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Giorgio Vasari was one of the few artists in the history of art who built, designed, and decorated his homes. This book is the first to focus on Vasari's decorative cycles for his homes in Arezzo and Florence, revealing the significance of the artistic, cultural, and historical milieu of the sixteenth century. This study breaks new ground in two ways: First, in a personal and original manner, the imagery is related to Vasari's artistic ideas on history painting and the role of the artist. And second, Vasari's imagery portrays visual galleries applauding his teachers, antiquity and the creation of art.
Giorgio Vasari and the Birth of the Museum by MaiaWellington Gahtan Pdf
Giorgio Vasari and the Birth of the Museum offers the first dedicated and comprehensive study of Vasari?s original contributions to the making of museums, addressing the subject from the full range of aspects - collecting, installation, conceptual-historical - in which his influence is strongly felt. Uniting specialists of Giorgio Vasari with scholars of historical museology, this collection of essays presents a cross-disciplinary overview of Vasari?s approaches to the collecting and display of art, artifacts and memorabilia. Although the main focus of the book is on the mid-late 16th century, contributors also bring to light that Vasari?s museology enjoyed a substantial afterlife well into the modern museum era. This volume is a fundamental addition to the museum studies literature and a welcome enhancement to the scholarly industry on Giorgio Vasari.
Giorgio Vasari (1511-1574), Florentine painter, architect, art collector and writer, is best known for his Vite de' più eccellenti architetti, pittori et scultori italiani, da Cimabue insino a' tempi nostri (Lives of the Most Excellent Architects, Painters and sculptors of Italy, from Cimabue to our present time) which was first published in 1550. By virtue of this text, Vasari was knows as the "first art historian" since Pliny the Elder. This volume provides an opportunity to study and understand the art, theory, and visual culture of Giorgio Vasari and sixteenth century Italy. For the first time all of Vasari's Prefaces from the Lives of the Artists (1568) are included in the original Italian and in English translation. Through the eyes of Vasari, this book captures the creative achievements of his fellow artists--how they adopt nature and the classical tradition as their muses and how they ingeniously interpret the secular and religious themes of the past and present.
Giorgio Vasari, the "Father of Art History," first published his Vite in 1550. An instant sensation, the Vite was more than just a chronological sequence of biographies: it was the first critical history of artistic style. This fully illustrated Grove Art Essentials title delves into Giorgio Vasari's career as a painter, draughtsman, architect, and scholar from early life and training through his years of maturity. Accompanied by a complete catalogue of his writings and extensive bibliography, this volume also contains an in-depth exploration of his writings and their impact on the art historical discipline.
The Lives of the Most Excellent Painters, Sculptors, and Architects by Giorgio Vasari Pdf
A painter and architect in his own right, Giorgio Vasari (1511-74) achieved immortality for this book on the lives of his fellow Renaissance artists, first published in Florence in 1550. Although he based his work on a long tradition of biographical writing, Vasari infused these literary portraits with a decidedly modern form of critical judgment. The result is a work that remains to this day the cornerstone of art historical scholarship. Spanning the period from the thirteenth century to Vasari’s own time, the Lives opens a window on the greatest personalities of the period, including Giotto, Brunelleschi, Mantegna, Leonardo, Raphael, Michelangelo, and Titian. This Modern Library edition, abridged from the original text with notes drawn from earlier commentaries, as well as current research, reminds us why The Lives of the Most Excellent Painters, Sculptors, and Architects is indispensable to any student interested in Renaissance art.
The Collector of Lives: Giorgio Vasari and the Invention of Art by Noah Charney,Ingrid Rowland Pdf
“Readers curious about the making of Renaissance art, its cast of characters and political intrigue, will find much to relish in these pages.” —Wall Street Journal Giorgio Vasari (1511–1574) was a man of many talents—a sculptor, painter, architect, writer, and scholar—but he is best known for Lives of the Artists, which singlehandedly established the canon of Italian Renaissance art. Before Vasari’s extraordinary book, art was considered a technical skill, and artists were mere decorators and craftsmen. It was through Vasari’s visionary writings that Raphael, Leonardo, and Michelangelo came to be regarded as great masters of life as well as art, their creative genius celebrated as a divine gift. Lauded by Sarah Bakewell as “insightful, gripping, and thoroughly enjoyable,” The Collector of Lives reveals how one Renaissance scholar completely redefined how we look at art.
The Lives of the Most Excellent Painters, Sculptors, and Architects V10 by Giorgio Vasari Pdf
The Lives of the Most Excellent Painters, Sculptors, and Architects Often called "the first art historian", Vasari invented the genre of the encyclopedia of artistic biographies with his Le Vite de' più eccellenti pittori, scultori, ed architettori (Lives of the Most Eminent Painters, Sculptors, and Architects), dedicated to Grand Duke Cosimo I de' Medici, which was first published in 1550. He was the first to use the term "Renaissance" (rinascita) in print, though an awareness of the ongoing "rebirth" in the arts had been in the air since the time of Alberti, and he was responsible for our use of the term Gothic Art, though he only used the word Goth which he associated with the "barbaric" German style. The Lives also included a novel treatise on the technical methods employed in the arts. The book was partly rewritten and enlarged in 1568, with the addition of woodcut portraits of artists (some conjectural). The work has a consistent and notorious bias in favour of Florentines, and tends to attribute to them all the developments in Renaissance art — for example, the invention of engraving. Venetian art in particular (along with arts from other parts of Europe), is systematically ignored in the first edition. Between the first and second editions, Vasari visited Venice and while the second edition gave more attention to Venetian art (finally including Titian) it did so without achieving a neutral point of view. Vasari's biographies are interspersed with amusing gossip. Many of his anecdotes have the ring of truth, while others are inventions or generic fictions, such as the tale of young Giotto painting a fly on the surface of a painting by Cimabue that the older master repeatedly tried to brush away, a genre tale that echoes anecdotes told of the Greek painter Apelles. With a few exceptions, however, Vasari's aesthetic judgement was acute and unbiased. He did not research archives for exact dates, as modern art historians do, and naturally his biographies are most dependable for the painters of his own generation and those of the immediate past. Modern criticism – with new materials opened up by research – has corrected many of his traditional dates and attributions. Vasari includes a sketch of his own biography at the end of the Lives, and adds further details about himself and his family in his lives of Lazzaro Vasari and Francesco Salviati. According to the historian Richard Goldthwaite, Vasari was one of the earliest authors to use the term "competition" (or "concorrenza" in Italian) in its economic sense. He used it repeatedly, and stressed the concept in his introduction to the life of Pietro Perugino, in explaining the reasons for Florentine artistic preeminence. In Vasari's view, Florentine artists excelled because they were hungry, and they were hungry because their fierce competition amongst themselves for commissions kept them so. Competition, he said, is "one of the nourishments that maintain them."
The Life of Giorgio Vasari; a Study of the Later Renaissance in Italy by Robert Walter Carden Pdf
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1911 edition. Excerpt: ... CHAPTER IV THE "LIVES OF THE PAINTERS" Rome--Study of architecture--Palazzo Farnese cornice--Lucca--Rome again--Naples--Sala della Cancelleria--Inception of the Lives-- Doubts as to when they were really begun--Their progress--Caro's letter--Visit to Rimini--Purchase of a house in Arezzo--Feast of Ahasuerus--Contemporary opinion of Vasari. THE attractions of Venice proved so great that it was only the persuasive arguments of Gherardi which prevailed to draw Vasari away from a city where " good drawing was neglected for the pursuit of brilliant colouring." On the 16th of August, as Giorgio himself relates, he returned to Tuscany and set hand to the decoration of his new home, painting at the same time a Nativity for the nuns of Santa Margherita. These works were soon completed, and towwds tne"end of the autumn he set out once more for Rome; destined, as after events proved, to return many times and to rise to positions of increasing importance. We are not able to trace in detail the steps by which he rose. Once more there is a break in his correspondence, and between the closing months of 1543 and the year 1545 there is a gap over which the Autobiography throws no bridge. Giorgio began to devote more serious attention to architecture than he had hitherto done, urged thereto by the praises bestowed upon him by Michelangelo.: praises which "for the sake of modesty" he will not repeat1. In the meantime he continued to paint, and finished for Bindo Altoviti the Deposition which now hangs in the Pamfili Gallery. This picture "Jiad the good fortune not to displease {per sua grazia non /dispiacque) the greatest painter, architect, and sculptor that has ever been in our time, and perhaps in past ages," and also attracted the notice of Cardinal...
The Ashgate Research Companion to Giorgio Vasari by David J. Cast Pdf
The Ashgate Research Companion to Giorgio Vasari brings together the world's foremost experts on Vasari as well as up-and-coming scholars to provide, at the 500th anniversary of his birth, a comprehensive assessment of the current state of scholarship on this important-and still controversial-artist and writer. The contributors examine the life and work of Vasari as an artist, architect, courtier, academician, and as a biographer of artists. They also explore his legacy, including an analysis of the reception of his work over the last five centuries. Among the topics specifically addressed here are an assessment of the current controversy as to how much of Vasari's 'Lives' was actually written by Vasari; and explorations of Vasari's relationships with, as well as reports about, contemporaries, including Cellini, Michelangelo and Giotto, among less familiar names. The geographic scope takes in not only Florence, the city traditionally privileged in Italian Renaissance art history, but also less commonly studied geographical venues such as Siena and Venice.
