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The Glory of Byzantium and Early Christendom by Antony Eastmond Pdf
A celebration of 300 of the finest works of art and expressions of the Christian faith from the millennium between the end of the Roman Empire and the beginning of the Renaissance. Chronologically arranged, each work of art is placed in its social, religious and political context, creating a book for dipping into, as well as an inspiring, authoritative appraisal for this magnificent millennium of artistic culture.
Author : Metropolitan Museum of Art (New York, N.Y.) Publisher : Metropolitan Museum of Art Page : 604 pages File Size : 41,8 Mb Release : 1997 Category : Art, Byzantine ISBN : 9780870997778
The Glory of Byzantium by Metropolitan Museum of Art (New York, N.Y.) Pdf
Serves as both visual and textual record of the exhibition of the same name, surveying the art of the Middle Byzantine period from the restoration of the use of icons by the Orthodox Church in 843 to the occupation of Constantinople by the Crusader forces from the West from 1204 to 1261. Conceived as a sequel to the 1976 exhibition "Age of Spirituality," which focused on the first centuries of Byzantium. Preceding the catalogue, 17 essays treat the historical context, religious sphere, and secular courtly realm of the empire, and the interactions between Byzantium and other medieval cultures. Abundantly illustrated. Annotation copyrighted by Book News, Inc., Portland, OR
Author : Metropolitan Museum of Art (New York, N.Y.) Publisher : Metropolitan Museum of Art Page : 682 pages File Size : 52,5 Mb Release : 2004 Category : Art, Byzantine ISBN : 9781588391131
Byzantium by Metropolitan Museum of Art (New York, N.Y.) Pdf
The fall of the Byzantine capital of Constantinople to the Latin West in 1204 during the Fourth Crusade abruptly interrupted nearly nine hundred years of artistic and cultural traditions. In 1261, however, the Byzantine general Michael VIII Palaiologos triumphantly re-entered Constantinople and reclaimed the seat of the empire, initiating a resurgence of art and culture that would continue for nearly three hundred years, not only in the waning empire itself but also among rival Eastern Christian nations eager to assume its legacy. Byzantium: Faith and Power (1261–1557), and the groundbreaking exhibition that it accompanies, explores the artistic and cultural flowering of the last centuries of the "Empire of the Romans" and its enduring heritage. Conceived as the third of a trio of exhibitions dedicated to a fuller understanding of the art of the Byzantine Empire, whose influence spanned more than a millennium, "Byzantium: Faith and Power (1261–1557)" follows the 1997 landmark presentation of "The Glory of Byzantium," which focused on the art and culture of the Middle Byzantine era—the Second Golden Age of the Byzantine Empire (843–1261). In the late 1970s, "The Age of Spirituality" explored the early centuries of Byzantium's history. The present concluding segment explores the exceptional artistic accomplishments of an era too often considered in terms of political decline. Magnificent works—from splendid frescoes, textiles, gilded metalwork, and mosaics to elaborately decorated manuscripts and liturgical objects—testify to the artistic and intellectual vigor of the Late and Post-Byzantine era. In addition, forty magnificent icons from the Holy Monastery of Saint Catherine, Sinai, Egypt, join others from leading international institutions in a splendid gathering of these powerful religious images. While the political strength of the empire weakened, the creativity and learning of Byzantium spread father than ever before. The exceptional works of secular and religious art produced by Late Byzantine artists were emulated and transformed by other Eastern Christian centers of power, among them Russia, Serbia, Bulgaria, and Cilician Armenia. The Islamic world adapted motifs drawn from Byzantium's imperial past, as Christian minorities in the Muslin East continued Byzantine customs. From Italy to the Lowlands, Byzantium's artistic and intellectual practices deeply influenced the development of the Renaissance, while, in turn, Byzantium's own traditions reflected the empire's connections with the Latin West. Fine examples of these interrelationships are illustrated by important panel paintings, ceramics, and illuminated manuscripts, among other objects. In 1557 the "Empire of the Romans," as its citizens knew it, which had fallen to the Ottoman Turks in 1453, was renamed Byzantium by the German scholar Hieronymus Wolf. The cultural and historical interaction and mutual influence of these major cultures—the Latin West and the Christian and Islamic East—during this fascinating period are investigated in this publication by a renowned group of international scholars in seventeen major essays and catalogue discussions of more than 350 exhibited objects.
This third volume in the pioneering A People's History of Christianity series focuses on the religious lives of ordinary people and introduces the religion of the Byzantine Christian laity by asking the questions: What did ordinary Christians do in church, in their homes and their workshops? How were icons used? How did the people celebrate, marry, and mourn? Where did they go on pilgrimage? Contributors include: Derek Krueger, University of North Carolina at Greensboro; Vasiliki Limberis, Temple University; Georgia Frank, Colgate University; James Skedros, Holy Cross Greek Orthodox School of Theology; Nicholas Constas, Harvard University; Sharon Gerstel, University of Maryland; Peter Hatlie, University of Dallas at Rome; Charles Barber, University of Notre Dame; Brigitte Pitarakis, Centre National de la Recherche Scientifique, Paris; Alice-Mary Talbot, Dumbarton Oaks; Jaclyn Maxwell, Ohio University
The Early Christian and Byzantine World by Jean Lassus Pdf
"The first thousand years of the Christian Church and its great monuments is the sphere of this unusual book. From the origins of the Church and its development in Rome, Ravenna and Byzantium, through the story of early Western Europe and, finally, to the Golden Age of Byzantium and its widespread influence in all the Christian East, Professor Jean Lassus traces this fascinating story in a magnificent book including over 200 illustrations, 117 in colour. We are presented here with the epic of Christianity and its great art from the catacombs to Byzantine Russia. The secret life of the first Christians in Rome and their subsequent acceptance by the state in the 4th century survive for us only through the paintings in the catacombs, and the sculpture of the sarcophagi. Gradually signs of the increasing power and wealth of the Church are found in the majestic basilicas and glittering mosaics of the Italian capital. The influence of Constantine's building programme, both in Italy and in the Holy Land, are analysed with outstanding authority. Professor Lassus, an expert in this field, explains the evolution of Byzantine Church architecture with the development of the dome, and its diffusion through the empire. He examines in detail the important role of Ravenna, combining the traditions of Rome and the East, and pays particular attention to the astonishing variety of the mosaic decoration. During the period of Iconoclasm (the banning of all images in religious art in the 8th century) the figurative arts of Byzantium suffered irreparable damage, but the revoking of this decree a century later resulted in magnificent frescoes and mosaics full of expression and grace. The influence of these works spread from Constantinople throughout her empire from the eastern shores of the Black Sea through Russia and as far as Greece and Sicily. Cultural activities in the West between the 6th and 11th centuries were more scattered than those of the Christian East. The amazingly complex decorative patterns and intertwining motifs inherited from Celtic art found flourishing expression in Ireland. The Irish illuminated manuscripts such as the Books of Kells and Durrow had a far-reaching influence on the manuscripts of Carolingian Europe while the products of Charlemagne's 'renaissance' were a crystallisation of the barbarian arts and a step towards the impending expansion of the Romanesque. In the end, it is the sumptuous magnificence of Byzantine art which is most memorable - the brilliant mosaics, the shining gold and silver, the jewels, enamels, the luxurious silks and embroideries - but the reason for this imperial manifestation is the same that prompted the more modest expressions in the catacombs and the beautiful simplicity of early church architecture. Professor Lassus tells the story of this dramatic period in a clear and immensely readable way and the astonishing variety of works of art are reproduced in faithful detail to illustrate handsomely for the reader this unique and absorbing book." --
Author : Stephen E. Potthoff Publisher : Taylor & Francis Page : 240 pages File Size : 54,5 Mb Release : 2016-12-01 Category : History ISBN : 9781317294078
The Afterlife in Early Christian Carthage by Stephen E. Potthoff Pdf
The Afterlife in Early Christian Carthage explores how the visionary experiences of early Christian martyrs shaped and informed early Christian ancestor cult and the construction of the cemetery as paradise. Taking the early Christian cemeteries in Carthage as a case study, the volume broadens our understanding of the historical and cultural origins of the early Christian cult of the saints, and highlights the often divergent views about the dead and post-mortem realms expressed by the church fathers, and in graveside ritual and the material culture of the cemetery. This fascinating study is a key resource for students of late antique and early Christian culture.
Coping with Geopolitical Decline by Frédéric Mérand Pdf
How great powers react to their inevitable decline shapes their own destiny as well as the course of international politics. Leaders can decide to engage with others or isolate themselves; to build alliances or initiate war; to stoke up nationalism or invest in innovation; to focus on economic competition or develop their people's soft power. While some of these coping strategies foster cooperation, others provoke conflict with neighbours. In Coping with Geopolitical Decline leading political scientists, historians, and sociologists explore the strategies adopted by leaders and domestic elites to prevent, reverse, or deny the decline of their country. Analyzing four European cases (Byzantium, England, France, Russia) before turning to the contemporary debate in the United States, they argue that geopolitics is not fate. Coping strategies depend on the context, which includes cultural representations of decline, the experience of military defeat, and domestic politics. Whether elites choose to modernize their economy, bolster their diplomatic status, or launch preventive war makes a difference in the extent and speed of a country's decline. By the same token, coping strategies affect world order. A well-managed decline allows for a peaceful power transition. Some strategies, however, may preserve the peace at the expense of a country's standing, while others will stave off decline but encourage imperialist adventures or precipitate military conflicts. As the United States challenges the liberal international order, fights back China's ascendency, and reconsiders its traditional alliances, Coping with Geopolitical Decline analyzes key lessons from Europe's experience and provides comparative insight into the likely dynamics of cooperation and conflict in the twenty-first century.
A groundbreaking history of how the Christian “West” emerged from the ancient Mediterranean world In this acclaimed history of Early Christendom, Judith Herrin shows how—from the sack of Rome in 410 to the coronation of Charlemagne in 800—the Christian “West” grew out of an ancient Mediterranean world divided between the Roman west, the Byzantine east, and the Muslim south. Demonstrating that religion was the period’s defining force, she reveals how the clash over graven images, banned by Islam, both provoked iconoclasm in Constantinople and generated a distinct western commitment to Christian pictorial narrative. In a new preface, Herrin discusses the book’s origins, reception, and influence.
Byzantium in Eastern European Visual Culture in the Late Middle Ages by Anonim Pdf
Byzantium in Eastern European Visual Culture in the Late Middle Ages focuses on how the heritage of Byzantium was continued and transformed alongside local developments in the artistic and cultural traditions of Eastern Europe between the fourteenth and sixteenth centuries.
Late Byzantium Reconsidered by Andrea Mattiello,Maria Alessia Rossi Pdf
Late Byzantium Reconsidered offers a unique collection of essays analysing the artistic achievements of Mediterranean centres linked to the Byzantine Empire between 1261, when the Palaiologan dynasty re-conquered Constantinople, and the decades after 1453, when the Ottomans took the city, marking the end of the Empire. These centuries were characterised by the rising of socio-political elites, in regions such as Crete, Italy, Laconia, Serbia, and Trebizond, that, while sharing cultural and artistic values influenced by the Byzantine Empire, were also developing innovative and original visual and cultural standards. The comparative and interdisciplinary framework offered by this volume aims to challenge established ideas concerning the late Byzantine period such as decline, renewal, and innovation. By examining specific case studies of cultural production from within and outside Byzantium, the chapters in this volume highlight the intrinsic innovative nature of the socio-cultural identities active in the late medieval and early modern Mediterranean vis-à-vis the rhetorical assumption of the cultural contraction of the Byzantine Empire.
Helen C. Evans,Benjamin Anderson,Sebouh David Aslanian,Peter Balakian,Antony Eastmond,Lynn A. Jones,Thomas F. Mathews,Erin Piñon,Earnestine M. Qiu,Kristina L. Richardson
Author : Helen C. Evans,Benjamin Anderson,Sebouh David Aslanian,Peter Balakian,Antony Eastmond,Lynn A. Jones,Thomas F. Mathews,Erin Piñon,Earnestine M. Qiu,Kristina L. Richardson Publisher : Metropolitan Museum of Art Page : 139 pages File Size : 45,5 Mb Release : 2022-01-10 Category : Art ISBN : 9781588397379
Art and Religion in Medieval Armenia by Helen C. Evans,Benjamin Anderson,Sebouh David Aslanian,Peter Balakian,Antony Eastmond,Lynn A. Jones,Thomas F. Mathews,Erin Piñon,Earnestine M. Qiu,Kristina L. Richardson Pdf
This latest volume in The Metropolitan Museum of Art symposia series reprises The Met’s blockbuster exhibition Armenia! (2018–19)—the first major exhibition on the art of this highly influential culture at the crossroads of the eastern and western worlds. Building on the pioneering work of those who first established Armenian studies in America, these essays by a new generation of scholars address Armenia’s roles in facilitating exchange with the Mongol, Ottoman, and Persian empires to the East and with Byzantium and European Crusader states to the West. Contributors explore the effects of this tension in the history of Armenian art and how those histories persist into the present, as Armenia continues to grapple with the legacy of genocide and counters new threats to its sovereignty, integrity, and culture.
‘. . . I have sailed the seas and come To the holy city of Byzantium.’ W. B. Yeats From the foundation of Constantinople in 330 to its fall in 1453, this brief history explores the key components of Byzantine Christianity, including the development of monasticism, icons and iconoclasm, the role of the emperor in relation to church councils and beliefs, the difficult relationship with the papacy and the impact of the Crusades. The book also considers Byzantine Christianity as a living force today: the variety and vitality of Orthodox churches, the role of the Church in Russia and the enduring relevance of a spirituality derived from the church fathers. ‘Averil Cameron’s work has transformed our understanding of Byzantium, and here she offers an authoritative survey of its history and legacy . . . This is a lucid, informative and impressively wide-ranging brief history.’ Gillian Clark FBA, Emeritus Professor of Classics and Ancient History, University of Bristol
The compelling story of a thirteenth-century Christian noblewoman ransomed to the family of Saladin, made a ruler by the Mongols, and with extraordinary connections across continents and cultures from the Mediterranean to Mongolia. This book will be important for students and scholars of Byzantine, Crusader and Islamic history, art and architecture.
Viewing Inscriptions in the Late Antique and Medieval World by Antony Eastmond Pdf
This book considers the visual qualities of inscriptions from a cross-cultural perspective focusing on the period from Late Antiquity to the Middle Ages.