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Author : Fabius Pictor (pseud.)
Publisher : Unknown
Page : 146 pages
File Size : 47,7 Mb
Release : 1843
Category : Aesthetics
ISBN : OXFORD:590350654
Author : Fabius Pictor
Publisher : BoD – Books on Demand
Page : 142 pages
File Size : 45,7 Mb
Release : 2024-04-17
Category : Fiction
ISBN : 9783385124394
Reprint of the original, first published in 1843.
Author : Fabius Pictor (pseud.)
Publisher : Unknown
Page : 144 pages
File Size : 47,9 Mb
Release : 1843
Category : Aesthetics
ISBN : UOM:39015055074556
Author : Fabius Pictor
Publisher : Forgotten Books
Page : 138 pages
File Size : 52,5 Mb
Release : 2017-11-04
Category : Art
ISBN : 0260287741
Excerpt from The Hand-Book of Taste, or How to Observe Works of Art: Especially Cartoons, Pictures, and Statues 1 the earliest productions of imitative art pre tended to nothing but a certain degree of manual dexterity and. Even this was at first so rude and imperfect, that the artist felt himself obliged to inscribe upon his work the name of the Obj ect intended to be represented, in order to make it recognisable. But, as he was his own commen tator, no exertion was required of the Observer, beyond the making use of his eyes, to enable him to judge of the resemblance, which was all that. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author : Fabius Pictor
Publisher : BoD – Books on Demand
Page : 142 pages
File Size : 40,9 Mb
Release : 2024-04-17
Category : Fiction
ISBN : 9783385124387
Reprint of the original, first published in 1843.
Author : Fabius Pictor
Publisher : Palala Press
Page : 140 pages
File Size : 44,8 Mb
Release : 2016-05-07
Category : Electronic
ISBN : 1296721116
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author : Fabius Pictor (Pseud )
Publisher : Palala Press
Page : 134 pages
File Size : 43,9 Mb
Release : 2015-11-19
Category : Electronic
ISBN : 134691642X
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author : James Pycroft
Publisher : Unknown
Page : 370 pages
File Size : 45,7 Mb
Release : 1844
Category : Best books
ISBN : BL:A0019090239
Author : Anonim
Publisher : Unknown
Page : 1196 pages
File Size : 43,7 Mb
Release : 1870
Category : Electronic
ISBN : IBNN:BNLP000011347
Author : Samuel Austin Allibone
Publisher : Unknown
Page : 1192 pages
File Size : 42,6 Mb
Release : 1870
Category : American literature
ISBN : UCD:31175025866818
Author : Samuel Austin Allibone
Publisher : Unknown
Page : 1192 pages
File Size : 44,5 Mb
Release : 1882
Category : American literature
ISBN : UOM:39015034766751
Author : sir Richard Owen
Publisher : Unknown
Page : 374 pages
File Size : 48,6 Mb
Release : 1846
Category : Electronic
ISBN : OXFORD:590742412
Author : Connop Thirlwall
Publisher : Unknown
Page : 560 pages
File Size : 54,8 Mb
Release : 1846
Category : Greece
ISBN : HARVARD:HWRIK1
Author : Anonim
Publisher : Unknown
Page : 560 pages
File Size : 45,9 Mb
Release : 1984
Category : Books
ISBN : UVA:X002205398
Author : Clement Greenberg
Publisher : Oxford University Press
Page : 251 pages
File Size : 47,7 Mb
Release : 2000-10-19
Category : Art
ISBN : 9780198031901
Thanks to his unsurpassed eye and his fearless willingness to take a stand, Clement Greenberg (1909 1994) became one of the giants of 20th century art criticism a writer who set the terms of critical discourse from the moment he burst onto the scene with his seminal essays Avant Garde and Kitsch (1939) and Towards a Newer Laocoon (1940). In this work, which gathers previously uncollected essays and a series of seminars delivered at Bennington in 1971, Greenberg provides his most expansive statement of his views on taste and quality in art, arguing for an esthetic that flies in the face of current art world fashions. Greenberg insists despite the attempts from Marcel Duchamp onwards to escape the jurisdiction of taste by producing an art so disjunctive that it cannot be judged that taste is inexorable. He argues that standards of quality in art, the artist's responsibility to seek out the hardest demands of a medium, and the critic's responsibility to discriminate, are essential conditions for great art. The obsession with innovation the epidemic of newness leads, in Greenbergs view, to the boringness of so much avant garde art. He discusses the interplay of expectation and surprise in aesthetic experience, and the exalted consciousness produced by great art. Homemade Esthetics allows us particularly in the transcribed seminar sessions, never before published to watch the critics mind at work, defending (and at times reconsidering) his theories. His views, often controversial, are the record of a lifetime of looking at and thinking about art as intensely as anyone ever has.