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The Girl in the Photograph by Lygia Fagundes Telles Pdf
Complex and hauntingly beautiful, Lygia Fagundes Telles's most acclaimed novel is a journey into the inner lives of three young women, each revealing her secrets and loves, each awaiting a destiny tied to the colorful and violent world of modern Brazil. Sensual and wealthy Lorena dreams of a tryst with a married man. Unhappy Lia burns with a frantic desire to free her imprisoned fiancé. Glamorous Ana Clara, unable to escape her past, falls toward a tragedy of drugs and obsession. Intimate and unforgettable, The Girl in the Photograph creates an extraordinary picture of the wonder and the darkness that come to possess a woman's mind, and stands as one of the greatest novels to come out of Brazil in the late twentieth century.
Through the story of Tamara, an abused Native American child, North Dakota Senator Byron Dorgan describes the plight of many children living on reservations—and offers hope for the future. On a winter morning in 1990, U.S. Senator Byron Dorgan of North Dakota picked up the Bismarck Tribune. On the front page, a small Native American girl gazed into the distance, shedding a tear. The headline: "Foster home children beaten—and nobody's helping." Dorgan, who had been working with American Indian tribes to secure resources, was upset. He flew to the Standing Rock Indian Reservation to meet with five-year-old Tamara who had suffered a horrible beating at a foster home. He visited with Tamara and her grandfather and they became friends. Then Tamara disappeared. And he would search for her for decades until they finally found each other again. This book is her story, from childhood to the present, but it's also the story of a people and a nation. More than one in three American Indian/Alaskan Native children live in poverty. AI/AN children are disproportionately in foster care and awaiting adoption. Suicide among AI/AN youth ages 15 to 24 is 2.5 times the national rate. How has America allowed this to happen? As distressing a situation as it is, this is also a story of hope and resilience. Dorgan, who founded the Center for Native American Youth (CNAY) at the Aspen Institute, has worked tirelessly to bring Native youth voices to the forefront of policy discussions, engage Native youth in leadership and advocacy, and secure and share resources for Native youth. You will fall in love with this heartbreaking story, but end the book knowing what can be done and what you can do.
It's the summer of 1933 and Alice Eveleigh has arrived at Fiercombe Manor in disgrace. Hiding her shame in this isolated house concealed within a Gloucestershire valley in the care of housekeeper, Mrs Jelphs, Alice soon begins to sense that something isn't quite right within the walls of this beautiful manor - for one thing she is being watched. There are secrets at Fiercombe that those who remain there are determined to keep. Tragedy haunts the empty rooms and foreboding hangs heavy in the stifling heat. Traces of the previous occupant, Elizabeth Stanton, are everywhere, and Alice discovers Elizabeth's life eerily mirrors the path she herself is on. The past is set to repeat its sorrows, and with devastating consequences.
In this haunting and richly imagined dual-narrative tale that echoes the eerie mystery of Rebecca and The Little Stranger, two women of very different eras are united by the secrets hidden within the walls of an English manor house. In 1933, naive twenty-two year-old Alice—pregnant and unmarried—is in disgrace. Her mother banishes her from London to secluded Fiercombe Manor in rural Gloucestershire, where she can hide under the watchful eye of her mother’s old friend, the housekeeper Mrs. Jelphs. The manor’s owners, the Stantons, live abroad, and with her cover story of a recently-deceased husband Alice can have her baby there before giving it up for adoption and returning home. But as Alice endures the long, hot summer at Fiercombe awaiting the baby’s birth, she senses that something is amiss with the house and its absentee owners. Thirty years earlier, pregnant Lady Elizabeth Stanton desperately hopes for the heir her husband desires. Tormented by the memory of what happened after the birth of her first child, a daughter, she grows increasingly terrified that history will repeat itself, with devastating consequences. After meeting Tom, the young scion of the Stanton family, Alice becomes determined to uncover the clan’s tragic past and exorcise the ghosts of this idyllic, isolated house. But nothing can prepare Alice for what she uncovers. Soon it is her turn to fear: can she escape the tragic fate of the other women who have lived in the Fiercombe valley . . .
The Girl in the Photograph by Gabrielle Donnelly Pdf
When she unearths a photograph of her mother--who had died when she was a child--inscribed to an unknown man, an Irish-American woman returns to Los Angeles to discover who her mother really was, only to meet with lies and deceptions.
By the author of the award-winning memoir The Concubine’s Children. On June 8, 1972, a nine-year-old girl, severely burned by napalm, ran from a misplaced air strike over her village in South Vietnam and into the eye of history. Her photograph—one of the most unforgettable images of the war and of the twentieth century—was seen around the world. The Girl in the Picture is at once a riveting personal story about Kim Phuc, a victim of war and later, under the Communist regime, a tool of propaganda, and a groundbreaking social history that offers a rare view of everyday life in Vietnam both during and after the war.
Nine African American students made history when they defied a governor and integrated an Arkansas high school in 1957. It was the photo of one of the nine trying to enter the school a young girl being taunted, harassed and threatened by an angry mob that grabbed the worlds attention and kept its disapproving gaze on Little Rock, Arkansas. In defiance of a federal court order, Governor Orval Faubus called in the National Guard to prevent the students from entering all white Central High School. The plan had been for the students to meet and go to school as a group on September 4, 1957. But one student, Elizabeth Eckford, didnt hear of the plan and tried to enter the school alone. A chilling photo by newspaper photographer Will Counts captured the sneering expression of a girl in the mob and made history. Years later Counts snapped another photo, this one of the same two girls, now grownup, reconciling in front of Central High School.
Justine Kurland: Girl Pictures (Signed Edition) by Anonim Pdf
The North American frontier is an enduring symbol of romance, rebellion, escape, and freedom. At the same time, it's a profoundly masculine myth--cowboys, outlaws, Beat poets. Photographer Justine Kurland reclaimed this space in her now-iconic series of images of teenage girls, taken between 1997 and 2002 on the road in the American wilderness. "I staged the girls as a standing army of teenaged runaways in resistance to patriarchal ideals," says Kurland. She portrays the girls as fearless and free, tender and fierce. They hunt and explore, braid each other's hair, and swim in sun-dappled watering holes--paying no mind to the camera (or the viewer). Their world is at once lawless and utopian, a frontier Eden in the wild spaces just outside of suburban infrastructure and ideas. Twenty years on, the series still resonates, published here in its entirety and including newly discovered, unpublished images.
Ormond Gigli had an illustrious career as a photojournalist over the course of some 40 years and took many magnificent photographs-but one photograph has eclipsed all the others. It was a photograph he conceived for himself, without an editorial assignment. It is the incomparable "Girls in the Windows" of 1960. Girls in the Windows: And Other Stories is the first book to survey the work of Ormond Gigli and escorts the viewer behind the façade of that incredible photograph-to understand its genesis and to celebrate its remarkable achievement-in addition to creating a portal into the rest of Gigli's brilliant career. This beautifully illustrated volume showcases Gigli's celebrity and fashion photographs, and includes his innovative work in the worlds of theater, film, and dance, as well as his little-known travel photography and photojournalism. Gigli, a master of photo art direction, orchestrated his photo shoots like an accomplished film director, and his portraits are intimate and revealing as a result, his set work inventive and at times even playful. His engagement with his subjects was unparalleled, among whom are included Sophia Loren, Gina Lollobrigida, Anna Moffo, Anita Ekberg, Marcel Duchamp, Willem de Kooning, John F. Kennedy, Halston, Marlene Dietrich, Leslie Caron, Judy Garland, Liza Minnelli, Barbra Streisand, Laurence Olivier, Alan Bates, Richard Burton, Louis Armstrong, Miles Davis, and many more. Many of these images have not been widely seen since they were first published decades ago. In addition to the photographs, Gigli contributes his personal account of the making of many of the pictures, evoking long-ago encounters that resulted in such timeless images. This handsome volume highlights a significant body of work, captures a vital aspect of the great age of photojournalism, and places in context an iconic image of the postwar era at the height of its prosperity and on the verge of transformation.
This unique activity book harnesses the power of expressive arts! Fun and creative assignments encourage girls to better understand themselves, strive for a balanced life and set meaningful goals for the future. Readers use past photos and new images created through picture-taking and drawing to promote self-awareness and self-esteem. Although designed for individual girls, many of the activities may be done in groups, so this is a wonderful tool for teachers, school counselors and youth leaders who want to help girls thrive. Although the exercises in the workbook are meaningful and empowering for all, the book is recommended for girls and adolescents ages 9 through 15. (Younger girls may choose to work with a parent, which provides a creative opportunity for connection.)
A heartbroken woman retreats to the Yorkshire coast to explore turn-of-the-century art—and uncovers a ghostly secret—in this time-slip romantic mystery. Staying alone in the shadow of an abandoned manor house along the desolate coast of Yorkshire would be madness to some, but art enthusiast Lissy de Luca can’t wait. After separating from her Italian photographer boyfriend, Stefano, Lissy could use a little isolation. Plus, she wants to study the Staithes Group—an artists’ commune active at the turn of the twentieth century. Lissy is fascinated by Sea Scarr Hall, but her research is interrupted by strange events and peculiar sightings. A lonely figure patrols the cove at night, while the discovery of a hidden painting leads Lissy to a chilling realization about the home’s former occupants. And then there’s the photograph of a girl; so beautiful . . . and so familiar. The occupants of Sea Scarr Hall may be gone, but they still have an important message for Lissy—and they’ll do whatever it takes to make sure she gets it.
"A tongue-in-cheek advice book from one of the most famous funemployed millennials in Manhattan and founder of the Instagram account Girl With No Job"--
When Friedman moved to New York City, he missed the dogs that had surrounded him growing up. He began photographing dogs on the street, and posting them on his blog, The Dogist. Whether because of the look in a dog's eyes, its innate beauty, or even the clothes its owner has dressed it in, every portrait in this book tells a story and explores the dog's distinct character and spirit.
Picturing Atrocity by Geoffrey Batchen,Mick Gidley,Nancy K. Miller,Jay Prosser Pdf
This title taps into the widespread interest in, and concern about, photographs of atrocity. The book contains a broad range of atrocity photographs from throughout history and around the world, as well as essays by well-known artists and photographers.