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The Glory of the Garden by Kate Dorney,Ros Merkin Pdf
The Glory of the Garden examines concepts and contexts of 'regional' theatre in an age of globalisation and cosmopolitanism. It outlines the key debates and trends in the development of regional theatre since 1984 when public subsidy became a part of a package of 'plural funding' and examines regional theatre's role in the theatrical ecology. Variously perceived as a training ground for practitioners or a career dead-end; purveyor of stale product or innovative powerhouse; a transformer of urban environments and community hub, regional theatre has been a constant source of anxiety and pride for the Arts Council, the theatre community and arts journalists. The Glory of the Garden moves the debate about the role and importance of regional theatre beyond the cliché of crisis to examine the politics and policy of making performance outside London. This study combines contextual essays with practitioners' accounts and case studies including: Birmingham Rep; Bristol Old Vic; Liverpool Everyman; Liverpool Playhouse; Lyric Hammersmith; New Victoria Theatre Stoke; Nottingham Playhouse; Salisbury Playhouse and key touring companies: Cheek by Jowl; Complicité; and Kneehigh Theatre.
Coral Gardens and Their Magic by Bronislaw Malinowski Pdf
The concluding part of Coral Gardens and Their Magic provides a linguistic commentary to the ethnography on agriculture. Malinowski gives a full description of the language of the Trobrianders as an aspect of culture.
Coral Gardens and Their Magic - A Study of the Methods of Tilling the Soil and of Agricultural Rites in the Trobriand Islands - Vol II: The Language O by Bronislaw Pdf
This is volume II of “Coral Gardens and Their Magic”, dealing with Kilivila terms related to gardening and agriculture. Kilivila is the language spoken on the Trobriand islands, a group of islands off the east cost of New Guinea. This volume will appeal to those with an interest in anthropology and Trobriand culture, and it would make for a fantastic addition to collections of allied literature. Contents include: “Language as Tool, Document, and Cultural Reality”, “The Translation of Untranslatable words”, “The Context of Words and the Context of Facts”, “Th e Pragmatic Setting of Utterances”, “Meaning as Function of Words”, “The Sources of Meaning in the Speech of Infants”, “Gaps, Gluts and Vagaries of a Native Terminology”, etc. Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with a specially-commissioned new biography of the author.
"Gardens of the Gods" reveals the symbolic language of garden design, exploring the gardens of China, with their moon gates and immortal rocks, the Zen gardens of Japan, the paradise gardens of Islam, those of Renaissance Italy with their richly mythological imagery, the landscaped parks of England, the gardens of New Harmony in the US and some striking, modern examples of symbolic gardens, including the Tarot Garden of the sculptress Niki de Saint Phalle in Italy. This illustrated book also includes a chapter with suggestions for creating a "garden of meaning" and a selected catalogue of plants with symbolic or mythological associations. Based on ten years of research, travel and curiostiy, this text is also the result of a personal quest - to reveal the mystical codes written in the astonishing worlds of gardens worldwide.
Author : Margaret Rogerson Publisher : University of Toronto Press Page : 313 pages File Size : 45,6 Mb Release : 2009-01-01 Category : Performing Arts ISBN : 9780802099242
Playing a Part in History by Margaret Rogerson Pdf
Playing a Part in History examines the ways in which the revival of The York Mystery Plays transformed them for twentieth- and twenty-first-century audiences.
Masques, Mayings and Music-dramas by Roger Savage Pdf
Masques, Mayings and Music-Dramas comprises a sequence of in-depth case-studies of significant aspects of early twentieth-century English music-theatre. Vaughan Williams forms a central thread in this discussion, and Stratford-upon-Avon serves as a geographical focus-point for mediating conflicting visions of an English musical tradition. But the reach of the book is much wider, shedding new light on English Wagnerism (at Glastonbury especially) and on the reception of Wagner's ideas as a point of emulation and resistance. No less significant is the discussion of Purcell and the seventeenth-century masque - one of the primary sources for re-imagining an English dramatic tradition - and the more familiar images of the May festival, the Mummers' play and the pageant play, which are tellingly re-contextualised. The book also looks at the associations between Vaughan Williams, the theatre artist Edward Gordon Craig and the impresario Serge Diaghilev. The sequence is framed by the image of the pilgrim-vagabond Vaughan Williams's setting of the poetry of Matthew Arnold and Robert Louis Stevenson as a metaphor and paradigm for his creative career and personal progress. The book not only sheds light on the activities and ambitions of principal agents but also illuminates a particularly dynamic moment in the re-emergence of a distinctively English music-theatrical practice: one especially concerned with calling on aspects of the past to help to secure a worthwhile future. Notions of Englishness turn out to be less insular than sometimes thought and the idea of a 'musical renaissance' more complex when the case-studies are understood in their proper historical context. Scholars and students of twentieth-century English music, theatre and opera will find this volume indispensable. Roger Savage is Honorary Fellow in English Literature at the University of Edinburgh. He has published widely on theatre and its interface with music from the baroque to the twentieth century in leading journals and books.