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The Gramophone Company's First Indian Recordings, 1899-1908 by Michael S. Kinnear Pdf
This Painstakingly Researched, Unique Volume, A Definitive Discography Of Indian Music, Is A Tribute Not Only To Indian Music, But Also To An Institution Whose Contribution To Indian Music Has Been Monumental -The Gramophone Company. Without Dustjacket In Good Condition.
Indian Classical Music and the Gramophone, 1900–1930 by Vikram Sampath Pdf
In 1902 The Gramophone Company in London sent out recording experts on "expeditions" across the world to record voices from different cultures and backgrounds. All over India, it was women who embraced the challenge of overcoming numerous social taboos and aesthetic handicaps that came along with this nascent technology. Women who took the plunge and recorded largely belonged to the courtesan community, called tawaifs and devadasis, in North and South India, respectively. Recording brought with it great fame, brand recognition, freedom from exploitative patrons, and monetary benefits to the women singers. They were to become pioneers of the music industry in the Indian sub-continent. However, despite the pioneering role played by these women, their stories have largely been forgotten. Contemporaneous with the courtesan women adapting to recording technology was the anti-nautch campaign that sought to abolish these women from the performing space and brand them as common prostitutes. A vigorous renaissance and arts revival movement followed, leading to the creation of a new classical paradigm in both North Indian (Hindustani) and South Indian (Carnatic) classical music. This resulted in the standardization, universalization, and institutionalization of Indian classical music. This newly created classical paradigm impacted future recordings of The Gramophone Company in terms of a shift in genres and styles. Vikram Sampath sheds light on the role and impact of The Gramophone Company’s early recording expeditions on Indian classical music by examining the phenomenon through a sociocultural, historical and musical lens. The book features the indefatigable stories of the women and their experiences in adapting to recording technology. The artists from across India featured are: Gauhar Jaan of Calcutta, Janki Bai of Allahabad, Zohra Bai of Agra, Malka Jaan of Agra, Salem Godavari, Bangalore Nagarathnamma, Coimbatore Thayi, Dhanakoti of Kanchipuram, Bai Sundarabai of Pune, and Husna Jaan of Banaras.
The Glyph and the Gramophone by Luke Ferretter Pdf
D. H. Lawrence wrote in 1914, 'Primarily I am a passionately religious man, and my novels must be written from the depths of my religious experience.' Although he had broken with the Congregationalist faith of his childhood by his early twenties, Lawrence remained throughout his writing life a passionately religious man. There have been studies in the last twenty years of certain aspects of Lawrence's religious writing, but we lack a survey of the history of his developing religious thought and of his expressions of that thought in his literary works. This book provides that survey, from 1915 to the end of Lawrence's life. Covering the war years, Lawrence's American works, his time in Australia and Mexico, and the works of the last years of his life, this book provides readers with a complete analysis, during this period, of Lawrence as a religious man, thinker and artist.
The Glyph and the Gramophone by Luke Ferretter Pdf
D. H. Lawrence wrote in 1914, 'Primarily I am a passionately religious man, and my novels must be written from the depths of my religious experience.' Although he had broken with the Congregationalist faith of his childhood by his early twenties, Lawrence remained throughout his writing life a passionately religious man. There have been studies in the last twenty years of certain aspects of Lawrence's religious writing, but we lack a survey of the history of his developing religious thought and of his expressions of that thought in his literary works. This book provides that survey, from 1915 to the end of Lawrence's life. Covering the war years, Lawrence's American works, his time in Australia and Mexico, and the works of the last years of his life, this book provides readers with a complete analysis, during this period, of Lawrence as a religious man, thinker and artist.
How the Soldier Repairs the Gramophone by Sasa Stanisic Pdf
“A brilliant debut novel” about a young Bosnian War refugee who finds the secret to survival in language and stories (Los Angeles Times). For Aleksandar Krsmanović, Grandpa Slavko’s stories endow life in Višegrad with a kaleidoscopic brilliance. Neighbors, friends, and family past and present take on a mythic quality; the River Drina courses through town like the pulse of life itself. So when his grandfather dies suddenly, Aleksandar promises to carry on the tradition. But then soldiers invade Višegrad—a town previously unconscious of racial and religious divides—and it’s no longer important that Aleksandar is the best magician in the nonaligned states; suddenly it is important to have the right last name and to convince the soldiers that Asija, the Muslim girl who turns up in his apartment building, is his sister. Alive with the magic of childhood, the surreality of war and exile, and the power of language, every page of this glittering novel thrums with the joy of storytelling. “Wildly inventive.” —San Francisco Chronicle “Poignant and hauntingly beautiful.” —The Village Voice “A funny, heartbreaking, beautifully written novel.” —The Seattle Times
The Gramophone Classical Music Guide 2011 by James Jolly Pdf
The Gramophone Classical Music Guide 2011 is the essential guide for music lovers collecting their music on CD, DVD or as a download, drawing on Gramophone magazine's 85-year experience of reviewing classical music on record.Whether you're just dipping a toe into the huge, but rewarding, world of classical music, or already have a substantial collection, The Gramophone Classical Music Guide 2011 is an invaluable companion.
Rights Affecting the Manufacture and Use of Gramophone Records by W. Mak Pdf
When dealing, as in this study, with gramophone records, we almost unconsciously think of music. For the number of gramophone records in which music, either vocal or instrumental, does not playa part is quite small. Hence we shall concern our selves principally with musical records. 1. Music may be said to be as old as humanity itself: from the very beginning of history man has given expression to his emo tions by means of sounds. In one of the first chapters of the Bible harps and organs are mentioned 1) and further on in the Book of Books we find musical instruments mentioned repeatedly. Let us quote a few instances at random: Gen. 31 : 27; Ex. 15 : 20; 1 Sam. 16 : 23; 2 Sam. 6 : 5; Psalm 150; 1 Cor. 14 : 7,8. Throughout the ages music having at first no other than a religious character, evolved and differentiated itself with the result that now we know music in all its numerous variations: beside religious music we have secular music in the form of symphonic music, military music, dance-music and so on.