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The Imaginary Marriage by Henry St. John Cooper Pdf
DigiCat Publishing presents to you this special edition of "The Imaginary Marriage" by Henry St. John Cooper. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Author : St. John Henry Cooper Publisher : IndyPublish.com Page : 268 pages File Size : 40,5 Mb Release : 2006-10-01 Category : Family & Relationships ISBN : 1428033181
The Imaginary Puritan by Nancy Armstrong,Leonard Tennenhouse Pdf
Nancy Armstrong and Leonard Tennenhouse challenge traditional accounts of the origins of modern Anglo-American culture by focusing on the emergence of print culture in England and the North American colonies. They postulate a modern middle class that consisted of authors and intellectuals who literally wrote a new culture into being. Milton's Paradise Lost marks the emergence of this new literacy. The authors show how Milton helped transform English culture into one of self-enclosed families made up of self-enclosed individuals. However, the authors point out that the popularity of Paradise Lost was matched by that of the Indian captivity narratives that flowed into England from the American colonies. Mary Rowlandson's account of her forcible separation from the culture of her origins stresses the ordinary person's ability to regain those lost origins, provided she remains truly English. In a colonial version of the Miltonic paradigm, Rowlandson sought to return to a family of individuals much like the one in Milton's depiction of the fallen world. Thus the origin both of modern English culture and of the English novel are located in North America. American captivity narratives formulated the ideal of personal life that would be reproduced in the communities depicted by Defoe, Richardson, and later domestic fiction. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1992.
Control of the Imaginary was first published in 1989. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. In Control of the Imaginary Luiz Costa Lima explains how the distinction between truth and fiction emerged at the beginning of modern times and why, upon its emergence, fiction fell under suspicion. Costa Lima not only describes the continuous relationship between Western notions of reason and subjectivity over a broad time-frame—the Renaissance to the first decade of the twentieth century—but he uses this occasion to reexamine the literary traditions of France, Italy, Spain, Portugal, England, and Germany. The book reconstructs the dominant frames in the European tradition between the Middle Ages and the nineteenth century from the perspective of a Latin American who sees the culture of his native Brazil haunted by unresolved questions from the Northern Hemisphere. Costa Lima manages to synthesize positions from philosophy, anthropology, sociology, psychology, linguistics, and history without separating the theoretical discussion from his historical reconstructions. The first chapter situates the problem and grounds the emergent distinction between truth and fiction in a very close analysis of one of the first European historians, Fernao Lopes, who sets the tone for the condemnation of fiction in the name of the truth of history and the potential for individual interpretation. Costa Lima pursues these notions through the aesthetic debates of the seventeenth and eighteenth centuries to the writings of the French historian Michelet. He also devotes an illuminating chapter to the invention of the strictures imposed on fiction.
Bridging the gap between migration studies and the anthropological tradition, Ghassan Hage illustrates that transnationality and its attendant cultural consequences are not necessarily at odds with classic theory. In The Diasporic Condition, Ghassan Hage engages with the diasporic Lebanese community as a shared lifeworld, defining a common cultural milieu that transcends spatial and temporal distance—a collective mode of being here termed the “diasporic condition.” Encompassing a complicated transnational terrain, Hage’s long-term ethnography takes us from Mehj and Jalleh in Lebanon to Europe, Australia, South America, and North America, analyzing how Lebanese migrants and their families have established themselves in their new homes while remaining socially, economically, and politically related to Lebanon and to each other. At the heart of The Diasporic Condition lies a critical anthropological question: How does the study of a particular sociocultural phenomenon expand our knowledge of modes of existing in the world? As Hage establishes what he terms the “lenticular condition,” he breaks down the boundaries between “us” and “them,” “here” and “there,” showing that this convergent mode of existence increasingly defines everyone’s everyday life.
The Physiology of Marriage and Pierre Grassou by Honore De Balzac Pdf
Who is the husband who can now sleep quietly beside his young and pretty consort, after learning that at least three bachelors are on the lookout to rob him; that, if they have not already encroached upon his property, they regard his bride as their legitimate prey, who, sooner or later, will fall victim to them, whether by force, by ruse, or by her own free will, and that it is impossible that, some day, they will not be victorious!-from "Meditation IV: On the Virtuous Woman""I am not deep," Honor de Balzac is reported have quipped, "but very wide." His satiric width is on full display in The Physiology of Marriage, a sociological essay on matrimony masquerading as a novel... or is it a novel masquerading as a sociological essay on matrimony? Bold and cynical-or so his contemporaries perceived-this 1829 work is startling modern in its spirit and approach, a dryly witty expose of the underlying tensions of the enduring battle of the sexes.Also in this volume: Balzac's short tale "Pierre Grassou," an 1840 story about a terrible painter who uses marriage to the daughter of a wealthy art collector as a stepping stone to success.French writer HONOR DE BALZAC (1799-1850) is generally credited with the invention of realism in fiction, and his novels are considered among the greatest ever written in any language. His grand La Com die Humaine consists of a vast array of novels and short stories depicting French society of his time, among them Louis Lambert (1832), Les Illusions perdues (1837), and La Cousine Bette (1847).
With his critically acclaimed Among the Missing and Fitting Ends, award-winning author Dan Chaon proved himself a master of the short story form. He is a writer, observes the Chicago Tribune, who can “convincingly squeeze whole lives into a mere twenty pages or so.” Now Chaon marshals his notable talents in his much-anticipated debut novel. You Remind Me of Me begins with a series of separate incidents: In 1977, a little boy is savagely attacked by his mother’s pet Doberman; in 1997 another little boy disappears from his grandmother’s backyard on a sunny summer morning; in 1966, a pregnant teenager admits herself to a maternity home, with the intention of giving her child up for adoption; in 1991, a young man drifts toward a career as a drug dealer, even as he hopes for something better. With penetrating insight and a deep devotion to his characters, Dan Chaon explores the secret connections that irrevocably link them. In the process he examines questions of identity, fate, and circumstance: Why do we become the people that we become? How do we end up stuck in lives that we never wanted? And can we change the course of what seems inevitable? In language that is both unflinching and exquisite, Chaon moves deftly between the past and the present in the small-town prairie Midwest and shows us the extraordinary lives of “ordinary” people.
