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The Icon, Image of the Invisible by Egon Sendler Pdf
A comprehensive study of the theology of the Icon and its history, the aesthetics of the Icon and its structures, and the techniques and steps to paint an Icon, this book contains more than 100 color and black-and-white photos and a similar number of drawings which show the technical details and preparations of painting an Icon, from pigment colors to selection of wood.
A comprehensive study of the theology of the Icon and its history, the aesthetics of the Icon and its structures, and the techniques and steps to paint an Icon, this book contains more than 100 color and black-and-white photos and a similar number of drawings which show the technical details and preparations of painting an Icon, from pigment colors to selection of wood.
Visible Image of the Invisible God by Dennis J. Sardella Pdf
"Beautifully illustrated with icon photographs, this book guides you to a knowledge of icons, how they are created, and the prayerful details that draw you to God"--
The Meaning of Icons by Léonide Ouspensky,Vladimir Lossky Pdf
"The nature of the icon cannot be grasped by means of pure art criticism, nor by the adoption of a sentimental point of view. Its forms are based on the wisdom contained in the theological and liturgical writings of the Eastern Orthodox Church and are imtimately bound up with the experience of the contemplative life. The present work is the first of its kind to give a reliable introduction to the spiritual background of this art. The introduction into the meaning and language of the icons by Ouspensky imparts to us in an admirable way the spiritual conceptions of the Eastern Orthodox Church which are often so foreign to us, but without the knowledge of which we cannot possibly understand the world of the icon." -- Back cover.
This book argues that the extraordinary force of the image in contemporary life?the contemporary imaginary?can be traced back to the Byzantine iconoclastic controversy of the eighth and ninth centuries.
Japanese Calligraphy as a Way to Make the Invisible Visible by Rodica Frentiu Pdf
The book is an academic work addressed to beginners in the study of the Japanese language, literature and art, as well as to those fascinated by Japanese culture or by the secrets of Japanese calligraphy in particular. The book combines, in an exciting and unique way, a theoretical analysis with the practice of calligraphy. In short, the book highlights the ‘process of becoming’ on the path of Japanese calligraphy, harmoniously reuniting the perspective of an external, distant, abstract view, with a subjective, practical, internal one. Because the author studied this art under the guidance of Japanese masters, the book also contains the author’s Japanese calligraphy works. Today, in the digital age, this book on Japanese calligraphy emphasizes the creative synergy of handwriting, through which the calm swiftness of the brush movement in a moment of concentration, attention and freedom, reveals a contemplative mental act. The book is, eventually, an inner journey on the path of Japanese calligraphy, as it combines the practice and theory of calligraphic art, rediscovering handwriting through the reveries of the calligraphy brush in the contemporary digital age: writing by painting and painting by writing.
Within the Eastern tradition of Christianity, the eikon, or religious image, has long held a place of honor. In the greater part of Western Christianity, however, discomfort with images in worship, both statues and panel icons, has been a relatively common current, particularly since the Reformation. In the Roman Catholic Church, after years of using religious statues, the Second Vatican Council’s call for “noble simplicity” in many cases led to a stripping of images that in some ways helped refocus attention on the eucharistic celebration itself but also led to a starkness that has left many Roman Catholics unsure of how to interact with the saints or with religious images at all. Today, Western interest in panel icons has been rising, yet we lack standards of quality or catechesis on what to do with them. This book makes the case that icons should have a role to play in the Western Church that goes beyond mere decoration. Citing theological and ecumenical reasons, Visel argues that, with regard to use of icons, the post–Vatican II Roman Catholic Church needs to give greater respect to the Eastern tradition. While Roman Catholics may never interact with icons in quite the same way that Eastern Christians do, we do need to come to terms with what icons are and how we should encounter them.
The Ecumenical Work of the Icon by Hilda Kleiman Pdf
The Ecumenical Work of the Icon is an invitation to the students and faculties of Catholic seminaries to be a part of the tradition of the icon through the lens of ecumenis. With a view of ecumenism as lived in both the Roman Catholic and Orthodox traditions, the visual theological language of the icon may be engaged more fully and respectfully, thus enriching the theological education and future ministry of those who learn and teach in a Catholic setting. In the third portion of the book, readers are offered multiple practical pedagogical examples of how to integrate teaching and learning about the icon into seminary courses and beyond, including writing assignments, oral presentations, and hands-on activities.
How can something finite mediate an infinite God? Weaving patristics, theology, art history, aesthetics, and religious practice with the hermeneutic phenomenology of Hans-George Gadamer and Jean-Luc Marion, Stephanie Rumpza proposes a new answer to this paradox by offering a fresh and original approach to the Byzantine icon. She demonstrates the power and relevance of the phenomenological method to integrate hermeneutic aesthetics and divine transcendence, notably how the material and visual dimensions of the icon are illuminated by traditional practices of prayer. Rumpza's study targets a problem that is a major fault line in the continental philosophy of religion – the integrity of finite beings I relation to a God that transcends them. For philosophers, her book demonstrates the relevance of a cherished religious practice of Eastern Christianity. For art historians, she proposes a novel philosophical paradigm for understanding the icon as it is approached in practice.
Nearly twenty percent of adolescents have developmental disabilities, yet far too often they are marginalized within churches. Amplifying Our Witness challenges congregations to adopt a new, practice-centered approach to congregational ministry -- one that includes and amplifies the witness of adolescents with developmental disabilities. Replete with stories taken from Benjamin Conner's own extensive experience with befriending and discipling adolescents with developmental disabilities, Amplifying Our Witness Shows how churches exclude the mentally disabled in various structural and even theological ways Stresses the intrinsic value of kids with developmental disabilities Reconceptualizes evangelism to adolescents with developmental disabilities, emphasizing hospitality and friendship.
Introduction by Ralph McInerny The essays in this volume, indebted in great part to Jacques Maritain and to other Neo-Thomists, represent a contribution to an understanding of beauty and the arts within the Aristotelian-Thomistic tradition. As such they constitute a different voice in present-day discussions on beauty and aesthetics, a voice which nonetheless shares with many of its contemporaries concern over questions such as the relationship between beauty and morality, public funding of the arts and their educational role, objective and universal standards of what is beautiful. In the tradition in which the contributors of this volume reflect, beauty manifests itself in the order of the universe, an order that provides human reason with a window onto the transcendent. For Aristotle and Aquinas the natural order grounds both art and morality, and yet it is this very order which has been called into question by modern science and philosophy. Instead of pointing us to a suprahuman order, the beautiful then points to the order of human freedom and creativity. Reflection on the beautiful since the modern philosopher Immanuel Kant has thus often taken a subjectivistic turn. Because of the importance of beauty and art in human existence, in man's education and life as a moral and political being, an alternative should be sought to any reduction of the beautiful to a purely subjective experience or cultural construct. The Aristotelian-Thomistic tradition, in dialogue with modern and contemporary conceptions of the beautiful, provides us with just that alternative, and thus the essays herein represent a decisive step in the "journey for Thomistic aesthetics." THE CONTRIBUTORS: In addition to the editor, the contributors to the volume are: Brian J. Braman, Matthew Cuddeback, Christopher M. Cullen, S.J., Patrick Downey, Desmond J. FitzGerald, Donald Haggerty, Wayne H. Harter, Jeanne M. Heffernan, Thomas S. Hibbs, Gregory J. Kerr, Joseph W. Koterski, S.J., Daniel McInerny, Ralph McInerny, James P. Mesa, John F. Morris, Ralph Nelson, Katherine Anne Osenga, Carrie Rehak, Stephen Schloesser, S.J., Francis Slade, John G. Trapani, Jr., and Henk E. S. Woldring. ABOUT THE EDITOR: Alice Ramos is associate professor of philosophy at St. John's University.
Author : Paul F. Bradshaw Publisher : Hymns Ancient and Modern Ltd Page : 509 pages File Size : 44,9 Mb Release : 2013 Category : Religion ISBN : 9780334049326
New SCM Dictionary of Liturgy and Worship by Paul F. Bradshaw Pdf
This reference work incorporates the insights and expertise of leading liturgists and scholars of liturgy at work today, comprising 200 entries on important topics in the field, from vestments and offertories to ordination and divine unction. It is systematically organized and alphabetically arranged for ease of use. It also includes comprehensive bibliographies and reading lists, to bring the work fully up to date and to encourage further reading and research.
Ecclesiasticus Prayer brings together essays, which were delivered on various occasions and are arranged into four general topics-hence the subtitle. The first section on Icons offers an introductory lecture on the iconoclastic dispute with a select (updated) bibliography and a fresh exposition, on the basis of the original text of St. John of Damascus' Defense of the Icons. The second section on Saints represents an introduction to Orthodox Hagiography, which was prepared for the Orthodox-Reformed Dialogue, and offers an extensive bibliography on the subject. The third section on Feasts is a general presentation of the major movable and immovable feasts of the Orthodox liturgical years and dovetails with the section on the Saints. Finally, the fourth section on Prayer offers two expositions of the Lord's Prayer, one by St. Maximos the Confessor and another by St. Macarios of Corinth, which are representative of the patristic understanding of this Prayer that constitutes the basis of Orthodox spirituality.
In Rome in A.D. 165, two men named Carpus and Papylus stood before the proconsul of Pergamum, charged with the crime of being Christians. Not even torture could make them deny Christ, so they were burned alive. Is my faithfulness as strong? In the fifth century, Melania the Younger and her husband, Pinian, distributed their enormous wealth to the poor and intentionally practiced the discipline of renunciation. Could living more simply deepen my trust in God? In the sixteen hundreds, Philipp Jakob Spener's love for the Word of God and his desire to help people apply the Bible to their life moved him to start "Colleges of Piety," or small groups. In what ways could commitment to community make me more like Christ? The history of the church has shaped what our faith and practice are like today. It's tempting to think that the way we do things now is best, but history also has much to teach us about what we've forgotten. In Water from a Deep Well, Gerald Sittser opens to us the rich history of spirituality, letting us gaze at the practices and stories of believers from the past who had the same thirst for God that we do today. As we see their deep faith through his vibrant narratives, we may discover that old ways can bring new life to our own spirituality.
