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Author : John Draper,John William Draper
Publisher : Psychology Press
Page : 276 pages
File Size : 43,5 Mb
Release : 1966
Category : Drama
ISBN : 0714610275
First Published in 1967. Routledge is an imprint of Taylor & Francis, an informa company.
Author : John William Draper
Publisher : New York : Octagon Books, 1966 [c1939]
Page : 254 pages
File Size : 51,5 Mb
Release : 1966
Category : Hamlet (Legendary character)
ISBN : LCCN:66017505
Author : John William Draper
Publisher : Unknown
Page : 254 pages
File Size : 43,6 Mb
Release : 1966
Category : Electronic
ISBN : 0374923183
Author : Robert Bridges
Publisher : Unknown
Page : 46 pages
File Size : 40,6 Mb
Release : 1966
Category : Dramatists, English
ISBN : UCSC:32106001924890
Author : Robert Bridges
Publisher : Unknown
Page : 128 pages
File Size : 40,6 Mb
Release : 1927
Category : Electronic
ISBN : 0841498512
Author : Stephen Purcell
Publisher : Bloomsbury Publishing
Page : 216 pages
File Size : 53,7 Mb
Release : 2013-11-26
Category : Literary Criticism
ISBN : 9781137375254
What do audiences do as they watch a Shakespearean play? What makes them respond in the ways that they do? This book examines a wide range of theatrical productions to explore the practice of being a modern Shakespearean audience. It surveys some of the most influential ideas about spectatorship in contemporary performance studies, and analyses the strategies employed both in the texts themselves and by modern theatre practitioners to position audiences in particular ways.
Author : William Shakespeare
Publisher : Unknown
Page : 128 pages
File Size : 55,5 Mb
Release : 2010-02-01
Category : Electronic
ISBN : 1616002190
Author : Bridget Escolme
Publisher : Psychology Press
Page : 212 pages
File Size : 44,5 Mb
Release : 2005
Category : Acting
ISBN : 0415332230
This unique study investigates the ways in which the staging convention of direct address - talking to the audience - can construct dramatic subjectivity, or selfhood, in Shakespeare plays.
Author : Matteo Pangallo,Peter Kirwan
Publisher : Routledge
Page : 341 pages
File Size : 42,7 Mb
Release : 2021-03-28
Category : Literary Collections
ISBN : 9781000352573
Shakespeare wrote for a theater in which the audience was understood to be, and at times invited to be, active and participatory. How have Shakespeare’s audiences, from the sixteenth century to the present, responded to that invitation? In what ways have consumers across different cultural contexts, periods, and platforms engaged with the performance of Shakespeare’s plays? What are some of the different approaches taken by scholars today in thinking about the role of Shakespeare's audiences and their relationship to performance? The chapters in this collection use a variety of methods and approaches to explore the global history of audience experience of Shakespearean performance in theater, film, radio, and digital media. The approaches that these contributors take look at Shakespeare’s audiences through a variety of lenses, including theater history, dramaturgy, film studies, fan studies, popular culture, and performance. Together, they provide both close studies of particular moments in the history of Shakespeare’s audiences and a broader understanding of the various, often complex, connections between and among those audiences across the long history of Shakespearean performance.
Author : Laury Magnus,Walter W. Cannon
Publisher : Lexington Books
Page : 286 pages
File Size : 44,6 Mb
Release : 2011-11-21
Category : Literary Criticism
ISBN : 9781611474756
This volume, examining the ways in which Shakespeare’s plays are designed for hearers as well as spectators, has been prompted by recent explorations of the auditory dimension of early modern drama by such scholars as Andrew Gurr, Bruce Smith, and James Hirsh. To look at the dynamics of hearing in Shakespeare’s plays involves a paradigm shift that changes how we understand virtually everything about them, from the architecture of the buildings, to playing spaces, to blocking, and to larger interpretative issues, including our understanding of character based on players’ responses to what they hear, mishear, or refuse to hear. Who Hears in Shakespeare? Auditory Worlds on Stageand Screen is comprised of three sections on Shakespeare’s texts and performance history: “The Poetics of Hearing and the Early Modern Stage”; “Metahearing: Hearing, Knowing, and Audiences, Onstage and Off”; and “Transhearing: Hearing, Whispering, Overhearing, and Eavesdropping in Film and Other Media.” Chapters by noted scholars explore the complex reactions and interactions of onstage and offstage audiences and show how Shakespearean stagecraft, actualized on stage and adapted on screen, revolves around various situations and conventions of hearing—soliloquies,, asides, avesdropping, overhearing, and stage whispers. In short, Who Hears in Shakespeare? enunciates Shakespeare’s nuanced, powerful stagecraft of hearing. The volume ends with Stephen Booth’s afterword, his inspiring meditation on hearing that considers Shakespearean “audiences” and their responses to what they hear—or don’t hear—in Shakespeare’s plays.
Author : Dr Parmita Kapadia,Professor Craig Dionne
Publisher : Ashgate Publishing, Ltd.
Page : 258 pages
File Size : 49,6 Mb
Release : 2013-04-28
Category : Literary Criticism
ISBN : 9781409475002
Explored in this essay collection is how Shakespeare is rewritten, reinscribed and translated to fit within the local tradition, values, and languages of the world's various communities and cultures. Contributors show that Shakespeare, regardless of the medium – theater, pedagogy, or literary studies – is commonly 'rooted' in the local customs of a people in ways that challenge the notion that his drama promotes a Western idealism. Native Shakespeares examines how the persistent indigenization of Shakespeare complicates the traditional vision of his work as a voice of Western culture and colonial hegemony. The international range of the collection and the focus on indigenous practices distinguishes Native Shakespeares from other available texts.
Author : Kent Cartwright
Publisher : Penn State Press
Page : 301 pages
File Size : 52,9 Mb
Release : 2010-11-01
Category : Literary Criticism
ISBN : 9780271039633
Author : Alfred Harbage
Publisher : Unknown
Page : 224 pages
File Size : 47,6 Mb
Release : 1941
Category : Literary Criticism
ISBN : STANFORD:36105045030611
Presents and interprets evidence on the size, social composition, behavior, and the aesthetic and intellectual capacity of Shakespeare's audience.
Author : Arthur Colby Sprague
Publisher : Unknown
Page : 360 pages
File Size : 52,6 Mb
Release : 1935
Category : Literary Criticism
ISBN : UOM:39015039333094
No detailed description available for "Shakespeare and the Audience".
Author : Fiona Banks
Publisher : Bloomsbury Publishing
Page : 296 pages
File Size : 54,5 Mb
Release : 2018-11-15
Category : Literary Criticism
ISBN : 9781474274005
Shakespeare: Actors and Audiences brings together the voices of those who make productions of Shakespeare come to life. It shines a spotlight on the relationship between actors and audiences and explores the interplay that makes each performance unique. We know much about theatre in Shakespeare's time but very little about the audiences who attended his plays. Even today the audience's voice remains largely ignored. This volume places the role of the audience at the centre of how we understand Shakespeare in performance. Part One offers an overview of the best current audience research and provides a critical framework for the interviews and testimony of leading actors, theatre makers and audience members that follow in Part Two, including Juliet Stevenson and Emma Rice. Shakespeare: Actors and Audiences offers a fascinating insight into the world of theatre production and of the relationship between actor and audience that lies at the heart of theatre-making.