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A gritty tale of how far we’ll go to protect the ones we love for fans of Daniel Woodrell’s Winter’s Bone from Gale Massey, a talented new name in crime fiction. Everyone says the Elders family are nothing but cheats, thieves, and convicts—a fact nineteen-year old Jamie Elders has been trying desperately to escape. She may have the natural talent of a poker savant, but her dreams of going pro and getting the hell out of the tiny town of Blind River, New York are going nowhere fast. Especially once she lands in a huge pile of debt to her uncle Loyal. At Loyal’s beck and call until her debt is repaid, Jamie can’t easily walk away—not with her younger brother Toby left at his mercy. So when Loyal demands Jamie’s help cleaning up a mess late one night, she has no choice but to agree. But disposing of a dead man and covering up his connection to the town’s most powerful judge goes beyond family duty. When it comes out that the victim was a beloved athlete and Loyal pins the murder on Toby, only Jamie can save him. But with a dogged detective on her trail and her own future at stake, she’ll have to decide: embrace her inner criminal, or defy it—and face the consequences.
NATIONAL BESTSELLER A gripping account of the unsolved death of an Indigenous teenager, and the detective determined to find her killer, set against the backdrop of a troubled city. On August 17, 2014, the body of fifteen-year old runaway Tina Fontaine was found in Winnipeg's Red River. It was wrapped in material and weighted down with rocks. Red River Girl is a gripping account of that murder investigation and the unusual police detective who pursued the killer with every legal means at his disposal. The book, like the movie Spotlight, will chronicle the behind-the-scenes stages of a lengthy and meticulously planned investigation. It reveals characters and social tensions that bring vivid life to a story that made national headlines. Award-winning BBC reporter and documentary maker Joanna Jolly delves into the troubled life of Tina Fontaine, the half-Ojibway, half-Cree murder victim, starting with her childhood on the Sagkeeng First Nation Reserve. Tina's journey to the capital city is a harrowing one, culminating in drug abuse, sexual exploitation, and death. Aware of the reality of missing and murdered Indigenous women and girls, Jolly has chronicled Tina Fontaine's life as a reminder that she was more than a statistic. Raised by her father, and then by her great-aunt, Tina was a good student. But the violent death of her father hit Tina hard. She ran away, was found and put into the care of Child and Family Services, which she also sought to escape from. That choice left her in danger. Red River Girl focuses not on the grisly event itself, but on the efforts to seek justice. In December 2015, the police charged Raymond Cormier, a drifter, with second-degree murder. Jolly's book will cover the trial, which resulted in an acquittal. The verdict caused dismay across the country. The book is not only a true crime story, but a portrait of a community where Indigenous women are disproportionately more likely to be hurt or killed. Jolly asks questions about how Indigenous women, sex workers, community leaders, and activists are fighting back to protect themselves and change perceptions. Most importantly, the book will chronicle whether Tina's family will find justice.
In story after story in her diverse new collection, Rising and Other Stories, Gale Massey illustrates the moments that shape and alter destiny. Bringing each to life through interconnected themes of moving water and a sense of loss, Massey shares with us an unvarnished narrative of a world that objectifies women and the strength and resourcefulness required to attempt to overcome those limitations. From the panicked mother in Racine who escapes to the ocean and a young girl's last fishing expedition with a dying father in Glass to the inevitable end in Marked and the gamble in Not so Fast, these stories show how simple twists of fate can change a person forever. Ivy Waters and Long Time Coming both explore the loss of a father in very different ways, and how the identities of the daughters are rooted in those losses. And Elise's life in Rising is told in contrasts as she develops the use of her volition to pull her toward the life she deserves. Massey's protagonists are everyday folk depicted in stories that explore the scars of redemption (Lucky Girl), despair (Differences), daring (The Train Runner) and longing (Swimaway and Freedom's Just Another Word), a visceral sense of fate (Low Tide), and, most of all, each character's desires and will to live. These stories will transform you and deepen your view of the world, as Massey helps us discern societal constructs and their acute burdens, and the many ways that people--particularly women and girls--attempt to rise above them.
“Ten days after the war ended, my sister Laura drove a car off a bridge.” These words are spoken by Iris Chase Griffen, married at eighteen to a wealthy industrialist but now poor and eighty-two. Iris recalls her far from exemplary life, and the events leading up to her sister’s death, gradually revealing the carefully guarded Chase family secrets. Among these is “The Blind Assassin,” a novel that earned the dead Laura Chase not only notoriety but also a devoted cult following. Sexually explicit for its time, it was a pulp fantasy improvised by two unnamed lovers who meet secretly in rented rooms and seedy cafés. As this novel-within-a-novel twists and turns through love and jealousy, self-sacrifice and betrayal, so does the real narrative, as both move closer to war and catastrophe. Margaret Atwood’s Booker Prize-winning sensation combines elements of gothic drama, romantic suspense, and science fiction fantasy in a spellbinding tale.
Stony River, New Jersey, 1955: On a sweltering June afternoon, Linda Wise and Tereza Dobra witness a disturbing scene. A pale, pretty girl who looks about their age is taken from Crazy Haggerty’s house by two uniformed policemen. Everyone in Stony River thought Crazy Haggerty lived alone. The pale, pretty girl is about to enter an alien world, and as Tereza and Linda try to make sense of what they’ve seen, they’re unaware their own lives will soon be shattered as well. Set in a decade we tend to think of as a more innocent time, Stony River shows in dramatic and unexpected ways how perilous it was to come of age in the 1950s with its absent mothers, controlling fathers, biblical injunctions, teenaged longing, and small-town pretence. The threat of sexual violence is all around: angry fathers at home, dirty boys in the neighbourhood, strange men in strange cars, a dead girl, and another gone missing. An engrossing novel about growing up, finding your voice, and forgiving your family, Stony River is a brilliant story from a remarkable new Canadian voice.
From the acclaimed author of Floating in My Mother’s Palm and Children and Fire, a stunning story about ordinary people living in extraordinary times—“epic, daring, magnificent, the product of a defining and mesmerizing vision” (Los Angeles Times). Trudi Montag is a Zwerg—a dwarf—short, undesirable, different, the voice of anyone who has ever tried to fit in. Eventually she learns that being different is a secret that all humans share—from her mother who flees into madness, to her friend Georg whose parents pretend he’s a girl, to the Jews Trudi harbors in her cellar. Ursula Hegi brings us a timeless and unforgettable story in Trudi and a small town, weaving together a profound tapestry of emotional power, humanity, and truth.
From acclaimed novelist Jonis Agee, whom The New York Times Book Review called “a gifted poet of that dark lushness in the heart of the American landscape,” The River Wife is a sweeping, panoramic story that ranges from the New Madrid earthquake of 1811 through the Civil War to the bootlegging days of the 1930s. When the earthquake brings Annie Lark’s Missouri house down on top of her, she finds herself pinned under the massive roof beam, facing certain death. Rescued by French fur trapper Jacques Ducharme, Annie learns to love the strong, brooding man and resolves to live out her days as his “River Wife.” More than a century later, in 1930, Hedie Rails comes to Jacques’ Landing to marry Clement Ducharme, a direct descendant of the fur trapper and river pirate, and the young couple begin their life together in the very house Jacques built for Annie so long ago. When, night after late night, mysterious phone calls take Clement from their home, a pregnant Hedie finds comfort in Annie’s leather-bound journals. But as she reads of the sinister dealings and horrendous misunderstandings that spelled out tragedy for the rescued bride, Hedie fears that her own life is paralleling Annie’s, and that history is repeating itself with Jacques’ kin. Among the family’s papers, Hedie encounters three other strong-willed women who helped shape Jacques Ducharme’s life–Omah, the freed slave who took her place beside him as a river raider; his second wife, Laura, who loved money more than the man she married; and Laura and Jacques’ daughter, Maddie, a fiery beauty with a nearly uncontrollable appetite for love. Their stories, together with Annie’s, weave a haunting tale of this mysterious, seductive, and ultimately dangerous man, a man whose hand stretched over generations of women at a bend in the river where fate and desire collide. The River Wife richly evokes the nineteenth-century South at a time when lives changed with the turn of a card or the flash of a knife. Jonis Agee vividly portrays a lineage of love and heartbreak, passion and deceit, as each river wife comes to discover that blind devotion cannot keep the truth at bay, nor the past from haunting the present.
Once Upon a River: A Novel by Bonnie Jo Campbell Pdf
“A demonstration of outstanding skills on the river of American literature.” —Entertainment Weekly "Bonnie Jo Campbell has built her new novel like a modern-day craftsman from the old timbers of our national myths about loners living off the land, rugged tales as perilous as they are alluring. Without sacrificing any of its originality, this story comes bearing the saw marks of classic American literature, the rough-hewn sister of The Leatherstocking Tales, The Adventures of Huckleberry Finn, and Walden.”—Ron Charles, Washington Post
*NOW A NETFLIX LIMITED SERIES—from producer and director Shawn Levy (Stranger Things) starring Mark Ruffalo, Hugh Laurie, and newcomer Aria Mia Loberti* Winner of the Pulitzer Prize and National Book Award finalist, the beloved instant New York Times bestseller and New York Times Book Review Top 10 Book about a blind French girl and a German boy whose paths collide in occupied France as both try to survive the devastation of World War II. Marie-Laure lives with her father in Paris near the Museum of Natural History where he works as the master of its thousands of locks. When she is six, Marie-Laure goes blind and her father builds a perfect miniature of their neighborhood so she can memorize it by touch and navigate her way home. When she is twelve, the Nazis occupy Paris, and father and daughter flee to the walled citadel of Saint-Malo, where Marie-Laure’s reclusive great uncle lives in a tall house by the sea. With them they carry what might be the museum’s most valuable and dangerous jewel. In a mining town in Germany, the orphan Werner grows up with his younger sister, enchanted by a crude radio they find. Werner becomes an expert at building and fixing these crucial new instruments, a talent that wins him a place at a brutal academy for Hitler Youth, then a special assignment to track the Resistance. More and more aware of the human cost of his intelligence, Werner travels through the heart of the war and, finally, into Saint-Malo, where his story and Marie-Laure’s converge. Doerr’s “stunning sense of physical detail and gorgeous metaphors” (San Francisco Chronicle) are dazzling. Deftly interweaving the lives of Marie-Laure and Werner, he illuminates the ways, against all odds, people try to be good to one another. Ten years in the writing, All the Light We Cannot See is a magnificent, deeply moving novel from a writer “whose sentences never fail to thrill” (Los Angeles Times).
'WINTER CALLS FOR A GOOD BOOK, AND WE'VE FOUND ONE TO RIVAL THE BOOK THIEF' -- The Australian Women's Weekly Margot Baumann has left school to take up her sister's job in the mailroom of a large prison. But this is Germany in 1944, and the prison is Sachsenhausen concentration camp near Berlin. Margot is shielded from the camp's brutality as she has no contact with prisoners. But she does handle their mail and, when given a cigarette lighter and told to burn the letters, she is horrified by the callous act she must carry out with her own hands. This is especially painful since her brother was taken prisoner at Stalingrad and her family have had no letters from him. So Margot steals a few letters, intending to send them in secret, only to find herself drawn to their heart-rending words of hope, of despair, and of love. This is how Margot comes to know Dieter Kleinschmidt - through the beauty and the passion of his letters to his girlfriend. And since his girlfriend is also named Margot, it is like reading love letters written for her. From award-winning Australian author James Moloney, comes a fresh and compelling story about love, loss and profound bravery. For fans of The Book Thief, this powerful and heartbreaking story set during WW2 stays with you long after the final page is read. AWARDS FOR JAMES MOLONEY In 2019 James Moloney was honoured with the CBCA Nan Chauncy Award, which each year honours an individual who has made an outstanding contribution to Australian children's literature. MORE PRAISE FOR THE LOVE THAT I HAVE: 'a beautiful, heartbreaking and affecting read. ... Definitely one for book club, just don't forget the tissues.' -- The Australian Women's Weekly 'a heartbreaking, harrowing and deeply hopeful story ... for readers of The Book Thief, The Boy in the Striped Pyjamas' -- Books+Publishing 'A compelling and emotionally charged story of young love and survival, bravery and humanity. The closing months of the Second World War in Germany are seen from a surprising and fresh perspective. I was holding back tears from page 72.' -- Shona Martyn, Spectrum Editor, The Sydney Morning Herald 'a profoundly hopeful and humanity-affirming novel, portraying the equalising power that compassion has above all injustice. This is a novel for people who enjoyed The Book Thief, The Boy in the Striped Pyjamas, All the Light We Cannot See, and more recently, The Tattooist of Auschwitz.' -- Better Reading 'This is historical fiction at its best - thoughtfully written, relevant today, throwing new light on well-worn themes of love, loyalty and friendship. It is also a gut-wrenching read that is up there with Anne Frank's diary for immediacy and impact. Recommended.' -- CBCA Reading Time
"I don't realize I'm crying until he glances at me. For a moment, I see the look of anguish in his eyes, then he blinks it away and slips off into the water. I immediately think of the gator. It's still down there somewhere. . . ." A science-class field trip to the Everglades is supposed to be fun, but Sarah's new at Glades Academy, and her fellow freshmen aren’t exactly making her feel welcome. When an opportunity for an unauthorized side trip on an air boat presents itself, it seems like a perfect escape—an afternoon without feeling like a sore thumb. But one simple oversight turns a joyride into a race for survival across the river of grass. Sarah will have to count on her instincts—and a guy she barely knows—if they have any hope of making it back alive.
There’s none so blind as they that won’t see. Seventeen-year-old Tricia Farni’s body floated to the surface of Alaska’s Birch River six months after the night she disappeared. The night Roz Hart had a fight with her. The night Roz can’t remember. Roz, who struggles with macular degeneration, is used to assembling fragments to make sense of the world around her. But this time it’s her memory that needs piecing together—to clear her name . . . to find a murderer. This unflinchingly emotional novel is written in the powerful first-person voice of a legally blind teen who just wants to be like everyone else.
A timeless coming-of-age tale of heartbreak and triumph set in South Africa at the dawn of apartheid. Persomi is young, white, and poor, born the middle child of illiterate sharecroppers on the prosperous Fourie farm in the South African Bushveld. Persomi’s world is extraordinarily small. She has never been to the local village and spends her days absorbed in the rhythms of the natural world around her, escaping the brutality and squalor of her family home through the newspapers and books passed down to her from the main house and through her walks in the nearby mountains. Persomi’s close relationship with her older brother Gerbrand and her fragile friendship with Boelie Fourie—heir to the Fourie farm and fortune—are her lifeline and her only connection to the outside world. When Gerbrand leaves the farm to fight on the side of the Anglos in WWII and Boelie joins an underground network of Boer nationalists, Persomi’s isolated world is blown wide open. But as her very small world falls apart, bigger dreams open to her—dreams of an education, a profession, a native country that values justice and equality, and of love. As Persomi navigates the changing landscape around her—the tragedies of war and the devastating racial strife of her homeland—she finally discovers who she truly is, where she belongs, and why her life—and every life—matters. The English language publication of Child of the River solidifies Irma Joubert as a unique and powerful voice in historical fiction. “Filled with lessons of grace and love, Child of the River is a story that reminds us all to hold steady through life’s most fragile hours.” —Julie Cantrell, New York Times and USA TODAY bestselling author of Perennials
Tampa Bay joins Miami in representing the (alleged) Sunshine State in the Noir Series arena. "At last, the popular Akashic Noir series has adopted the Tampa Bay area...The notion of elevating place to the status of a character in a story, a frequent topic in writers workshops, works to maximum effect. The descriptive forays are full of observations that can only be gleaned by living here." --Tampa Bay Times Colette Bancroft’s story, "The Bite," has received the 2021 Robert L. Fish Memorial Award, presented by the Mystery Writers of America! "Wings Beating" by Eliot Schrefer has been selected for inclusion in Best American Mystery and Suspense 2021! “Move over Miami, Tampa Bay proves it has a dark side too...This somber anthology spins tales of sinister family secrets, business deals gone bad and tragedy on the bay in short stories.” --Flamingo Magazine "A new collection of noir fiction features all sorts of miscreants finding their way through this part of Florida." --Ocala Star Banner "[A] lively collection of superior short stories." --South Florida Sun-Sentinel "[Tampa Bay Noir] has a contributor list that includes a handful of bestselling crime novelists, but more importantly, the stories are pretty excellent, too." --Mystery Scene Magazine "Tampa Bay gets a much-deserved turn in the spotlight with this new collection." --CrimeReads, One of the Most Anticipated Crime Books of 2020 "Books can transport us to faraway, exotic places we've never seen, but they can also show us new angles of familiar places we thought we knew. Places closer to home like Hyde Park, Tierra Verde, Davis Islands, Palma Ceia, Clearwater Beach, Pass-a-Grille, Indian Rocks Beach, Westshore, St. Petersburg's 34th Street, Gibsonton, Lake Maggiore, Pinellas Park, Largo, Safety Harbor and Rattlesnake. Those are the local settings--yes, Rattlesnake is a real place!--for the 15 stories collected in Tampa Bay Noir, an anthology of new crime fiction due out in August." --Creative Pinellas "Anyone who lives in the Tampa Bay area knows there are stories of intrigue here, just waiting to be told." --The Gabber "Being a local, it’s cool to read about locations and think, 'I've been there.' Tampa has enough sordid and colorful history to deserve another volume." --Ink19 Akashic Books continues its award-winning series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each book comprises all new stories, each one set in a distinct location within the geographic area of the book. Brand-new stories by: Michael Connelly, Lori Roy, Ace Atkins, Karen Brown, Tim Dorsey, Lisa Unger, Sterling Watson, Luis Castillo, Sarah Gerard, Danny López, Ladee Hubbard, Gale Massey, Yuly Restrepo Garcés, Eliot Schrefer, and Colette Bancroft. From the introduction by Colette Bancroft: Ask most people what the Tampa Bay area is famous for, and they might mention sparkling beaches and sleek urban centers and contented retirees strolling the golf courses year-round. But it's always had a dark side. Just look at its signature event: a giant pirate parade. Not only does Gasparilla honor the buccaneer traditions of theft, debauchery, and violence; its namesake pirate captain, José Gaspar, is a fake who probably never existed. And if there's any variety of crime baked into Florida's history, it's fraud. From the indigenous residents who supposedly conned Spanish explorers seeking the Fountain of Youth through the rolling cycles of real estate scams that have shaped the Sunshine State for the last century or so, the place is a grifter's native habitat.
The bestselling author of Twenty Years Later delivers a chilling thriller where nothing is at it seems and each reveal is more shocking than the last…right up to the jaw-dropping final twist. “A gripping thriller that will blow readers away." –Mary Kubica, New York Times bestselling author on Don’t Believe It “A superb storyteller.” —Robert Dugoni, New York Times bestselling author Two abducted girls—one who returns, one who doesn’t. The night they go missing, high school seniors Nicole Cutty and Megan McDonald are at a beach party in their small town of Emerson Bay, North Carolina. Police launch a massive search, but hope is almost lost—until Megan escapes from a bunker deep in the woods. . . . A year later, the bestselling account of her ordeal has made Megan a celebrity. It’s a triumphant story, except for one inconvenient detail: Nicole is still missing. Nicole’s older sister, Livia, a fellow in forensic pathology, expects that one day soon Nicole’s body will be found and her sister’s fate determined. Instead, the first clue comes from another body—that of a young man connected to Nicole’s past. Livia reaches out to Megan to learn more about that fateful night. Other girls have disappeared, and she’s increasingly sure the cases are connected. Megan knows more than she revealed in her book. Flashes of memory are pointing to something more monstrous than she described. And the deeper she and Livia dig, the more they realize that sometimes true terror lies in finding exactly what you’ve been looking for . . . “A fast-moving page-turner. . . . Donlea skillfully maximizes suspense by juggling narrators and time all the way to the shocking final twists.” —Publishers Weekly “Well worth the read.” —Booklist “Donlea’s sophomore effort is solid. He keeps the reader guessing and second-guessing until the end, thanks to an expertly crafted abundance of potential suspects.” —Library Journal