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The author of Scary Kisses delivers a shocking and powerful novel about the gay club scene in New York in the 1970s. Sean Devlin leaves Columbia University to pursue the downtown life of an avant-garde filmmaker, in the tradition of Warhol. As Sean slowly becomes a famous filmmaker, readers pass through an erotic, decadent, lost world of drugs, dim lights, and strange rooms.
This book presents an original and engaging look at contemporary popular culture, opening with the provocative idea that this is a day and age of complete exhaustion of ideas, images, stories, and myths. Questioning the effects of content recycling in cinema and other media, the author further elaborates on the repurposing of cultural junk, the reassembling of narratives and myths. The thought-provoking hypothesis proposed in this research is that we have entered an age of cultural promiscuity. By analyzing the mutations of myth-making practices and connecting them with larger cultural manifestations, the author explains these transformations as integral to the development of a myth-illogical imagination. Cinematic and mythological representations in mainstream Hollywood films have reached a point of amalgamation with no return, which marks the beginning of a "fourth age of representations," where signs and meanings are manifested in illogical permutations. This is more explicit in films that commingle aliens, cowboys, undead American presidents, and zombie nazis, joining together in the same narrative ghosts, werewolves, and vampires, aggregating disjoined storylines and historical fake facts, all coalesced in an orgy of empty burlesque and infantile masquerades. This interdisciplinary research combines cultural studies, film criticism, art and myth interpretations, bringing into the debate multiple concepts from related fields such as critical theory and media criticism. The book also opens up to innovative approaches from a wide array of academic disciplines, offering researchers, students and those fascinated by the transformations happening in contemporary cinema an interpretative tool based on a revised dialectic approach. The conclusion is that we are now victims of a zombie semiotics. Meaning-making in contemporary culture, politics, and aesthetics is dominated by a process of incessant desecration of significations, specific to the total mishmash of representations analyzed here.
Queer Commoditiesis the first book-length analysis of same-sexuality and consumer capitalism in contemporary US fiction. Moving beyond the critical tendencies to identify gay and lesbian subcultures as either hopelessly immersed in consumer capitalism or heroically resistant to it, Guy Davidson argues that while these subcultures are necessarily commodified, they also provide means of subversively negotiating aspects of life under capitalism.
The Cambridge Companion to American Gay and Lesbian Literature by Scott Herring Pdf
"Writing anything definitive about the queer American novel will always be unsatisfying, if not impossible. Unsatisfying, because the romances they contain are uncertain and, quite often, doomed: heartbreak, violence, and persecution pepper nearly every page. Impossible, because the genre's terrain is as vast and uncertain as America itself: the spaces, the characters, plots, ideas, and dynamics - too varied. The minute you say one thing, you could say another. And perhaps that might be the point. As one character from Djuna Barnes's lesbian novel Nightwood puts it, "With an American anything can be done.'"1 We could say the same about the queer American novel. If there is anything consistently connecting this genre, it is that it features, however obliquely, the effects characters (usually American, but not always) have as they seek reasons for why they have sexual feelings for those that are not obvious or traditional object choices. Frequently, these effects instruct characters in their pursuit of self-knowledge and self-understanding, especially if others have pathologized their desires (and America has and does pathologize its queers). In her autobiographical graphic memoir Fun Home, Alison Bechdel tells a story of a variety of discoveries that books, explicitly queer or not, can inspire. During the same afternoon when she acknowledges that she is a "lesbian," she also finds herself asking a professor to let her take his course on James Joyce's Ulysses - her father's favorite book. As we move from the captions and the meticulous, stylized drawings, canonical books acquire an increasingly important role: books become guides to how Bechdel will affect "a convergence" with her "abstracted father.""--
The Golden Age Shtetl by Yohanan Petrovsky-Shtern Pdf
Neither a comprehensive history of Eastern European Jewish life or the shtetl, Petrovsky-Shtern, professor of Jewish Studies at Northwestern University, focuses on three provinces Volhynia, Podolia, and Kiev of the then Russian Empire during what he deems the golden age period, 1790 - 1840, when the shtetl was "the unique habitat of some 80 percent of East European Jews."
Delve into the mysterious world of totemism with Andrew Lang's "The Secret of the Totem." This classic work explores the anthropological significance of totems, unraveling their cultural and spiritual importance. Lang's insightful analysis and keen observations provide a deep understanding of totemic practices and their role in various societies.
The Best Novels of the Nineties by Linda Parent Lesher Pdf
This reader’s guide provides uniquely organized and up-to-date information on the most important and enjoyable contemporary English-language novels. Offering critically substantiated reading recommendations, careful cross-referencing, and extensive indexing, this book is appropriate for both the weekend reader looking for the best new mystery and the full-time graduate student hoping to survey the latest in magical realism. More than 1,000 titles are included, each entry citing major reviews and giving a brief description for each book.
A meditation on holiness and beauty through the study of Saint Mary of Egypt. Saint Mary of Egypt has fascinated theologians, poets, and artists since the seventh century. Her story is richly evocative, encompassing sin and sanctity, concupiscence and asceticism, youth and old age. In Promiscuous Grace, Sonia Velázquez thinks with Saint Mary of Egypt about the relationship between beauty and holiness. Drawing on an archive spanning Spanish medieval poetry, Baroque paintings, seventeenth-century hagiography, and Balzac’s Le chef-d’œuvre inconnu, Velázquez argues for the importance of the senses on the surface of religious texts on her way to revealing why the legend of Saint Mary of Egypt still matters today.
Sex and Drugs Before Rock 'n' Roll by Benjamin Roberts Pdf
Sex and Drugs Before the Rock ’n’ Rollis a fascinating volume that presents an engaging overview of what it was like to be young and male in the Dutch Golden Age. Here, well-known cohorts of Rembrandt are examined for the ways in which they expressed themselves by defying conservative values and norms. This study reveals how these young men rebelled, breaking from previous generations: letting their hair grow long, wearing colorful clothing, drinking excessively, challenging city guards, being promiscuous, smoking, and singing lewd songs. Cogently argued, this study paints a compelling portrait of the youth culture of the Dutch Golden Age, at a time when the rising popularity of print made dissemination of new cultural ideas possible, while rising incomes and liberal attitudes created a generation of men behaving badly.
A Sea of Stories by John Dececco, Phd,Sonya L Jones Pdf
Take a look at how narrative has shaped gay and lesbian culture A Sea of Stories: The Shaping Power of Narrative in Gay and Lesbian Cultures: A Festschrift for John P. De Cecco is an unforgettable collection of personal narratives that explores the historical, psychological, and sociological contexts of homosexuality in locations ranging from Nazi Germany to Colorado. Some of the prominent authors in this collection include David Bergman, Louis Crew, Diana Hume George, and Ruth Vanita. Scholars in gay and lesbian studies, political movements, cultural studies, and narratology, and anyone interested in gay history will want to explore these intriguing narratives on topics such as sex and sin in the South, selling gay literature before Stonewall, growing up gay in India, and the story of an interracial male couple facing homophobic ignorance in a small town. A Sea of Stories also contains creative fiction and nonfiction love stories, war stories, oral stories, and bibliographies, and a beautiful post-Stonewell and post-modern narrative set on a South African seascape that tells the story of two professional men and the possibility of a kiss. For a complete list of contents, please visit our Web site at www.haworthpressinc.com. This book offers you a variety of narratives that cover a wide range, including: memoirs of gay Holocaust survivors and the emergence of the first lesbian and gay book club in its wake homophobia in the workplace and the use of coming-out stories to enhance workplace diversity the establishment of a gay/straight alliance in a Salt Lake City high school that is heavily dominated by Mormons gay literary heritage that examines the works of Langston Hughes as well as Martin Duberman, Paul Monette, and Edmund White in relation to the lesbian 70s creative nonfiction about a woman's love for another woman, her lifelong friend Provincetown's remarkable community response to the AIDS epidemic A collection of chapters written by the colleagues and former students of John P. De Cecco, pioneering editor of the Journal of Homosexuality, A Sea of Stories takes its title from a phrase Dr. De Cecco used in his keynote address to the “History and Memory” conference at Allegheny College in 1997. This conference sparked the idea for this collection of essays that examine the homosexual experience through historical, psychological, and sociological viewpoints and homosexuality in literature. These courageous stories will assist readers to know themselves more deeply, to identify wih others, and to interpret gay and lesbian experiences in different narrative forms.
In these 39 lively essays and profiles, bestselling novelist and biographer Edmund White draws on his wide reading and his sly humour to illuminate some of the most influential writers, artists and cultural icons of the past century, among them Marcel Proust, Catherine Deneuve, George Eliot, Andy Warhol, André Gide, David Geffen, and Robert Mapplethorpe. 'Anyone who loves arts and letters even half as much as Edmund White will enjoy this fine collection by this admirable American writer.' - The Washington Post Book World
Derek Meyers third book remembers the incredible brave fighters and talented icons of dance during the AIDS crisis and looks back at each of the four decades since the first cases of the disease were reported in the early 1980s. Medical dramas such as Greys Anatomy have been top rated in recent years and this book won`t let readers down who want to learn more about HIV and AIDS, but ""Live as Heroes"" is mainly a book about the heroes, who were not getting tired of trying to make a difference right in the face of darkness. The book connects the power of the performing arts with the inspiring stories of those people who fought against discriminations and the missing support from the government and managed to build up organizations such as the GMHC or AIDS Healthcare Foundation. It also tells a personal story which is both sweet and sad at the same time and encourages its readers to ask themselves if they prefer to hide as villains and cowards or ?Live as Heroes?.
The Rise of the Anti-Heroine in TV's Third Golden Age by Margaret Tally Pdf
This volume offers a stimulating perspective on the status of representations of a new kind of female character who emerged on the scene on US television in the mid-2000s, that of the anti-heroine. This new figure rivaled her earlier counterpart, the anti-hero, in terms of her complexity, and was multi-layered and morally flawed. Looking at the cable channels Showtime and HBO, as well as Netflix and ABC Television, this volume examines a range of recent television women and shows, including Homeland, Weeds, Scandal, How to Get Away With Murder, Veep, Girls, and Orange is the New Black as well as a host of other nighttime programs to demonstrate just how dominant the anti-heroine has become on US television. It examines how the figure has arisen within the larger context of the turn towards “Quality Television”, that has itself been viewed as part of the post-network era or the “Third Golden Age” of television where new forms of broadcast delivery have created a marketing incentive to deliver more compelling characters to niche audiences. By including an exploration of the historical circumstances, as well as the industrial context in which the anti-heroine became the dominant leading female character on nighttime television, the book offers a fascinating study that sits at the intersection of gender studies and television. As such, it will appeal to scholars of popular culture, sociology, cultural and media studies.
Rudolf Nureyev had it all: beauty, genius, charm, passion, and sex appeal. No other dancer of our time has generated the same excitement, for both men and women, on or off the stage. With Nureyev: The Life, Julie Kavanagh shows how his intense drive and passion for dance propelled him from a poor, Tatar-peasant background to the most sophisticated circles of London, Paris, and New York. His dramatic defection to the West in l961 created a Cold War crisis and made him an instant celebrity, but this was just the beginning. Nureyev spent the rest of his life breaking barriers: reinventing male technique, “crashing the gates” of modern dance, iconoclastically updating the most hallowed classics, and making dance history by partnering England’ s prima ballerina assoluta, Margot Fonteyn--a woman twice his age. He danced for almost all the major choreographers--Frederick Ashton, George Balanchine, Kenneth MacMillan, Jerome Robbins, Maurice Béjart, Roland Petit--his main motive, he claimed, for having left the Kirov. But Nureyev also made it his mission to stage Russia’s full-length masterpieces in the West. His highly personal productions of Swan Lake, The Nutcracker, Raymonda, Romeo and Juliet, and La Bayadère are the mainstays of the Paris Opéra Ballet repertory to this day. An inspirational director and teacher, Nureyev was a Diaghilev-like mentor to young protégés across the globe--from Karen Kain and Monica Mason (now directors themselves), to Sylvie Guillem, Elisabeth Platel, Laurent Hilaire and Kenneth Greve. Sex, as much as dance, was a driving force for Nureyev. From his first secret liaison in Russia to his tempestuous relationship with the great Danish dancer Erik Bruhn, we see not only Nureyev’s notorious homosexual history unfold, but also learn of his profound effect on women--whether a Sixties wild child or Jackie Kennedy and Lee Radziwill or the aging Marlene Dietrich. Among the first victims of AIDS, Nureyev was diagnosed HIV positive in 1984 but defied the disease for nearly a decade, dancing, directing the Paris Opéra Ballet, choreographing, and even beginning a new career as a conductor. Still making plans for the future, Nureyev finally succumbed and died in January l993. Drawing on previously undisclosed letters, diaries, home-movie footage, interviews with Nureyev’s inner circle, and her own dance background, Julie Kavanagh gives the most intimate, revealing, and dramatic picture we have ever had of this dazzling, complex figure. NOTE: This edition does not include photos.
A landmark work of cultural history that tells the story of how four young poets, John Ashbery, Frank O'Hara, James Schuyler, and Kenneth Koch, reinvented literature and turned New York into the art capital of the world. Greenwich Village, New York, circa 1951. Every night, at a rundown tavern with a magnificent bar called the Cedar Tavern, an extraordinary group or painters, writers, poets, and hangers-on arrive to drink, argue, tell jokes, fight, start affairs, and bang out a powerful new aesthetic. Their style is playful, irreverent, tradition-shattering, and brilliant. Out of these friendships, and these conversations, will come the works of art and poetry that will define New York City as the capital of world culture--abstract expressionism and the New York School of Poetry. A richly detailed portrait of one of the great movements in American arts and letters, The Last Avant-Garde covers the years 1948-1966 and focuses on four fast friends--the poets Frank O'Hara, James Schuyler, John Ashbery, and Kenneth Koch. Lehman brings to vivid life the extraordinary creative ferment of the time and place, the relationship of great friendship to art, and the powerful influence that a group of visual artisits--especially Jane Freilicher, Larry Rivers, and Fairfield Porter--had on the literary efforts of the New York School. The Last Avant-Garde is both a definitive and lively view of a quintessentially American aesthetic and an exploration of the dynamics of creativity.
