The Idolatrous Eye

Author : Michael O'Connell
Publisher : Oxford University Press
Page : 209 pages
File Size : 51,5 Mb
Release : 2000-01-13
Category : Literary Criticism
ISBN : 9780195344028

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The Idolatrous Eye by Michael O'Connell Pdf

This study argues that the century after the Reformation saw a crisis in the way that Europeans expressed their religious experience. Focusing specifically on how this crisis affected the drama of England, O'Connell shows that Reformation culture was preoccupied with idolatry and that the theater was frequently attacked as idolatrous. This anti-theatricalism notably targeted the traditional cycles of mystery plays--a type of vernacular, popular biblical theater that from a modern perspective would seem ideally suited to advance the Reformation project. The Idolatrous Eye provides a wide perspective on iconoclasm in the sixteenth century, and in so doing, helps us to understand why this biblical theater was found transgressive and what this meant for the secular theater that followed.

Author : Elizabeth Williamson
Publisher : Routledge
Page : 296 pages
File Size : 54,6 Mb
Release : 2016-04-08
Category : Performing Arts
ISBN : 9781317068112

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Religion and Drama in Early Modern England by Elizabeth Williamson Pdf

Offering fuller understandings of both dramatic representations and the complexities of religious culture, this collection reveals the ways in which religion and performance were inextricably linked in early modern England. Its readings extend beyond the interpretation of straightforward religious allusions and suggest new avenues for theorizing the dynamic relationship between religious representations and dramatic ones. By addressing the particular ways in which commercial drama adapted the sensory aspects of religious experience to its own symbolic systems, the volume enacts a methodological shift towards a more nuanced semiotics of theatrical performance. Covering plays by a wide range of dramatists, including Shakespeare, individual essays explore the material conditions of performance, the intricate resonances between dramatic performance and religious ceremonies, and the multiple valences of religious references in early modern plays. Additionally, Religion and Drama in Early Modern England reveals the theater's broad interpretation of post-Reformation Christian practice, as well as its engagement with the religions of Islam, Judaism and paganism.

Author : R L Coursey
Publisher : WestBow Press
Page : 405 pages
File Size : 47,6 Mb
Release : 2022-10-18
Category : Religion
ISBN : 9781664279513

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Gospel-Centered Idolatry by R L Coursey Pdf

Thomas Chalmers, in his classic sermon entited, “The Expulsive Power of a New Affection,” correctly ascribes subjective power to subjective affections, for love does have an expulsive power, whether one loves God to the despising of self, or loves self to the despising of God. But he incorrectly sides with objective justification, full pardon and gracious acceptance as the power that creates love and the engine that empowers sanctification. He is right to suggest that a new affection has expulsive power, but wrong to suggest that the source and power of a new affection is primarily in the indicative benefits. Jonathan Edwards, on the other hand, sided with regeneration for the obvious reason that without a new nature, the natural man can only be constrained by outside considerations (the indicatives) to superficially walk in newness of life (the imperatives). Such considerations mght produce change that rises as high as the outward performance of the Legalist, but it is still only the superficial height that self-love alone can achieve. The Spirit’s work of illuminating the higher glory and beauty of Christ to the soul is the only source of an affection that can be called new. If the expulsive power of a new affection does not dethrone self as one’s primary concern in life and theology, then what exactly is being expulsed by the power of the gospel? If one’s religion does not surpass one’s primary concern for what’s in it for oneself, then one’s self-love may have an expulsive power, but it will be the light of the glory of God in the face of Christ Jesus that is expulsed by the power of self-love. The irony of the cross was that Christ was crucified by those who already had a knowledge of God’s steadfast love and rejoiced in spiritual priviledges. The proper force and source behind the believer’s love for God is not found in the objective benefits as they reflect upon the believer’s high privileges, but God’s power alone as it is exerted in the soul by the Spirit imparting a new heart, new affections and a new principle of action that did not exist prior. Good fruit is produced only by a good tree, and however constrained by outside forces, a bad tree cannot be manipulated to produce fruit contrary to its nature.

Author : Andrea Stevens
Publisher : Edinburgh University Press
Page : 192 pages
File Size : 47,6 Mb
Release : 2013-06-30
Category : Literary Criticism
ISBN : 9780748670512

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Inventions of the Skin by Andrea Stevens Pdf

Recovering a crucial grammar of theatrical representation, this book argues that the onstage embodiment of characters-not just the words written for them to speak-forms an important and overlooked aspect of stage representation.

Author : Professor Joanne Rochester
Publisher : Ashgate Publishing, Ltd.
Page : 186 pages
File Size : 43,6 Mb
Release : 2013-04-28
Category : Literary Criticism
ISBN : 9781409475828

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Staging Spectatorship in the Plays of Philip Massinger by Professor Joanne Rochester Pdf

The playwrights composing for the London stage between 1580 and 1642 repeatedly staged plays-within and other metatheatrical inserts. Such works present fictionalized spectators as well as performers, providing images of the audience-stage interaction within the theatre. They are as much enactments of the interpretive work of a spectator as of acting, and as such they are a potential source of information about early modern conceptions of audiences, spectatorship and perception. This study examines on-stage spectatorship in three plays by Philip Massinger, head playwright for the King's Men from 1625 to 1640. Each play presents a different form of metatheatrical inset, from the plays-within of The Roman Actor (1626), to the masques-within of The City Madam (1632) to the titular miniature portrait of The Picture (1629), moving thematically from spectator interpretations of dramatic performance, the visual spectacle of the masque to staged 'readings' of static visual art. All three forms present a dramatization of the process of examination, and allow an analysis of Massinger's assumptions about interpretation, perception and spectator response.

Author : Ellen MacKay
Publisher : University of Chicago Press
Page : 256 pages
File Size : 54,6 Mb
Release : 2011-02-15
Category : Literary Criticism
ISBN : 9780226500218

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Persecution, Plague, and Fire by Ellen MacKay Pdf

The theater of early modern England was a disastrous affair. The scant record of its performance demonstrates as much, for what we tend to remember today of the Shakespearean stage and its history are landmark moments of dissolution: the burning down of the Globe, the forced closure of playhouses during outbreaks of the plague, and the abolition of the theater by its Cromwellian opponents. Persecution, Plague, and Fire is a study of these catastrophes and the theory of performance they convey. Ellen MacKay argues that the various disasters that afflicted the English theater during its golden age were no accident but the promised end of a practice built on disappearance and erasure—a kind of fatal performance that left nothing behind but its self-effacing poetics. Bringing together dramatic theory, performance studies, and theatrical, religious, and cultural history, MacKay reveals the period’s radical take on the history and the future of the stage to show just how critical the relation was between early modern English theater and its public.

Author : Tara E. Pedersen
Publisher : Routledge
Page : 263 pages
File Size : 52,6 Mb
Release : 2016-04-22
Category : Literary Criticism
ISBN : 9781317097204

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Mermaids and the Production of Knowledge in Early Modern England by Tara E. Pedersen Pdf

We no longer ascribe the term ’mermaid’ to those we deem sexually or economically threatening; we do not ubiquitously use the mermaid’s image in political propaganda or feature her within our houses of worship; perhaps most notably, we do not entertain the possibility of the mermaid’s existence. This, author Tara Pedersen argues, makes it difficult for contemporary scholars to consider the mermaid as a figure who wields much social significance. During the early modern period, however, this was not the case, and Pedersen illustrates the complicated category distinctions that the mermaid inhabits and challenges in 16th-and 17th-century England. Addressing epistemological questions about embodiment and perception, this study furthers research about early modern theatrical culture by focusing on under-theorized and seldom acknowledged representations of mermaids in English locations and texts. While individuals in early modern England were under pressure to conform to seemingly monolithic ideals about the natural order, there were also significant challenges to this order. Pedersen uses the figure of the mermaid to rethink some of these challenges, for the mermaid often appears in surprising places; she is situated at the nexus of historically specific debates about gender, sexuality, religion, the marketplace, the new science, and the culture of curiosity and travel. Although these topics of inquiry are not new, Pedersen argues that the mermaid provides a new lens through which to look at these subjects and also helps scholars think about the present moment, methodologies of reading, and many category distinctions that are important to contemporary scholarly debates.

Author : Victoria Brownlee
Publisher : Oxford University Press
Page : 320 pages
File Size : 46,7 Mb
Release : 2018-03-30
Category : Literary Criticism
ISBN : 9780192540577

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Biblical Readings and Literary Writings in Early Modern England, 1558-1625 by Victoria Brownlee Pdf

The Bible had a profound impact on early modern culture, and bible-reading shaped the period's drama, poetry, and life-writings, as well as sermons and biblical commentaries. This volume provides an account of the how the Bible was read and applied in early modern England. It maps the connection between these readings and various forms of writing and argues that literary writings bear the hallmarks of the period's dominant exegetical practices, and do interpretative work. Tracing the impact of biblical reading across a range of genres and writers, the discussion demonstrates that literary reimaginings of, and allusions to, the Bible were common, varied, and ideologically evocative. The book explores how a series of popularly interpreted biblical narratives were recapitulated in the work of a diverse selection of writers, some of whom remain relatively unknown. In early modern England, the figures of Solomon, Job, and Christ's mother, Mary, and the books of Song of Songs and Revelation, are enmeshed in different ways with contemporary concerns, and their usage illustrates how the Bible's narratives could be turned to a fascinating array of debates. In showing the multifarious contexts in which biblical narratives were deployed, this book argues that Protestant interpretative practices contribute to, and problematize, literary constructions of a range of theological, political, and social debates.

Author : William A. Dyrness
Publisher : Cambridge University Press
Page : 364 pages
File Size : 45,9 Mb
Release : 2004-06-10
Category : Art
ISBN : 0521540739

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Reformed Theology and Visual Culture by William A. Dyrness Pdf

William Dyrness examines how particular theological themes of Reformed Protestants impacted on their surrounding visual culture.

Author : Peter Rollins
Publisher : Simon and Schuster
Page : 233 pages
File Size : 55,8 Mb
Release : 2013
Category : Religion
ISBN : 9781451609028

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The Idolatry of God by Peter Rollins Pdf

We must lay down our certainties and honestly admit our doubts to identify with Jesus. Rollins purposely upsets fundamentalist certainty in order to open readers up to a more loving, active manifestation of Christ's love. He explores how the Good News actually involves embracing the idea that we can't be whole, that life is difficult, and that we are in the dark. By joyfully embracing our brokenness, and courageously accepting the difficulties of existence, we truly rob death of its sting and enter into the fullness of life.

Author : Dennis Taylor
Publisher : Rowman & Littlefield
Page : 495 pages
File Size : 51,5 Mb
Release : 2022-07-18
Category : Literary Criticism
ISBN : 9781666902099

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Shakespeare and the Elizabethan Reformation by Dennis Taylor Pdf

Shakespeare and the Elizabethan Reformation: Literary Negotiation of Religious Difference explores how Shakespeare’s plays dramatize key issues of the Elizabethan Reformation, the conflict between the sacred, the critical, and the disenchanted; alternatively, the Catholic, the Protestant, and the secular. Each play imagines their reconciliation or the failure of reconcilation. The Catholic sacred is shadowed by its degeneration into superstition, Protestant critique by its unintended (fissaparous) consequences, the secular ordinary by stark disenchantment. Shakespeare shows how all three perspectives are needed if society is to face its intractable problems, thus providing a powerful model for our own ecumenical dialogues. Shakespeare begins with history plays contrasting the saintly but impractical King Henry VI, whose assassination is the ”primal crime,” with the pragmatic and secular Henry IV, until imagining in the later 1590’s how Hal can reconnect with sacred sources. At the same time in his comedies, Shakespeare imagines cooperative ways of resolving the national ”comedy of errors,” of sorting out erotic and marital and contemplative confusions by applying his triple lens. His late Elizabethan comedies achieve a polished balance of wit and devotion, ordinary and the sacred, old and new orders. Hamlet is Shakespeare’s ultimate Elizabethan consideration of these issues, its so-called lack of objective correlation a response to the unsorted trauma of the Reformation.

Author : Robert Anderson
Publisher : Unknown
Page : 912 pages
File Size : 52,7 Mb
Release : 1795
Category : English poetry
ISBN : NYPL:33433076026842

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The Works of the British Poets by Robert Anderson Pdf

Author : Walter Jacob
Publisher : Hebrew Union College Press
Page : 297 pages
File Size : 54,6 Mb
Release : 1974-12-31
Category : Religion
ISBN : 9780878201464

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Christianity Through Jewish Eyes by Walter Jacob Pdf

This book presents a historical and critical study of the most significant modern Jewish thinkers on Christianity. The writings of more than a score of leading modern Jewish philosophers and theologians from Moses Mendelssohn to Emil Fackenheim are carefully analyzed. Although Judaism and Christianity have existed side by side for nineteen centuries, the Judeo-Christian dialogue is a phenomenon of the last two centuries. During much of the earlier period, polemic was the only acknowledgement of co-existence. Both Judaism and Christianity have moved hesitatingly toward dialogue, and this volume tries to trace those steps. The book has been selective, and many writers of monographs have been omitted as it concerns itself with those thinkers who have made major contributions to a new understanding of Christianity. In an effort to have the authors speak for themselves, quotations have been extensively used. Much of the material has been made available to the American reader for the first time, as the original sources in German, French, or Italian remain largely untranslated.

Author : Patricia Phillippy
Publisher : JHU Press
Page : 273 pages
File Size : 53,8 Mb
Release : 2020-03-03
Category : Literary Criticism
ISBN : 9781421429212

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Painting Women by Patricia Phillippy Pdf

This original analysis of the representation and self-representation of women in literature and visual arts revolves around multiple early modern senses of "painting": the creation of visual art in the form of paint on canvas and the use of cosmetics to paint women's bodies. Situating her study in sixteenth- and seventeenth-century Italy, France, and England, Patricia Phillippy brings together three distinct actors: women who paint themselves with cosmetics, women who paint on canvas, and women and men who paint women—either with pigment or with words. Phillippy asserts that early modern attitudes toward painting, cosmetics, and poetry emerge from and respond to a common cultural history. Materially, she connects those who created images of women with pigment to those who applied cosmetics to their own bodies through similar mediums, tools, techniques, and exposure to toxic materials. Discursively, she illuminates historical and social issues such as gender and morality with the nexus of painting, painted women, and women painters. Teasing out the intricate relationships between these activities as carried out by women and their visual and literary representation by women and by men, Phillippy aims to reveal the delineation and transgression of women's creative roles, both artistic and biological. In Painting Women, Phillippy provides a cross-disciplinary study of women as objects and agents of painting.

Author : Susan Doran
Publisher : Oxford University Press, USA
Page : 418 pages
File Size : 49,7 Mb
Release : 2015
Category : History
ISBN : 9780199574957

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Elizabeth I and Her Circle by Susan Doran Pdf

The inside story of Elizabeth I's inner circle and the crucial human relationships which lay at the heart of her personal and political life. It is a vivid and often dramatic account, offering a deeper insight into Elizabeth's emotional and political conduct, and challenging many popular myths about her.