharton's ghost stories, selected and with a preface written by the author herself. No history of the American uncanny tale would be complete without mention of Edith Wharton, yet many of Wharton’s most dedicated admirers are unaware that she was a master of the form. In fact, one of Wharton’s final literary acts was assembling Ghosts, a personal selection of her most chilling stories, written between 1902 and 1937. In “The Lady’s Maid’s Bell,” the earliest tale included here, a servant’s dedication to her mistress continues from beyond the grave, and in “All Souls,” the last story Wharton wrote, an elderly woman treads the permeable line between life and the hereafter. In all her writing, Wharton’s great gift was to mercilessly illuminate the motives of men and women, and her ghost stories never stray far from the preoccupations of the living, using the supernatural to investigate such worldly matters as violence within marriage, the horrors of aging, the rot at the root of new fortunes, the darkness that stares back from the abyss of one’s own soul. These are stories to “send a cold shiver down one’s spine,” not to terrify, and as Wharton explains in her preface, her goal in writing them was to counter “the hard grind of modern speeding-up” by preserving that ineffable space of “silence and continuity,” which is not merely the prerogative of humanity but—“in the fun of the shudder”—its delight. Contents All Souls’ The Eyes Afterward The Lady’s Maid’s Bell Kerfol The Triumph of Night Miss Mary Pask Bewitched Mr. Jones Pomegranate Seed A Bottle of Perrier
With eight outstanding ghost stories, this collection highlights Edith Wharton's ability to switch genres seemingly without effort. The same literary genius evident in her best known works such as The Age of Innocence, Ethan Frome, and The House of Mirth is here dedicated to giving the reader a damned good scare. Stories such as "Kerfol" (adjudged by aficionados to be Wharton's best ghost story) and "Pomegranate Seed" are perfect illustrations of consummately crafted horror fiction. Wharton's vivid sense of the supernatural betrays her deeper anxieties about the claustrophobia of domestic life and the pain of a failing relationship.
A newly rich American couple buy an ancient manor house in England, where they hope to live out their days in solitude. One day, when the couple are gazing out at their grounds, they spy a mysterious stranger. When her husband disappears shortly after this eerie encounter, the wife learns the truth about the legend that haunts the ancient estate.
Zoe is wary when, in the dead of night, the beautiful yet frightening Simon comes to her house. Simon seems to understand the pain of loneliness and death and Zoe's brooding thoughts of her dying mother. Simon is one of the undead, a vampire, seeking revenge for the gruesome death of his mother three hundred years before. Does Simon dare ask Zoe to help free him from this lifeless chase and its insufferable loneliness?
A riveting middle-grade biography about Sophie Blanchard, the first woman to work as a professional aeronaut in France in the late 1700s, set against the thrilling backdrop of early flight. Before Amelia Earhart, there was Sophie Blanchard, the first woman to earn her living in the air. While no one knows the fate of Earhart, a terrified crowd of thousands looked on as French aeronaut Sophie Blanchard met her end in a tragic blaze of glory over the streets of Paris in 1819. But first, Blanchard made nearly 70 spectacular flights, survived a revolution, and become a court favorite of the emperor Napoleon (who gave her the title, "Aeronaut of the Official Festivals") and later of the King of France. Set against the backdrop of the history of flight, watch as Balloonmania-- a phenomenon that riveted all of Europe-- took hold and inspired a great many artists authors, and dreamers. This lively scrapbook-style biography with more than fifty black-and-white photos throughout, introduces a frightened, nervous girl who became a fearless legend in the skies.
In a sensual paranormal romance, a teen girl’s doppelgänger from 1348 Florence lures her into the past in hopes of exacting a deadly trade. It was meant to be a diversion — a summer in Florence with her best friend, Liam, and his travel-writer mom, doing historical research between breaks for gelato. A chance to forget that back in Vermont, May’s parents, and all semblance of safety, were breaking up. But when May wakes one night sensing someone in her room, only to find her ghostly twin staring back at her, normalcy becomes a distant memory. And when later she follows the menacing Cristofana through a portale to fourteenth-century Florence, May never expects to find safety in the eyes of Marco, a soulful painter who awakens in her a burning desire and makes her feel truly seen. The wily Cristofana wants nothing less of May than to inhabit each other’s lives, but with the Black Death ravaging Old Florence, can May’s longing for Marco’s touch be anything but madness? Lush with atmosphere both passionate and eerie, this evocative tale follows a girl on the brink of womanhood as she dares to transcend the familiar — and discovers her sensual power.
“Bewitched” is a short story by Edith Warton, first published in 1926 in the collection “Here and Beyond”. The stories include ghost stories, character studies and social dramas set in Brittany, New England, and Morocco. Along with “The Young Gentleman”, “Bewitched” shows clear Gothic leanings, especially in its emphasis on architecture and the gradual revealing of secrets. Edith Wharton (1862 – 1937) was an American novelist, playwright, short story writer, and designer. She is famous for using her intimate knowledge of aristocratic New York society to authentically portray life during the Gilded Age. She was the first woman ever to win the Pulitzer Prize for Literature in 1921 and was inducted into the National Women's Hall of Fame in 1996. Other notable works by this author include: “A Son at the Front” (1923), “The Mother's Recompense” (1925), and “Twilight Sleep” (1927). Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with a specially-commissioned new biography of the author.
The Lady's Maid's Bell is a short story by Edith Wharton. Edith Wharton ( born Edith Newbold Jones; January 24, 1862 - August 11, 1937) was a Pulitzer Prize-winning American novelist, short story writer, and designer. She was nominated for the Nobel Prize in Literature in 1927, 1928 and 1930. Wharton combined her insider's view of America's privileged classes with a brilliant, natural wit to write humorous, incisive novels and short stories of social and psychological insight. She was well acquainted with many of her era's other literary and public figures, including Theodore Roosevelt. Wharton was born to George Frederic Jones and Lucretia Stevens Rhinelander in New York City. She had two brothers, Frederic Rhinelander and Henry Edward. The saying "Keeping up with the Joneses" is said to refer to her father's family. She was also related to the Rensselaer family, the most prestigious of the old patroon families. She had a lifelong friendship with her Rhinelander niece, landscape architect Beatrix Farrand of Reef Point in Bar Harbor, Maine. In 1885, at 23, she married Edward (Teddy) Robbins Wharton, who was 12 years older. From a well-established Philadelphia family, he was a sportsman and gentleman of the same social class and shared her love of travel. From the late 1880s until 1902, he suffered acute depression, and the couple ceased their extensive travel. At that time his depression manifested as a more serious disorder, after which they lived almost exclusively at The Mount, their estate designed by Edith Wharton. In 1908 her husband's mental state was determined to be incurable. She divorced him in 1913. Around the same time, Edith was overcome with the harsh criticisms leveled by the naturalist writers. Later in 1908 she began an affair with Morton Fullerton, a journalist for The Times, in whom she found an intellectual partner. In addition to novels, Wharton wrote at least 85 short stories. She was also a garden designer, interior designer, and taste-maker of her time. She wrote several design books, including her first published work, The Decoration of Houses of 1897, co-authored by Ogden Codman. Another is the generously illustrated Italian Villas and Their Gardens of 1904.
The tale of the epic rivalry between two foundational paleontologists to find bigger and better bones in the American West, perfect for readers of Steve Sheinkin and Candace Fleming. Today we take for granted the idea that dinosaurs once roamed the earth. But two hundred years ago, the very concept of an extinct species did not exist. When an English scientist proposed in 1841 that Dino Saurs ("terrible lizards") had come and gone, it was only a theory, a new way of explaining the "dragon" and "giant" bones scattered across the globe. But when proof turned up seventeen years later, it was not only incontrovertible; it was massive. Tooth and Claw tells the story of the feverish race between two brilliant, driven, and insanely competitive scientists--Edward Drinker Cope and Othniel Charles Marsh--to uncover more and more monstrous fossils in the newly opened Wild West. Between them, they discovered dozens of major dinosaur species and established the new discipline of paleontology in America. But their bitter thirty-year rivalry--a "war" waged on wild plains and mountains, in tabloid newsprint, and in Congress--dramatically wrecked their professional and private lives even as it brought alive for the public a vanished prehistoric world.
Edwin Culwin wakes up to find a ghastly pair of eyes staring at him, the eyes of a man 'who has done a lot of harm in his life'. They pursue him wherever he goes; he doesn't know why; he doesn't know who they belong to - but he can feel his soul being pierced. Part of Galley Beggar's new Ghosts series.
