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Simon Leys' cultural and political commentary has long been legendary for its profundity and acerbic wit. In The Hall of Uselessness his most significant essays are finally gathered together, on subjects ranging from China to Orwell, from Quixotism to the sea. Leys feuds with Christopher Hitchens, ponders the popularity of Victor Hugo and analyses whether Nabokov's unfinished novel should ever have been published. He dissects Mao's Cultural Revolution and the Khmer Rouge, and discusses Waugh, Simenon and Confucius. He considers Chinese art, culture and politics, the joys and difficulties of lit.
An NYRB Classics Original Simon Leys is a Renaissance man for the era of globalization. A distinguished scholar of classical Chinese art and literature and one of the first Westerners to recognize the appalling toll of Mao’s Cultural Revolution, Leys also writes with unfailing intelligence, seriousness, and bite about European art, literature, history, and politics and is an unflinching observer of the way we live now. The Hall of Uselessness is the most extensive collection of Leys’s essays to be published to date. In it, he addresses subjects ranging from the Chinese attitude to the past to the mysteries of Belgium and Belgitude; offers portraits of André Gide and Zhou Enlai; takes on Roland Barthes and Christopher Hitchens; broods on the Cambodian genocide; reflects on the spell of the sea; and writes with keen appreciation about writers as different as Victor Hugo, Evelyn Waugh, and Georges Simenon. Throughout, The Hall of Uselessness is marked with the deep knowledge, skeptical intelligence, and passionate conviction that have made Simon Leys one of the most powerful essayists of our time.
An award-winning biography of one of the greats. Simon Leys is the pen-name of Pierre Ryckmans, who was born in Belgium and settled in Australia in 1970. He taught Chinese literature at the Australian National University and was Professor of Chinese Studies at the University of Sydney from 1987 to 1993. He died in 2014. Writing in three languages – French, Chinese and English – he played an important political role in revealing the true nature of the Cultural Revolution. His writing on China and on varied literary and cultural topics appeared regularly in the New York Review of Books, Le Monde, Le Figaro Littéraire, Quadrant and the Monthly, and his books include The Hall of Uselessness, The Death of Napoleon, Other People’s Thoughts and The Wreck of the Batavia & Prosper. In 1996 he delivered the ABC’s Boyer Lectures. His many awards include the Prix Renaudot, the Prix Mondial Cino Del Duca, the Prix Guizot and the Christina Stead Prize for fiction. This substantial biography – recently published by Gallimard in France to wide acclaim and winning an award from the Académie Francaise – draws on extensive correspondence with Ryckmans, as well as his unpublished writings. It has been translated by an internationally renowned French translator Julie Rose (based in Sydney).
A Puerto Rican student at a Paris university grapples with heartbreak and isolation in this compelling novel by the author of Simone. The streets of Paris at night are pathways coursing with light and shadow, channels along which identity may be formed and lost, where the grand inflow of history, art, language, and thought—and of love—can both inspire and enfeeble. For the narrator of Eduardo Lalo’s Uselessness, it is a world long desired. But as this young aspiring writer discovers upon leaving his home in San Juan to study—to live and be reborn—in the city of his dreams, Paris’s twinned influences can rip you apart. Lalo’s first novel, Uselessness is something of a bildungsroman of his own student days in Paris. But more than this, it is a literary précis of his oeuvre—of themes that obsess him still. Told in two parts, Uselessness first follows our narrator through his romantic and intellectual awakenings in Paris, where he elevates his adopted home over the moribund one he has left behind. But as he falls in and out of love he comes to realize that as a Puerto Rican, he will always be apart. Ending the greatest romance of his life—that with the city of Paris itself—he returns to San Juan. And in this new era of his life, he is forced to confront choices made, ambitions lost or unmet—to look upon lives not lived. A tale of the travails of youthful romance and adult acceptance, of foreignness and isolation both at home and abroad, and of the stultifying power of the desire to belong—and to be moved—Uselessness is here rendered into English by the masterful translator Suzanne Jill Levine. For anyone who has been touched by the disquieting passion of Paris, Uselessness is a stirring saga. Praise for Uselessness “In this dreamy and succinct novel, Lalo takes readers on an intimate journey of companionship abroad. . . . This book is an important exploration of the Latin American experience in Europe. . . . Uselessness is a novel of modern plight that’s brimming with hope and wisdom.” —Booklist “Exploring the themes of love, isolation, and intellectual maturation, Uselessness will resonate with anyone who has fallen in love with Paris and its extravagant promises of romance and fulfillment.” —Rachel Cordasco, BookRiot “What a powerful, bleak, and moving novel. It dwells on things—human insignificance, disappointment, compromise, failure—that most books only gesture at.” —Ross Posnock, Columbia University
Author : Perry Link Publisher : Harvard University Press Page : 340 pages File Size : 46,6 Mb Release : 2013-02-18 Category : Language Arts & Disciplines ISBN : 9780674071155
During the Cultural Revolution, Mao exhorted the Chinese people to “smash the four olds”: old customs, old culture, old habits, and old ideas. Yet when the Red Guards in Tiananmen Square chanted “We want to see Chairman Mao,” they unknowingly used a classical rhythm that dates back to the Han period and is the very embodiment of the four olds. An Anatomy of Chinese reveals how rhythms, conceptual metaphors, and political language convey time-honored meanings of which Chinese speakers themselves may not be consciously aware, and contributes to the ongoing debate over whether language shapes thought, or vice versa. Perry Link’s inquiry into the workings of Chinese reveals convergences and divergences with English, most strikingly in the area of conceptual metaphor. Different spatial metaphors for consciousness, for instance, mean that English speakers wake up while speakers of Chinese wake across. Other underlying metaphors in the two languages are similar, lending support to theories that locate the origins of language in the brain. The distinction between daily-life language and official language has been unusually significant in contemporary China, and Link explores how ordinary citizens learn to play language games, artfully wielding officialese to advance their interests or defend themselves from others. Particularly provocative is Link’s consideration of how Indo-European languages, with their preference for abstract nouns, generate philosophical puzzles that Chinese, with its preference for verbs, avoids. The mind-body problem that has plagued Western culture may be fundamentally less problematic for speakers of Chinese.
In paperback at last: Rivka Galchen’s beloved baby bible—slyly hilarious, surprising, and absolutely essential reading for anyone who has ever had, held, or been a baby In this enchanting miscellany, Galchen notes that literature has more dogs than babies (and also more abortions), that the tally of children for many great women writers—Jane Bowles, Elizabeth Bishop, Virginia Woolf, Janet Frame, Willa Cather, Patricia Highsmith, Iris Murdoch, Djuna Barnes, Mavis Gallant—is zero, that orange is the new baby pink, that The Tale of Genji has no plot but plenty of drama about paternity, that babies exude an intoxicating black magic, and that a baby is a goldmine.
On the Abolition of All Political Parties by Simone Weil Pdf
An NYRB Classics Original Simone Weil—philosopher, activist, mystic—is one of the most uncompromising of modern spiritual masters. In “On the Abolition of All Political Parties” she challenges the foundation of the modern liberal political order, making an argument that has particular resonance today, when the apathy and anger of the people and the self-serving partisanship of the political class present a threat to democracies all over the world. Dissecting the dynamic of power and propaganda caused by party spirit, the increasing disregard for truth in favor of opinion, and the consequent corruption of education, journalism, and art, Weil forcefully makes the case that a true politics can only begin where party spirit ends. This volume also includes an admiring portrait of Weil by the great poet Czeslaw Milosz and an essay about Weil’s friendship with Albert Camus by the translator Simon Leys.
ʻA book is a mirror; if an ape looks into it, an apostle is hardly likely to look out.’ –G. C. Lichtenberg ‘The desire to go into politics is usually indicative of some sort of personality disorder, and it is precisely those who want power most that should be kept furthest from it.’ –Arthur Koestler ‘Beware of all enterprises that require new clothes.’ –Thoreau In this wonderfully entertaining collection of quotations, Simon Leys gathers insights and bons mots from a motley group of great artists, wits and thinkers. Topics range from ambition and adventure to youth, sex, time, toads, wine, faith and friendship. Wise, witty and delightfully unpredictable, Other People’s Thoughts is for anyone who has ever rifled through a friend’s bookshelves or snuck a peak over a reading stranger’s shoulder. In this wide-ranging miscellany, we are given free rein to explore the nooks and crannies of one man’s mental library. By turns profound, whimsical and subversive, the result is a book-lover’s delight.
A New York Review Books Original An uncompromising contrarian, a passionate polemicist, a man of quick wit and wide learning, an anarchist, a pacifist, and a virtuoso of the slashing phrase, Dwight Macdonald was an indefatigable and indomitable critic of America’s susceptibility to well-meaning cultural fakery: all those estimable, eminent, prizewinning works of art that are said to be good and good for you and are not. He dubbed this phenomenon “Midcult” and he attacked it not only on aesthetic but on political grounds. Midcult rendered people complacent and compliant, secure in their common stupidity but neither happy nor free. This new selection of Macdonald’s finest essays, assembled by John Summers, the editor of The Baffler, reintroduces a remarkable American critic and writer. In the era of smart, sexy, and everything indie, Macdonald remains as pertinent and challenging as ever.
As he bore a vague resemblance to the Emperor, the sailors on board the Hermann-Augustus Stoeffer had nicknamed him Napoleon. And so, for convenience, that is what we shall call him. Besides, he was Napoleon. . . . Napoleon has escaped from St. Helena, leaving a double behind him. Now disguised as the cabin hand Eugène Lenormand and enduring the mockery of the crew (Napoleon, they laughingly nickname the pudgy, hopelessly clumsy little man), he is on his way back to Europe, ready to make contact with the huge secret organization that will return him to power. But then the ship on which he sails is rerouted from Bordeaux to Antwerp. When Napoleon disembarks, he is on his own. He revisits the battlefield of Waterloo, now a tourist destination. He makes his way to Paris. Mistakes, misunderstandings, and mishaps conduct our puzzled hero deeper and deeper into the mystery of Napoleon.
Speak: The Graphic Novel by Laurie Halse Anderson Pdf
The critically acclaimed, award-winning, modern classic Speak is now a stunning graphic novel. "Speak up for yourself—we want to know what you have to say." From the first moment of her freshman year at Merryweather High, Melinda knows this is a big fat lie, part of the nonsense of high school. She is friendless—an outcast—because she busted an end-of-summer party by calling the cops, so now nobody will talk to her, let alone listen to her. Through her work on an art project, she is finally able to face what really happened that night: She was raped by an upperclassman, a guy who still attends Merryweather and is still a threat to her. With powerful illustrations by Emily Carroll, Laurie Halse Anderson's Speak: The Graphic Novel comes alive for new audiences and fans of the classic novel. This title has Common Core connections.
The Future of Numerical Computing Written by one of the foremost experts in high-performance computing and the inventor of Gustafson’s Law, The End of Error: Unum Computing explains a new approach to computer arithmetic: the universal number (unum). The unum encompasses all IEEE floating-point formats as well as fixed-point and exact integer arithmetic. This new number type obtains more accurate answers than floating-point arithmetic yet uses fewer bits in many cases, saving memory, bandwidth, energy, and power. A Complete Revamp of Computer Arithmetic from the Ground Up Richly illustrated in color, this groundbreaking book represents a fundamental change in how to perform calculations automatically. It illustrates how this novel approach can solve problems that have vexed engineers and scientists for decades, including problems that have been historically limited to serial processing. Suitable for Anyone Using Computers for Calculations The book is accessible to anyone who uses computers for technical calculations, with much of the book only requiring high school math. The author makes the mathematics interesting through numerous analogies. He clearly defines jargon and uses color-coded boxes for mathematical formulas, computer code, important descriptions, and exercises.
