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Author : Anonim
Publisher : Cambria Press
Page : 296 pages
File Size : 41,7 Mb
Release : 2024-05-20
Category : Electronic
ISBN : 9781621968191
Author : Markku Salmela,Jarkko Toikkanen
Publisher : Unknown
Page : 288 pages
File Size : 51,9 Mb
Release : 2011
Category : Literary Criticism
ISBN : 1604977922
The grotesque has provided both laymen and scholars with extreme delights for centuries: from the ornamental combining of rare motifs in antiquity to a hybridisation of structural genres in recent times; from fantastical fusions of humans and beasts to comic exaggerations of bodily aberrations and prosthetic postmodern visions. Eluding clear classification at all times, the notion has often been identified with ideas of contradiction and conflation and observed in relation to principles and categories such as estrangement (Wolfgang Kayser) and carnival (Mikhail Bakhtin), the sublime (Victor Hugo) and Victorian Gothic imagination (John Ruskin). In this context, the present volume appears as a synthesis and radical questioning of existing historical developments. The book contributes to current discussions on the grotesque in contemporary literary and cultural theory from the perspective of one specific motif: the unnatural. Quite like the grotesque, observing the unnatural (and unnaturalness) reveals a resilient strain in critical thought, and the significance of this history gradually unfolds as the volume charts the progress of its main themes from the Renaissance to the present day. While in much current talk about theory and criticism certain related notions are still posited for and against each other--what is seen as normal or natural and what is not, and what should be seen as normal or natural and what should not--the discussions in The Grotesque and the Unnatural go a long way toward founding a new vista from which to observe this beguiling opposition. The book presents a new perspective on the grotesque by considering it as a phenomenon which comes into being only through a negation of sorts, yet refusing to place it in a simple, normative pattern as nature's antithesis or expressive gesture. As the articles demonstrate, the grotesque is always in the process of subverting or surpassing something, always not being ideal or sufficient to either nature or a social rule, and this very negation affects its status as a tool of transformation or emancipation from norm: the grotesque figure does not represent any particular stage of development or natural state of being. As such, the grotesque hints at and hinges on something that exceeds habitual spheres of culture and communication but, as the book aims to show, this elusiveness of meaning gives no cause for analytic despair. By tracing the involutions of the grotesque with the unnatural in specific literary cases, the book evokes centuries of Western cultural history and ultimately focuses on two questions: How and why does the grotesque tend to negate nature, and how does it affect our understanding of what we see? The diverse materials and historical scope of The Grotesque and the Unnatural make the book, in its exceptional thematic unity, a valuable addition to the fields of literary and cultural studies.
Author : Julie A. Brown
Publisher : Ashgate Publishing, Ltd.
Page : 204 pages
File Size : 45,6 Mb
Release : 2007-01-01
Category : Music
ISBN : 0754657779
In Bluebeard's Castle (1911), The Wooden Prince (1916/17), The Miraculous Mandarin (1919/24, rev. 1931) and Cantata Profana (1930), Bartók engaged scenarios featuring either overtly grotesque bodies or closely related transformations and violations of the body. In this book, Julie Brown argues that Bartók's concerns with stylistic hybridity (high-low, East-West, tonal-atonal-modal), the body, and the grotesque are inter-connected. All three were thoroughly implicated in cultural constructions of the Modern during the period in which Bartók was composing.
Author : Julie Brown
Publisher : Routledge
Page : 192 pages
File Size : 47,6 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351574570
The grotesque is one of art's most puzzling figures - transgressive, comprising an unresolveable hybrid, generally focussing on the human body, full of hyperbole, and ultimately semantically deeply puzzling. In Bluebeard's Castle (1911), The Wooden Prince (1916/17), The Miraculous Mandarin (1919/24, rev. 1931) and Cantata Profana (1930), Bartngaged scenarios featuring either overtly grotesque bodies or closely related transformations and violations of the body. In a number of instrumental works he also overtly engaged grotesque satirical strategies, sometimes - as in Two Portraits: 'Ideal' and 'Grotesque' - indicating this in the title. In this book, Julie Brown argues that Bart concerns with stylistic hybridity (high-low, East-West, tonal-atonal-modal), the body, and the grotesque are inter-connected. While Barteveloped each interest in highly individual ways, and did so separately to a considerable extent, the three concerns remained conceptually interlinked. All three were thoroughly implicated in cultural constructions of the Modern during the period in which Bartas composing.
Author : John R. Clark
Publisher : University Press of Kentucky
Page : 304 pages
File Size : 40,6 Mb
Release : 2021-05-11
Category : Literary Criticism
ISBN : 9780813183312
Thomas Mann predicted that no manner or mode in literature would be so typical or so pervasive in the twentieth century as the grotesque. Assuredly he was correct. The subjects and methods of our comic literature (and much of our other literature) are regularly disturbing and often repulsive—no laughing matter. In this ambitious study, John R. Clark seeks to elucidate the major tactics and topics deployed in modern literary dark humor. In Part I he explores the satiric strategies of authors of the grotesque, strategies that undercut conventional usage and form: the de-basement of heroes, the denigration of language and style, the disruption of normative narrative technique, and even the debunking of authors themselves. Part II surveys major recurrent themes of grotesquerie: tedium, scatology, cannibalism, dystopia, and Armageddon or the end of the world. Clearly the literature of the grotesque is obtrusive and ugly, its effect morbid and disquieting—and deliberately meant to be so. Grotesque literature may be unpleasant, but it is patently insightful. Indeed, as Clark shows, all of the strategies and topics employed by this literature stem from age-old and spirited traditions. Critics have complained about this grim satiric literature, asserting that it is dank, cheerless, unsavory, and negative. But such an interpretation is far too simplistic. On the contrary, as Clark demonstrates, such grotesque writing, in its power and its prevalence in the past and present, is in fact conventional, controlled, imaginative, and vigorous—no mean achievements for any body of art.
Author : Michael J. Meyer
Publisher : BRILL
Page : 207 pages
File Size : 52,7 Mb
Release : 2023-04-12
Category : Literary Criticism
ISBN : 9789004656475
Author : Domenico Pietropaolo
Publisher : Bloomsbury Publishing
Page : 161 pages
File Size : 44,5 Mb
Release : 2016-09-22
Category : Language Arts & Disciplines
ISBN : 9781474225823
Analysis of improvisation as a compositional practice in the Commedia dell'Arte and related traditions from the Renaissance to the 21st century. Domenic Pietropaolo takes textual material from the stage traditions of Italy, France, Germany and England, and covers comedic drama, dance, pantomime and dramatic theory, and more. He shines a light onto 'the signs of improvised communication'. The book is comprehensive in its analysis of improvised dramatic art across theatrical genres, and is multimodal in looking at the spoken word, gestural and non-verbal signs. The book focusses on dramatic text as well as: - The semiotics of stage discourse, including semantic, syntactic and pragmatic aspects of sign production - The physical and material conditions of sign-production including biomechanical limitations of masks and costumes. Semiotics and Pragmatics of Stage Improvisation is the product of an entire career spent researching the semiotics of the stage and it is essential reading for semioticians and students of performance arts.
Author : Philip Thomson
Publisher : Routledge
Page : 90 pages
File Size : 55,8 Mb
Release : 2017-07-14
Category : Literary Criticism
ISBN : 9781315309439
First published in 1972, this book provides a helpful overview of the grotesque and its use in a number of literary genres including novels, drama and poetry. After providing a historical summary of the term, the book discusses the various defining aspects of the grotesque and its relationship to other terms and modes of literature, such as satire, the comic and parody. The final chapter presents the functions and purpose of the grotesque in literature. This book will be a useful resource for those studying literary theory and literary works which include an element of the grotesque.
Author : Susan Meld Shell,Richard Velkley
Publisher : Cambridge University Press
Page : 303 pages
File Size : 55,7 Mb
Release : 2012-05-24
Category : Philosophy
ISBN : 9780521769426
Kant's Observations of 1764 and Remarks of 1764-5 (a set of fragments written in the margins of his copy of the Observations) document a crucial turning point in his life and thought. Both reveal the growing importance for him of ethics, anthropology and politics, but with an important difference. The Observations attempts to observe human nature directly. The Remarks, by contrast, reveals a revolution in Kant's thinking, largely inspired by Rousseau, who 'turned him around' by disclosing to Kant the idea of a 'state of freedom' (modelled on the state of nature) as a touchstone for his thinking. This and related thoughts anticipate such famous later doctrines as the categorical imperative. This collection of essays by leading Kant scholars illuminates the many and varied topics within these two rich works, including the emerging relations between theory and practice, ethics and anthropology, men and women, philosophy, history and the 'rights of man'.
Author : Zeynep Zeren Atayurt
Publisher : Columbia University Press
Page : 212 pages
File Size : 45,9 Mb
Release : 2011-08-01
Category : Literary Criticism
ISBN : 9783838259789
The 'obese' female body has often been portrayed as the 'other' to the slender body. However, this process of 'othering', or viewing as different, has created a repressive discourse, where 'excess' has increasingly come to be studied as a 'physical abnormality' or a signifier of a 'personality defect' in contemporary Western society. This book engages with the multifarious re-imaginings of the 'excessive' embodiment in contemporary women's writing, drawing specifically on the construction of this form of embodiment in the works of Fay Weldon, Jeanette Winterson, Margaret Atwood, Claude Tardat, and Judith Moore, whose texts offer a distinct literary response to the rigidly homogeneous and limiting representations of fatness, while prompting heterogeneous approaches to reading the 'excessive' female embodiment.
Author : Adam Geczy,Vicki Karaminas
Publisher : Bloomsbury Publishing
Page : 145 pages
File Size : 45,9 Mb
Release : 2019-06-13
Category : Design
ISBN : 9781350032538
Gone are the days when fashion relied on a runway launch with coinciding press promotions to show a couturier's new range. Today, design houses are thinking beyond traditional methods of display to stimulate interest in their collections, such as to the internet, fashion film and, more recently, fashion installations. This book offers a critical evaluation of the changing ways in which fashion has been exhibited, focusing specifically on the recent turn toward installation, whether in the form of static presentations, interactive performances or the more conventional curated designer exhibition. Connecting viewers – and consumers – on an immersive level, the fashion world has begun to appropriate installation methods traditionally associated with displays of experimental art, transcending the runway system and its constraints. This book turns to the designers who have pioneered fashion installations, such as Aitor Throup, Muccia Prada, Walter Van Beirendonck and Hussein Chalayan among others, and also looks back to the early influential fashion displays by designers such as Worth and Poiret to provide historical context. Divided into three parts, and covering a variety of installations from Vivienne Westwood's fashioned 'concept' stores to Gareth Pugh's immersive films, this ground-breaking book positions the designer as the curator and exhibition-maker and offers the first focused study of the pertinent concept of fashion installation.
Author : Joanne Anderton,Grace Chan,Matthew Farrer,D. L. Fleming,Donna Maree Hanson,Alexander Hardison,Freya Marske,C. H. Pearce,Alannah K. Pearson,Nathan J. Phillips,Louise Pieper,Rob Porteous,Tansy Rayner Roberts,Leife Shallcross
Publisher : Unknown
Page : 128 pages
File Size : 40,8 Mb
Release : 2020-12-31
Category : Electronic
ISBN : 0648414639
Author : Kébir Sandy
Publisher : GRIN Verlag
Page : 27 pages
File Size : 44,5 Mb
Release : 2016-04-21
Category : Literary Criticism
ISBN : 9783668201767
Scientific Essay from the year 2015 in the subject Literature - General, , language: English, abstract: A good understanding of the grotesque necessitates not only an account of the historical development of the word “grotesque” and its usage, but also the various concepts with which it has often been associated, and the different theories and opinions expressed about it. We begin, first of all, by giving a brief examination of the history of the term, its origin, derivation, and semantic evolution. It is widely agreed that the word “grotesque originated to describe the murals which were discovered, in the course of excavation, beneath the baths of Titus in Rome at the end of the 15th century”. These paintings present a style of art which was completely unknown at the time. It is mainly characterized by its heterogeneous nature; it combines many different and ambivalent elements: human, animal, and vegetable. In English the word “grotesque” was introduced around 1640 to replace other previous forms, which came either from the Italian, like grotesco or crotesco, or the French like, crotesque. In fact, according to the O.E.D. the French form was the first to be recorded in the language. In French, crotesque occurred in 1532 and continued to prevail until the end of the 17th century. As early as the 16th century, the word “grotesque extended in French to non artistic things and literature. In his Essai, Montaigne wrote: “Que sont ce icy aussi (Les Essais) a la vérité que crotesques et corps monstrueux”. And Rabelais used it to refer to parts of the body in "Gargantua et Pantagruel" (1535), (“Couillon crotesque”). From the late 17th century, the word as an adjective knew a large usage. But in both England and Germany, it remained restricted to its early original usage until the 18th century when it got a wide application. It was associated with caricature which provoked too much emphasis on the ridiculous and a neglect of the terrible and terrifying side of the grotesque.
Author : Tim Ingold,Gisli Palsson
Publisher : Cambridge University Press
Page : 291 pages
File Size : 46,5 Mb
Release : 2013-06-13
Category : Philosophy
ISBN : 9781107025639
Going beyond the division of nature and society, this unique book explores human life as a process of biosocial becoming.
Author : William J. Scheick
Publisher : University Press of Kentucky
Page : 136 pages
File Size : 55,8 Mb
Release : 1979
Category : Law
ISBN : 0813133211
The guarantee of free speech enshrined in the U.S. Bill of Rights draws upon two millennia of Western thought about the value and necessity of free inquiry. Acclaimed legal scholar George Anastaplo traces the philosophical development of the idea of free inquiry from PlatoÕs Apology to Socrates to John MiltonÕs Areopagitica. He describes how these seminal texts and others by such diverse thinkers as St. Paul, Thomas More, and John Stuart Mill influenced the formation and the earliest applications of the First Amendment. Anastaplo also focuses on the critical free speech implications of a dozen Supreme Court cases and shows how First Amendment interpretations have evolved in response to modern events. Reflections on Freedom of Speech and the First Amendment grounds its vision of AmericaÕs most basic freedoms in the intellectual traditions of Western political philosophy, providing crucial insight into the legal challenges of the future through the lens of the past.