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The History of British Magic After Crowley by Dave Evans Pdf
Both a professional academic researcher and practicing magician, Evans delves deeply into modern British history to present a serious but accessible and fascinating work based on developments in British magic after Aleister Crowley died.
Perdurabo, Revised and Expanded Edition by Richard Kaczynski Pdf
A rigorously researched biography of the founder of modern magick, as well as a study of the occult, sexuality, Eastern religion, and more The name “Aleister Crowley” instantly conjures visions of diabolic ceremonies and orgiastic indulgences—and while the sardonic Crowley would perhaps be the last to challenge such a view, he was also much more than “the Beast,” as this authoritative biography shows. Perdurabo—entitled after the magical name Crowley chose when inducted into the Hermetic Order of the Golden Dawn—traces Crowley’s remarkable journey from his birth as the only son of a wealthy lay preacher to his death in a boarding house as the world’s foremost authority on magick. Along the way, he rebels against his conservative religious upbringing; befriends famous artists, writers, and philosophers (and becomes a poet himself); is attacked for his practice of “the black arts”; and teaches that science and magick can work together. While seeking to spread his infamous philosophy of, “Do what thou wilt shall be the whole of the Law,” Crowley becomes one of the most notorious figures of his day. Based on Richard Kaczynski’s twenty years of research, and including previously unpublished biographical details, Perdurabo paints a memorable portrait of the man who inspired the counterculture and influenced generations of artists, punks, wiccans, and other denizens of the demimonde.
Aleister Crowley and the 20th Century Synthesis of Magick by Dave Evans Pdf
Both a professional academic researcher and practicing magician, Evans delves into modern history to present a serious, but accessible and fascinating work on British magic, focusing especially on Aleister Crowley.
• Reveals Crowley’s sex magick relations in London and his contacts with important figures, including Dion Fortune, Gerald Gardner, Jack Parsons, Dylan Thomas, and black equality activist Nancy Cunard • Explores Crowley’s nick-of-time escape from the Nazi takeover in Germany and offers extensive confirmation of Crowley’s work for British intelligence • Examines the development of Crowley’s later publications and his articles in reaction to the Nazi Gestapo actively persecuting his followers in Germany After an extraordinary life of magical workings, occult fame, and artistic pursuits around the globe, Aleister Crowley was forced to spend the last fifteen years of his life in his native England, nearly penniless. Much less examined than his early years, this final period of the Beast’s life was just as filled with sex magick, espionage, romance, transatlantic conflict, and extreme behavior. Drawing on previously unpublished diaries and letters, Tobias Churton provides the first detailed treatment of the final years of Crowley’s life, from 1932 to 1947. He opens with Crowley’s nick-of-time escape from the Nazi takeover in Germany and his return home to England, flat broke. Churton offers extensive confirmation of Crowley’s work as a secret operative for MI5 and explores how Crowley saw World War II as the turning point for the “New Aeon.” He examines Crowley’s notorious 1934 London trial, which resulted in his bankruptcy, and shares inside stories of Crowley’s relations with Californian O.T.O. followers, including rocket-fuel specialist Jack Parsons, and his attempt to take over H. Spencer Lewis’s Rosicrucian Order. The author reveals Crowley’s sex magick relations in London and his contacts with spiritual leaders of the time, including Dion Fortune and Wicca founder Gerald Gardner. He examines Crowley’s dealings with artists such as Dylan Thomas, Alfred Hitchcock, Augustus John, Peter Warlock, and Peter Brooks and dispels the accusations that Crowley was racist, exploring his work with lifelong friend, black equality activist Nancy Cunard. Churton also examines the development of Crowley’s later publications such as Magick without Tears as well as his articles in reaction to the Nazi Gestapo who was actively persecuting his remaining followers in Germany. Presenting an intimate and compelling study of Crowley in middle and old age, Churton shows how the Beast still wields a wand-like power to delight and astonish.
This definitive work on the occult’s “great beast” traces the arc of his controversial life and influence on rock-and-roll giants, from the Rolling Stones to Led Zeppelin to Black Sabbath. When Aleister Crowley died in 1947, he was not an obvious contender for the most enduring pop-culture figure of the next century. But twenty years later, Crowley’s name and image were everywhere. The Beatles put him on the cover of Sgt. Pepper’s Lonely Hearts Club Band. The Rolling Stones were briefly serious devotees. Today, his visage hangs in goth clubs, occult temples, and college dorm rooms, and his methods of ceremonial magick animate the passions of myriad occultists and spiritual seekers. Aleister Crowley is more than just a biography of this compelling, controversial, and divisive figure—it’s also a portrait of his unparalleled influence on modern pop culture.
The Oxford History of Witchcraft and Magic by Owen Davies,Editor Pdf
Histories you can trust. This history provides a readable and fresh approach to the extensive and complex story of witchcraft and magic. Telling the story from the dawn of writing in the ancient world to the globally successful Harry Potter films, the authors explore a wide range of magical beliefs and practices, the rise of the witch trials, and the depiction of the Devil-worshipping witch. The book also focuses on the more recent history of witchcraft and magic, from the Enlightenment to the present, exploring the rise of modern magic, the anthropology of magic around the globe, and finally the cinematic portrayal of witches and magicians, from The Wizard of Oz to Charmed and Buffy the Vampire Slayer.
This book focuses on yoga’s transcultural dissemination in the twentieth and twenty-first centuries. In the course of this process, the term “yoga” has been associated with various distinctive blends of mental and physical exercises performed in order to achieve some sort of improvement, whether understood in terms of esotericism, fitness, self-actualization, body aesthetics, or health care. The essays in this volume explore some of the turning points in yoga’s historico-spatial evolution and their relevance to its current appeal. The authors focus on central motivations, sites, and agents in the spread of posture-based yoga as well as on its successive (re-)interpretation and diversification, addressing questions such as: Why has yoga taken its various forms? How do time and place influence its meanings, social roles, and associated experiences? How does the transfer into new settings affect the ways in which yogic practice has been conceptualized as a system, and on what basis is it still identified as (Indian) yoga? The initial section of the volume concentrates on the re-evaluation of yoga in Indian and Western settings in the first half of the twentieth century. The following chapters link global discourses to particular local settings and explore meaning production at the micro-social level, taking Germany as the focal site. The final part of the book focuses on yoga advertising and consumption across national, social, and discursive boundaries, taking a closer look at transnational and deterritorialized yoga markets, as well as at various classes of mobile yoga practitioners.
Aleister Crowley: The Beast in Berlin by Tobias Churton Pdf
A biographical history of Aleister Crowley’s activities in Berlin from 1930 to 1932 as Hitler was rising to power • Examines Crowley’s focus on his art, his work as a spy for British Intelligence, his colorful love life and sex magick exploits, and his contacts with magical orders • Explores Crowley’s relationships with Berlin’s artists, filmmakers, writers, and performers such as Christopher Isherwood, Jean Ross, and Aldous Huxley • Recounts the fates of Crowley’s friends and colleagues under the Nazis as well as what happened to Crowley’s lost art exhibition Gnostic poet, painter, writer, and magician Aleister Crowley arrived in Berlin on April 18, 1930. As prophet of his syncretic religion “Thelema,” he wanted to be among the leaders of art and thought, and Berlin, the liberated future-gazing metropolis, wanted him. There he would live, until his hurried departure on June 22, 1932, as Hitler was rapidly rising to power and the black curtain of intolerance came down upon the city. Known to his friends affectionately as “The Beast,” Crowley saw the closing lights of Berlin’s artistic renaissance of the Weimar period when Berlin played host to many of the world’s most outstanding artists, writers, filmmakers, performers, composers, architects, philosophers, and scientists, including Albert Einstein, Bertolt Brecht, Ethel Mannin, Otto Dix, Aldous Huxley, Jean Ross, Christopher Isherwood, and many other luminaries of a glittering world soon to be trampled into the mud by the global bloodbath of World War II. Drawing on previously unpublished letters and diary material by Crowley, Tobias Churton examines Crowley’s years in Berlin and his intense focus on his art, his work as a spy for British Intelligence, his colorful love life and sex magick exploits, and his contacts with German Theosophy, Freemasonry, and magical orders. He recounts the fates of Crowley’s colleagues under the Nazis as well as what happened to Crowley’s lost art exhibition--six crates of paintings left behind in Germany as the Gestapo was closing in. Revealing the real Crowley long hidden from the historical record, Churton presents “the Beast” anew in all his ambiguous and, for some, terrifying glory, at a blazing, seminal moment in the history of the world.
Satanism is a phenomenon that has existed as a prominent trope since very beginning of Christianity, when the Church Fathers entertained fantasies about people worshipping the Devil and indulging in macabre rituals. In the early modern period, similarly unfounded ideas led to the infamous witch trials which transpired primarily between 1400 and 1700. In the 1980s and 1990s, what has been labelled a "Satanic Panic" swept the United States and parts of Europe, with again, unfounded rumors about secret Satanist networks committing gruesome murders, kidnappings and ritualistic child abuse. Today, the so called Pizzagate and QAnon conspiracy theories in the United States again draw on these motifs, this time postulating that left-wing Satanists are secretly manipulating politics and doing nefarious deeds in the shadows. This book, however, is only indirectly concerned with the purely fictional Satanism of such paranoid fantasies. It does not deal directly with the literary tradition of Satanism either, where Satanists can appear as antagonists (or, more rarely, protagonists) in the plot of a story, or authors express Satanic sympathies in a poem or two. Rather, our selection of source texts focuses on actual, existing Satanic groups, and thinkers of importance to the emergence of a Satanic milieu that forms part of a broader landscape of alternative religion. Some of the texts do in a sense belong to the above-mentioned categories, e.g., Léo Taxil's spoof on conspiracy theories, or the quite literary pseudo-histories of Satanism - in fact Satanic tracts in disguise of Jules Michelet and Stanislaw Przybyszewski, but we have aimed to concentrate on 1. self-designated Satanic groups and ideologists, 2. groups and ideologists who prominently revere a figure they identify with Satan, even though they may not self-designate as Satanists, and 3. groups and ideologists mostly excluding, however, literary texts and conspiracy theories whose re-interpretations of Satan were crucial to the growth of such ideas--
An exploration of Crowley’s relationship with the United States • Details Crowley’s travels, passions, literary and artistic endeavors, sex magick, and psychedelic experimentation • Investigates Crowley’s undercover intelligence adventures that actively promoted U.S. involvement in WWI • Includes an abundance of previously unpublished letters and diaries Occultist, magician, poet, painter, and writer Aleister Crowley’s three sojourns in America sealed both his notoriety and his lasting influence. Using previously unpublished diaries and letters, Tobias Churton traces Crowley’s extensive travels through America and his quest to implant a new magical and spiritual consciousness in the United States, while working to undermine Germany’s propaganda campaign to keep the United States out of World War I. Masterfully recreating turn-of-the-century America in all its startling strangeness, Churton explains how Crowley arrived in New York amid dramatic circumstances in 1900. After other travels, in 1914 Crowley returned to the U.S. and stayed for five years: turbulent years that changed him, the world, and the face of occultism forever. Diving deeply into Crowley’s 5-year stay, we meet artists, writers, spies, and government agents as we uncover Crowley’s complex work for British and U.S. intelligence agencies. Exploring Crowley’s involvement with the birth of the Greenwich Village radical art scene, we discover his relations with writers Sinclair Lewis and Theodore Dreiser and artists John Butler Yeats, Leon Engers Kennedy, and Robert Winthrop Chanler while living and lecturing on now-vanished “Genius Row.” We experience his love affairs and share Crowley’s hard times in New Orleans and his return to health, magical dynamism, and the most colorful sex life in America. We examine his controversial political stunts, his role in the sinking of the passenger ship Lusitania, his making of the “Elixir of Life” in 1915, his psychedelic experimentation, his prolific literary achievements, and his run-in with Detroit Freemasonry. We also witness Crowley’s influence on Scientology founder L. Ron Hubbard and rocket fuel genius Jack Parsons. We learn why J. Edgar Hoover wouldn’t let Crowley back in the country and why the FBI raided Crowley’s organization in LA. Offering a 20th-century history of the occult movement in the United States, Churton shows how Crowley’s U.S. visits laid the groundwork for the establishment of his syncretic “religion” of Thelema and the now flourishing OTO, as well as how Crowley’s final wish was to have his ashes scattered in the Hamptons.
Monsters have taken many forms across time and cultures, yet within these variations, monsters often evoke the same paradoxical response: disgust and desire. We simultaneously fear monsters and take pleasure in seeing them, and their role in human culture helps to explain this apparent contradiction. Monsters are created in order to delineate where the acceptable boundaries of action and emotion exist. However, while killing the monster allows us to cast out socially unacceptable desires, the prevalence of monsters in both history and fiction reveals humanity’s desire to see and experience the forbidden. We seek, write about, and display monsters as both a warning and wish fulfilment, and monsters, therefore, reveal that the line between desire and disgust is often thin. Looking across genres, subjects, and periods, this book examines what our conflicted reaction to the monster tells us about human culture.
