The Instrumental Consort Repertory Of The Late Fifteenth Century

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The Instrumental Consort Repertory of the Late Fifteenth Century

Author : Jon Banks
Publisher : Unknown
Page : 128 pages
File Size : 41,9 Mb
Release : 2017
Category : Electronic books
ISBN : 1315086220

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The Instrumental Consort Repertory of the Late Fifteenth Century by Jon Banks Pdf

"Though individual pieces from the late fifteenth century are widely accepted as being written for instruments rather than voices, they are traditionally considered as exceptions within the context of a mainstream of vocal polyphony. After a rigorous examination of the criteria by which music of this period may be judged to be instrumental, Dr Jon Banks isolates all such pieces and establishes them as an explicit genre alongside the more commonly recognized vocal forms of the period. The distribution of these pieces in the manuscript and early printed sources of the time demonstrate how central instrumental consorts were to musical experience in Italy at this time. Banks also explores the social background to Italian music-making, and particularly the changing status of instrumentalists with respect to other musicians. Convincing evidence is put forward in particular for the lute ensemble to be a likely performance context for many of the surviving sources. The book is not intended to be a prescriptive account for the role of instruments in late medieval music, but instead restores an impressive but largely overlooked consort repertory to its rightful place in the history of music."--Provided by publisher.

The Instrumental Consort Repertory of the Late Fifteenth Cenutry

Author : Jon Banks
Publisher : Ashgate Publishing, Ltd.
Page : 208 pages
File Size : 46,9 Mb
Release : 2006
Category : Music
ISBN : 0754653404

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The Instrumental Consort Repertory of the Late Fifteenth Cenutry by Jon Banks Pdf

After a rigorous examination of the criteria by which music of this period may be judged to be instrumental, Jon Banks isolates all such pieces and establishes them as an explicit genre alongside the more commonly recognized vocal forms of the period. The distribution of these pieces in the manuscript and early printed sources of the time demonstrate how central instrumental consorts were to musical experience in Italy at this time. Banks also explores the social background to Italian music-making, and particularly the changing status of instrumentalists with respect to other musicians. This book restores an impressive but largely overlooked consort repertory to its rightful place in the history of music.

The Instrumental Consort Repertory of the Late Fifteenth Century

Author : Jon Banks
Publisher : Routledge
Page : 212 pages
File Size : 48,9 Mb
Release : 2019-10-23
Category : Music
ISBN : 9781351543453

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The Instrumental Consort Repertory of the Late Fifteenth Century by Jon Banks Pdf

Though individual pieces from the late fifteenth century are widely accepted as being written for instruments rather than voices, they are traditionally considered as exceptions within the context of a mainstream of vocal polyphony. After a rigorous examination of the criteria by which music of this period may be judged to be instrumental, Dr Jon Banks isolates all such pieces and establishes them as an explicit genre alongside the more commonly recognized vocal forms of the period. The distribution of these pieces in the manuscript and early printed sources of the time demonstrate how central instrumental consorts were to musical experience in Italy at this time. Banks also explores the social background to Italian music-making, and particularly the changing status of instrumentalists with respect to other musicians. Convincing evidence is put forward in particular for the lute ensemble to be a likely performance context for many of the surviving sources. The book is not intended to be a prescriptive account for the role of instruments in late medieval music, but instead restores an impressive but largely overlooked consort repertory to its rightful place in the history of music.

Instrumentalists and Renaissance Culture, 1420-1600

Author : Victor Coelho,Keith Polk
Publisher : Cambridge University Press
Page : 353 pages
File Size : 48,6 Mb
Release : 2016-05-26
Category : Art
ISBN : 9781107145801

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Instrumentalists and Renaissance Culture, 1420-1600 by Victor Coelho,Keith Polk Pdf

This is the first in-depth study in any language exploring the vast cultural range of instrumental music during the Renaissance.

The Courtly Consort Suite in German-speaking Europe, 1650-1706

Author : Michael Robertson
Publisher : Ashgate Publishing, Ltd.
Page : 304 pages
File Size : 45,8 Mb
Release : 2009
Category : Music
ISBN : 0754664511

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The Courtly Consort Suite in German-speaking Europe, 1650-1706 by Michael Robertson Pdf

Dance music at the courts of seventeenth-century Germany is a genre that is still largely unknown. Dr Michael Robertson sets out to redress the balance and study the ensemble dance suites that were played at the German courts between the end of the Thirty Years War and the early years of the eighteenth century. The book examines the dissemination of dance music, the influence of Jean-Baptiste Lully, instrumentation and performance practice, and the differences between the French and Italian styles. It also studies the courtly suites before the advent of Lullism and the differences between the suites of court composers and town musicians.

Minstrels and Minstrelsy in Late Medieval England

Author : Richard Rastall
Publisher : Boydell & Brewer
Page : 477 pages
File Size : 40,8 Mb
Release : 2023-04-04
Category : History
ISBN : 9781837650392

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Minstrels and Minstrelsy in Late Medieval England by Richard Rastall Pdf

A major new study piecing together the intriguing but fragmentary evidence surrounding the lives of minstrels to highlight how these seemingly peripheral figures were keenly involved with all aspects of late medieval communities. Minstrels were a common sight and sound in the late Middle Ages. Aristocrats, knights and ladies heard them on great occasions (such as Edward I's wedding feast for his daughter Elizabeth in 1296) and in quieter moments in their chambers; town-dwellers heard and saw them in civic processions (when their sound drew attention to the spectacle); and even in the countryside people heard them at weddings, church-ales and other parish celebrations. But who were the minstrels, and what did they do? How did they live, and how easily did they make a living? How did they perform, and in what conditions? The evidence is intriguing but fragmentary, including literary and iconographic sources and, most importantly, the financial records of royal and aristocratic households and of towns. These offer many insights, although they are often hard to fit into any coherent picture of the minstrels' lives and their place in society. It is easy to see the minstrels as peripheral figures, entertainers who had no central place in the medieval world. Yet they were full members of it, interacting with the ordinary people around them, as well as with the ruling classes: carrying letters and important verbal messages, some lending huge sums of money to the king (to finance Henry V's Agincourt campaign in 1415, for instance), some regular and necessary civic servants, some committing crimes or suffering the crimes of others. In this book Rastall and Taylor bring to bear the available evidence to enlarge and enrich our view of the minstrel in late medieval society.

Josquin's Rome

Author : Jesse Rodin
Publisher : Oxford University Press
Page : 432 pages
File Size : 42,9 Mb
Release : 2012-11-07
Category : Music
ISBN : 9780199844319

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Josquin's Rome by Jesse Rodin Pdf

In the late fifteenth century the newly built Sistine Chapel was home to a vigorous culture of musical composition and performance. Josquin des Prez stood at its center, singing and composing for the pope's private choir. Josquin's Rome offers a new reading of the composer's work in light of the repertory he and his fellow papal singers performed from the chapel's singers' box. Comprising the single largest surviving corpus of late fifteenth-century sacred music, these pieces served as a backdrop for elaborately choreographed liturgical ceremonies--a sonic analogue to the frescoes by Botticelli, Perugino, and their contemporaries that adorn the chapel's walls. Jesse Rodin uses a comparative approach to uncover this aesthetically and intellectually rich musical tradition. He confronts longstanding problems concerning the authenticity and chronology of Josquin's music while offering nuanced readings of scandalously understudied works by the composer's contemporaries. The book further contextualizes Josquin by locating intersections between his music and the wider soundscape of the Cappella Sistina. Central to Rodin's argument is the idea that these pieces lived in performance. The author puts his interpretations into practice through a series of exquisite recordings by his ensemble, Cut Circle (available both on the companion website and as a CD from Musique en Wallonie). Josquin's Rome is an essential resource for musicologists, scholars of the Italian Renaissance, and enthusiasts of early music.

Music and Instruments of the Elizabethan Age

Author : Michael Fleming,Michael Jonathan Fleming,Christopher Page
Publisher : Boydell & Brewer
Page : 326 pages
File Size : 52,9 Mb
Release : 2021
Category : MUSIC
ISBN : 9781783274215

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Music and Instruments of the Elizabethan Age by Michael Fleming,Michael Jonathan Fleming,Christopher Page Pdf

Uses the rare depictions of musical instruments and musical sources found on the Eglantine Table to understand the musical life of the Elizabethan age and its connection to aspects of culture now treated as separate disciplines ofhistorical study.

Music in the Collective Experience in Sixteenth-century Milan

Author : Christine Suzanne Getz
Publisher : Ashgate Publishing, Ltd.
Page : 340 pages
File Size : 49,7 Mb
Release : 2005
Category : Music
ISBN : 0754651215

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Music in the Collective Experience in Sixteenth-century Milan by Christine Suzanne Getz Pdf

Using archival documents, music prints, manuscripts and contemporary writing, Getz examines the musical culture of sixteenth-century Milan. The book investigates the musician's role as an actor and a functionary in the political, religious, and social spectacles produced by the Milanese church, state and aristocracy within the city's diverse urban spaces. Furthermore, it establishes a context for the numerous motets, madrigals, and lute intabulations composed and printed in sixteenth-century Milan by examining their function within the urban milieu in which they were first performed.

Sourcebook for Research in Music, Third Edition

Author : Allen Scott
Publisher : Indiana University Press
Page : 518 pages
File Size : 55,5 Mb
Release : 2015-06-01
Category : Music
ISBN : 9780253014566

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Sourcebook for Research in Music, Third Edition by Allen Scott Pdf

Since it was first published in 1993, the Sourcebook for Research in Music has become an invaluable resource in musical scholarship. The balance between depth of content and brevity of format makes it ideal for use as a textbook for students, a reference work for faculty and professional musicians, and as an aid for librarians. The introductory chapter includes a comprehensive list of bibliographical terms with definitions; bibliographic terms in German, French, and Italian; and the plan of the Library of Congress and the Dewey Decimal music classification systems. Integrating helpful commentary to instruct the reader on the scope and usefulness of specific items, this updated and expanded edition accounts for the rapid growth in new editions of standard works, in fields such as ethnomusicology, performance practice, women in music, popular music, education, business, and music technology. These enhancements to its already extensive bibliographies ensures that the Sourcebook will continue to be an indispensable reference for years to come.

The Early Tudor Court and International Musical Relations

Author : Theodor Dumitrescu
Publisher : Ashgate Publishing, Ltd.
Page : 358 pages
File Size : 48,6 Mb
Release : 2007
Category : Music
ISBN : 0754655423

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The Early Tudor Court and International Musical Relations by Theodor Dumitrescu Pdf

Theodor Dumitrescu treats the matter of musical relations between England and continental Europe during the first decades of the Tudor reign (c.1485-1530), by exploring a variety of historical, social, biographical, repertorial and intellectual links. In the first major study devoted to this topic, a wealth of documentary references scattered in primary and secondary sources receives a long-awaited collation and investigation, revealing the central role of the first Tudor monarchs in internationalizing the royal musical establishment and setting an example of considerable import for more widespread English artistic developments.

The Sounds and Sights of Performance in Early Music

Author : Brian E. Power,Maureen Epp
Publisher : Ashgate Publishing, Ltd.
Page : 314 pages
File Size : 55,5 Mb
Release : 2009
Category : Music
ISBN : 0754654834

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The Sounds and Sights of Performance in Early Music by Brian E. Power,Maureen Epp Pdf

The experience of music performance is always far more than the sum of its sounds, and evidence for playing and singing techniques is not only inscribed in music notation but can also be found in many other types of documents and materials. This volume of essays presents a cross-section of new research on performance issues in medieval and renaissance music. The subject is approached from a broad perspective, drawing on complementary disciplines such as dance history, art history, music iconography and performance traditions from beyond western Europe. In doing so, the volume continues some of the many lines of enquiry pursued by its dedicatee, Timothy J. McGee, over a lifetime of scholarship devoted to practical questions of playing and singing early music.

Editing Music in Early Modern Germany

Author : Susan Lewis Hammond
Publisher : Ashgate Publishing, Ltd.
Page : 302 pages
File Size : 46,8 Mb
Release : 2007
Category : Music
ISBN : 0754655733

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Editing Music in Early Modern Germany by Susan Lewis Hammond Pdf

Editing Music in Early Modern Germany argues that editors played a critical role in the transmission and reception of Italian music outside Italy. Like their counterparts in the world of classical learning, Renaissance music editors translated texts and reworked settings from Venetian publications, adapting them to the needs of northern audiences. Their role is most evident in the emergence of the anthology as the primary vehicle for the distribution of madrigals outside Italy. The book suggests that music editors defined the appropriation of Italian music through the same processes of adaptation, transformation and domestication evident in the broader reception of Italy north of the Alps. Through these studies, Susan Lewis Hammond's work reassesses the importance of northern Europe in the history of the madrigal and its printing.

Heinrich Scheidemann's Keyboard Music

Author : Pieter Dirksen
Publisher : Ashgate Publishing, Ltd.
Page : 294 pages
File Size : 41,7 Mb
Release : 2007
Category : Music
ISBN : 0754654419

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Heinrich Scheidemann's Keyboard Music by Pieter Dirksen Pdf

One of the most remarkable tales of recent resurrections in the field of early keyboard music concerns the music of Heinrich Scheidemann (c. 1595-1663). Pieter Dirksen considers the transmission of Scheidemann's music as a whole and the repertoire itself

Music and Jewish Culture in Early Modern Italy

Author : Lynette Bowring,Rebecca Cypess,Liza Malamut
Publisher : Indiana University Press
Page : 291 pages
File Size : 43,9 Mb
Release : 2022-03-01
Category : Music
ISBN : 9780253060075

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Music and Jewish Culture in Early Modern Italy by Lynette Bowring,Rebecca Cypess,Liza Malamut Pdf

Musical culture in Jewish communities in early modern Italy was much more diverse than researchers originally thought. An interdisciplinary reassessment, Music and Jewish Culture in Early Modern Italy evaluates the social, cultural, political, economic, and religious circumstances that shaped this community, especially in light of the need to recognize individual experiences within minority populations. Contributors draw from rich materials, topics, and approaches as they explore the inherently diverse understandings of music in daily life, the many ways that Jewish communities conceived of music, and the reception of and responses to Jewish musical culture. Highlighting the multifaceted experience of music within Jewish communities, Music and Jewish Culture in Early Modern Italy sheds new light on the place of music in complex, previously misunderstood environments.