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Udo Middelmann, president of the Francis A. Schaeffer Foundation, argues for a belief in God?s radical innocence as a third way between deterministic and "openness" views of divine sovereignty.
Evil comes in many guises. Joseph Stalin said that "Death is the solution to all problems. No man - no problem." He also said; "One death is a tragedy; one million is a statistic." Stalin; like his entire ilk, accepted that there is no more guilt for multiple killings than for just one. Evil the encyclopedia tells us is morally reprehensible: sinful or wicked. Innocence on the other hand is defined as not being corrupted or tainted with evil or unpleasant emotion; sinless; pure. From these definitions we would then assume that the two; Evil and Innocence, could not cohabit in the same host. Evil Innocence will cause you to question that assertion. Murder is the personification of evil. There is no excuse, there is no way that murder is committed out of innocence. "Evil Innocence" will challenge your understanding of innocence as retired Detective Inspector Len Potter has to reconcile his past assumption that Henry Papford was responsible for the serial killing of six young women.
The Innocence of the Devil by Nawal El Saadawi Pdf
Nawal El Saadawi's books are known for their powerful denunciation of patriarchy in its many forms: social, political, and religious. Set in an insane asylum, The Innocence of the Devil is a complex and chilling novel that recasts the relationships of God and Satan, of good and evil. Intertwining the lives of two young women as they discover their sexual and emotional powers, Saadawi weaves a dreamlike narrative that reveals how the patriarchal structures of Christianity and Islam are strikingly similar: physical violation of women is not simply a social or political phenomenon, it is a religious one as well. While more measured in tone than Salman Rushdie's Satanic Verses, Saadawi's novel is similar in its linguistic, literary, and philosophical richness. Evoking a world of pain and survival that may be unfamiliar to many readers, it speaks in a universal voice that reaches across cultures and is the author's most potent weapon.
The Writing of Innocence by Aïcha Liviana Messina Pdf
The Writing of Innocence explores the topic of innocence and the peculiar relationship to Christianity in the writing of Maurice Blanchot. Its starting point is that innocence is not a condition relegated to a mythical past but rather one resulting from the construction of the subject in and through language. Hence, we don't lose innocence; instead, we are lost by innocence. It is an excess, not a lack. This inverted notion of innocence raises new ethical and political issues that Aïcha Liviana Messina unfolds through vigorous re-readings of a series of biblical motifs, including law, grace, and apocalypse. The closing chapter turns to the convergences and divergences between Jean-Luc Nancy's and Blanchot's understandings of the deconstruction of Christianity. With a foreword by philosopher Serge Margel, The Writing of Innocence offers a fresh perspective on Blanchot's writings in general and on his dialogue with Hegel in particular. While staging innocence in its philosophical and literary dimensions, The Writing of Innocence provides singular readings of works by Kierkegaard, Agamben, Derrida, Nancy, Camus, Hugo, and Kafka.
A Wounded Innocence by Alejandro R. Garcia-Rivera Pdf
What is the theological significance of art? Why has the Church always encouraged the arts? What is so profoundly human about the arts? In A Wounded Innocence Alejandro R. Garcia-Rivera answers these questions in a series of sketches" that are mixed spiritual and theological reflections on various works of art written in a poetic style. These reflections explore the relationship between the multi-dimensional spiritual and the arts. The first *sketch, - *The Beginning of Art, - introduces the rest that go on to explore further the human, artistic, and theological implications of a wounded innocence. Each *sketch - reflects on a particular human work of art. Some are conventional works of art. Others may never find their way into a museum but, then, that is one of the implications coming out of this book. A museum does not define what a work of art is, its human depth does. In these deeply studied yet spiritually written reflections on each work of art, it is hoped that the reader will find his and her own creative depth described, perhaps even revealed. A Wounded Innocence is both inspiring and informative. Readers will learn about art, spirituality, and theology, and will find themselves inspired to look at works of art, and even to produce a work of art. It sets a new way of doing theology that is at the same time spiritual. More importantly, Garcia-Rivera describes a theology of art. Chapters are *The Beginning of Art, - *The End of Art, - *Human Freedom and Artistic Creativity, - *Heaven-with-Us, - *The Human Aspect of Atonement, - *The Tyger and the Lamb, - and *A Wounded Innocence. - Includes black and white art. Alejandro R. Garcia-Rivera, PhD, is associate professor of systematic theology at the Jesuit School of Theology at Berkeley. The author of numerous articles, he also wrote a Catholic Press Association award-winning book on theology and aesthetics titled The Community of the Beautiful (The Liturgical Press). "
Innocence is always on the verge of being lost, particularly amongst growing teens. It is even more so within developing countries of the world. Triumph of Innocence examines the challenges faced by a Nigerian child within a same-sexed boarding school in Nigeria. This intriguing, striking and strongly moral book is a beautiful testimony of how much instilling values at the foundational stages of a childs life can help him weather the storms life throws at him. Ehis in this book grows up fast in wisdom and experience, beating the odds of a corrupt society to show that innocence of heart does not consist in just fighting evil, but also remaining true to ones core values. I recommend this literary piece for all who are besieged with internal struggles between good and evil inclinations at various moments in their lives. The message of this book inspires hope, because at the end, true innocence, affirmed by a good moral foundation, always triumphs. - Rev. Fr. Oji Robert
A History of the Lie of Innocence in Literature by Rodney David Le Cudennec Pdf
This book traces the history of what it terms the “lie of innocence” as represented in literary texts from the late 18th century to contemporary times. The writers selected here – William Blake, Herman Melville, William Faulkner, Graham Greene, and Cormac McCarthy – write at various points in which the western world was undergoing a process of secularization. This work commences with a study of the bible demonstrating the extent to which “innocence” is realized there as a lie. It identifies in the bible how “innocence” is used for political, social and ethical expediency, and suggests that the explications of each reference can be demonstrated to testify to an absence of innocence, to indeed the lie of its supposed meaning. In analyzing the selected texts, emphasis is given to the continuation of biblical relevance even when the described world of social behavior works outside religious and biblical notions of good and evil. Instead, this book embraces an interconnection between Nietzsche’s “innocence of becoming” and the biblical tree of life that had been rejected in western mythology. It is, this work argues, the choice to sanctify the biblical tree of knowledge that presumed to know what was good and what was evil that brought about the lie of innocence. The book focuses on the relationship between fathers and sons, arguing that it is the orphan son, cut away from paternal ties, who embodies the possibility for the world to embrace an “innocence of becoming”. It further shows, with some optimism, that in a post-apocalyptical world, as envisaged by McCarthy, the son can be freed to choose the tree of life over the tree of knowledge.
Innocence in Graham Greene's Novels by Shoko Miyano Pdf
Graham Greene once wrote that «Innocence is a kind of insanity.» This book examines the many shades of innocence in Greene's characters: the «blank innocence,» «depraved innocence,» and «absurd innocence» of Anthony Farrant; the piteous innocence of Pinkie; the simple innocence of Raven; the pure innocence of Father Quixote; the paradoxical innocence of the Whisky Priest; the inverted innocence of Sarah Miles; the faithful innocence of Father Rivas, the Dog-Ears Priest; the intrusive innocence of Doctor Fischer; and the playful innocence of Harry Lime. The complex concept of innocence is found to be a prevailing theme in Greene's novels.
The fear of falling, the awareness of lost innocence, lost illusions, lost hopes and intentions, of civilization in decline—these are the themes which link literature to theology, both concerned with the shape of human destiny. Otten discusses the continuing viability of the myth of the Fall in literature. He relates a wide variety of romantic and modern works to fundamental issues in modern Christianity.
Politics, Innocence, and the Limits of Goodness by Peter Johnson Pdf
First published in 1988. Moral innocence is of enduring interest because it seems to embody our ideals in their purest form. The place of moral innocence in politics is the central theme of Peter Johnson’s subtle and original book. Are there moral dispositions which are not only incompatible with politics but actually endanger it? If it is sometimes necessary to act badly in order to achieve desirable objectives, what moral standpoints would exclude such a course at action? Peter Johnson demonstrates convincingly why philosophical accounts of morality, past and present, are unable to explain moral innocence: its full impact on politics can only be grasped by putting aside traditional theories. Literature provides the key to a deeper understanding of the relationship between politics and morality. Melville’s Billy Budd, Shakespeare’s Henry VI, and Graham Greene’s The Quiet American reveal moral innocence at work in political circumstances of great intensity. Through these and other literary figures, we see at last the specific character of moral innocence and why it is connected with political disaster. This closely reasoned yet deeply passionate book illuminates a problem of great contemporary interest and nowhere more so than in American public life. Original in theme and content, it confronts central issues of concern to the modern mind, not simply to academics, both teachers and taught, but to all those interested in how they might be governed.