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Icons of Christ by Associate Professor of Systematic Theology and Ethics William G Witt Pdf
The pastoral office is one of the most critical in Christianity. Historically, however, Christians have not been able to agree on the precise nature and limits of that office. A specific area of contention has been the role of women in pastoral leadership. In recent decades, three broad types of arguments have been raised against women's ordination: nontheological (primarily cultural or political), Protestant, and Catholic. Reflecting their divergent understandings of the purpose of ordination, Protestant opponents of women's ordination tend to focus on issues of pastoral authority, while Catholic opponents highlight sacramental integrity. These positions are new developments and new theological stances, and thus no one in the current discussion can claim to be defending the church's historic position. Icons of Christ addresses these voices of opposition, making a biblical and theological case for the ordination of women to the ministerial office of Word and Sacrament. William Witt argues that not only those in favor of, but also those opposed to, women's ordination should embrace new theological positions in response to cultural changes of the modern era. Witt mounts a positive ecumenical argument for the ordination of women that touches on issues such as theological hermeneutics, relationships between men and women, Christology and discipleship, and the role of ordained clergy in leading the church in worship, among others. Uniquely, Icons of Christ treats both Protestant and Catholic theological concerns at length, undertaking a robust engagement with biblical exegesis and biblical, historical, systematic, and liturgical theology. The book's theological approach is critically orthodox, evangelical, and catholic. Witt offers the church an ecumenical vision of ordination to the presbyterate as an office of Word and Sacrament that justifiably is open to both men and women. Most critically Witt reminds us that, as all people are image-bearers of the divine, so men and women both are called to serve as icons of Christ in service of the gospel. --Alan G. Padgett, Professor of Systematic Theology, Luther Seminary
Author : Mary E. Green Publisher : Church Publishing, Inc. Page : 129 pages File Size : 51,7 Mb Release : 2014-10-01 Category : Religion ISBN : 9780819229397
Eyes to See: The Redemptive Purpose of Icons offers the discovery of life-giving spiritual insights found through learning to read the language of religious icons. Written especially for those whose traditions have not included icons, this book introduces eight icons written (painted) by the author. Historical notes, explanation of symbolism, related scriptures for interpretation, and a reflection for each icon deepens understanding and appreciation for the ancient holy images of the Church. The book is eight chapters in length, each describing one of the eight full-color icon plates in the insert.
"In the Cathedral Church of Mary of the Assumption in Tbilisi, Georgia, in Eastern Europe, "the Word of Life" is proclaimed in the Liturgy, and also told through one hundred and thirty icons of scenes from the Bible, elegantly arranged along the Cathedral's side walls. For the faithful, these icons uncover the thread of love that can draw them to enter, through prayer, into contemplation of the image of the invisible God." "Thirty of these icons, which tell the story of the life of Jesus, are reproduced in this book together with the relevant biblical texts and a commentary written especially for the English language edition by Francis J. Moloney, SDB. Carefully chosen extracts from early Church Fathers shed further light on each of the events portrayed in the icons."--BOOK JACKET.
Hermeneutics and the Authority of Scripture by Alan H Cadwallader Pdf
The question of hermeneutics now dominates all disciplines of human knowledge and its construction. It has moved from a concentration on how to apply the results of research knowledge to considerations of the frameworks by which we conduct research as a meaningful exercise. The study of the Bible is not exempt from these developments. The essays in this collection amply testify to the breadth of frameworks that are now being applied to the Bible and the development of ethical awareness in the construction of knowledge. The reader will find engagements with the Bible informed by developments in science, law, ecology, feminism and linguistics. Key ethical issues about violence, fundamentalism, anti-semitism and patriarchy are directly addressed as inextricably involved in the interpretation of the Bible, on the understanding that both Bible and interpreter must be responsible and accountable in todays world. Critical analysis of the Bible is no different, even when there is a pre-disposition or confessional commitment to treat the bible as sacred scripture. Biblical research is inextricably affected by those epistemologies and ethical sensitivities that inform understanding and the search for meaning in our contemporary world.
This is the most comprehensive introduction available to the history and theology of the icon, and is the standard text upon which most modern studies of iconography are based. It includes more than the basic theory of the transfiguration of beauty and the sanctification of art. It is a fundamental element in the entire body of Orthodox Tradition. n this two-volume work, author Leonid Ouspensky provides the reader with a deep and serious approach to the mystery of the sacred image. He surveys the development of the sacred art of the Christian East from its beginnings in catacomb art through the iconoclastic controversy of the eighth and ninth century. Drawing especially on the Russian Orthodox tradition, the author studies a large number of texts with care and in great detail. He includes an analysis of the flowering of early Russian iconography, tracing its later development and the state of the art today. The 51 black and white photo illustrations, along with the four-panel foldout and six color plates, will enable the reader to appreciate the Orthodox icon with an informed mind and open heart. Volume I, originally published in 1978, has been updated by the author and contains large sections of new material [Publisher description]
This extraordinary collection of full-page, full-color icons introduces readers, art appreciators, and historians to the spiritual riches of the Byzantine liturgical tradition. Father Michael Evdokimov, a Russian Orthodox priest living in Paris, has presented an icon for each of the twelve great feasts of the Orthodox Christian liturgical year, as well as for other special moments of prayer. Preceding each icon is a brief commentary explaining its meaning and significance. Furthermore, facing each icon are prayers appropriate for meditation that have been translated by the Monks of New Skete Monastery in upstate New York. In a simple and accessible manner, translator Robert Smith has brought text, prayers, and icons together to show how the beliefs and practices common to Orthodox people everywhere in the world can be appreciated by all. Book jacket.
The Ecumenical Work of the Icon by Hilda Kleiman Pdf
The Ecumenical Work of the Icon is an invitation to the students and faculties of Catholic seminaries to be a part of the tradition of the icon through the lens of ecumenis. With a view of ecumenism as lived in both the Roman Catholic and Orthodox traditions, the visual theological language of the icon may be engaged more fully and respectfully, thus enriching the theological education and future ministry of those who learn and teach in a Catholic setting. In the third portion of the book, readers are offered multiple practical pedagogical examples of how to integrate teaching and learning about the icon into seminary courses and beyond, including writing assignments, oral presentations, and hands-on activities.
A presentation on the biblical and patristic vision of beauty, applied then to contemporary movements in art. A 'theology of the icon' from a personal point of view, as well as in the context of the Church. Finally, the author includes a section and commentaries on 10 icons, from Riblev's Holy Trinity to the Novgorodian Angel.
Within the Eastern tradition of Christianity, the eikon, or religious image, has long held a place of honor. In the greater part of Western Christianity, however, discomfort with images in worship, both statues and panel icons, has been a relatively common current, particularly since the Reformation. In the Roman Catholic Church, after years of using religious statues, the Second Vatican Council’s call for “noble simplicity” in many cases led to a stripping of images that in some ways helped refocus attention on the eucharistic celebration itself but also led to a starkness that has left many Roman Catholics unsure of how to interact with the saints or with religious images at all. Today, Western interest in panel icons has been rising, yet we lack standards of quality or catechesis on what to do with them. This book makes the case that icons should have a role to play in the Western Church that goes beyond mere decoration. Citing theological and ecumenical reasons, Visel argues that, with regard to use of icons, the post–Vatican II Roman Catholic Church needs to give greater respect to the Eastern tradition. While Roman Catholics may never interact with icons in quite the same way that Eastern Christians do, we do need to come to terms with what icons are and how we should encounter them.
This book presents a unique opportunity for readers to visit an imaginary church and see icons "in action" throughout the year--to stand alongside worshippers for whom the use of icons is a natural part of their devotional lives.
Behold the Beauty of the Lord by Henri J. M. Nouwen Pdf
This twentieth anniversary edition (more than 111,000 copies sold) brings Henri J.M. Nouwen's writings on Eastern Orthodox icons to a new generation and adds to the Nouwen collection published by Ave Maria Press. With a foreword by Br. Robert Lentz, a well-known painter of contemporary icons, this classic Nouwen book invites readers to pray with four Russian icons with their eyes open by emphasizing seeing or gazing, which are at the heart of Eastern spirituality. Nouwen's meditations reveal his viewing of the icons not as decorations, but holy places. The book includes four full-color icons for private contemplation or meditation.
Scripture reveals a God who meets us where we are, not where we pretend to be. No More Faking Fine is your invitation to get honest with God through the life-giving language of lament. If you've ever been given empty clichés during challenging times, you know how painful it is to be misunderstood by well-meaning people. When life hurts, we often feel pressure--from others and ourselves--to keep it together, suck it up, or pray it away. But Scripture reveals a God who lovingly invites us to give honest voice to our emotions when life hits hard. For most of her life, Esther Fleece Allen believed she could bypass the painful emotions of her broken past by shutting them down altogether. She was known as an achiever and an overcomer on the fast track to success. But in silencing her pain, she robbed herself of the opportunity to be healed. Maybe you've done the same. Esther's journey into healing began when she discovered that God has given us a real-world way to deal with raw emotions and an alternative to the coping mechanisms that end up causing more pain. It's called lament--the gut-level, honest prayer that God never ignores, never silences, and never wastes. No More Faking Fine is your permission to lament, taking you on a journey down the unexpected pathway to true intimacy with God. Drawing from careful biblical study and hard-won insight, Esther reveals how to use God's own language to come closer to him as he leads us through our pain to the light on the other side, teaching you that: We are robbing ourselves of a divine mystery and a divine intimacy when we pretend to have it all together God does not expect us to be perfect; instead, he meets us where we are There is hope beyond your heartache, disappointment, and grief Like Esther, you'll soon find that when one person stops faking fine, it gives everyone else permission to do the same.