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The Golden Age of Disaster Cinema by Nik Havert Pdf
From the 1950s through the 1970s, disaster movies were a wildly popular genre. Audiences thrilled at the spectacle of these films, many of which were considered glamorous for their time. Derided by critics, they became box office hits and cult classics, inspiring filmmakers around the globe. Some of them launched the careers of producers, directors and actors who would go on to create some of Hollywood's biggest blockbusters. With more than 40 interviews with actors, actresses, producers, stuntmen, special effects artists and others, this book covers the Golden Age of sinking ships, burning buildings, massive earthquakes, viral pandemics and outbreaks of animal madness.
Through detailed analysis of films such as The Towering Inferno, Independence Day, Titanic and The Day After Tomorrow, this book looks at the ways in which disaster movies can be read in relation to both contextual considerations and the increasing commercial demands of contemporary Hollywood. Featuring new material on cinematic representations of disaster in the wake of 9/11 and how we might regard disaster movies in light of recent natural disasters, the volume explores the continual reworking of this previously undervalued genre.
A Dictionary of Film Studies by Annette Kuhn,Guy Westwell Pdf
A Dictionary of Film Studies covers all aspects of its discipline as it is currently taught at undergraduate level. Offering exhaustive and authoritative coverage, this A-Z is written by experts in the field, and covers terms, concepts, debates, and movements in film theory and criticism; national, international, and transnational cinemas; film history, movements, and genres; film industry organizations and practices; and key technical terms and concepts. Since its first publication in 2012, the dictionary has been updated to incorporate over 40 new entries, including computer games and film, disability, ecocinema, identity, portmanteau film, Practice as Research, and film in Vietnam. Moreover, numerous revisions have been made to existing entries to account for developments in the discipline, and changes to film institutions more generally. Indices of films and filmmakers mentioned in the text are included for easy access to relevant entries. The dictionary also has 13 feature articles on popular topics and terms, revised and informative bibliographies for most entries, and more than 100 web links to supplement the text.
Diseased Cinema by Robert Alpert,Merle Eisenberg,Lee Mordechai Pdf
Discusses how the depiction of diseases in movies has changed over the last century and what these changes reveal about American culture Examines disease movies as a genre that has emerged over the last century and includes pandemic and zombie films Reveals the changes to the genre’s narratives over three broad time periods: the beginning of film through the 1980s, the 1990s through the mid-2000s, and the late 2000s and afterward Investigates the evolution of disease movies through three perspectives: historically notable films, remakes, and franchises Analyses disease movies in the context of the development of American, global capitalism and the fragmentation of the social contract Explains the role of disease movie narratives in the American experience of Covid American movies about infectious diseases have reflected and driven dominant cultural narratives during the past century. These movies – both real pandemics and imagined zombie outbreaks – have become wildly popular since the beginning of the 21st century. They have shifted from featuring a contained outbreak to an imagined containment of a known disease to a globalized, uncontainable pandemic of an unknown origin. Movie narratives have changed from identifying and solving social problems to a despair and acceptance of America’s failure to fulfil its historic social contract. Movies reflect and drive developments in American capitalism that increasingly advocates for individuals and their families, rather than communities and the public good. Disease movies today minimize human differences and envisage a utopian new world order to advance the needs of contemporary American capitalism. These movie narratives shaped reactions to the outbreak of Covid and reinforced individual responsibility as the solution to end the pandemic.
Presents reviews of 150 disaster movies and includes a rating on whether they are worth watching and a description of the most gruesome moment in each movie.
Disaster Movies by Akutagawa Ryunosuke,Glenn Kay,Michael Rose Pdf
Disaster movies have been around from the very beginning of film. This fun, thrilling, unique genre has always captiavted audiences around the world and spawned millions of fanatical disaster devotees. Indeed, some of the most successfful movies in history have been disaster films. There hasn't been a book devoted exclusively to the disaster genre in some thirty years! Until now... This is a new, comprehensive roadmap of the genre. The book: is a history of the genre; includes reviews of all the disaster films; articles on the films and the genre; includes full details about directors and the stars of the genre; written in a humorous, even satirical, style; includes posters and photos and original illustrations. Each chapter is devoted to a specific 'type' of disaster: aeroplanes, earthquakes, avalanches, volcanoes, ships, meteors, fire, storms, radiation, viruses, mad bombers, killer bees, wild animals, aliens and includes full information and reviews of each film in that category.
The definitive 1990s blockbuster, Steven Spielberg's Jurassic Park met with almost universal critical and popular acclaim, broke new ground with its CGI recreation of dinosaurs, and started one of the most profitable of all movie franchises. To mark the film's 30th anniversary, this exciting illustrated collection of new essays interrogates the Jurassic Park phenomenon from a diverse range of critical, historical, and theoretical angles. The primary focus is on Jurassic Park itself but there is also discussion of the franchise and its numerous spin-offs. As well as leading international scholars of film studies and history, contributors include experts in special effects, science on screen, fan studies, and palaeontology. Comprehensive, up to date, and accessible, The Jurassic Park Book appeals not only to students and scholars of Hollywood and contemporary culture, but also to the global audience of fans of the greatest of all dinosaur movies.
Author : Douglas M. Kellner Publisher : John Wiley & Sons Page : 297 pages File Size : 47,7 Mb Release : 2011-09-13 Category : Performing Arts ISBN : 9781444360493
Cinema Wars explores the intersection of film, politics, and US culture and society through a bold critical analysis of the films, TV shows, and documentaries produced in the early 2000s Offers a thought-provoking depiction of Hollywood film as a contested terrain between conservative and liberal forces Films and documentaries discussed include: Black Hawk Down, The Dark Knight, Star Wars, Syriana, WALL-E, Fahrenheit 9/11 and other Michael Moore documentaries, amongst others Explores how some films in this era supported the Bush-Cheney regime, while others criticized the administration, openly or otherwise Investigates Hollywood’s treatment of a range of hot topics, from terrorism and environmental crisis to the Iraq war and the culture wars of the 2000s Shows how Hollywood film in the 2000s brought to life a vibrant array of social protest and helped create cultural conditions to elect Barack Obama
Masculinity in the Golden Age of Swedish Cinema by Tommy Gustafsson Pdf
Swedish society underwent great changes during the first decades of the 1900s and the new consumption and entertainment culture came under fire. Children and youth--but also women and the working classes--become symbols of the forces breaking down traditional structures and values. These groups were also identified as the principal audience for the new film medium. Hence, during the silent era, film culture interacted with society at large, filling the screen with contradictory images of diverging masculinities and gender/ethnic relations. In fact, film culture became one of the most important arenas where new gender relations could be articulated. This book covers Swedish film culture throughout the 1920s. It is the first in-depth exploration of Swedish silent film culture that goes beyond the small number of canonized films of the "Swedish Golden Age" that have been discussed as "art" for nearly 100 years. The study is based on extensive research and takes all Swedish feature films produced in the 1920s into consideration, together with a large number of source materials that include fan and trade magazines, manuscripts, censorship records, government reports and some 900 film reviews.
A disaster film or disaster movie is a film genre that has an impending or ongoing disaster as its subject and primary plot device. Such disasters include natural disasters such as floods, earthquakes, tsunamis or asteroid collisions, accidents such as shipwrecks or airplane crashes, or calamities like worldwide disease pandemics. A subgenre of action films, these films usually feature some degree of build-up, the disaster itself, and sometimes the aftermath, usually from the point of view of specific individual characters or their families or portraying the survival tactics of different people. These films often feature large casts of actors and multiple plot lines, focusing on the characters' attempts to avert, escape or cope with the disaster and its aftermath. The genre came to particular prominence during the 1970s with the release of high-profile films such as Airport (1970), followed in quick succession by The Poseidon Adventure (1972), Earthquake (1974) and The Towering Inferno (1974). The casts were generally made up of familiar character actors. Once the disaster begins in the film, the characters are usually confronted with human weaknesses, often falling in love and almost always finding a villain to blame. The films usually feature a persevering hero or heroine (Charlton Heston, Steve McQueen, etc.) called upon to lead the struggle against the threat. In many cases, the "evil" or "selfish" individuals are the first to succumb to the conflagration. The genre experienced a renewal in the 1990s boosted by computer-generated imagery (CGI) and large studio budgets which allowed for greater spectacle, culminating in the cinematic phenomenon that was James Cameron's Titanic in 1997. This book is the assembly of various texts that are freely available on the web, especially from Wikipedia. The next obvious question is: why buy this book? The answer: because it means you avoid having to carry out long and tedious internet searches. The topics are all linked to each other organically, and as a function of the subject and, in most cases, contain additional unpublished topics, not found on the web. Moreover, the inclusion of images completes the work so as to make it unique and unrepeatable. Contents of the book: Horror Disasters Movies: Origins, 1970s, Genre revival. Movies: Airport (1970), The Poseidon Adventure (1972), Earthquake (1974), The Towering Inferno, Armageddon (1998). List of disaster films: Meteoroids, asteroids and impact events, End of days. Of each film: Poster, scenes from the film, plot, criticism and other curiosities.
Popular Fads and Crazes through American History [2 volumes] by Nancy Hendricks Pdf
This informative two-volume set provides readers with an understanding of the fads and crazes that have taken America by storm from colonial times to the present. Entries cover a range of topics, including food, entertainment, fashion, music, and language. Why could hula hoops and TV westerns only have been found in every household in the 1950s? What murdered Russian princess can be seen in one of the first documented selfies, taken in 1914? This book answers those questions and more in its documentation of all of the most captivating trends that have defined American popular culture since before the country began. Entries are well-researched and alphabetized by decade. At the start of every section is an insightful historical overview of the decade, and the set uniquely illustrates what today's readers have in common with the past. It also contains a Glossary of Slang for each decade as well as a bibliography, plus suggestions for further reading for each entry. Students and readers interested in history will enjoy discovering trends through the years in such areas as fashion, movies, music, and sports.
American Disaster Movies of the 1970s by Scott Freer Pdf
American Disaster Movies of the 1970s is the first scholarly book dedicated to the disaster cycle that dominated American cinema and television in the 1970s. Through examining films such as Airport (1970), The Poseidon Adventure (1972), Two-Minute Warning (1976) and The Swarm (1978), alongside their historical contexts and American contemporaneous trends, the disaster cycle is treated as a time-bound phenomenon. This book further contextualises the cycle by drawing on the longer cultural history of modernist reactions to modern anxieties, including the widespread dependence on technology and corporate power. Each chapter considers cinematic precursors, such as the 'ark movie', and contemporaneous trends, such as New Hollywood, vigilante and blaxploitation films, as well as the immediate American context: the end of the civil rights and countercultural era, the Watergate crisis, and the defeat in Vietnam.As Scott Freer argues, the disaster movie is a modern, demotic form of tragedy that satisfies a taste for the macabre. It is also an aesthetic means for processing painful truths, and many of the dramatized themes anticipate present-day monstrosities of modernity.
Hollywood's Last Golden Age by Jonathan Kirshner Pdf
Between 1967 and 1976 a number of extraordinary factors converged to produce an uncommonly adventurous era in the history of American film. The end of censorship, the decline of the studio system, economic changes in the industry, and demographic shifts among audiences, filmmakers, and critics created an unprecedented opportunity for a new type of Hollywood movie, one that Jonathan Kirshner identifies as the "seventies film." In Hollywood's Last Golden Age, Kirshner shows the ways in which key films from this period-including Chinatown, Five Easy Pieces, The Graduate, and Nashville, as well as underappreciated films such as The Friends of Eddie Coyle, Klute, and Night Moves-were important works of art in continuous dialogue with the political, social, personal, and philosophical issues of their times. These "seventies films" reflected the era's social and political upheavals: the civil rights movement, the domestic consequences of the Vietnam war, the sexual revolution, women's liberation, the end of the long postwar economic boom, the Shakespearean saga of the Nixon Administration and Watergate. Hollywood films, in this brief, exceptional moment, embraced a new aesthetic and a new approach to storytelling, creating self-consciously gritty, character-driven explorations of moral and narrative ambiguity. Although the rise of the blockbuster in the second half of the 1970s largely ended Hollywood's embrace of more challenging films, Kirshner argues that seventies filmmakers showed that it was possible to combine commercial entertainment with serious explorations of politics, society, and characters' interior lives.
Scenario: The Craft of Screenwriting presents a system of logical analysis of the basic structures of successful screenplays, from initial plot-lines to realised scripts. All the essential building blocks are discussed in depth: the need for a strong premise, the roles of protagonist and antagonist, the orchestration of plot, characters and dialogue leading to a clear resolution. Written by a highly-experienced and successful screenwriter, this is a book which not only instructs first-time writers how to go about their work but also serves as a valuable check-list for established authors, and for actors, directors and teachers, in their task of deconstructing and assessing the value of the material placed before them.
Costume and Cinema: Dress Codes in Popular Film presents an overview of the literature on film costume, together with a series of detailed case studies which highlight how costume is a key signifier in film texts. Sarah Street demonstrates how costume relates in fundamental ways to the study of film narrative and mise-en-scene, in some cases constituting a language of its own. In particular the book foregrounds the related issues of adaptation and embodiment in a variety of different genres and investigates this under-explored area through extensive analysis of popular films including The Talented Mr Ripley, Desperately Seeking Susan, and The Matrix.
