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The Great Migration and the Harlem Renaissance by Sabina G. Arora Pdf
Away from the bustling nightlife of 1920s Harlem, a literary and cultural rebirth was taking place among African American writers, artists, and performers. Producing works that reflected the racial realities of the era between the end of the Civil War and the beginnings of the civil rights movement, these cultural luminaries helped define a new black consciousness. Readers will learn how the Great Migration and changing opportunities for African Americans informed the vibrant creative period known as the Harlem Renaissance. Bridging social and literary history, this volume provides an interdisciplinary overview and serves as a companion to multiple subject areas.
The Great Migration and the Harlem Renaissance by Sabina G. Arora Pdf
This guide features African American writers, artists, and performers. Producing works that reflected the racial realities of the era between the end of the Civil War and the beginnings of the civil rights movement, these cultural luminaries helped define a new black consciousness.
This window into history examine the unprecedented mass migration of black Americans from the South to the North, their struggle to secure full citizenship, subsequent race conflicts, the explosion of African American culture in urban America, and the contributions of notable figures such as Louis Armostrong, Langston Hughes, Marcus Garvey, and Satchel Paige. 40 photos.
As early-twentieth-century Chicago swelled with an influx of at least 250,000 new black urban migrants, the city became a center of consumer capitalism, flourishing with professional sports, beauty shops, film production companies, recording studios, and other black cultural and communal institutions. Davarian Baldwin argues that this mass consumer marketplace generated a vibrant intellectual life and planted seeds of political dissent against the dehumanizing effects of white capitalism. Pushing the traditional boundaries of the Harlem Renaissance to new frontiers, Baldwin identifies a fresh model of urban culture rich with politics, ingenuity, and entrepreneurship. Baldwin explores an abundant archive of cultural formations where an array of white observers, black cultural producers, critics, activists, reformers, and black migrant consumers converged in what he terms a "marketplace intellectual life." Here the thoughts and lives of Madam C. J. Walker, Oscar Micheaux, Andrew "Rube" Foster, Elder Lucy Smith, Jack Johnson, and Thomas Dorsey emerge as individual expressions of a much wider spectrum of black political and intellectual possibilities. By placing consumer-based amusements alongside the more formal arenas of church and academe, Baldwin suggests important new directions for both the historical study and the constructive future of ideas and politics in American life.
The African American Roots of Modernism by James Edward Smethurst Pdf
The period between 1880 and 1918, at the end of which Jim Crow was firmly established and the Great Migration of African Americans was well under way, was not the nadir for black culture, James Smethurst reveals, but instead a time of profound response fr
NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • NEW YORK TIMES BESTSELLER • In this beautifully written masterwork, the Pulitzer Prize–winnner and bestselling author of Caste chronicles one of the great untold stories of American history: the decades-long migration of black citizens who fled the South for northern and western cities, in search of a better life. From 1915 to 1970, this exodus of almost six million people changed the face of America. Wilkerson compares this epic migration to the migrations of other peoples in history. She interviewed more than a thousand people, and gained access to new data and official records, to write this definitive and vividly dramatic account of how these American journeys unfolded, altering our cities, our country, and ourselves. With stunning historical detail, Wilkerson tells this story through the lives of three unique individuals: Ida Mae Gladney, who in 1937 left sharecropping and prejudice in Mississippi for Chicago, where she achieved quiet blue-collar success and, in old age, voted for Barack Obama when he ran for an Illinois Senate seat; sharp and quick-tempered George Starling, who in 1945 fled Florida for Harlem, where he endangered his job fighting for civil rights, saw his family fall, and finally found peace in God; and Robert Foster, who left Louisiana in 1953 to pursue a medical career, the personal physician to Ray Charles as part of a glitteringly successful medical career, which allowed him to purchase a grand home where he often threw exuberant parties. Wilkerson brilliantly captures their first treacherous and exhausting cross-country trips by car and train and their new lives in colonies that grew into ghettos, as well as how they changed these cities with southern food, faith, and culture and improved them with discipline, drive, and hard work. Both a riveting microcosm and a major assessment, The Warmth of Other Suns is a bold, remarkable, and riveting work, a superb account of an “unrecognized immigration” within our own land. Through the breadth of its narrative, the beauty of the writing, the depth of its research, and the fullness of the people and lives portrayed herein, this book is destined to become a classic.
A powerful illustrated history of the Great Migration and its sweeping impact on Black and American culture, from Reconstruction to the rise of hip hop. Over the course of six decades, an unprecedented wave of Black Americans left the South and spread across the nation in search of a better life--a migration that sparked stunning demographic and cultural changes in twentieth-century America. Through gripping and accessible historical narrative paired with illustrations, author and activist Blair Imani examines the largely overlooked impact of The Great Migration and how it affected--and continues to affect--Black identity and America as a whole. Making Our Way Home explores issues like voting rights, domestic terrorism, discrimination, and segregation alongside the flourishing of arts and culture, activism, and civil rights. Imani shows how these influences shaped America's workforce and wealth distribution by featuring the stories of notable people and events, relevant data, and family histories. The experiences of prominent figures such as James Baldwin, Fannie Lou Hamer, El Hajj Malik El Shabazz (Malcolm X), Ella Baker, and others are woven into the larger historical and cultural narratives of the Great Migration to create a truly singular record of this powerful journey.
Widely regarded as the key text of the Harlem Renaissance, this landmark anthology of fiction, poetry, essays, drama, music, and illustration includes contributions by Langston Hughes, Zora Neale Hurston, Claude McKay, James Weldon Johnson, and other luminaries.
Around the time of WWI, large numbers of African Americans began leaving their homes in the rural South in search of employment in the industrial cities of the North. In 1940, Lawrence chronicled their journey of hope in a flowing narrative sequence of paintings."This stirring picture book brings together the sixty panels of Lawrence's epic narrative Migration series, which he created in 1940-1941. They tell of the journey of African-Americans who left their homes in the South around World War I and traveled in search of better lives in the northern industrial cities. Lawrence is a storyteller with words as well as pictures: his captions and introduction to this book are the best commentary on his work. A poem at the end by Walter Dean Myers also reveals [as do the paintings] the universal in the particulars." ––BL. Notable Children's Books of 1994 (ALA) 1993 Books for Youth Editors' Choices (BL) 1994 Teachers' Choices (IRA) Notable 1994 Childrens' Trade Books in Social Studies (NCSS/CBC) 1994 Carter G. Woodson Outstanding Merit Book (NCSS) 1994 Books for the Teen Age (NY Public Library)
This Very Short Introduction offers an overview of the Harlem Renaissance, a cultural awakening among African Americans between the two world wars. Cheryl A. Wall brings readers to the Harlem of 1920s to identify the cultural themes and issues that engaged writers, musicians, and visual artists alike
What Was the Harlem Renaissance? by Sherri L. Smith,Who HQ Pdf
In this book from the #1 New York Times bestselling series, learn how this vibrant Black neighborhood in upper Manhattan became home to the leading Black writers, artists, and musicians of the 1920s and 1930s. Travel back in time to the 1920s and 1930s to the sounds of jazz in nightclubs and the 24-hours-a-day bustle of the famous Black neighborhood of Harlem in uptown Manhattan. It was a dazzling time when there was an outpouring of the arts of African Americans--the poetry of Langston Hughes; the novels of Zora Neale Hurston; the sculptures of Augusta Savage and that brand-new music called jazz as only Duke Ellington and Louis Armstrong could play it. Author Sherri Smith traces Harlem's history all the way to its seventeenth-century roots, and explains how the early-twentieth-century Great Migration brought African Americans from the deep South to New York City and gave birth to the golden years of the Harlem Renaissance. With 80 fun black-and-white illustrations and an engaging 16-page photo insert, readers will be excited to read this latest addition to Who HQ!
"Who Set You Flowin'?" by Farah Jasmine Griffin Pdf
Twentieth-century America has witnessed the most widespread and sustained movement of African-Americans from the South to urban centers in the North. Who Set You Flowin'? examines the impact of this dislocation and urbanization, identifying the resulting Migration Narratives as a major genre in African-American cultural production. Griffin takes an interdisciplinary approach with readings of several literary texts, migrant correspondence, painting, photography, rap music, blues, and rhythm and blues. From these various sources Griffin isolates the tropes of Ancestor, Stranger, and Safe Space, which, though common to all Migration Narratives, vary in their portrayal. She argues that the emergence of a dominant portrayal of these tropes is the product of the historical and political moment, often challenged by alternative portrayals in other texts or artistic forms, as well as intra-textually. Richard Wright's bleak, yet cosmopolitan portraits were countered by Dorothy West's longing for Black Southern communities. Ralph Ellison, while continuing Wright's vision, reexamined the significance of Black Southern culture. Griffin concludes with Toni Morrison embracing the South "as a site of African-American history and culture," "a place to be redeemed."
Black Protest and the Great Migration by Eric Arnesen Pdf
During World War I, as many as half a million southern African Americans permanently left the South to create new homes and lives in the urban North, and hundreds of thousands more would follow in the 1920s. This dramatic transformation in the lives of many black Americans involved more than geography: the increasingly visible “New Negro” and the intensification of grassroots black activism in the South as well as the North were the manifestations of a new challenge to racial subordination. Eric Arnesen’s unique collection of articles from a variety of northern, southern, black, and white newspapers, magazines, and books explores the “Great Migration,” focusing on the economic, social, and political conditions of the Jim Crow South, the meanings of race in general — and on labor in particular — in the urban North, the grassroots movements of social protest that flourished in the war years, and the postwar “racial counterrevolution.” An introduction by the editor, headnotes to documents, a chronology, questions for consideration, a bibliography, and an index are included.
The Harlem Renaissance by Charles River Charles River Editors Pdf
*Includes pictures *Includes online resources and a bibliography for further reading "Sometimes, I feel discriminated against, but it does not make me angry. It merely astonishes me. How can any deny themselves the pleasure of my company? It's beyond me." - Zora Neale Hurston The Great Migration was the name coined for the mass movement of African-Americans north of the Mason-Dixon line in the years following the Civil War and the abolition of slavery. The enormous promise of emancipation proved to be illusory for the majority of Southern blacks, whether free or formerly enslaved, and as a result, hundreds of thousand made use of their fundamental freedom to leave. This resulted in a "push" away from the South, caused by ongoing discrimination, entrenched Jim Crow laws, and increasing violence directed at blacks by whites. This was largely a movement driven by unreconciled whites who were apt to remind blacks that while slavery might have ended, equality should not be expected in its place. At the same time, another aspect was the "pull" towards seemingly greater opportunities available in the North. There were many reasons for this, but mainly it had to do with the massive industrial stimulus brought about by World War I. While the United States may not have been directly engaged in the war, the nation's industrial resources certainly were. Initially, the jobs created by this surge in industrialization were not available to blacks because of union restrictions intended to protect white labor, but when the war broke out in Europe in 1914, this changed dramatically. European immigration to the United States evaporated almost overnight, creating an immediate labor vacuum in the United States, and although this did not mollify restive white labor unions, it nonetheless created a surge in opportunities for blacks. Generally, the Great Migration is defined as having occurred between 1916 and 1970, during which time some 6 million African-Americans left the South for various northern states, not only primarily in the Northeast, but also in large numbers to the Midwest and the West. The First Great Migration, which took place mainly between 1916 and 1930, would bring about the Harlem Renaissance. The Second Great Migration, of course, occurred due to a similar industrialization that took place between 1940 and 1970. The figure typically cited for the First Great Migration is 1.6 million, and the phenomenon was ended temporarily mainly by the Great Depression, which reduced opportunities in the North considerably and made rural lifestyles more preferable for a time. The main centers of black migration during the first wave were not only the industrial cities in the Northeast, mainly New York and Philadelphia, but also Detroit, Pittsburgh, St. Louis, Cleveland and Chicago, among others. Indeed, the African-American population in New York in particular exploded during this period, from about 140,000 in 1910 to upwards of 650,000 by 1940. In Philadelphia, during the same period, the black population increased by almost 230,000, and Chicago had an even bigger increase. This migration, multi-faceted and multi-directional, found its principal cultural focus in New York City, most notably in Harlem. While many of these opportunities were made possible thanks to the work of Philip Payton, Jr., a prominent black businessman and real estate developer, no two historians will agree on the exact origins of the Harlem Renaissance, and there are few that are able to categorically agree on what the phenomenon actually represented. What is inescapable, however, is that a black cultural movement coalesced spontaneously in that area of uptown Manhattan. The Harlem Renaissance: The History and Legacy of Early 20th Century America's Most Influential Cultural Movement examines the events and works that occurred in and around Harlem, and how they affected the world at large.
Treating broad themes as well as specific topics, this guide to the Great Black Migration will introduce high school students to a touchstone critical to shaping the history of African Americans in the United States. The movement of Southern blacks to the urban North and West over the course of the 20th century had a profound impact on black life, affecting everything from politics and labor to literature and the popular arts. This encyclopedia provides readers and researchers with a comprehensive reference work on this central topic of African American history, exploring the breadth of the black migration experience from its origins in the agricultural economy of the post–Civil War South to the return migration of the late 20th century. Entries cover such topics as the destinations that attracted black migrants, the impact of the Great Migration on black religion, the relationship between migration and black politics, and the patterns of discrimination and racial violence migrants encountered. Unlike more general reference works on African American history, each entry in the encyclopedia situates its subject within the context of black migration and articulates connections between the subject of the entry and the overall history of the migration.